"В этой серии неизвестный фантазирует о том, как ведёт урок написания сцен убийства, и воплощает в реальность то, что написали его ученики.. Сериал.

В поисках неизвестного Отдел анализа поведения отправляется в район в городской части Чикаго с ориентировкой на мужчину средних лет, и зацепка приводит Моргана к идее, что они преследуют человека, связанного с тем, кто растлил его в детстве.. Сериал.

Monty Alexander, piano Born in Jamaca on D-Day- a sign of destiny ? - Monty Alexander rapidly left his native country for the United States. In New York, he regularly accompanied Frank Sinatra and performed in the jazz clubs of Manhattan (including the famous Minton's which was the birthplace of bebop) where Duke Ellington, Count Basie and Miles Davies did not miss a chance of hearing him play. After more than fifty years of a career crowned with collaborations with Tony Bennett, Nathalie Cole, Clint Eastwood, Dizzy Gillespie, Sonny Rollins, Quincy Jones, Ernest Ranglin and Barbara Hendricks the pianist travelled around the globe thrilling audiences with his vibrant personality, which communicated an original musical message, in which the heady beat of reggae is mixed with the contagious rocking of swing. Recorded on November 23, 2018 at the Seine Musicale TV director, Julien Faustino

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Béla Fleck & the Flecktones Béla Fleck (Banjo) Victor Wooten (Bass guitar) Futureman (Percussions) Howard Levy (Harmonica) Banjo virtuoso Béla Fleck and his supremely talented Flecktones-Victor Wooten, Futureman and Howard Levy-are globally renowned for their magisterial performances and musical potpourri seasoned with bluegrass, African music, electric blues and Eastern European folk. Eight years after their last Festival visit, they finally make a highly anticipated return. Unmissable. Live from the Montreal Jazz Festival, Maisonneuve Theater TV Director, Mathieu Mastin

Love Chapter 2 Sharon Eyal & Gai Behar, choreographers For 6 dancers 2017 creation L-E-V company Ori Lichtik , music Alon Cohen, lighting With Gon Biran, Darren Davaney, Rebecca Hytting,Leo Lerus, Mariko Kakizaki, Keren Lurie Pardes Recorded on 6th and 7th July 2017 at the Opéra Comédie de Montpellier, Festival de Montpellier Danse TV Director, Louise Narboni et Vincent Massip

Twenty-Seven Perspectives Maud Le Pladec (Conception and choreography) Éric Soyer (Lighting creation) Pete Harden (Musical creation and musical arrangements) Franz Schubert (Composer) Symphony No. 8 in B minor, D. 759 (Unfinished Symphony) (Unvollendete) Alexandra Bertaut (Création costumes) Julien Gallée-Ferré (Assistant) With Régis Badel, Amanda Barrio Charmelo, Olga Dukhovnaya, Jacquelyn Elder, Simon Feltz, Maria Ferreira Silva, Aki Iwamoto, Daan Jaartsveld, Louis Nam Le Van Ho, Noé Pellencin Recorded on July 3 & 4, 2018 at the Agora Theater, Festival Montpellier Danse TV Director, Louise Narboni

Pieces from New York Angelin Preljocaj, choreographer Ballet Preljocaj Spectral Evidence (2013) For 8 dancers Music, John Cage Costume, Olivier Theyskens Lighting, Mark Stanley Recreated by, Dany Levêque With Victor Caliz Martinez, Baptiste Coissieu, Verity Jacobsen, Jean-Charles Jousni; Emilie Lalande, Céline Marié, Nuriya Nagimova, Simon Ripert La Stravaganza (1997) For 12 dancers Music by : Antonio Vivaldi (Concerto n°8, RV249, extracts from Dixit Dominus, Laudate Pueri Dominum) Evelyn Ficarra (Source of Uncertainty) Serge Morand (Naïves) Robert Normandeau (Eclats de voix) Åke Parmerud (Dark Objects) Scenography, Maya Schweizer Costume, Hervé Pierre Lighting, Mark Stanley Recreated by, Noémie Perlov With Verity Jacobsen, Nuriya Nagimova, Emilie Lalande, Anna Tatarova, Margaux Coucharrière, Céline Marié, Victor Caliz Martinez, Simon Ripert, Baptiste Coissieu, Jean-Charles Jousni, Aaron Smeding, Redi Shtylla Live from Festival Montpellier Danse, Opéra Berlioz - Le Corum TV Director, Denis Caïozzi

Die Zauberflöte (The Magic Flute) Singspiel by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Emmanuel Schikaneder First performance in Vienna, Theater auf der Wieden, 30 September 1791 Orchestra of the Age of Enlightenment, Ryan Wigglesworth (Conductor) The Glyndebourne Chorus Barbe & Doucet (Stage Direction, Sets) Patrick Martel (Puppet Designer), Guy Simard (Lighting Designer) David Portillo (Tamino) Esther Dierkes (First Lady) Marta Fontanals-Simmons (Second Lady) Katharina Magiera (Third Lady) Björn Bürger (Papageno) Caroline Wettergreen (Queen of the Night) Jörg Schneider (Monostatos) Sofia Fomina (Pamina) Michael Kraus (Speaker) Brindley Sherratt (Sarastro) Thomas Atkins (Second Priest and First Man in Armour) Martin Snell (First Priest and Second Man in Armour) Alison Rose (Papagena) Puppeteers Richard Booth, Mikey Brett, Ashleigh Cheadle, Jack Parker, Ben Thompson, Scarlet Wilderink Recorded at the Glyndebourne Festival, 1 August 2019 Directed by François Roussillon

Pierre-Laurent Aimard (piano) Claude Debussy (1862 - 1918) Cloches à travers les feuilles La Puerta del Vino Pour les arpèges composés Record on June 25, 2018, Puerta del Vino, Alhambra de Granada, Festival Internacional de Música y Danza de Granada TV Director, Stéphane Vérité

Richard Coeur-de-lion 'Comédie mise en musique' in three acts by André Grétry (1741 - 1813) Libretto by Michel-Jean Sedaine First performance in Paris, Comédie-Italienne, 21 October 1784 Le Concert Spirituel, Hervé Niquet (Conductor) Le Ballet de l'Opéra Royal Marshall Pynkoski (Stage Director) Jeannette Lajeunesse Zingg (Choreography), Antoine Fontaine (Sets), Camille Assaf (Costumes), Hervé Gary (Lighting) Rémy Mathieu (Blondel) Reinoud Van Mechelen (Richard) Melody Louledjian (Laurette) Marie Perbost (Antonio / La Comtesse) Geoffroy Buffière (Sir Williams) Jean-Gabriel Saint-Martin (Urbain / Florestan / Mathurin) François Pardailhé (Guillot / Charles) Cécile Achille (Madame Mathurin) Charles Barbier (Sénéchal) Agathe Boudet (Colette) Virginie Lefèvre (Béatrix) Recorded at the Opéra Royal, Château de Versailles, 12 October 2019 TV Director, Julien Condemine

Orchestre de Chambre de Lausanne, Joshua Weilerstein (Conductor) Bertrand Chamayou (piano) Ludwig van Beethoven (1770-1827) Piano Concerto no 5 in E flat major op. 73 'Emperor' Symphony no 2 in D major op. 36 Recorded 1 February 2020 at the Eglise de Saanen (Sommets Musicaux de Gstaad)

Orchestre de Chambre de Lausanne, Christoph Eschenbach (Conductor) Christopher Park (piano) Joseph Haydn (1732-1809) Symphony no 92 in G major, 'Oxford' Robert Schumann (1810 -1856) Piano Concerto in A minor, op. 54 Introduction and Allegro appassionato (Konzertstück) in G major, op. 92 Joseph Haydn Symphony no 104 in D major, 'London' Recorded at the Salle Métropole, Lausanne, 11 September 2018

Lars Anders Tomter (viola), Sharon Kam (clarinet), Christian Ihle Hadland (piano) Alban Berg Four pieces for clarinet and piano, op. 5 Johannes Brahms Sonata for Viola and Piano in F minor, op. 120 Wolfgang Amadeus Mozart Trio for clarinet, viola and piano in E flat major, K. 498, 'Kegelstatt Trio' Recorded on June 6th 2017 at the concert hall of Troldhaugen as part of the Bergen Festival Directed by Benjamin Bleton

Nederlands Dans Theater (NDT 2) Mutual Comfort Choreography, Edward Clug Piece for 4 dancers - Creation on 2015 Lighting, Tom Visser Sets & costumes, Edward Clug Music, PErpeTuumOVIA de Milko Lazar Short Cut Choreography, Hans Van Manen Ballet for 4 dancers - Creation on 1999 Scenography & costumes, Keso Dekker Lighting, Jan Hofstra Music, Jacob ter Veldhuis Subtle Dust Choreography, Sol León & Paul Lightfoot Piece for 8 dancers - Creation on 2018 Lighting, Tom Bcvoort Video work, Sol León, Paul Lightfoot, Rahi Rezvani Costume, Joke Visser, Hermien Hollander Sets, Sol León & Paul Lightfoot Music, Johann Sebastian Bach Midnight Raga Choreography, Marco Goecke Piece for 2 dancers - Creation on 2017 Lighting, Udo Haberland Sets & costumes, Marco Goecke Dramaturgy, Nadja Kadel Music, Ravi Shankar and Etta James [I'd Rather Go Blind et At Last, Trust in Me, A Sunday Kind of Love (medley)] Recorded on June 8,9 & 10, 2018 at the Lucent Theater, The Hague, Netherlands TV Director, Louise Narboni

Amaury faye Trio Amaury Faye, piano Louis Navarro, double bass Théo Lanau, percussion In keeping with the big piano trios and Big Moe Trio (in 2010), perfected from his Toulouse kingdom, the new project from Amaury Faye tells his story. He takes inspiration from artists on the contemporary New York scene and the latest trends in European jazz. Amaury Faye went to study at Berklee College in Boston with pianist Joanne Brackeen (Stan Getz, Dexter Gordon) and Tia Fuller (Joe Lovano) in 2014. The pianist is a member of the Toulouse-based Initiative H alongside his trio. Their repertoire includes original tracks and cool covers. There's a blend of improvisation and writing, virtuosity and finesse, lyricism and undulating beats (e.g. on the Fender Rhodes). Faye is one to watch on the international piano scene and famous for his talents as both a soloist and composer. Amaury Faye, Louis Navarro and Théo Lanau put the heritage of the past into fuelling the future. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Donny McCaslin Donny McCaslin, saphoxone according to the album 'Beyond Now' Donny McCaslin is a tenor sax player. Influenced by his father, pianist and vibraphonist, he starts playing saxophone at the age of 12. After stopping by Berklee College of Music of Boston, he joins a quintet of a teacher from his school, Gary Burton, with whom he will tour for a few years. He moves to New York in 1991 and joins the band Steps Ahead. He will play with several more important music ensembles such as the Ken Schaphorst's big band or the Maria Schneider Ahead. In 2005, he joins trumpeter Dave Douglas'quintet. In 2010, he explores for the first time electric, funk, R&B and soul music. Moreover, David Bowie chose Mc Caslin's band to support his very last album Blackstar. In the past years, he was three times nominated for Grammys Awards. Recorded on, 2017, June 30th at Gesù, Montreal Jazz Festival TV Director, Mathieu Mastin

Golden Striker Trio Ronald L. Carter (bass guitar ) Russel L. Malone (guitar) Donald Vega (piano) A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz à Vienne TV Director, Fabien Raymond

New Orleans, Street Jazz & Dirty Rap Documentary by Samuel Petit New Orleans is like no other city in the United States. Proud of its French past, its heart beats to the rhythm of jazz - the city even gave its name to a specific style of jazz. Director Samuel Petit follows Rusty Lazer, a DJ and producer of 'bounce music' - a local style of hip hop -, members of the legendary Dirty Dozen Brass Band, and Trombone Shorty, a musician who has become a symbol of the city's new musical tradition. They tell of the scars of a community deeply wounded by hurricane Katrina and of the way its individual members try to overcome the trauma. Recorded on 2013

We Love Ella The Amazing Keystone Big Band Bastien Ballaz, Aloïs Benoit, Loïc Bacheveillier, Sylvain Thomas (trombones) Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones) David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets) Fred Nardin (piano), François Thibaut (Guitar) Patrick Maradan (Double Bass) Romain Sarron (Drums) Guests Célia Kaméni (vocal) China Moses (vocal) Sarah McKenzie (vocal, piano) The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had ???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel TV Director,Laurent Hasse