MEZZO

Orchestre Symphonique de Montréal, Kent Nagano (Conductor) Marie-Nicole Lemieux (alto) Claude Debussy (1862 - 1918) Jeux Richard Wagner (1813 - 1883) Wesendonck Lieder Igor Stravinsky (1882 - 1971) The Rite of Spring Recorded 19 March 2019, Philharmonie de Paris TV Director, Olivier Simonnet

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

Summerspace (1958) Play for 6 dancers : Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núňez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agnès Melchoir (Pianists) Exchange (1978) Play for 15 dancers : Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design ) Costume, sets, ligtin : after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum , Festival Montpellier Danse TV Director, Marie-Hélène Rebois

Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Janine Jansen (Violin) Max Bruch (1838 - 1920) Violin Concerto no. 1 in G minor, op. 26 Gustav Mahler (1860 - 1911) Symphony no. 1 in D major 'Titan' Recorded at the Concertgebouw, Amsterdam, January 11, 2018 Directed by Dick Kuijs

Le Balcon, Maxime Pascal (Conductor) Kevin Amiel (tenor), Stéphane Degout (baritone) Gustav Mahler (1860 - 1911) Das Lied von der Erde (version for chamber orchestra by Arnold Schönberg) Pedro Garcia-Velasquez (b. 1984) La selva virgen, en la selva oscura (prologue & interludes) Recorded at the Festival de Saint-Denis, Légion d'Honneur, 2 July 2020

Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor) Yefim Bronfman (piano) Ludwig van Beethoven Piano Concerto No. 4 Johannes Brahms Symphony No. 2 Recorded on November 2, 2018, at the Concertgebouw, Amsterdam

Semiramide Melodramma tragico in two acts by Gioachino Rossini (1792 - 1868) Libretto by Gaetano Rossi after Voltaire's 'Sémiramis' First performance in Venice, Teatro La Fenice, 3 February 1868 Orchestra e Coro Teatro de La Fenice, Riccardo Frizza (conductor) Claudio Marino Moretti (chorus master) Cecilia Ligorio (staging) Nicholas Bovey (sets) Marco Piemontese (costumes) Jessica Pratt (Semiramide) Teresa Iervolino (Arsace) Alex Esposito (Assur) Enea Scala (Idreno) Simon Lim (Oroe) Silvia Frigato (Azema) Recorded on 23 & 25 October 2018 at the Teatro La Fenice, Venice Directed by Stéphane Vérité

Ensemble Les Accents, Thibault Noally (Conductor) Tim Mead (counter-tenor) Antonio Vivaldi (1678 - 1741) Stabat Mater Nisi Dominus Recorded on June 29, 2017 at the Sainte Chapelle, Paris Directed by Don Kent

Borodin Quartet Ruben Aharonian (violin), Sergei Lomovsky (violin), Igor Naidin (viola), Vladimir Balshin (cello) Florent Héau (clarinet), Yuri Bashmet (viola) Wolfgang Amadeus Mozart (1756 - 1791) Clarinet Quintet Dmitri Shostakovich (1906 - 1975) String quartet no. 8 Johannes Brahms (1833 - 1897) String quintet no. 2 op. 111 Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

State Academic Symphony Orchestra 'Evgeny Svetlanov', Fuad Ibrahimov (conductor) Sahib Pashazade (tar) Uzeyir Hajibayli (1885 - 1948) Ouverture from Opera 'Koroglu' Haji Khanmammadov (1918 - 2005) Concerto no. 2 for tar and orchestra Fikret Amirov (1922 - 1984) Symphony in memory of Nizami Ganjavi Arif Melikov (1933 - 2019) Symphony 4 Recorded at the Great Hall of the Tchaikovsky Moscow State Conservatory, Moscow, 21 October 2020 TV Director, François-René Martin

Ensemble Artaserse, Philippe Jaroussky (Conductor) Bruno de Sá (Abel) Christophe Dumaux (Cain) Sandrine Piau (Eva) Kresimir Spicer (Adamo) Yannis François (Lucifero) Paul-Antoine Benos-Dijan (La voce di Deo) Alessandro Scarlatti (1660 - 1725) Il primo omicidio Recorded at the Opéra-Comédie, Montpellier

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anaïs Spiro

Fractus V Choreography, Sidi Larbi Cherkaoui Music Live , Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta Dramaturgy, Antonio Cuenca Ruiz Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui Lights,Krispijn Schuyesmans Costumes, Sumire Hayakawa Recorded on May 18, 2017 at the Maison de la Danse de Lyon TV Director, Denis Caïozzi

Vanessa Opera in four acts by Samuel Barber (1910 - 1981) Libretto by Gian Carlo Menotti First performance in New York, Metropolitan Opera, 15 January 1958 London Philharmonic Orchestra, Jakub Hrůša (Conductor) The Glyndebourne Chorus Nicholas Jenkins (Chorus Master) Keith Warner (Stage Direction) Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video) William Thomas (Nicholas, the Major-Domo) Virginie Verrez (Erika) Emma Bell (Vanessa) Edgaras Montvidas (Anatol) Rosalind Plowright (The Old Baroness) Ray Albert (The Old Doctor Donnie) Romanas Kudriašovas (Footman) Recorded 12 and 14 August 2018 at the Glyndebourne Festival Directed by François Roussillon

Le Balcon, Maxime Pascal (Conductor) Kevin Amiel (tenor), Stéphane Degout (baritone) Gustav Mahler (1860 - 1911) Das Lied von der Erde (version for chamber orchestra by Arnold Schönberg) Pedro Garcia-Velasquez (b. 1984) La selva virgen, en la selva oscura (prologue & interludes) Recorded at the Festival de Saint-Denis, Légion d'Honneur, 2 July 2020 Directed by David Daurier

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Orchestre de Paris, Daniel Harding (Conductor) Chœur de l'Orchestre de Paris, Lionel Sow (Chorus master) Christiane Karg (soprano), Wiebke Lehmkuhl (mezzo-soprano) Gustav Mahler (1860 - 1911) Symphony no. 2 in C minor 'Resurrection' Recorded on 24 & 25 May 2017 at the Philharmonie de Paris Directed by Julien Condemine

Boris Godunov Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881) Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin Version and orchestration by Nikolai Rimsky-Korsakov, orchestration of 'At St. Basil Cathedral' scene by Mikhail Ippolitov-Ivanov First performance in St Petersburg, Mariinsky Theatre, 8 February 1874 Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor) Valery Borisov (Chorus master) Igor Ushakov (Stage Director) Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography) Mikhail Kazakov (Boris Godunov) Albina Latipova (Xenia) Ekaterina Vorontsova (Fyodor) Anastasia Bibicheva (Xenia's Nurse) Maxim Paster (Prince Vasily Ivanovich Shuisky) Andrei Potaturin (Andrei Shchelkalov) Denis Makarov (Pimen) Agunda Kulaeva (Marina Mnishek) Andrii Goniukov (Varlaam) Ivan Maximeyko (Missail) Elena Manistina (Innkeeper) Behzod Davronov (Simpleton) Nikolai Kazansky (Nikitich) Alexander Borodin (Mityukha) Irina Rubtsova / Evgenia Segenyuk (Two Women) Recorded at the Bolshoi Theatre, Moscow, 19 December 2019 TV Director, Jean-Pierre Loisil

Jean-Guihen Queyras (cello), Alexandre Tharaud (piano) Johann Sebastian Bach (1685 - 1750) Sonata for cello and piano No.2 in D major BWV 1028 Dmitri Shostakovich (1906 - 1975) Sonata for cello and piano in D minor op.40 Alban Berg (1885 - 1935) 4 pieces op.5, version for cello and piano Johannes Brahms (1833 - 1897) Sonata for cello and piano No.1 in E minor op.38 Recorded on February 1st, 2018 at the Auditorium de Radio France, Maison de la Radio, Paris Directed by Nathan Benisty

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Roberto Negro, piano Emile Parisien, saxophone Michèle Rabbia, drums (Dadada) The pianist and composer Roberto Negro presents his new trio Dadada, with Emile Parisien and Michele Rabbia. With its nocturnal and fantasy themes with imperceptible fluctuations and a certain penchant for surprises, the trio's music is fascinating because of its play on timbres, mysterious tonalities and its use of subtle electronic effects. A miraculously inhabited saxophone.A beautifully detailed piano.A sensually choreographed drum set.When Negro leaves for an excursion without satelite beacons, the musique is filled with stars and poetry. Recorded on May 5, 2017 at the Epau Abbey, Europa Jazz Festival TV director, Josselin Carré

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Borodin Quartet Ruben Aharonian (violin), Sergei Lomovsky (violin), Igor Naidin (viola), Vladimir Balshin (cello) Florent Héau (clarinet), Yuri Bashmet (viola) Wolfgang Amadeus Mozart (1756 - 1791) Clarinet Quintet Dmitri Shostakovich (1906 - 1975) String quartet no. 8 Johannes Brahms (1833 - 1897) String quintet no. 2 op. 111 Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Il Giasone Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676) Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor) Serena Sinigaglia (Stage Director) Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting) Valer Sabadus (Giasone) Kristina Hammarström (Medea) Kristina Mkhitaryan (Isifile, Sole) Alexander Milev (Ercole) Günes Gürle (Besso) Raúl Giménez (Egeo) Willard White (Oreste, Giove) Migran Agadzhanyan (Demo, Volano) Dominique Visse (Delfa, Eolo) Mariana Flores (Alinda) Mary Feminear (Amore) Recorded at the Grand Théâtre, Geneva, February 2017 Directed by Isabelle Soulard

Ensemble Intercontemporain, Les Métaboles, Léo Warynski (Conductor) Pierre Boulez (1925 - 2016) Cummings ist der Dichter Giovanni Pierluigi da Palestrina (c. 1525-c. 1594) Stabat Mater for double choir Francesco Filidei (né en 1973) Requiem François Meïmoun (né en 1979) Le rite de la nuit noire. Voyage d'Artaud au Mexique. Work commissioned by the Ensemble intercontemporain, World Premiere Recorded at the Philharmonie de Paris, 21 January 2021 Directed by Frédéric Delesques

Exhibition Sidi Larbi Cherkaoui | choreographer Ma mère l'Oye Jeroen Verbruggen | Choreographer Tim Van Steenbergen | Set & costume Fabiana Piccioli | lighting designer Jason Kittelberger | Assistant choreography Koen Bollen | Dramaturgy Music | Modest Moussorgski (Maurice Ravel's orchestration ), Pictures of an exhibition / Maurice Ravel, Pavane pour une Infante défunte, Ma Mère l'Oye Royal Ballet of Flanders Flanders opera symphonic orchestra Orchestre Symphonique de l'Opéra des Flandres Yannis Pouspourikas | Conductor Recorded on 2016 at the Antwerp Opera TV Director, Andreas Morell

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

Berliner Philharmoniker, Kirill Petrenko (Conductor) Christiane Karg (soprano) Arvo Pärt (b. 1935) Fratres György Ligeti (1923 - 2006) Ramifications Samuel Barber (1910 - 1981) Adagio for Strings Gustav Mahler (1860 - 1911) Symphony no 4 in G major (Arranged for Chamber Ensemble by Erwin Stein) Recorded at the Berlin Philharmonie, 1 May 2020

Berliner Philharmoniker, Paavo Järvi (conductor) Eva-Maria Westbroek (soprano) Ludwig van Beethoven Leonora Overture No. 3 in C major, op. 72 Richard Wagner Wesendonck Lieder (orch. by Felix Mottl and Richard Wagner) Ludwig van Beethoven Symphony No. 4 in B flat major, op. 60 Recorded on May 1, 2018, at the Markgräfliches Opernhaus, Bayreuth TV Director, Henning Kasten

Ensemble Les Accents, Thibault Noally (Conductor) Tim Mead (counter-tenor) Antonio Vivaldi (1678 - 1741) Stabat Mater Nisi Dominus Recorded on June 29, 2017 at the Sainte Chapelle, Paris Directed by Don Kent

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Exhibition Sidi Larbi Cherkaoui | choreographer Ma mère l'Oye Jeroen Verbruggen | Choreographer Tim Van Steenbergen | Set & costume Fabiana Piccioli | lighting designer Jason Kittelberger | Assistant choreography Koen Bollen | Dramaturgy Music | Modest Moussorgski (Maurice Ravel's orchestration ), Pictures of an exhibition / Maurice Ravel, Pavane pour une Infante défunte, Ma Mère l'Oye Royal Ballet of Flanders Flanders opera symphonic orchestra Orchestre Symphonique de l'Opéra des Flandres Yannis Pouspourikas | Conductor Recorded on 2016 at the Antwerp Opera TV Director, Andreas Morell

Mariinsky Theatre Orchestra, Valery Gergiev (conductor) Denis Kozhukhin (piano) Leonidas Kavakos (violin) Igor Morozov (tenor) Sergei Prokofiev (1891 - 1953) Concerto No. 1 for piano and orchestra Symphony No. 1 'Classical' Symphony No. 2 Concerto No. 1 for violin and orchestra 'Seven, They are Seven', cantata for tenor, choir and orchestra Skythian Suite ('Ala & Lolly') Recorded on April 23, 2016 at the Tchaikovsky Hall, Moscow TV direction by François-René Martin

Jean-Guihen Queyras (cello), Alexandre Tharaud (piano) Johann Sebastian Bach (1685 - 1750) Sonata for cello and piano No.2 in D major BWV 1028 Dmitri Shostakovich (1906 - 1975) Sonata for cello and piano in D minor op.40 Alban Berg (1885 - 1935) 4 pieces op.5, version for cello and piano Johannes Brahms (1833 - 1897) Sonata for cello and piano No.1 in E minor op.38 Recorded on February 1st, 2018 at the Auditorium de Radio France, Maison de la Radio, Paris Directed by Nathan Benisty

Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor) Diana Damrau (Soprano) Wolfgang Amadeus Mozart Don Giovanni, Overture, Kv 527 'L'amerò, sarò constante' from Il rè pastore, Kv 208 Bella mia fiamma, addio - Resta, oh cara, Kv 528 Symphony No. 32, Kv 318 'E Susanna non vien! - Dove sono i bei momenti' from Le nozze di Figaro, Kv 492 Antonín Dvořák Symphony No. 8 in G major, Op. 88 Recorded at the Concertgebouw, Amsterdam, on September 14th, 2017 TV Director, Dick Kuijs

Vanessa Opera in four acts by Samuel Barber (1910 - 1981) Libretto by Gian Carlo Menotti First performance in New York, Metropolitan Opera, 15 January 1958 London Philharmonic Orchestra, Jakub Hrůša (Conductor) The Glyndebourne Chorus Nicholas Jenkins (Chorus Master) Keith Warner (Stage Direction) Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video) William Thomas (Nicholas, the Major-Domo) Virginie Verrez (Erika) Emma Bell (Vanessa) Edgaras Montvidas (Anatol) Rosalind Plowright (The Old Baroness) Ray Albert (The Old Doctor Donnie) Romanas Kudriašovas (Footman) Recorded 12 and 14 August 2018 at the Glyndebourne Festival Directed by François Roussillon

Borodin Quartet Ruben Aharonian (violin), Sergei Lomovsky (violin), Igor Naidin (viola), Vladimir Balshin (cello) Florent Héau (clarinet), Yuri Bashmet (viola) Wolfgang Amadeus Mozart (1756 - 1791) Clarinet Quintet Dmitri Shostakovich (1906 - 1975) String quartet no. 8 Johannes Brahms (1833 - 1897) String quintet no. 2 op. 111 Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

Berliner Philharmoniker, Daniel Harding (conductor) Bryn Terfel (bass) Richard Wagner (1813 - 1883) Good Friday Music from Parsifal Wotan's Farewell and The Magic Fire from Die Walküre Hector Berlioz (1803 - 1869) Royal Hunt and Storm from Les Troyens Claude Debussy (1862 - 1918) Pelléas et Melisande (Concert Suite by Claudio Abbado, based on the Orchestral Suite, arranged by Erich Leinsdorf) Prélude à l'après-midi d'un faune Hector Berlioz Love Scene from Romeo et Juliette Recorded at the Musée d'Orsay, Paris, 1st May 2019 TV Director, Henning Kasten

Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Yeol Eum Son (piano) George Gershwin (1898 - 1937) Girl Crazy, overture Variations for piano and orchestra on 'I Got Rhythm' Rhapsody in Blue Catfish Row, symphonic suite from 'Porgy and Bess' An American in Paris Recorded 8 January 2021 at the Salle Philharmonique, Liège

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anaïs Spiro

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Monty Alexander & The Harlem Kingston Express Monty Alexander, piano Andy Bassford, Guitar Hassan Shakur, Double bass Leon Duncan, Bass Wayne Escoffery, Saxophone tenor Andrae Murchison, trombone Jason Brown, Drums Karl Wright, Drums In a career spanning fifty years, Monty Alexander-a great ambassador for Jamaican music-has played with the best of the best. From Dizzy Gillespie to Ernest Ranglin, many of the greats have called on his exceptional sense of improvisation. Here, at the head of a group of American and Jamaican musicians, he explores two facets of his musical heritage: the jazz of Harlem and the reggae of Kingston. Recorded on 2017, April 23rd at the Grande Salle Pierre Boulez, Philarmonie de Paris TV Director, Samuel Petit

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg