Airelle Besson quartet - Radio One Airelle Besson, trumpet Isabel Sörling, lyric Benjamin Moussay, piano, Fender Rhodes Fabien Moreau, Drums Recorded on June16, 2019 at the Philharmonie de Paris TV Director, Josselin Carré

Snarky Puppy 11 musicians Performed music from the last recording, IMMIGRANCE. Two years after their sold-out French tour, the jazz group phenomenon is back to celebrate the release of its latest album. Based in Brooklyn, the community group brings together around thirty musicians who work with the greatest names in music. Having achieved recognition three times at the Grammy awards, Snarky Puppy, endeavours to create 'music for the body and the mind'. Recorded at the salle Pleyel on November 22, 2019 TV Director, Patrick Savey

Macbeth, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after the tragedy of William Shakespeare First performance in Florence, Teatro della Pergola, March 14, 1847 Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Giampaolo Maria Bisanti (Conductor) Christof Loy (Stage Director) Jonas Dahlberg (Sets), Ursula Renzenbrink (Costumes), Brend Purkrabek (Lighting) Ludovic Tézier (Macbeth) Vitalij Kowaljow (Banquo) Martina Serafin (Lady Macbeth) Anna Puche (Dama di Lady Macbeth) Saimir Pirgu (Macduff) Albert Casals (Malcolm) David Sánchez (Medico) Marc Canturri (Domestico di Macbeth, sicario) Recorded on October 16 & 20, 2016 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier

Giselle Akram Kahn, choreography Adolphe Adam's, music Ruth Little, dramaturgy Tim Yip, sets Mark Henderson, lighting designe Vincenzo Lamagna, musical adaptation English National Ballet Philharmonic With Tamara Rojo, Giselle James Streeter, Albrecht and the English National Ballet Recorded on October 2017 a the Liverpool Empire TV Director, Ross McGibbon

Victoria Cathy Marston | choreographer Steffen Aarfing | set and costume designer Uzma Hameed | dramaturgue Cathy Marston | Uzma Hameed, scenario Philip Feeney | composer Northern Ballet Sinfonia Jonathan Lo | Conductor With (Queen Victoria) Abigail Prudames (Prince Albert) Joseph Taylor (Older Beatrice) Pippa Moore (Younger Beatrice) Miki Akuta (John Brown) Mlindi Kulashe (Liko) Sean Bates (Lord Melbourne) Jonathan Hanks with the Northern Ballet Recorded on May 24, 2019 at the Sadler's Wells Theatre de Londres, UK TV Director, Ross MacGibbon

Concerto Köln Markus Hoffmann (violin) Antonio Vivaldi (1678 - 1741) Concerto for Strings and Basso Continuo in C minor RV 120 Pietro Antonio Locatelli (1695 - 1764) Concerto grosso in G minor Op. 1 No. 12 Evaristo Felice Dall'Abaco (1675 - 1742) Concerto a più Istrumenti in D major Op. 5 No. 6 Johann Sebastian Bach (1685 - 1750) Concerto for Harpsichord, No. 4 in A major BWV 1055 Giovanni Battista Sammartini (1700 - 1775) Sinfonia in A major Antonio Vivaldi Violin Concerto in E minor RV 277 'Il favorito' Johann Sebastian Bach Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196 Johann Sebastian Bach Brandenburg Concerto No. 4 in G major BWV 1049 Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 14, 2018 Directed by Julien Condemine

Les Arts Florissants, William Christie, Paul Agnew (Conductors) Sandrine Piau (soprano), Lea Desandre (mezzo-soprano), Christophe Dumaux (countertenor), Marcel Beekman (haute-contre), Marc Mauillon (baritone), Lisandro Abadie (bass) With Musicians of the Juilliard School of New York George Frideric Handel (1685 -1759) Atalanta - Act III, scene 7 / Sinfonia Zadok the priest, Coronation Anthem HWV 258 Henry Purcell (1659-1695) Welcome to all the pleasures George Frideric Handel Alcina - Tornami a vagheggiar Orlando - Ah! stigie larve, ah! scelerati spettri! L'Allegro, il Penseroso ed il Moderato - I'll to thee well trod stage anon / O let the merry bells ring round Ariodante -Scherza infida / Bramo aver mille vite Henry Purcell The Fairy Queen - Act II King Arthur - Passacaglia The Fairy Queen - Now the night Marc-Antoine Charpentier (1643 -1704) Les Arts florissants - Que mes divins concerts / Amour du ciel et de la terre Honoré d'Ambruis Le doux silence de nos bois Jean-Baptiste Lully (1632-1687) Atys - Prélude / Dormons, dormons tous / Prélude Jean-Philippe Rameau (1683 -1764) Les Fêtes d'Hébé - Pour rendre à mon hymen tout l'Olympe propice / Tu chantais Hippolyte et Aricie - Ah ! qu'on daigne du moins / Puisque Pluton est inflexible Platée - Ouverture / Que ce séjour est agréable / Air pour les fous gays / Prélude Formons les plus brillants concerts / Aux langueurs d'Apollon Les Indes galantes - Deuxième entrée : Les Incas du Pérou Les Indes galantes - Quatrième entrée : Les Sauvages Recorded at the Philharmonie de Paris, 21 December 2019 TV Director, Corentin Leconte

Tristan und Isolde Drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy Sommer

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Anne Paceo 'Alegria' Anne Paceo (drumes, compositions) Daniel Santiago (guitar) Frederico Heliodoro (bass) Leonardo Montana (piano) ' Alegria ' or ' joy ' in Portuguese...This what comes out of the encounter between Anne Paceo and two musicians having frequented the greatest names in Brazilian music (Hamilton de Holanda, João Bosco, Milton Nascimento, Hermeto Pascoal...). The pianist and Anne's faithful accomplice, Léo Montana, completes this dream casting. For the occasion our sparkling artist in residence will propose some new compositions she says : ' I know that from our alchemy, magic will be born and that it really is joy that will spring out of it. ' Recorded on June 1st, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Magic Malik Rythms and dancses from Cameroon Magic Malik, flute, voice, co-composer, co-artistic direction, Hilaire Penda co-composer, co-artistic direction, Zaf Zapha, bass, Maciek Lassere, saxophone, William Ombe, percussions, voice, Merclin Nyakam, choreography, dance, voice Created in 2017 on the occasion of the residence of Magic Malik in Royaumont, this programme focusing on Cameroon was an invitation to see much further by looking much closer. To start with, it was a question of an encounter between the flautist with large antennas and a Fulani flute played by the Burkino Faso citizen Dramane Dembelé. However, along the way, the imagined project with the late Hilaire Penda and of which the Cameroonian dancer Merlin Nyakam has become the principle mediator, feeds off traces from the past in order to question the very nature of what we call jazz and to fertilise it by projecting it into the contemporary field of a 'creolised' world'. Recorded on March 28, 2019 at the Banlieues Bleues festival TV Director, Guillaume Dero

Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.' Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard