Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.' Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Ballake Sissoko & Vincent Segal Ballake Sissoko, kora Vincent Segal, cello Track list Chamber Music (Ballaké Sissoko) Oscarine (Vincent Segal) Houdesti (Ballaké Sissoko) Wo ye N'gnougobine (Ballaké Sissoko) Histoire de Molly (Vincent Segal) Ma Fa (Vincent Segal) Regret à Kader Barry ' (Ballaké Sissoko) Halinkata Djouba ' (Ballaké Sissoko) Future (Ballaké Sissoko) Mako Mady (Ballaké Sissoko) Recroded on October 18, 2009, at the hino Jazz festival TV Director, Francois Goetghebeur

Anne Paceo ' rewind' Anne Paceo (drumes, compositions) Sylvain Daniel (bass) Matthis Pascaud (guitar) Racecar (MC) Mike Ladd (MC) Osloob (MCM) ' Rewind' is a return to her roots for Anne Paceo. Firstly a return to her initial musical loves, with a world at the frontiers of hip hop, jazz, groove and rock. But also a return to the compositions of her six albums. For this new project, she has written a few new titles, but also revisits certain titlles from her repertoire... mixed with a groovy sauce !Accompanied by the bass player Sylvain Daniel and the guitarist Matthis Pascaud, Anne has surrounded herself with 3 Master of CeremoniesC's : Racecar and his cutting flow, Mike Ladd the poet of the spoken word, and Osloob and his posessed singing. A group that really wants to make you get up and dance ! Recorded on May 29, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

MusicAeterna byzantina, MusicAeterna choir, Teodor Currentzis (Conductor) Alexey Retinsky (b. 1986) Salve Regina Ave rex gentis anglorum Hildegard von Bingen (1098 - 1179) O vis aeternitatis Kyrie eleison Te ri rem Malek Theotoke i Elpis Vai me Exomologiste ton kirion Recorded at the Sainte-Chapelle, Paris, 26 October 2019 TV Director, François-René Martin

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Alison Balsom (trumpet) Joseph Haydn (1732 - 1809) Concerto for trumpet and orchestra in E flat major Hob. VIIE.1 Dmitri Shostakovich (1906 - 1975) Symphony no. 7 in C major 'Leningrad', op. 60 Recdorded on January 13, 2017 at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Snarky Puppy 11 musicians Performed music from the last recording, IMMIGRANCE. Two years after their sold-out French tour, the jazz group phenomenon is back to celebrate the release of its latest album. Based in Brooklyn, the community group brings together around thirty musicians who work with the greatest names in music. Having achieved recognition three times at the Grammy awards, Snarky Puppy, endeavours to create 'music for the body and the mind'. Recorded at the salle Pleyel on November 22, 2019 TV Director, Patrick Savey

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Yom & The Wonder Rabbis Yom (clarinet, composition) Léo Jassef (keaboard) Guillaume Magne (guitar) Sylvain Daniel (bass) Mathieu Penot (drums) Recorded on July 11, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Don Carlos Opéra in five acts by Giuseppe Verdi (1813 - 1883) Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller's 'Don Carlos, Infant von Spanien' First performance in Paris, Opéra, 11 March 1867 Orchestre et Chœurs de l'Opéra Royal de Wallonie-Liège, Paolo Arrivabeni (Conductor) Pierre Iodice (Chorus master) Stefano Mazzonis di Pralafera (Stage Director) Gary Mc Cann (sets) Fernand Ruiz (costumes), Franco Marri (lighting) Gregory Kunde (Don Carlos) Ildebrando D'Arcangelo (Philippe II) Yolanda Auyanet (Elisabeth de Valois) Kate Aldrich (La Princesse Eboli) Lionel Lhote (Marquis de Posa) Roberto Scandiuzzi (Grand Inquisiteur) Patrick Bolleire (Un Moine) Caroline De Mahieu (Thibault) Maxime Melnik (Le Comte de Lerme) Louise Foor (Une voix céleste) Recorded at the Opéra Royal de Liège-Wallonie, 17 & 19 April 2020

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Christian Tetzlaff (violin) Béla Bartók (1881 - 1945) Violin Concerto No. 2, Sz.112 Violin Concerto No. 1, Sz. 36 Witold Lutoslawski (1913 - 1994) Symphony No. 4 Recorded on October 18, 2017, at the Helsinki Music Centre, Concert Hall TV directors, Anu Holttinen and Teemu Holttinen

Orchestre philharmonique de Monte-Carlo, Kazuki Yamada (Conductor) Boris Berezovsky (piano) Chœur de l'Orchestre de Paris Lionel Sow (Chorus Master) Claude Debussy (1862 - 1918) Gigues Franz Liszt (1811 - 1886) Piano Concerto no 1 Totentanz Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded on September 22, 2017 at the Grimaldi Forum, Monte-Carlo Directed by Benjamin Bleton

Anne Paceo 'Alegria' Anne Paceo (drumes, compositions) Daniel Santiago (guitar) Frederico Heliodoro (bass) Leonardo Montana (piano) ' Alegria ' or ' joy ' in Portuguese...This what comes out of the encounter between Anne Paceo and two musicians having frequented the greatest names in Brazilian music (Hamilton de Holanda, João Bosco, Milton Nascimento, Hermeto Pascoal...). The pianist and Anne's faithful accomplice, Léo Montana, completes this dream casting. For the occasion our sparkling artist in residence will propose some new compositions she says : ' I know that from our alchemy, magic will be born and that it really is joy that will spring out of it. ' Recorded on June 1st, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.' Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Ballake Sissoko & Vincent Segal Ballake Sissoko, kora Vincent Segal, cello Track list Chamber Music (Ballaké Sissoko) Oscarine (Vincent Segal) Houdesti (Ballaké Sissoko) Wo ye N'gnougobine (Ballaké Sissoko) Histoire de Molly (Vincent Segal) Ma Fa (Vincent Segal) Regret à Kader Barry ' (Ballaké Sissoko) Halinkata Djouba ' (Ballaké Sissoko) Future (Ballaké Sissoko) Mako Mady (Ballaké Sissoko) Recroded on October 18, 2009, at the hino Jazz festival TV Director, Francois Goetghebeur

Tony Allen - The Source Tony Allen (drums) Mathias Allamane (double bass) Indy Dibongue (guitar) Jean-Phi Dary (Piano - keyborad) Nicolas Giraux (trumpet) Yann Jankielewicz (Tenor saxophone) Playlist Bad Roads Ewajo On Fire Wolf eat Wolf Push and Pull Crusing Cool Cats (Album The Source (Universal >Blue Note Records) Born in 1940 in Lagos, Tony Allen had never played any of the traditional percussion instruments only to straightaway become interested in their far-off cousin, that is to say, the drum kit. Self-taught, it was by listening to the recordings of Art Blakey or Max Roach that he perfected his technique of drum playing, even though he was working as a technician at the National Radio of Nigeria. His destiny took a new turn when in 1964 he made the acquaintance of Fela Kuti, firstly as part of the Koola Lobitos, then as conductor of Africa 70 where he developed a new language known as the Afrobeat, a mixture of Yoruba rhythms, of funk and of revolutionary themes. With Fela Kuti, Tony would append his rhythmic signature to around twenty albums, a unique manner of drawing out the rhythms with caressing energy, but which is fantastically efficient. For the rest of his career, Tony would spend it remaining faithful to the original Afrobeat and a multidirectional emancipation leading him through jazz, Dub music and international Pop. Recorded on August 31, 2019 at the Grande Halle de la Villette Jazz à la Villette TV Director, Samuel Thibaut