MEZZO

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Tribute to Jerome Robbins Les Etoiles, les Premiers Danseurs and the Corps de Ballet of the Opéra national de Paris Opéra national de Paris orchestra Valery Ovsyanikov, conductor With the kind collaboration of Jean-Pierre Fröhlich Fancy Free Choreography, Jerome Robbins Music, Leonard Bernstein Sets, Oliver Stmith Costume, Kermit Love Light, Jennifer Tipton With Eleonora Abbagnato (Danseuse Etoile), Alice Renavand (Danseuse Etoile), Stéphane Bullion (Danseur Etoile), Karl Paquette (Danseur Etoile), François Alu (Premier Danseur), Aurélia Bellet, Alexandre Carniato A suite of Dances Choreography, Jerome Robbins Music, Johann Sebastian Bach Costume, Santo Loquasto Light, Jennifer Tipton Cello, Artist invited Sonia Wieder-Atherton Afternoon of a Faun Choreographiy, Jerome Robbins Music, Claude Debussy Prélude à l'après-midi d'un faune (1894) Sets, Jean Rosenthal Costume, Irene Sharaff Light, Jennifer Tipton With The Nymph, Amandine Albisson (Danseuse Etoile) The Faun, Hugo Marchand (Danseur Etoile) Glass Pieces Choreography, Jerome Robbins Music, Philip Glass [Façades / Rubric extraits de Glassworks (1981) - Marche funèbre extraite de l'opéra Aknaten (1983)] Sets, Jerome Robbins et Ronal Bates Costume, Ben Benson Light, Jennifer Tipton With Sae Eun Park (Première Danseuse) - Florian Magnenet (Premier Danseur) and le Corps de Ballet de l'Opéra national de Paris Recorded on November 6 & 8, 2018 at the Opéra national de Paris, Palais Garnier TV director, Vincent Bataillon

Mariinsky Theatre Orchestra, Valery Gergiev (conductor) Denis Kozhukhin (piano) Leonidas Kavakos (violin) Igor Morozov (tenor) Sergei Prokofiev (1891 - 1953) Concerto No. 1 for piano and orchestra Symphony No. 1 'Classical' Symphony No. 2 Concerto No. 1 for violin and orchestra 'Seven, They are Seven', cantata for tenor, choir and orchestra Skythian Suite ('Ala & Lolly') Recorded on April 23, 2016 at the Tchaikovsky Hall, Moscow TV direction by François-René Martin

Jean-Guihen Queyras (cello), Alexandre Tharaud (piano) Johann Sebastian Bach (1685 - 1750) Sonata for cello and piano No.2 in D major BWV 1028 Dmitri Shostakovich (1906 - 1975) Sonata for cello and piano in D minor op.40 Alban Berg (1885 - 1935) 4 pieces op.5, version for cello and piano Johannes Brahms (1833 - 1897) Sonata for cello and piano No.1 in E minor op.38 Recorded on February 1st, 2018 at the Auditorium de Radio France, Maison de la Radio, Paris Directed by Nathan Benisty

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

Luisa Miller 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849 The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor) Elijah Moshinsky, Gregory Keller (Stage Director) Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa) Piotr Beczala (Rodolfo) Plácido Domingo (Miller) Alexander Vinogradov (Count Walter) Dmitry Belosselskiy (Wurm) Olesya Petrova (Federica) Rihab Chaieb (Laura) Patrick Miller (Peasant) Recorded at the Metropolitan Opera, New York, 14 April 2018 Directed by Matthew Diamond

Mahler Chamber Orchestra, Pablo Heras-Casado (Conductor) Isabelle Faust (violin), Carmen Romeu (soprano) Igor Stravinsky (1882 - 1971) Pulcinella (Suite) Péter Eötvös (1944) Alhambra Concerto for violin and orchestra Manuel de Falla (1876 - 1946) The three-cornered Hat Recorded at the Festival de Granada, Palacio de Carlos V, 11 & 12 July 2019 TV Director, Arnaud Lalanne

Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste (Conductor) Harry Traksmann (Violin) Arvo Pärt (b. 1935) Fratres Cantus in memoriam Benjamin Britten Adam's Lament Salve Regina Te Deum Recorded on October 20, 2018 at the Philharmonie de Paris TV Director, Olivier Simonnet

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Bernhard Gander (B. 1969) Take death Frank Zappa (1940 - 1993) Naval Aviation in Art? Dupree's Paradise The Perfect Stranger Edgard Varèse (1883 -1965) Intégrales John Zorn (B. 1953) For Your Eyes Only Frank Zappa Get Whitey The Dog Breath Variations / Uncle Meat (aka Dog / Meat), G-Spot Tornado Recorded at the Philharmonie de Paris, 29 September 2018 Directed by

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Exhibition Sidi Larbi Cherkaoui | choreographer Ma mère l'Oye Jeroen Verbruggen | Choreographer Tim Van Steenbergen | Set & costume Fabiana Piccioli | lighting designer Jason Kittelberger | Assistant choreography Koen Bollen | Dramaturgy Music | Modest Moussorgski (Maurice Ravel's orchestration ), Pictures of an exhibition / Maurice Ravel, Pavane pour une Infante défunte, Ma Mère l'Oye Royal Ballet of Flanders Flanders opera symphonic orchestra Orchestre Symphonique de l'Opéra des Flandres Yannis Pouspourikas | Conductor Recorded on 2016 at the Antwerp Opera TV Director, Andreas Morell

Orchestre Symphonique de Montréal, Kent Nagano (Conductor) Marie-Nicole Lemieux (alto) Claude Debussy (1862 - 1918) Jeux Richard Wagner (1813 - 1883) Wesendonck Lieder Igor Stravinsky (1882 - 1971) The Rite of Spring Recorded 19 March 2019, Philharmonie de Paris TV Director, Olivier Simonnet

Orchestre de Paris, Daniel Harding (Conductor) Chœur de l'Orchestre de Paris, Lionel Sow (Chorus master) Christiane Karg (soprano), Wiebke Lehmkuhl (mezzo-soprano) Gustav Mahler (1860 - 1911) Symphony no. 2 in C minor 'Resurrection' Recorded on 24 & 25 May 2017 at the Philharmonie de Paris Directed by Julien Condemine

Le Concert de la Loge, Julien Chauvin (Conductor) Emöke Baráth (soprano) Antonio Vivaldi (1678 - 1741) L'Olimpiade RV 725: Opening Concerto in B minor RV 387: I. Allegro Concerto in D major RV 217: II. Largo Atenaide RV 702: 'Della rubella' Violin Concerto in G minor RV 321: I. Ballo. Allegro Ercole sul Termodonte RV 710: 'Zeffiretti che sussurrate' Violin Concerto in G minor RV 321: III. Allegro Sinfonia in G minor RV 156: I. Allegro | II. Adagio | III. Allegro Juditha triumphans RV 644: 'Armatae face et anguibus' Concerto in B flat major RV 366: II. Adagio | III. Allegro La Griselda; Vede orgogliosa l'onda ' Concerto in B minor RV 387: II. Largo | III. Allegro La Fida Ninfa: 'Alma oppressa da sort crudele' Recorded at the Château de Fontainebleau

Vanessa Opera in four acts by Samuel Barber (1910 - 1981) Libretto by Gian Carlo Menotti First performance in New York, Metropolitan Opera, 15 January 1958 London Philharmonic Orchestra, Jakub Hrůša (Conductor) The Glyndebourne Chorus Nicholas Jenkins (Chorus Master) Keith Warner (Stage Direction) Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video) William Thomas (Nicholas, the Major-Domo) Virginie Verrez (Erika) Emma Bell (Vanessa) Edgaras Montvidas (Anatol) Rosalind Plowright (The Old Baroness) Ray Albert (The Old Doctor Donnie) Romanas Kudriašovas (Footman) Recorded 12 and 14 August 2018 at the Glyndebourne Festival Directed by François Roussillon

Mariinsky Theatre Orchestra, Valery Gergiev (conductor) Denis Kozhukhin (piano) Leonidas Kavakos (violin) Igor Morozov (tenor) Sergei Prokofiev (1891 - 1953) Concerto No. 1 for piano and orchestra Symphony No. 1 'Classical' Symphony No. 2 Concerto No. 1 for violin and orchestra 'Seven, They are Seven', cantata for tenor, choir and orchestra Skythian Suite ('Ala & Lolly') Recorded on April 23, 2016 at the Tchaikovsky Hall, Moscow TV direction by François-René Martin

One Thousand and One Nights Ballet in 2 Acts Choreographer & Artistic Director , Andrey Petrov Music, Fikret Amirov Libretto by Maksud & Rustam Ibragimbekov, Nailia Naziorova bassée sur sur le conte Arabe 'Les 1001 nuits' Sets, Tair Salahov Costume, Olga Polyanskaya With The Kremlin Ballet Scheherezada, Ekaterina Pervushina Shahriyar, a Persian tsar, Mikhail Evgenov NuRida, Shahriyar's wife, Irina Ablitsova Masood, a slav of Nurida, Amir Salimov Vizier, father of Sheherezada, Ivan Fadeev Executioner, Nikita Smirnov Alladin, Egor Motuzov Tsarevna Budour, Natalia Balakhnicheva Wizard, Nikita Ivanov Gene of the lamps, Ivan Zakharchenko Sindbad, Maxim Afnasyev Girl, Karina Salimova Bird Ruh, Nikolay Zheltikov Le Sultan, Sergey Vasyuchenko Wife of the Sultan, Ksenia Khabinets Hobo, Dmitry Prusakov Ali-Baba, Eugeny Korolev Marjana, servant Ali-Baba, Alina Kaicheva Maxym robbers, Maxim Sabitov Soloist in bash, Arina Tomilina, Ekaterina Chekryzheva Recorded at the Heydar Aliyev Palace, Bakou, Azerbaïdjan on April 11 & 12, 2019 TV Director, Vincent Massip

The Bronze Horseman Ballet in three acts Choreography by Rostislav Zakharov and Yuri Smekalov Music by Reinhold Gliere Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin Mariinsky Orchestra and Chorus Valery Gergiev, musical director and conductor Andrei Sevbo, production designer Tatiana Noginova, costume Alexander Naumov, lights Alexander Logvinov, video graphics designer Wth Vladimir Shklyarov, Eugene Viktoria Tereshkina, Parasha Vladimir Ponomarev, Peter I Ivan Oskorbin, Ibrahim the Blackmoor Yekaterina Kondaurova, the Queen of the Ball Sofia Ivanova-Skoblikova, Columbine Vasily Tkachenko, Harlequin Grigory Popov, Balakirev the Jester Valeria Karpina, Parasha's mother Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016 TV direction by Louise Narboni

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Fractus V Choreography, Sidi Larbi Cherkaoui Music Live , Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta Dramaturgy, Antonio Cuenca Ruiz Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui Lights,Krispijn Schuyesmans Costumes, Sumire Hayakawa Recorded on May 18, 2017 at the Maison de la Danse de Lyon TV Director, Denis Caïozzi

Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor) Yefim Bronfman (piano) Ludwig van Beethoven Piano Concerto No. 4 Johannes Brahms Symphony No. 2 Recorded on November 2, 2018, at the Concertgebouw, Amsterdam

Ensemble Intercontemporain, Les Métaboles, Léo Warynski (Conductor) Pierre Boulez (1925 - 2016) Cummings ist der Dichter Giovanni Pierluigi da Palestrina (c. 1525-c. 1594) Stabat Mater for double choir Francesco Filidei (né en 1973) Requiem François Meïmoun (né en 1979) Le rite de la nuit noire. Voyage d'Artaud au Mexique. Work commissioned by the Ensemble intercontemporain, World Premiere Recorded at the Philharmonie de Paris, 21 January 2021 Directed by Frédéric Delesques

Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor) Groot Ormroepkoor, Vlaams Radio Koor, Nationaal Kinderkoor Elena Stikhina (soprano), Mark Padmore (tenor), Michael Volle (baritone) Benjamin Britten War Requiem, op. 66 Recorded on October 12, 2018, at the Concertgebouw, Amsterdam Directed by Dick Kuijs

Dido and Aeneas Tragic opera in three acts by Henry Purcell (1659 - 1695) Libretto by Nahum Tate after Virgil's 'Aeneid' Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Franck Chartier (Stage Direction, Choreography) Justine Bougerol (Sets), Anne-Catherine Kunz (Costumes), Giacomo Gorini (Lightings) Marie-Claude Chappuis (Dido | Sorceress) Emőke Baráth (Belinda | First Witch) Marie Lys (Second Woman | Second Witch) Jarrett Ott (Aeneas) Recorded at the Grand Théâtre, Geneva, 2 May 2021

Perséphone, by Igor Stravinsky Text by André Gide Teodor Currentzis (direction) Peter Sellars (stage direction) Dominique Blanc (Perséphone), Paul Groves (Eumolpe) Pequeños Cantores (Children chorus) Coro Titular del Teatro Real (Coro Intermezzo) Orquesta Titular del Teatro Real (Orquesta Sinfónica de Madrid) Recorded at the Teatro Real de Madrid, 24 January 2012

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anaïs Spiro

Il Barbiere di Siviglia 'Commedia' in two acts by Gioachino Rossini (1792 - 1868) Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais First performance in Rome, Teatro Argentina, 20 February 1816 Orchestra e Coro del Teatro La Fenice, Federico Maria Sardelli (Conductor) Claudio Marino Moretti (Chorus Master) Bepi Morassi (Stage Direction) Lauro Crisman (Sets, costumes), Andrea Benetello (Lighting) Antonino Siragusa (Il conte d'Almaviva) Omar Montanari (Bartolo) Josè Maria Lo Monaco (Rosina) Simone Del Savio (Figaro) Antonio Patucelli (Basilio) Giovanna Donadini (Berta) William Corrò (Fiorello) Luca Ludovici (Un ufficiale) Recorded Venice, Teatro La Fenice, 22 & 24 October 2020

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Jacky Terrasson Trio Jacky Terrasson (Piano) Lukmil Perez (Drums) Sylvain Romano (Double Bass) Line up The Call Kiss Jannette For Me Baby Plum Smile / Harry Potters La Valse Des Soignants Love For Sale Caravan La Marseillaise Maraba Blue Palindrome Lacrimosa Mozart Recorded on November 18, 2020 at Jazz sous les Pommiers Festival TV Director, Laurent Hasse

The Bronze Horseman Ballet in three acts Choreography by Rostislav Zakharov and Yuri Smekalov Music by Reinhold Gliere Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin Mariinsky Orchestra and Chorus Valery Gergiev, musical director and conductor Andrei Sevbo, production designer Tatiana Noginova, costume Alexander Naumov, lights Alexander Logvinov, video graphics designer Wth Vladimir Shklyarov, Eugene Viktoria Tereshkina, Parasha Vladimir Ponomarev, Peter I Ivan Oskorbin, Ibrahim the Blackmoor Yekaterina Kondaurova, the Queen of the Ball Sofia Ivanova-Skoblikova, Columbine Vasily Tkachenko, Harlequin Grigory Popov, Balakirev the Jester Valeria Karpina, Parasha's mother Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016 TV direction by Louise Narboni

Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Janine Jansen (Violin) Max Bruch (1838 - 1920) Violin Concerto no. 1 in G minor, op. 26 Gustav Mahler (1860 - 1911) Symphony no. 1 in D major 'Titan' Recorded at the Concertgebouw, Amsterdam, January 11, 2018 Directed by Dick Kuijs

Il Giasone Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676) Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor) Serena Sinigaglia (Stage Director) Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting) Valer Sabadus (Giasone) Kristina Hammarström (Medea) Kristina Mkhitaryan (Isifile, Sole) Alexander Milev (Ercole) Günes Gürle (Besso) Raúl Giménez (Egeo) Willard White (Oreste, Giove) Migran Agadzhanyan (Demo, Volano) Dominique Visse (Delfa, Eolo) Mariana Flores (Alinda) Mary Feminear (Amore) Recorded at the Grand Théâtre, Geneva, February 2017 Directed by Isabelle Soulard

Ensemble Artaserse, Philippe Jaroussky (Conductor) Bruno de Sá (Abel) Christophe Dumaux (Cain) Sandrine Piau (Eva) Kresimir Spicer (Adamo) Yannis François (Lucifero) Paul-Antoine Benos-Dijan (La voce di Deo) Alessandro Scarlatti (1660 - 1725) Il primo omicidio Recorded at the Opéra-Comédie, Montpellier

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Jean-Guihen Queyras (cello), Alexandre Tharaud (piano) Johann Sebastian Bach (1685 - 1750) Sonata for cello and piano No.2 in D major BWV 1028 Dmitri Shostakovich (1906 - 1975) Sonata for cello and piano in D minor op.40 Alban Berg (1885 - 1935) 4 pieces op.5, version for cello and piano Johannes Brahms (1833 - 1897) Sonata for cello and piano No.1 in E minor op.38 Recorded on February 1st, 2018 at the Auditorium de Radio France, Maison de la Radio, Paris Directed by Nathan Benisty

Orchestre Symphonique de Montréal, Kent Nagano (Conductor) Marie-Nicole Lemieux (alto) Claude Debussy (1862 - 1918) Jeux Richard Wagner (1813 - 1883) Wesendonck Lieder Igor Stravinsky (1882 - 1971) The Rite of Spring Recorded 19 March 2019, Philharmonie de Paris TV Director, Olivier Simonnet

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg