Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: Dž.Butkutė, R.Kirilkinas, E.Masiulis, I.Budrienė, J.Morkūnas, A.Bialobžeskis, I.Starošaitė, G.Zujus.

Vedėjai Radži ir Agnė. Dainuoja: Merūnas, S.Povilaitis, Ž.Žvagulis, Marijonas, A.Chošnau, Radži, O.Vyšniauskas, E.Kučinskas, "Tikri vyrai", Deivis, Vudis, ŽAS ir kt..

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: Dž.Butkutė, R.Kirilkinas, E.Masiulis, I.Budrienė, J.Morkūnas, A.Bialobžeskis, I.Starošaitė, G.Zujus.

Vedėjai Radži ir Agnė. Dainuoja: Merūnas, S.Povilaitis, Ž.Žvagulis, Marijonas, A.Chošnau, Radži, O.Vyšniauskas, E.Kučinskas, "Tikri vyrai", Deivis, Vudis, ŽAS ir kt..

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: Dž.Butkutė, R.Kirilkinas, E.Masiulis, I.Budrienė, J.Morkūnas, A.Bialobžeskis, I.Starošaitė, G.Zujus.

Vedėjai Radži ir Agnė. Dainuoja: Merūnas, S.Povilaitis, Ž.Žvagulis, Marijonas, A.Chošnau, Radži, O.Vyšniauskas, E.Kučinskas, "Tikri vyrai", Deivis, Vudis, ŽAS ir kt..

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: Dž.Butkutė, R.Kirilkinas, E.Masiulis, I.Budrienė, J.Morkūnas, A.Bialobžeskis, I.Starošaitė, G.Zujus.

Vedėjai Radži ir Agnė. Dainuoja: Merūnas, S.Povilaitis, Ž.Žvagulis, Marijonas, A.Chošnau, Radži, O.Vyšniauskas, E.Kučinskas, "Tikri vyrai", Deivis, Vudis, ŽAS ir kt..

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Boris Godunov Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881) Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin First performance in St Petersburg, Mariinsky Theatre, 8 February 1874 Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor) Valery Borisov (Chorus master) Igor Ushakov (Stage Director) Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography) Mikhail Kazakov (Boris Godunov) Albina Latipova (Xenia) Ekaterina Vorontsova (Fyodor) Anastasia Bibicheva (Xenia's Nurse) Maxim Paster (Prince Vasily Ivanovich Shuisky) Andrei Potaturin (Andrei Shchelkalov) Denis Makarov (Pimen) Agunda Kulaeva (Marina Mnishek) Andrii Goniukov (Varlaam) Ivan Maximeyko (Missail) Elena Manistina (Innkeeper) Behzod Davronov (Simpleton) Nikolai Kazansky (Nikitich) Alexander Borodin (Mityukha) Irina Rubtsova / Evgenia Segenyuk (Two Women) Recorded at the Bolshoi Theatre, Moscow, 19 December 2019

Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor) Mariana Flores, Francesca Aspromonte (sopranos) Raffaele Pé (countertenor) Emiliano Gonzalez-Toro (tenor) Matteo Bellotto (bass) Alessandro Scarlatti Sigismondi d'India Carlo Gesualdo Madrigali Sicilian traditional songs Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France Directed by Isabelle Soulard and Christian Leblé

Les Arts Florissants, William Christie, Paul Agnew (Conductors) Sandrine Piau (soprano), Lea Desandre (mezzo-soprano), Christophe Dumaux (countertenor), Marcel Beekman (haute-contre), Marc Mauillon (baritone), Lisandro Abadie (bass) Works by Marc-Antoine Charpentier (1643 - 1704), Georg Friedrich Haendel (1685 - 1759), Jean-Baptiste Lully (1632 - 1687), Henry Purcell (1659 - 1695) and Jean-Philippe Rameau (1683 - 1764) Recorded at the Philharmonie de Paris, 21 December 2019

Royal Concertgebouw Orchestra, Iván Fischer (Conductor) Isabelle Faust (Violin), Tabea Zimmermann (Viola) Gioachino Rossini (1792 - 1868) Overture to 'L'italiana In Algeri' Wolfgang Amadeus Mozart (1756 - 1791) Sinfonia Concertante, K364 Gioachino Rossini Ouverture to 'La Gazza Ladra' Joseph Haydn (1732 - 1809) Symphony no. 102 in B-flat major Recorded 12 December 2019 at the Concergebouw, Amsterdam

Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor) Marc-Antoine Charpentier (1643 - 1704) La Peste de Milan H. 398 Te Deum H. 147 Messe pour les trépassés H. 2 Motet pour les trépassés H. 311 Leçon de Ténèbres H. 120 Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay Directed by Isabelle Soulard et Christian Leblé

Pieces from New York Angelin Preljocaj, choreographer Ballet Preljocaj Spectral Evidence (2013) For 8 dancers Music, John Cage Costume, Olivier Theyskens Lighting, Mark Stanley Recreated by, Dany Levêque With Victor Caliz Martinez, Baptiste Coissieu, Verity Jacobsen, Jean-Charles Jousni; Emilie Lalande, Céline Marié, Nuriya Nagimova, Simon Ripert La Stravaganza (1997) For 12 dancers Music by : Antonio Vivaldi (Concerto n°8, RV249, extracts from Dixit Dominus, Laudate Pueri Dominum) Evelyn Ficarra (Source of Uncertainty) Serge Morand (Naïves) Robert Normandeau (Eclats de voix) Åke Parmerud (Dark Objects) Scenography, Maya Schweizer Costume, Hervé Pierre Lighting, Mark Stanley Recreated by, Noémie Perlov With Verity Jacobsen, Nuriya Nagimova, Emilie Lalande, Anna Tatarova, Margaux Coucharrière, Céline Marié, Victor Caliz Martinez, Simon Ripert, Baptiste Coissieu, Jean-Charles Jousni, Aaron Smeding, Redi Shtylla Live from Festival Montpellier Danse, Opéra Berlioz - Le Corum TV Director, Denis Caïozzi

La Fresque (The Painting on the Wall) Angelin Preljocaj, choreography After the chinese traditional fairy, The Painting on the Wall Preljocaj Ballet Nicolas Godin, Music collaboration on specific tracks Azzedine Alaïa, Costume Constance Guisset, Sets and video Erice Soyer, Lumières Dancers Yurié Tsugawa, Margaux Coucharrière, Clara Freschel, Nuriya Nagimova, Anna Tatarova, Jean-Charles Jousni, Sergi Amoros Aparicio, Marius Delcourt, Antoine Dubois, Fran Sanchez Take a look beyond the surface of images with Ballet Preljocaj, in a performance at the crossroads between culture, aesthetics and time. When dance tells us about tales and popular representations, icons and illusion. Recorded on June 15th, 16th et 17th 2017 at La Criée, National Theater of Marseille, France TV Director, François-René Martin

Dhafer Youssef, oud, vocals Eivind Aarset, electric-guitars Kristjan Randalu, piano Phil Donkin, double bass Ferenc Nemeth, drums On his last album Birds Requiem, Tunisian singer and oud maestro Dhafer Youssef explores all possible combinations between traditional Arabic music and contemporary jazz and rock. From the sacred to the profane, from the divine to the earthly, discover an incantatory voice beyond compare.

Das Kapital 'Eissler explosion' Edward Perraud - drums Daniel Herdmann - saxophone Hasse Poulsen - guitar and The Orchestre d'Harmonie du Conservatoire et de l'Académie supérieur de musique de Strasbourg 'Eisler's hand' (Tim Garland) Recorded on November 9 & 10, 2018 at the Auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.