В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Les Chants des possibles: rencontre lyrique internationale à Paris The documentary tells of the coming together of ten young international opera singers. They are between twenty and thirty years old and are unknown to each other. Scrupulously chosen by a team of professional musicians they are invited to the capital in order to take up a challenge: that of breathing life, in five days, into an original opera production conceived for them. 5 days during which these artists are going to get to know each other, come face to face to share their love of their art, and work relentlessly with a singing coach, a conductor and a stage director with the shared and ultimate aim of creating a unique and unprecedented performance. TV Director, Patrick Savey

Orchestre Prométhée, Pierre-Michel Durand (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Le Nozze di Figaro - Deh vieni non tardar (Susanna) Yaritza Veliz (soprano, Chile) Gaetano Donizetti (1797 - 1848) Lucia di Lammermoor - Verranno a te sull'aure (Edgardo/Lucia) David Astorga/Julia Sitkovetsky Nikolai Rimsky-Korsakov (1844 - 1908) The Tsar's Bride - Suma neydot krasavitsa (Griaznoi) Benjamin Lewis (baritone, UK) Vincenzo Bellini (1801 - 1835) La Somnambula - Ah non credea mirarti (Amina) Mélissa Petit (soprano, France) Francesco Cilea (1866 - 1950) Adriana Lecouvreur - Acerba volluta (Pincipessa di Bouillon) Zlata Khershberg (mezzo-soprano, Israel) Gaetano Donizetti L'Elisir d'amore - Voglio dire (Nemorino/Dulcamara) Shan Huang/Jérôme Boutillier Piotr Ilitch Tchaikovsky (1840 - 1893) The Queen of Spades - Ya vas Lyublyu (Yetleski) Ilya Kutyukhin (baritone, Russia) Gioachino Rossini (1792 - 1868) La Cenerentola - Nacqui all'affanno (Angelina) Lilly Jørstad (mezzo-soprano, Norway) Gaetano Donizetti Don Pasquale - Cerchero lontana terra (Ernesto) Shan Huang (tenor, China) Wolfgang Amadeus Don Giovanni - Ah taci ingiusto cor (Elvira, Don Giovanni, Leporello) Julia Sitkovetsky/Bejamin Lewis/Jérôme Boutillier Giuseppe Verdi (1813 - 1901) C'est moi, Carlos... C'est mon jour suprême ... Ah ! Je meurs (Rodrigue) Jérôme Boutillier (baritone, France) Wolfgang Amadeus Mozart Die Zauberflöte - Der hölle Rache (Queen of the Night) Julia Sitkovetsky (soprano, UK) Ambroise Thomas (1811 - 1896) Hamlet -Allez dans un cloître (Reine, Ophélie, Hamlet) Zlata Khershberg/Mélissa Petit/Benjamin Lewis Giuseppe Verdi La Traviata - Lunge da lei (Alfredo) David Astorga (tenor, Costa Rica) Gaetano Donizetti La Favorite - Pour la fête (Alphonse XI, Leonor de Guzmann) Ilya Kutyukhin/Zlata Khershberg Gaetano Donizetti Lucia di Lammermoor - Chi frena in tal momento Tutti Recorded 18 January 2019 at the Théâtre des Champs-Elysées, Paris TV Director, Patrick Savey

Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor) Michael Spyres (tenor) (Benvenuto Cellini) Sophia Burgos (soprano) (Teresa) Maurizio Muraro (bass) (Giacomo Balducci) Lionel Lhote (baritone) (Fieramosca) Tareq Nazmi (bass) (Pape Clément) Adèle Charvet (mezzo-soprano) (Ascanio) Vincent Delhoume (tenor) (Francesco) Ashley Riches (baritone) (Bernardino) Hector Berlioz (1803-1869) Benvenuto Cellini 'Opéra-comique' in two acts and four tableaux Libretto by Léon de Wailly and Auguste Barbier First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles TV Director, Sébastien Glas

Casse-Noisette (The Nutcracker) Choreography by Kader Belarbi Ballet in two acts Ivan Vsevolojski et Marius Petipa, libretto After Histoire d'un Casse-Noisette, adapted by Alexandre Dumas from Nutcracker and The Mouse King by E. T. A. Hoffmann Piotr Ilitch Tchaïkovski, music Ballet du Capitole Kader Belarbi, direction Orchestre national du Capitole Koen Kessels, conductor Maîtrise du Capitole Alfonso Caiani, chorus master Anthony Rouchier, composition and arrangements Kader Belarbi, choreographye and staging Antoine Fontaine, sets Lola Sergent, sets assistant Philippe Guillotel, costume Hervé Gary, lighting With (Nutcracker) Ramiro Gómez Samón (Drosselmeyer) Rouslan Savdenov (The Ultimate Supervision) Alexandra Surodeeva (Marie) Natalia de Froberville Recorded on December 27 and 29, 2017 at the Théâtre du Capitole TV Director, Luc Riolon

The Dead Queen (La Reine Morte) Choreography and stage by Kader Belarbi Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652) Orchestre national du Capitole Koen Kessels, Conductor Music, Piotr Ilitch Tchaïkovski Set, Bruno de Lavenère Costume, Olivier Bériot Lights, Sylvain Chevallot Withe The Capitole Ballet Recorde on February 8th at the Capitole of Toulouse Theater TV Director, Luc Riolon

Orlando Furioso, dramma per musica in three acts by Antonio Vivaldi (1678 - 1741) Libretto by Grazio Braccioli after Ludovico Ariosto First performance in Venice, Teatro San Angelo, 1727 Orchestra e Coro del Teatro La Fenice, Diego Fasolis (Conductor) Ulisse Trabacchin (Chorus Master) Fabio Ceresa (Stage Direction) Sonia Prina (Orlando) Francesca Aspromonte (Angelica) Lucia Cirillo (Alcina) Carlo Vistoli (Ruggiero) Riccardo Novaro (Astolfo) Loriana Castellano (Bradamante) Raffaele Pe (Medoro) Live from the Teatro Malibran, Venice, on April 17, 2018 TV Director, Stéphane Vérité

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Michael Wollny Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions stian 'Schlapbe' Flach, double basse Pit Huberty, batterie Playlist Atavus (Eric Schaefer) Phlesma Phighter (Eric Schaefer) Big Louise (Scott Walker) Farbenlehre (Michael Wollny) Gravité (Eric Schaefer) Sleeper (Michael Wollny) Hiroshima mon amour (Eric Schaefer) Little Person (Jon Brion) Gorilla Bsicuits (Eric Schaefer) Lassel (Machant) Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux