У знаменитого пирса в Санта-Монике начинают появляться сожжённые тела бездомных, и Отдел поведенческого анализа направляется на место преступления. Между тем, Росси воссоединяется со своим бывшим сержантом морской пехоты из Вьетнама.. Сериал.

Команда Отдела анализа поведения отправляется на поиски пропавшего вблизи Вашингтона школьного автобуса с детьми, и они должны опередить время, чтобы доставить детей домой в целости и сохранности.. Сериал.

Keziah Jones Keziah Jones, vocal, guitar Joel Grant, bass Joshua McKenzie, percussion Keziah Jones was born into a wealthy family in 1968 in Lagos, Nigeria. He was sent to school in England at the age of 8 and he taught himself to play the piano and guitar in London. He gradually created a stunning rhythmic blend of smooth funk, Hendrix-style psychedelia, pure Ikeja reggae and Yoruba harmonies. He called it BluFunk. Keziah Jones hung out English pubs in central London before heading to Paris where he was spotted in the underground in 1991. The album Blufunk Is a Fact and the track Rhythm is Love were international hits. After venturing through the desert of the mid-90s, he struck gold in 2003 with his fourth album Black Orpheus then the unstoppable Nigerian Wood (2008). Keziah completed an ambitious double album in 2013 flitting between Los Angeles, Spain and his kingdoms in London and Lagos. The dandy fighter is well and truly back to win over his audience. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

Cory Henry & the Funk Apostles Jazz à Vienne 2016 With Cory Henry (keyboards, vocals) Andrew Bailey (guitar), Erin Jakemore (percussions), Cleon Edwards (drums), Sharay Reed (bass), Nick Simrod (keyboards) Recorded on July, 13th 2016 at the Théâtre Antique TV direction by Eric Michaud

Monty Alexander, piano Born in Jamaca on D-Day- a sign of destiny ? - Monty Alexander rapidly left his native country for the United States. In New York, he regularly accompanied Frank Sinatra and performed in the jazz clubs of Manhattan (including the famous Minton's which was the birthplace of bebop) where Duke Ellington, Count Basie and Miles Davies did not miss a chance of hearing him play. After more than fifty years of a career crowned with collaborations with Tony Bennett, Nathalie Cole, Clint Eastwood, Dizzy Gillespie, Sonny Rollins, Quincy Jones, Ernest Ranglin and Barbara Hendricks the pianist travelled around the globe thrilling audiences with his vibrant personality, which communicated an original musical message, in which the heady beat of reggae is mixed with the contagious rocking of swing. Recorded on November 23, 2018 at the Seine Musicale TV director, Julien Faustino

Harold Lopez Nussa Trio Harold Lopez Nussa (piano) Ruy Adrian Lopez Nussa (drums) Gaston Joya (bass) Harold Lopez Nussa is a Cuban pianist who comes from a family of musicians. When you hear him it seems as if he is the custodian of all the musical traditions of the Caribbean, open to all the influences from Africa and the Americas without even mentioning the great European classical composers. It is an indication of just how much music lives within him and how he never ceases to want to share it with us. On stage, Harold Lopez overflows with expression just like everything which characterizes 'feeling' in Cuban music which is savoured with a shot of rum in the ears. Harold Lopez the direct descendent of the great Cuban pianists, Cucho Valdez, Carlos Maza, Roberto Fonseca, pianists who irresistibly make you get up off your seat and dance. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Norma Tragedia lirica in two acts by Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani after the play 'Norma, ou L'infanticide' (Norma, or The Infanticide) by Alexandre Soumet First performance in Milan, Teatro alla Scala, 26 December 1831 Orchestra and choirs et from the Royal Opera of Wallonia-Liège, Massimo Zanetti (conductor) Pierre Iodice (chorus master) Julien Eberhardt (Konzertmeister) Davide Garattini Raimondi (Stage Director) Paolo Vitale (set), Giada Massi (costumes), Paolo Vitale (lighting) Patrizia Ciofi (Norma) Gregory Kunde (Pollione) Josè Maria Lo Monaco (Adalgisa) Andrea Concetti (Oroveso) Zeno Popescu (Flavio) Réjane Soldano (Clotilde) Recorded on October 28, 2017 at the Royal Opera of Wallonia-Liège TV Director, Nicolas Foulon

Swan Lake Ballet in three acts Libretto by Vladimir Begichev and Vasily Geltser Music, Piotr Ilyich Tchaikovsky Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister Choreographic version, Valery Kovtun (premiered in 1986) Stage Designer, Maria Levitskaya Costumes, Oxana Zinchenko Ballet Company of The National opera of Ukraine Orchestra of The National opera of Ukraine Musical direction, Mykola Dyadura (Odette/ Odile) Natalia Matsak (Prince Siegfried) Denys Nedak (Rothbart), Yaroslav Tkachuk (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina (Venetian Dance) Oleksandre Skulkine (The Tutor) Sergey Litvinenko (The Knight) Vladislav Ivashchenko (The Queen) Ludmila Melnik

Salue pour moi le monde! Choreography by Joëlle Bouvier After Tristan und Isolde with different music pieces by Richard Wagner Choreography assistants, Emilio Urbina et Rafael Pardillo Sccnography, Émilie Roy Costumes, Sophie Hampe Lights, Renaud Lagier With the Ballet of the Grand Théâtre de Genève Recorded on May 27th 2015 at the Bâtiment des Forces Motrices (Genève) TV Director, Stéphane Lebard

Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor) Mario Brunello (cello), Aidar Bagautdinov (viola) Richard Strauss (1864 - 1949) Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35 Anton Bruckner (1824 - 1987) Symphony No. 9 in D minor Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019 TV Director, Elena Schaptchits

Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor) Anastasia Kalagina (soprano) Richard Strauss (1864 - 1949) Death and Transfiguration, tone poem, Op. 24 / Four Last Songs, for soprano and orchestra, Op. 150/ Gustav Mahler (1860 - 1911) Symphony No. 5 in C-sharp minor Recorded at the Tchaikovsky Concert Hall, Moscow, 16 February 2019

Guillaume Perret Guillaume Perret, saxophone, machines The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as 'a whirlwind of emotion' and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: 'Since there were many of all of us, there were already too many people.' You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

An Evening with Avishai Cohen INSO-Lviv Orchestra Christian Schumann, Conductor Avishai Cohen , Double bass and vocals Omri Mor, Piano Noam David, Percussion Avishai Cohen is an Israeli jazz bassist, double bass player, composer and arranger who gained fame when he became a member of Chick Corea's band Origin. He has also performed with such stars as Daniel Perez, Bobby McFerrin, Jeff 'Tain' Watts, Jeff Ballard, Roy Hargrove, Herbie Hancock, Paquito D'Rivera and many others. Avishai has recorded 15 albums. Chick Corea considers him 'a genius musician', and Bass Player magazine named him one of the 100 most influential bassists of the 20th century. Moreover, Avishai is also an amazing singer. With support from the Embassy of Israel to Ukraine, Avishai will perform together with the INSO-Lviv Academic Symphony Orchestra. The artistic director of the orchestra, which was founded in 1998, is a People's Artist of Ukraine, legendary composer Myroslav Skoryk. The orchestra has won several awards, including a Radio Swiss Classic Love Award, a Golden Disc from Franz Xaver Mozart Klavierkonzerte and others. The performance with Avishai will be a new jazz experience for INSO-Lviv, following the orchestra's collaboration with composer and pianist Vadim Neselovskyi. Recorded on 2017, June 24th at the Leopolis Jazz Fest, Ukraine TV Director, Amos Rozenberg

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

Harold Lopez Nussa Trio Harold Lopez Nussa (piano) Ruy Adrian Lopez Nussa (drums) Gaston Joya (bass) Harold Lopez Nussa is a Cuban pianist who comes from a family of musicians. When you hear him it seems as if he is the custodian of all the musical traditions of the Caribbean, open to all the influences from Africa and the Americas without even mentioning the great European classical composers. It is an indication of just how much music lives within him and how he never ceases to want to share it with us. On stage, Harold Lopez overflows with expression just like everything which characterizes 'feeling' in Cuban music which is savoured with a shot of rum in the ears. Harold Lopez the direct descendent of the great Cuban pianists, Cucho Valdez, Carlos Maza, Roberto Fonseca, pianists who irresistibly make you get up off your seat and dance. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Amaury faye Trio Amaury Faye, piano Louis Navarro, double bass Théo Lanau, percussion In keeping with the big piano trios and Big Moe Trio (in 2010), perfected from his Toulouse kingdom, the new project from Amaury Faye tells his story. He takes inspiration from artists on the contemporary New York scene and the latest trends in European jazz. Amaury Faye went to study at Berklee College in Boston with pianist Joanne Brackeen (Stan Getz, Dexter Gordon) and Tia Fuller (Joe Lovano) in 2014. The pianist is a member of the Toulouse-based Initiative H alongside his trio. Their repertoire includes original tracks and cool covers. There's a blend of improvisation and writing, virtuosity and finesse, lyricism and undulating beats (e.g. on the Fender Rhodes). Faye is one to watch on the international piano scene and famous for his talents as both a soloist and composer. Amaury Faye, Louis Navarro and Théo Lanau put the heritage of the past into fuelling the future. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Golden Striker Trio Ronald L. Carter (bass guitar ) Russel L. Malone (guitar) Donald Vega (piano) A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz à Vienne TV Director, Fabien Raymond