Рози (Мишель Пфайффер) продюсирует глупые телесериалы, в одиночку воспитывает дочь-панкушку и совершенно не задумывается над тем, чтобы устроить свою личную жизнь. Но тут к ней на кастинг является молодой, талантливый, шебутной кривляка Адам (Пол Радд). Он мгновенно очаровывает Рози, хоть та и убеждена, что разницы в 15 лет вполне достаточно, чтобы помешать их роману. Параноидальные настроения ("Он обязательно бросит меня ради молодой!") отягощаются выходками завистливой секретарши, а также первой и, разумеется, безответной влюбленностью дочери.. 2007. Художественный фильм.

Одну семью в Канзасе находят мертвой, в то время как другая просто пропала без вести. Команда пытается найти связь между этими событиями и выяснить, кто стоит за убийствами и похищением. Кроме того, Хотч получает удивительную новость от Бет.. Сериал.

Когда в пустыне в Нью-Мехико обнаруживают тело без ног, а в больнице появляется вторая жертва принудительной ампутации, Отдел поведенческого анализа ФБР начинает поиски этого хирурга-любителя, чтобы поймать его прежде, чем начнётся его охота на очередную жертву.. Сериал.

Когда в сельской местности штата Орегон пропадают без вести четыре человека, Отдел поведенческого анализа ищет связь между пропавшими. Тем временем, Джей Джей расстроена тем, что её сын Генри не хочет праздновать Хэллоуин.. Сериал.

Когда в Майами находят тела проституток, убитых таким же образом, как и мёртвые животные, обнаруженные рядом, Отдел поведенческого анализа вынужден работать в полную силу, чтобы найти неизвестного, чья уверенность в себе растёт с каждым днем.. Сериал.

У знаменитого пирса в Санта-Монике начинают появляться сожжённые тела бездомных, и Отдел поведенческого анализа направляется на место преступления. Между тем, Росси воссоединяется со своим бывшим сержантом морской пехоты из Вьетнама.. Сериал.

Golden Striker Trio Ronald L. Carter (bass guitar ) Russel L. Malone (guitar) Donald Vega (piano) A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz à Vienne TV Director, Fabien Raymond

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Manon Lescaut, dramma lirico in four acts by Giacomo Puccini (1858- 1924) Libretto by Luigi Illica and Domenico Oliva after 'L'histoire du Chevalier Des Grieux et de Manon Lescaut' by Antoine-François Prévost First performance in Milan, Teatro alla Scala, 7 February 1894 Orchestra and choirs et from the Royal Opera of Wallonia-Liège, Speranza Scappucci (conductor) Pierre Iodice (chorus master) Jean-Gabriel Raelet (Konzertmeister) Stefano Mazzonis Di Pralafera (Stage Director) Jean-Guy Lecat (set), Fernand Ruiz (costumes), Franco Marri (lighting) Anna Pirozzi (Manon) Marcello Giordani (Des Grieux) Ionut Pascu (Lescaut) Marcel Vanaud (Geronte) Marco Ciaponi (Edmondo) Alexise Yerna (Il Musico) Patrick Delcour (L'Oste & Il Sergente) Pietro Picone (Il Maestro di ballo) Recorded on September 28, 2017 at the Royal Opera of Wallonia-Liège TV Director, Nicolas Foulon

Orchestre de Chambre de Lausanne, Joshua Weilerstein (Conductor) Bertrand Chamayou (piano) Ludwig van Beethoven (1770-1827) Piano Concerto no 5 in E flat major op. 73 'Emperor' Symphony no 2 in D major op. 36 Recorded 1 February 2020 at the Eglise de Saanen (Sommets Musicaux de Gstaad)

Manon's Story (L'histoire de Manon) Choreography and staging, Kenneth MacMillan Music, Jules Massenet arranging and orchestrating by Martin Yates Set and costume, Nicholas Georgiadis Lighting, John B. Read Opéra national de Paris orchestra Conductor, Martin Yates With The Étoiles and the Corps de Ballet Manon, Aurélie Dupont Des Grieux, Roberto Bolle Lescaut, Manon's brother, Stéphane Bullion Lescaut's mistress, Alice Renavand Monsieur de G. M., Benjamin Pech Madame, Viviane Descoutures The jailer, Karl Paquette Recorded on May 12th and 18th 2015 at the Opéra National de Paris, Palais Garnier TV Director, Cédric Klapisch, co-TV Director, Miguel Octave

The Ninth Symhony Maurice Béjart, choreography After Schiller's 'Ode to joy' Ludwig van Beethoven, music Maurice Béjart, staging Friedrich Nietzsche, Prologue Gil Roman, artistic director Israel Philharmonic orchestra Zubin Mehta, conductor Ritsuyukai choir Kufiami Kuriyama, chorus master Gil Roman, narratorr Kristin Lewis, soprano Mihoko Fujimura, mezzo-soprano Kei Fukui, tenor Alexander Vinogradov, bass JB Meier and Thierry Hochstätter, percussion Joëlle Roustan abd Roger Bernard, original costumes and sets Henri Davila, costumes adaptation Dominique Roman, Lighting realisation Piotr Nardelli, Ballet Master revival With The Béjart Ballet Lausanne The Tokyo Ballet and Solooists Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald Recorded on November 9 th 2014 at the NHK Hall Tokyo TV Director, Mari Hnamasu

Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor) Michael Spyres (tenor) (Benvenuto Cellini) Sophia Burgos (soprano) (Teresa) Maurizio Muraro (bass) (Giacomo Balducci) Lionel Lhote (baritone) (Fieramosca) Tareq Nazmi (bass) (Pape Clément) Adèle Charvet (mezzo-soprano) (Ascanio) Vincent Delhoume (tenor) (Francesco) Ashley Riches (baritone) (Bernardino) Hector Berlioz (1803-1869) Benvenuto Cellini 'Opéra-comique' in two acts and four tableaux Libretto by Léon de Wailly and Auguste Barbier First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles TV Director, Sébastien Glas

Richard Coeur-de-lion 'Comédie mise en musique' in three acts by André Grétry (1741 - 1813) Libretto by Michel-Jean Sedaine First performance in Paris, Comédie-Italienne, 21 October 1784 Le Concert Spirituel, Hervé Niquet (Conductor) Le Ballet de l'Opéra Royal Marshall Pynkoski (Stage Director) Jeannette Lajeunesse Zingg (Choreography), Antoine Fontaine (Sets), Camille Assaf (Costumes), Hervé Gary (Lighting) Rémy Mathieu (Blondel) Reinoud Van Mechelen (Richard) Melody Louledjian (Laurette) Marie Perbost (Antonio / La Comtesse) Geoffroy Buffière (Sir Williams) Jean-Gabriel Saint-Martin (Urbain / Florestan / Mathurin) François Pardailhé (Guillot / Charles) Cécile Achille (Madame Mathurin) Charles Barbier (Sénéchal) Agathe Boudet (Colette) Virginie Lefèvre (Béatrix) Recorded at the Opéra Royal, Château de Versailles, 12 October 2019 TV Director, Julien Condemine

Ensemble Matheus, Jean-Christophe Spinosi (conductor) Emilie Rose Bry (soprano) Claudio Monteverdi (1567 - 1643) Vespro della Beata Vergine (excerpts) L'Incoronazione di Poppea (excerpts) Si Dolce e'l tormento Giulio Caccini (1551 - 1618) Con le luci d'un bel ciglio Tarquinio Merula (1595 - 1665) Canzonetta spirituale sopra alla nanna Hamza El Din Escalay Traditional song Amazing Grace Recorded 20 June 2018, Saint-Germain-des-Prés Church, Paris Directed by Don Kent

An Evening with Avishai Cohen INSO-Lviv Orchestra Christian Schumann, Conductor Avishai Cohen , Double bass and vocals Omri Mor, Piano Noam David, Percussion Avishai Cohen is an Israeli jazz bassist, double bass player, composer and arranger who gained fame when he became a member of Chick Corea's band Origin. He has also performed with such stars as Daniel Perez, Bobby McFerrin, Jeff 'Tain' Watts, Jeff Ballard, Roy Hargrove, Herbie Hancock, Paquito D'Rivera and many others. Avishai has recorded 15 albums. Chick Corea considers him 'a genius musician', and Bass Player magazine named him one of the 100 most influential bassists of the 20th century. Moreover, Avishai is also an amazing singer. With support from the Embassy of Israel to Ukraine, Avishai will perform together with the INSO-Lviv Academic Symphony Orchestra. The artistic director of the orchestra, which was founded in 1998, is a People's Artist of Ukraine, legendary composer Myroslav Skoryk. The orchestra has won several awards, including a Radio Swiss Classic Love Award, a Golden Disc from Franz Xaver Mozart Klavierkonzerte and others. The performance with Avishai will be a new jazz experience for INSO-Lviv, following the orchestra's collaboration with composer and pianist Vadim Neselovskyi. Recorded on 2017, June 24th at the Leopolis Jazz Fest, Ukraine TV Director, Amos Rozenberg

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Ambrose Akinmusire Quartet Ambrose Akinmusire (trumpet) Sam Harris (piano), Harish Raghavan (bass guitar), Justin Brown (drums) This young trumpet player (aged 36), an American of Nigerian heritage, has an impeccable background (from Berkeley High School to the first prize in the Thelonious Monk competition in 2007), but is much more than an impressive academic CV. He aims to create a personal world 'dedicated to beauty'. Akinmusire was born and raised in Oakland, California and first attracted the attention of the saxophonist Steve Coleman, who asked him to join Five Elements. Ambrose Akinmusire was then 19. He released his first album, 'Prelude (To Cora)', and moved to New York, where he played with Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. In 2010, he worked with Terri Lyne Carrington, Ron Carter, Wallace Roney, Herbie Hancock and Wayne Shorter. Everyone could see that this creative and surprising trumpet player would be a name to watch in contemporary jazz. This view was shared by the Blue Note label, who signed him up. The albums 'When the Heart Emerges Glistening' and 'The Imagined Savior is Far Easier to Paint' were released in 2011 and 2014. The artist draws his landscapes, visions, ideas and states of mind - pure grace! Akinmusire explores the two sides of his temperament: introspection and lyrical ebullience. In summer 2017, he released 'A Rift in Decorum - Live at the Village Vanguard', a double CD recorded at the legendary club in New York, featuring 16 new compositions in two wide-ranging sets, in defiance of gravity. Recorded on July 9, at the Festival Jazz à Vienne TV Director, Fabien Raymon

Keziah Jones Keziah Jones, vocal, guitar Joel Grant, bass Joshua McKenzie, percussion Keziah Jones was born into a wealthy family in 1968 in Lagos, Nigeria. He was sent to school in England at the age of 8 and he taught himself to play the piano and guitar in London. He gradually created a stunning rhythmic blend of smooth funk, Hendrix-style psychedelia, pure Ikeja reggae and Yoruba harmonies. He called it BluFunk. Keziah Jones hung out English pubs in central London before heading to Paris where he was spotted in the underground in 1991. The album Blufunk Is a Fact and the track Rhythm is Love were international hits. After venturing through the desert of the mid-90s, he struck gold in 2003 with his fourth album Black Orpheus then the unstoppable Nigerian Wood (2008). Keziah completed an ambitious double album in 2013 flitting between Los Angeles, Spain and his kingdoms in London and Lagos. The dandy fighter is well and truly back to win over his audience. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

We Love Ella The Amazing Keystone Big Band Bastien Ballaz, Aloïs Benoit, Loïc Bacheveillier, Sylvain Thomas (trombones) Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones) David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets) Fred Nardin (piano), François Thibaut (Guitar) Patrick Maradan (Double Bass) Romain Sarron (Drums) Guests Célia Kaméni (vocal) China Moses (vocal) Sarah McKenzie (vocal, piano) The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had ???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel TV Director,Laurent Hasse