Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Adam Baldych with Helge Lien Trio Adam Bałdych, violin Helge Lien, piano Frode Berg, bass Hakon Mjaset Johansen, percussion The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising. Working with Norway Helge Lien talented pianist and his trio, he creates a mix of jaz and folklore polish music and Norwegian which the album Brothers released in 2017 had give us a marvellous glimpse. Enregistré le 11 novembre 2017 au Cadogan Hall, London Jazz Festival Réalisation, Mathieu Mastin

Stéphane Kerecki - French Touch Stéphane Kerecki, double bass Julien Lourau, saxophone Fabrice Moreau, drums Jozef Dumoulin, piano, Fender Rhodes Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Ivan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, Sîla

Wozzeck, opera in three acts by Alban Berg (1885 - 1935) Libretto by Alban Berg after the unfinished play by Georg Büchner 'Woyzeck' First performance in Berlin, Staatsoper, December 14, 1925 Netherlands Philharmonic Orchestra, Marc Albrecht (Conductor) Dutch National Opera Chorus, Nieuw Amsterdams Kinderkoor Krzysztof Warlikowski (Stage Director) Małgorzata Szczęśniak (Sets & Costumes), Felice Ross (Lighting), Denis Guéguin (Video), Claude Bardouil (Choreography), Christian Longchamp (Dramaturgy) Christopher Maltman (Wozzeck) Eva-Maria Westbroek (Marie) Frank van Aken (Tambourmajor) Jason Bridges (Andres) Marcel Beekman (Hauptmann/ Der Narr) Sir Willard White (Doktor) Ursula Hesse von den Steinen (Margret) Recorded on March 23 & April 6 at De Nationale Opera, Amsterdam Directed by François Roussillon

Collegium Vocale Gent, Philippe Herreweghe (Conductor) Dorothee Mields (soprano), Alex Potter (countertenor), Thomas Hobbs (tenor), Peter Kooij (bass) Johann Sebastian Bach (1685 - 1750) Orchestral Suite No.4 in D major BWV 1069 Gott der Herr ist Sonn und Schild, BWV79 Missa brevis in G major BWV236 Recorded on 20 January 2017 at the au Concertgebouw Brugge

Hedda Gabler Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, choreography and staging Kaloyan Boyadjive, Group choreography Nils Petter Molvær, music Even Børsum, sets design Ingrid Nylander, costume design Kristin Bredal , lighting design With dancers from The Norwegian national ballet The Norwegian national ballet school And Grete Sofie Borud Nybakken (Hedda Gabler) Silas Henriksen (Eilert Løvborg) Philip Currell (Jørgen Tesman) Eugenie Skilnand (Thea Elvsted) Shane Urton (Assessorr Brack) Samantha Lynch (Aunt Julie) Klara Mårtensson (Diana) Kristian Alm (Général Gablerl, Hedda's father) Erle Østraat (Hedda Gabler child) Helle Flood (Thea Elvsted , child) Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Ghosts Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, creation and staging Cina Espejord, choreography Nils Petter Molvær , Music Even Børsum , set design Ingrid Nylander , costumes Kristin Bredal , lighting design Jan Bang, trumpet With the dancers of The Norwegian National Ballet The Norwegian Bational Ballet school and Andreas Heise (Osvald / M. Alving) Camilla Spidsøe (Ms Alving) Grete Sofie Borud Nybakken (Regine) Yoshifumi Inao (Engstrand) Ole Willy Falkhaugen (Pastor Manders) Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Mahler Chamber Orchestra, Pablo Heras-Casado (Conductor) Isabelle Faust (violin), Carmen Romeu (soprano) Igor Stravinsky (1882 - 1971) Pulcinella (Suite) Péter Eötvös (1944) Alhambra Concerto for violin and orchestra Manuel de Falla (1876 - 1946) The three-cornered Hat Recorded at the Festival de Granada, Palacio de Carlos V, 11 & 12 July 2019 TV Director, Arnaud Lalanne

Budapest Festival Orchestra, Iván Fischer (Conductor) Johannes Brahms (1833 - 1897) Symphony no. 1 in C minor op. 68 Symphony no. 2 in D major op. 73 Live from the Béla Bartók National Concert Hall, Budapest TV Director, Corentin Leconte

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Michel Meis 4tet Michel Meis, drums+ compositions Cédric Hanriot, piano Stephan Goldbach, double bass Alisa Klein, trombone Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fête de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019 , on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a Jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebaut

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a Jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt