Виола мечтает играть в футбол в школьной команде, но для девушек не так много возможностей в этом виде спорта. Она решается на хитрость - переодевается в своего брата-близнеца и записывается в мужскую команду. Чтобы полностью соответствовать роли, она вынуждена поселиться в мужское общежитие, терпеть приставания девушек, а ко всему прочему, Виола влюбляется в своего соседа и партнера по команде.. 2006. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Stéphane Kerecki - French Touch Stéphane Kerecki, double bass Julien Lourau, saxophone Fabrice Moreau, drums Jozef Dumoulin, piano, Fender Rhodes Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux

Betrothal in a Monastery Lyrico-comic opera by Sergey Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan First performance in Prague, National Opera Theatre, 5 May 1946 Staatskapelle Berlin, Daniel Barenboim (Conductor) Staatsopernchor Martin Wright (Chorus master) Dmitri Tcherniakov (Stage Direction, Sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting) Stephan Rügamer (Don Jeronimo) Aida Garifullina (Luisa) Andrei Zhilikhovsky (Don Ferdinand) Violeta Urmana (La Duenna) Goran Jurić (Mendoza) Anna Goryachova (Clara D'Almanza) Lauri Vasar (Don Carlo) Arttu Kataja (Padre Augustin) Recorded at the Staatsoper Berlin, on April 24, 2019 TV Director, Andy Sommer

Biophony and Sand Choreographer, Alonzo King With Lines Ballet Babatunji, Robb Beresford, Adji Cissoko, Madeline DeVries, Shuaib Elhassan, James Gowan, Maya HarrCourtney Henry, Yujin Kim, Michael Montgomery BIOPHONY Music and sound environment, Bernie Krause et Richard Blackford Lights, Axel Morgenthaler Costumes, Robert Rosenwasser SAND Music, Charles Lloyd et Jason Moran Lights, Axel Morgenthaler Decors, Christopher Haas Costumes, Robert Rosenwasser Recorded on 2017, March 26th at the Faïencerie Théâtre, à Creil TV Director, Denis Caiozzi

MEYER and WRITING GROUND Two choreographies by Alonzo King Lines Ballet MEYER Original music by Edgar Meyer Lights by Axel Morgenthaler Costumes by Robert Rosenwasser WRITING GROUND Sacred music from the Jewish, Christian, Muslim and Tibetan traditions Lights by Axel Morgenthaler Costumes and sets by Robert Rosenwasser Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013 Directed by Denis Caïozzi

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Joost Honselaar

Boris Giltburg (piano) Sergei Rachmaninov (1873 - 1943) Variations on a theme by Corelli, Op.42 Dimitri Shostakovich (1906 - 1976) String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg) Nikolay Medtner (1879 - 1951) Sonata-Reminiscenza, Op.38 No.1 Alexander Scriabin (1871 - 1915) Piano Sonata no 5 in F sharp major, Op.53 Igor Stravinsky Three movements from Petrouchka Recorded at the Auditorium de la Maison de la Radio, Paris Directed by Nathan Benisly

The Tale of Tsar Tsaltan Opera in a prologue and four acts by Nikolay Rimsky-Korsavov (1844 - 1908) Libretto by Nikolay Andreyvich Belsky after Alexander Pushkin Fist performance in Moscow, Solodovnikov Theatre, 3 November 1900 Symphony Orchestra and Chorus of the Monnaie Theatre, Alain Altinoglu (Conductor) Dmitri Tcherniakov (Stage direction, sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (video, lighting) Ante Jerkunica (Tsar Saltan) Svetlana Aksenova (Tsaritsa Militrisa) Stine Marie Fischer (Tkatchikha) Bernarda Bobro (Povarikha) Carole Wilson (Babarikha) Bogdan Volkov (Tsarevich Gvidon) Olga Kulchynska (Tsarevna Swan-Bird / Lyebyed) Vasily Gorshkov (Old man) Alexander Vassiliev (Skomorokh / Shipman) Nicky Spence (Messenger / Shipman) Alexander Kravets (Shipman) Recorded at the Monnaie-De Munt Theatre, Brussels, 27 June 2019 TV Director, Andy Sommer

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux

The first, Alfredo Rodriguez, after classical training, discovered the world of jazz and improvisation by listening to Keith Jarrett.Today he is Quincy Jones's preferred pianist. The second, Pedrito Martinez, congaceros (percussionnist) comes from the streets of Havana making the whole of New York dance at Ginny's, the epicentre of Cuban Santeria. These two great jazz hopes meet each other at last and hold high the torch of the new uninhibited Latin-jazz scene where their virtuoso and audacious playing and their volcanic energy is put to the service of adventurous writing for a unique and fascinating voyage. Recorded on May 31, 2019 at Jazz sous les Pommiers TV Directors, Thierry Villeneuve

Ibrahim Maalouf Kalthoum Ibrahim Maalouf, trumpet Franck Woeste, piano Mark Turner, saxophone Scott Colley, double bass Clarence Penn, drums The arrangements by Ibrahim Maalouf and Frank Woeste of one of Oum Kalthoum's greatest successes, Alf Leila wa Leila (The One Thousand and One Nights), colour this beautiful, oriental intoxication with jazz tones. Recorded on december 13rd at the Paris Philharmonie 1 TV Director, Samuel Thiebaut

Bokanté Malika Tirolien, voice Michael League, guitar & voice Chris McQueen, guitar & voice Bob Lanzetti, guitar Roosevelt Collier, steel guitar Jamey Haddad, percussion Keita Ogawa, percussion André Ferrari, percussion An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.' Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux