MEZZO

She ignores limits and loves exploring untouched ground. Barbara Hannigan is one of the most fascinating and multi-faceted artists of our times. She sets new standards as a singer, conductor, and performance artist. The intimate portrait 'I'm a Creative Animal' takes the viewer into the world of an exceptional musician ruled by passion and discipline. Her performances possess a breathtaking intensity created by her exquisite virtuosity, musical and theatrical expressivity, and uncompromising determination.

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director , guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Roberto Fonseca Roberto Fonseca piano, claviers Joe Lovano saxophone Yandy Martinez contrebasse, basse Ruly Herrera batterie Andres Coayo Batista percussions Omara Portuondo voix Mayra Andrade voix Rossio Jimenez Blanco chœur Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 août 2019 à Jazz in Marciac Réalisateur,

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Kenny Garrett Quintet Kenny Garrett (alto saxophone, soprano saxophone) Vernell Brown (piano) Corcoran Holt (bass) Samuel Laviso (drum kit) Rudy Bird (percussion) From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz à la Villette TV Director, Giuseppe De Vecchi

Anne Paceo - S.H.A.M.A.N.E.S. Anne Paceo (Drums, vocals) Isabelle Sörling (vocals) Marion Rampal (vocals) Christophe Panzani (Saxophone) Benjamin Flament (Drums, Percussion) Tony Paeleman (Piano - Rhodes, Bass) Line Up Piel L'Aube Healing Wide Awake Dive Into the Unknown Eclore From The Stars Mirages Apaches Here & Everywhere Wishes Reste Un Oiseau Travelers Au Large Recorded on September 19, 2020 at Jazz sous les Pommiers Festival TV Director, Thierry Villeneuve

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse

Lulu Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha) Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora' First performance in Zürich, Stadtheater, 2 June 1937 The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor) William Kentridge (Stage Director) Catherine Meyburgh (Production Designer) Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting) Marlis Petersen (Lulu) Johan Reuter (Dr. Schön | Jack the Ripper) Susan Graham (Countess Geschwitz) Daniel Brenna (Alwa) Franz Grundheber (Schigolch) Martin Winkler (Animal Tamer | Acrobat) Paul Groves (Painter | African Prince) James Courtney (Physician | Professor | Policeman) Alan Oke (Prince | Manservant | Marquis) Elizabeth DeShong (Dresser | Schoolboy | Page) Julian Close (Theater Manager | Banker) Tyler Duncan (Journalist) Paul Corona (Servant) Kathryn Day (Designer) Ashley Emerson (Girl) Jane Shaulis (Mother) Recorded at the Metropolitan Opera, New York, 9 November 2015

Orchestre de Paris, Marin Alsop (Conductor) Khatia Buniatishvili (piano) Ludwig van Beethoven (1770 - 1827) Piano Concerto no. 1 in C major, Op. 15 Dmitri Shostakovich (1906 - 1975) Symphony no. 5 in D minor, Op. 47 Recorded 10 September 2020 at the Philharmonie de Paris

Being a female conductor means being an exception. Even today. When a woman stands on the podium she is, in most cases, somehow 'the first': the first to lead a world-class orchestra, the first to conduct the 'Last Night of the Proms' in London, the first to win the German Conductor Prize. But it seems that the world of the maestro is now in a state of upheaval. The young Lithuanian conductor Mirga Gražinytė-Tyla, who took over the post of Andris Nelsons in Birmingham, said with conviction: 'I really believe that something is changing now.' But why is it that there have been so few female conductors in the international music scene? To take a closer look at this phenomenon, the film MAESTRAS follows several female conductors at Lucerne Festival 2016, which with the motto 'PrimaDonna' dedicated itself to this theme. Through the rehearsals, concerts and talks with participants of various professions at the Lucerne Festival the film approaches this subject. Along with the female musicians of the festival, the life of the former conductor Sylvia Caduff is followed. The Swiss woman was the first female assistant to Leonard Bernstein and directed the Berlin Philharmonic in 1978 when she filled in for Herbert von Karajan.

Robot ! Choreography, artistic direction Blanca Li Musical robots, Maywa Denki NAO Robots , Aldebaran Robotics Scenography, Pierre Attrait Light, Jacques Chatelet Music, Tao Gutierrez In partnership with Aldebaran Robotics for the NAO robots Dancers, Yacnoy Abreu Alfonso, Emilie Camacho, Géraldine Fournier, Yann Hervé, Aliashka Hilsum, Samir M'Kirech, Margalida Riera Roig, Gael Rougegrez and 8 robots Eight dancers and the musically animated humanoids of the Japanese collective Maywa Denki are directed by Blanca Li and investigate the relationship between man and machine, in the particular context where robots tend to become more and more human. This innovative performance is immediately engaging and the audience is dazzled by the technical prowess of the robotic choreography. A futuristic fantasy, 'Robot!', Blanca Li's new creation for the Montpellier Dance Festival, is one of these unidentified objects the choreographer from Andalusia particularly enjoys. In this approach to 'total theatre', she involves eight dancers and the animated humanoids of the Japanese collective Maywa Denki. The resulting opera takes stock of a world in which mathematics and technology try to harness human life and design thinking machines. Machines with desires... A post-dadaist choreographer, influenced by psychoanalytically-minded Martha Graham and her native city of Granada where she was a gymnast at the age of twelve, Blanca Li enjoys a comical and poetical form of humour. Her 'Garden of Earthly Delights' after Hieronymus Bosch, premiered at Montpellier in 2009, her opera 'Rag Time' after Scott Joplin, a commercial for the Longchamp brand and a show for Jean-Paul Gaultier all partake of her invitation to 'come and dance with me'. 'Robot!' clearly belong to this tradition. Recorded at the Maison des Arts & de la Culture de Créteil TV directors, Blanca Li and Fabien Raymond

A feature documentary about female singers living inside Iran and their daily life and the deepest wish: 'I want my voice to be heard'. Dealing with cultural censorship in Iran, women singers started using also digital media more. Invited by Negar, a magical entity, female voices from all over this vast country come out of isolation, gather in a garden in the very middle of Iran to make their dream come true. Nobody has tried this before, so Negar seeks the help of two travellers to connect. Along the way they meet surprisingly strong female personalities of diverse cultural backgrounds and come closer to understanding the orient...

Il Pomo d´Oro, Francesco Corti (Conductor) Joyce DiDonato (mezzo-soprano) Claudio Monteverdi Illustratevi, o cieli | Il Ritorno d' Ulisse in Patria Marc Antonio Cesti Intorno all idol mio | L'Orontea Claudio Monteverdi Disprezzata regina | L'Incoronazione di Poppea John Dowland Come Again, Sweet Love Claudio Monteverdi Dolce il tormento Johann Adolph Hasse Morte col fiero aspetto | Marc'Antonio e Cleopatra Georg Friedrich Händel Piangero, la sorte mia | Giulio Cesare Christoph Willibald Gluck Che faro senza Euridice | Orfeo ed Euridice Georg Friedrich Händel Dopo notte | Ariodante Recorded at the Bayreuth Baroque Opera Festival, Margravial Opera House, 6 Septembre 2020

Les Siècles, François-Xavier Roth (Conductor) Sabine Devieilhe (soprano) Ambroise Thomas Mignon, Overture Je suis Titania la blonde (Mignon) Léo Delibes Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail) Hector Berlioz La Mort d'Ophélie (Tristia) Ambroise Thomas Raymond, ou Le Secret de la reine, Overture À vos jeux, mes amis (Hamlet) Maurice Delage Quatre Poèmes hindous Igor Stravinski Chanson du rossignol (Le Rossignol) Camille Saint-Saëns La Princesse jaune, Overture André Messager Le jour sous le soleil béni (Madame Chrysanthème) Léo Delibes Les fleurs me paraissent plus belles (Lakmé) Ballet (Lakmé) Légende de la fille du Paria (Air des clochettes) (Lakmé) Recorded at the Philharmonie de Paris on Novembre 14, 2017 TV Director, Olivier Simonnet Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde' Léo Delibes - Coppélia (extraits), Prélude et Valse Hector Berlioz - La Mort d'Ophélie Ambroise Thomas - Raymond, Ouverture ; Hamlet , 'A vos jeux, mes amis' (Air d'Ophélie) Maurice Delage - 4 poèmes hindous Igor Stravinski - Chanson du Rossignol Camille Saint-Saëns - La Princesse Jaune, Ouverture André Messager - Madame Chrysantème, 'Le jour sous le soleil béni' Léo Delibes - Lakmé , 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes) Enregistré le 14 novembre 2017 à la Philharmonie de Paris Réalisation, Olivier Simonnet

Archie Shepp, musical direction, saxophones Ambrose Akinmusire, trumpet Jason Moran, piano Richard Davis, double bass Billy Hart, drums With guests: Marion Rampal, voice Izidor Leitinger, trumpet Sébastien Llado, trombone Jean-Philippe Scali, baritone saxophone Playlist Naima - John Coltrane - Arranged by Izidor Leitinger Cousin Mary - John Coltrane - Arranged by Izidor Leitinger Blasé - Archie Shepp Prelude to a Kiss - Duke Ellington Los Olvidados - Archie Shepp In 1960, Archie Shepp attended a concert by John Coltrane at the Five Spot, the mythical club on the Lower East Side. Totally fascinated, he decided to pick up the tenor saxophone. Five years later, Shepp - already a reference in the world of free jazz - recorded alongside his hero. The resulting album, 'Ascension', was released in 1966, and remains today one of the great monuments of free improvisation. To celebrate the fiftieth anniversary of Coltrane's death - at the age of forty - the most Parisian representative of the New York avant-garde pays tribute to the brilliant composer of 'A Love Supreme', with a Franco-American all-star band not unlike that which recorded the revolutionary 'Ascension'. A giant of jazz pays tribute to one of his gods... Recorded on September 3rd 2016 at the Grande Halle of la Villette TV Director, Frank Cassenti

Michel Portal Quintet feat. Nils Wogram & Lander Gyselinck Michel Portal, clarinets, saxophone, bandoneon Nils Wogram, trombone Bojan Z, piano, keyboard Bruno Chevillon, double bass, bass Lander Gyselinck, drums An original musician, Michel Portal is a celebrity in the classical repertoire (Mozart, Schumann, Brahms, Berg) and contemporary music (Boulez, Stockausen, Berio, Kagel, Globokar). A virtuoso and something of a maverick, Portal is always up for musical experiments, exploring all kinds of fields! A regular guest at Europa Jazz over the past forty years, he has always delivered! This year, he presents a new project, involving Boyan Z and Bruno Chevillon, along with one of the greatest trombone players of today, Nils Wogram (who regularly plays with Bojan Z) and the new prodigy on the European jazz scene, young Belgian drummer Lander Gyselinck (Lab trio, Kris Defoort trio). Recorded on 2017, May 5th 2017 at the Epau Abbey, Europa Jazz Festival TV Director, Josselin Carré

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Antonio Zambujo - Rua da Emenda Antonio Zambujo (voice, Classical guitar) Bernardo Couto (portugese guitar) Ricardo Cruz (double bass) Joao Moreira (trumpet) Jose Conde (clarinette) Antonio Zambujo, a singer with a sensual and warm voice who delivers with his quintet an interpretation of fado between cool jazz and bossa nova. Recroded on January 23, 2015 at La Cigale (Paris) TV Director, Samuel Thiebaut

Sophie Alour 'Exil(s)' Sophie Alour (saxophone, flute, compositions) Mohamed Abozékry (oud) Donald Kontamanou (drums) Philippe Aerts (double bass) Damien Argentieri (piano) Wassim Halal (derbouka, bendir) The first, Alfredo Rodriguez, after classical training, discovered the world of jazz and improvisation by listening to Keith Jarrett.Today he is Quincy Jones's preferred pianist. The second, Pedrito Martinez, congaceros (percussionnist) comes from the streets of Havana making the whole of New York dance at Ginny's, the epicentre of Cuban Santeria. These two great jazz hopes meet each other at last and hold high the torch of the new uninhibited Latin-jazz scene where their virtuoso and audacious playing and their volcanic energy is put to the service of adventurous writing for a unique and fascinating voyage. Recorded on May 31, 2019 at Jazz sous les Pommiers TV Directors, Thierry Villeneuve

Hamlet Opéra in five acts by Ambroise Thomas (1811 - 1896) Libretto by Michel Carré and Jules Barbier after William Shakespeare First performance in Paris, Opéra, 9 March 1868 Orchestre des Champs-Elysées, Louis Langrée (Conductor) Les Eléments, Joël Suhubiette (Chorus Master) Cyril Teste (Stage Direction) Ramy Fischler (Sets), Isabelle Deffin (Costumes), Leila Adham (Dramaturgy), Julien Boizard (Lighting), Nicolas Dorémus, Mehdi Toutain-Lopez (Video) Stéphane Degout (Hamlet) Sabine Devieilhe (Ophélie) Laurent Alvaro (Claudius) Sylvie Brunet-Grupposo (Gertrude) Julien Behr (Laërte) Jérôme Varnier (Le Spectre) Kevin Amiel (Marcellus, 2ème Fossoyeur) Yoann Dubruque (Horatio, 1er Fossoyeur) Nicolas Legoux (Polonius) Recorded 19 and 21 December 2018 at the Opéra-Comique, Paris Directed by François Roussillon

Fedrico Segun Lorca Eva Yerbabuena, choreography, Juan Diego, voix off Paco Jarana, musical creation & conductor Vicente Palacios, scnography Lopez de Santos, costume Sandra Diaz, puppet Atico 7, projection With Eva Yerbabuena, dance Paco Jarana,Guitar Enrique El Extremeno, voice Jeromo Sgura, voice José Valencia, voice Antonio Coronel, percussion Raul Dominguez, percussion Asime Can Ozozer, special featuring Ballet Mercedes de Cordoba, Lorena Franco, Maria Moreno, Eduardo Guerrero, Moises Navarro, Cristian Lozano Recorded on 2013 at the Théâtre national de Chaillot TV Director, Louise Narboni

PUCCINI Choreography by Julien LESTEL Music by G. Puccini Lights, Lo Ammy VAIMATAPAKO Costume and scenography, Patrick MURRU With the dancers from Julien Lestel company A tribute to Puccini Recorded on November 23rd 2014 at the Opera of Marseille TV Director, Patrick Lauze

Le Corsaire Ballet In three acts, with a prologue and epilogue Music, Adolphe Adam, Cesare Pugni, Léo Delibes, Riccardo Drigo and Pyotr Oldenburgsky Libretto, Henri Vernoy de Saint-Georges et · and Joseph Masilier, Edited by Yuri Slonimsky and Pyotr Gusev Choreography,Pyotr Gusev Based on the Composition and Choreography of Marius Petipa Set Design, Teymuraz Murvanidze Assistant décorateur · Assistant Designer Mikhail Shishliannikov Costumes · Costume Design Galina Solovyova Lumières · Lighting Design Vladimir Lukasevich Chef d'orchestre · Conductor Alexei Repnikov (Conrad, le corsaire) Timur Askerov (Medora) Alina Somova (Gulnare) Nadezhda Batoeva (Lankedem, the slave trader) Philipp Stepin (Birbanto) Islom Baimuradov (Ali) Kimin Kim (Seyd Pasha) Soslan Kulaev (Les trois odalisques) Daria Ionova, Anastasia Nuikina, Maria Khoreva (Danse de forbans/brigands) Anastasia Petushkova, Maria Lebedeva, Alina Krasovskaya, Roman Malyshev, Maxim Zenin (Danse algérienne) Léa Thomasson & les artistes du ballet (Danse palestinienne) Alisa Rusina & les artistes du ballet Corsaires, femmes esclaves, odalisques, eunuques, guerriers, marins et marchands, artistes de la compagnie de ballet et figurants

Mirga Gražinytė-Tyla ranks among today's shooting stars of the classical music scene. At the age of only 30 years, the Lithuanian was unanimously selected by the City of Birmingham Symphony Orchestra (CBSO) to be their musical director; succeeding Andris Nelsons and Sir Simon Rattle. Gentle, strong, calm and self confident, she says: 'The only thing that could ever stop me is my own lack of imagination.'

City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla (conductor) Sheku Kanneh-Mason (cello) Dorothy Howell (1898 - 1982) Lamia Edward Elgar (1857 - 1934) Concerto for cello in E minor, op. 85 Mieczyslaw Weinberg (1919 - 1996) 24 Preludes for cello, Op. 100 (n ° 18, Sarabande) Oliver Knussen (1952 - 2018) The Way to Castle Yonder Mieczyslaw Weinberg Symphony No.3 in B minor Recorded on August 22, 2019 at the Royal Albert Hall, London

Ariadne auf Naxos Opera in 1 act preceded with a prologue Richard Strauss (Music) Hugo von Hofmannsthal (Libretto) Orchestre de Paris Marc Albrecht (conductor ) Katie Mitchell (Staging ) Martin Crimp (Dramaturgy ) Chloe Lamford (Sets ) Sarah Blenkinsop (Costumes ) James Farncombe (Lighting ) With (The Prima donna / Ariadne) Lise Davidsen - (The tenor / Bacchus) Eric Cutler - (Zerbinetta) Sabine Devieilhe - (The Composer) Angela Brower - (Harlequin) Huw Montague Rendall - (Brighella) Jonathan Abernethy - (Scaramouche) Emilio Pons - (Truffaldino) David Shipley - (naiad) Beate Mordal - (Dryad) Andrea Hill - (Echo) Elena Galitskaya - (The Music Master) Josef Wagner - (The Dancing Master) Rupert Charlesworth - (An officer) Petter Moen - (A Wig-Maker) Jean-Gabriel Saint Martin - (Le Buttler) Maik Solbach - (A Lackey) Sava Vemić - (The richest man in Vienna) Paul Herwig - (His wife) Julia Wieninger Recorded on July 2 & 11, 2018 at the Théâtre de l'Archevéché, Festival International d'Art Lyrique d'Aix-en-Provence TV Director, Corentin Leconte

Part classical, part avant-garde, part flamenco, the legendary piano duo Katia and Marielle Labèque are impossible to label. The Labèque Way follows these unique artists as they trace their Basque roots, playing Ravel´s Bolero with traditional Basque percussion, premiering a daring new concerto 'Nazareno' which they had commissioned, and participating in diverse artistic and personal adventures. Featuring friends and collaborators such as Sir Simon Rattle, Semyon Bychkov and Alessandro Baricco among others, the film includes amazing performances of works by Mozart, Schubert, Ravel, Albeniz, Golijov and Gershwin.

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Michel Portal Quintet feat. Nils Wogram & Lander Gyselinck Michel Portal, clarinets, saxophone, bandoneon Nils Wogram, trombone Bojan Z, piano, keyboard Bruno Chevillon, double bass, bass Lander Gyselinck, drums An original musician, Michel Portal is a celebrity in the classical repertoire (Mozart, Schumann, Brahms, Berg) and contemporary music (Boulez, Stockausen, Berio, Kagel, Globokar). A virtuoso and something of a maverick, Portal is always up for musical experiments, exploring all kinds of fields! A regular guest at Europa Jazz over the past forty years, he has always delivered! This year, he presents a new project, involving Boyan Z and Bruno Chevillon, along with one of the greatest trombone players of today, Nils Wogram (who regularly plays with Bojan Z) and the new prodigy on the European jazz scene, young Belgian drummer Lander Gyselinck (Lab trio, Kris Defoort trio). Recorded on 2017, May 5th 2017 at the Epau Abbey, Europa Jazz Festival TV Director, Josselin Carré

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Pygmalion, Raphaël Pichon (Conductor) Julian Prégardien (Tenor, Evangelist), Stéphane Degout (Jesus, bass I), Sabine Devieilhe (soprano I), Maïlys de Villoutreys (soprano II), Damien Guillon (alto I), Lucile Richardot (alto II), Samuel Boden (Tenor I), Thomas Hobbs (Tenor II), Christian Immler (bass II) Johann Sebastian Bach Saint Matthew Passion BWV 244 Recorded at the Chapelle Royale, Château de Versailles, on March 26, 2016 TV director, Colin Laurent

Kenny Garrett Quintet Kenny Garrett (alto saxophone, soprano saxophone) Vernell Brown (piano) Corcoran Holt (bass) Samuel Laviso (drum kit) Rudy Bird (percussion) From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz à la Villette TV Director, Giuseppe De Vecchi

La Belle Hélène 'Opéra-bouffe' in three acts by Jacques Offenbach (1819 - 1880) Libretto by Henri Meilhac and Ludovic Halévy First perfomance in Paris, Théâtre des Variétés, 17 December 1864 Sinfonietta de Lausanne, Pierre Dumoussaud (Conductor) Chœur de l'Opéra de Lausanne Michel Fau (Stage director) Emmanuel Charles (Sets), David Belugou (Costumes), Joël Fabing (Lighting) Julien Dran (Pâris) Michel Fau (Ménélas) Christophe Lacassagne (Agamemnon) Jean-Claude Saragosse (Calchas) Jean-Francis Monvoisin (Achille) Pier-Yves Têtu (Ajax Premier) Hoël Troadec (Ajax Deuxième) Julie Robard-Gendre (Hélène) Jérôme Vavasseur (Oreste) Marie Daher (Bacchis) Recorded at the Opéra de Lausanne, December 2019

Lisa Batiashvili (violin), Valeriy Sokolov (violin), Gérard Caussé (viola), Gautier Capuçon (cello), Franck Braley (piano) Tribute to Henri Dutilleux Henri Dutilleux Trois strophes sur le nom de Sacher Three Préludes for piano (D'ombre et de silence - Sur un même accord - Le Jeu des contraires) Maurice Ravel Piano Trio Claude Debussy Sonata for violin and piano Henri Dutilleux String quartet 'Ainsi la nuit' Recorded in January 22nd, 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

Orchestre symphonique de Montréal, Susanna Mälkki (Conductor) Claude Debussy (1862 - 1918) Prélude à l'après-midi d'un faune Franz Schubert (1797 - 1728) Symphony no. 8, D 759 in B minor 'Unfinished' Richard Wagner (1813 - 1883) Siegfried-Idyll, WWV 103 Recorded 2 October 2020 at the Maison symphonique, Montréal

Royal Concertgebouw Orchestra, Elim Chan (Conductor) Simone Lamsma (Violin) Piotr I. Tchaikovsky (1840 - 1893) Romeo and Juliet Concerto for violin and orchestra in D major, op. 35 Swan Lake, suite op. 20a Recorded at the Concergebouw, Amsterdam, 13 September 2019

Michel Portal Quintet feat. Nils Wogram & Lander Gyselinck Michel Portal, clarinets, saxophone, bandoneon Nils Wogram, trombone Bojan Z, piano, keyboard Bruno Chevillon, double bass, bass Lander Gyselinck, drums An original musician, Michel Portal is a celebrity in the classical repertoire (Mozart, Schumann, Brahms, Berg) and contemporary music (Boulez, Stockausen, Berio, Kagel, Globokar). A virtuoso and something of a maverick, Portal is always up for musical experiments, exploring all kinds of fields! A regular guest at Europa Jazz over the past forty years, he has always delivered! This year, he presents a new project, involving Boyan Z and Bruno Chevillon, along with one of the greatest trombone players of today, Nils Wogram (who regularly plays with Bojan Z) and the new prodigy on the European jazz scene, young Belgian drummer Lander Gyselinck (Lab trio, Kris Defoort trio). Recorded on 2017, May 5th 2017 at the Epau Abbey, Europa Jazz Festival TV Director, Josselin Carré

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director , guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,

John Coltrane's 'Africa / Brass' Revisited Dal Sasso Big Band, David El Malek, Sophie Alour & Géraldine Laurent John Coltrane (saxophone) Christophe Dal Sasso (arrangement , direction) Géraldine Laurent (alto saxophone ) David El Malek (tenor saxophone) Sophie Alour (tenor saxophone, flute) Dominique Mandin (flute, alto saxophone) Thomas Savy (baritone saxophone, clarinet) Julien Alour | Quentin Ghomari (trumpets) Jerry Edward | Daniel Zimmermann (trombones) Pierre de Bethmann (piano) Manu Marchès (double bass) Karl Jannuska (drums) Andy Bérald-Catelo (Ka Drum) Setlist Tunji (John Coltrane - Christophe Dal Sasso) Green Sleeves (Traditional - Christophe Dal Sasso) Liberia (John Coltrane - Christophe Dal Sasso) Song of the Underground Railroad (Traditional - Christophe Dal Sasso) A concert reviving the spiritual force and humanist message of John Coltrane's legendary Africa/Brass (1961), revisited in big band style under the leadership of Christophe Dal Sasso, with four extraordinary saxophone soloists. Recorded on Septemer 11, 2020, Philharmonie de Paris, Jazz à la Villette TV Director, Guiseppe de Vecchi

Le Corsaire Ballet In three acts, with a prologue and epilogue Music, Adolphe Adam, Cesare Pugni, Léo Delibes, Riccardo Drigo and Pyotr Oldenburgsky Libretto, Henri Vernoy de Saint-Georges et · and Joseph Masilier, Edited by Yuri Slonimsky and Pyotr Gusev Choreography,Pyotr Gusev Based on the Composition and Choreography of Marius Petipa Set Design, Teymuraz Murvanidze Assistant décorateur · Assistant Designer Mikhail Shishliannikov Costumes · Costume Design Galina Solovyova Lumières · Lighting Design Vladimir Lukasevich Chef d'orchestre · Conductor Alexei Repnikov (Conrad, le corsaire) Timur Askerov (Medora) Alina Somova (Gulnare) Nadezhda Batoeva (Lankedem, the slave trader) Philipp Stepin (Birbanto) Islom Baimuradov (Ali) Kimin Kim (Seyd Pasha) Soslan Kulaev (Les trois odalisques) Daria Ionova, Anastasia Nuikina, Maria Khoreva (Danse de forbans/brigands) Anastasia Petushkova, Maria Lebedeva, Alina Krasovskaya, Roman Malyshev, Maxim Zenin (Danse algérienne) Léa Thomasson & les artistes du ballet (Danse palestinienne) Alisa Rusina & les artistes du ballet Corsaires, femmes esclaves, odalisques, eunuques, guerriers, marins et marchands, artistes de la compagnie de ballet et figurants

Special Tribute to Marius Petipa Mariinsky Theater orchestra Valery Gergiev, conductor Mariinsky Theater ballet Les Saisons (The Seasons) (Вренена года), op 67 (New Creation) Music, Alexandre Glazounov Choreography, Konstantin Keikhel Libretto, Natalia Chumina Sets and Costumes de Sergei Illarionov Light designer, Konstantin Binkin Video Designer, Maria Feodoridi, Maxim Malovichko With Yekaterina Chebykina, Roman Belyakov and the Artists of The Mariinsky Ballet A Midsummer Nights Dream (Act II) Choreography, George Balanchine Music, Félix Mendelssohn-Bartholdy Staging, Sandra Jennings Production Design, Luisa Spinatelli Lighting, Sergei Lutkin With Pas de deux, Oxana Skorik et Konstantin Zverev Titania, Queen of the Fairies, Anastasia Kolegova Oberon , King of the Fairies, David Zaleyev Puck, Vasily Tkachenko Hippolyta, Queen of the Amazons, Anastasia Matvienko Hermia, In love with Lysander, Yana Selina Lysander amoureux de Hermia, Yuri Smekalov Helena, in love with Demetrius, Zlata Yalinich Demetrius, suitor of Hermia, Alexander Romanchikov Theseus, DuDuke of Athens, Vitaly Amelishko Soprano, Lyudmila Dudinova and the Mariinsky Teather Children chorus Chorus master, Irina Yatsemirskaya The Sleeping Beauty (Act III) Music, P I Tchainovsky Choreography, Marius Petipa (1890) Libretto, Ivan Vsevolozhsky et Marius Petipa, after Charles Perrault's tales Set design, Heinrich Levogt, Mikhail Bocharov, Ivan Andreev, Konstantin Ivanov et Matvei Shishkov Costumes, Ivan Vsevolozhsky (revival of the 1890 production) The revival team Choreography staged, Sergei Vikharev Sets reproduced,Andrei Voitenko Costumes reproduced, Elena Zaitseva Lighting, Vladimir Lukasevich With The King . Florestan XIV, Vladimir Ponomarev The Queen . Elena Bazhenova Princess Aurore, their daughter , Alina Somova Prince Désiré, Xander Parish The Lilac Fairy, Ekaterina Kondaurova Carabosse, the evil fairy, Islom Baimuradov Catalabutte, Master of Ceremonies, Andrei Yakovlev Pas de quatre The Diamond Fairy Valeria Martynyuk The Sapphire Fairy, Kumiko Ishii The Gold Fairy, Vlada Borodulina The Silver Fairy, Shamala Guseinova Pas de caractère The White Cat, Xenia Ostreikovskaya Puss in Boots, Fyodor Murashov Pas de deux Princess Florine, Maria Shirinkina The Blue Bird, Alexei Timofeyev Pas de caractère The little red riding hood, Svetlana Russkikh The Big Bad Wolf, Daniil Lopatin Pas de deux Princess Aurore, Alina Somova Prince Désiré, Xander Parish Fairy-tale characters, court dancers, gods, goddesses Artists of The Mariinsky Ballet Recorded on January 11th 2018 at the Mariinsky Theater TV Director, François-René Martin

La Belle Hélène 'Opéra-bouffe' in three acts by Jacques Offenbach (1819 - 1880) Libretto by Henri Meilhac and Ludovic Halévy First perfomance in Paris, Théâtre des Variétés, 17 December 1864 Sinfonietta de Lausanne, Pierre Dumoussaud (Conductor) Chœur de l'Opéra de Lausanne Michel Fau (Stage director) Emmanuel Charles (Sets), David Belugou (Costumes), Joël Fabing (Lighting) Julien Dran (Pâris) Michel Fau (Ménélas) Christophe Lacassagne (Agamemnon) Jean-Claude Saragosse (Calchas) Jean-Francis Monvoisin (Achille) Pier-Yves Têtu (Ajax Premier) Hoël Troadec (Ajax Deuxième) Julie Robard-Gendre (Hélène) Jérôme Vavasseur (Oreste) Marie Daher (Bacchis) Recorded at the Opéra de Lausanne, December 2019

Orchestre de Chambre de Lausanne, András Schiff (piano & conductor) Johann Sebastian Bach (1685 - 1750) Keyboard Concerto no. 3 in D major, BWV1054 Béla Bartók (1881 - 1945) Divertimento for string orchestra, SZ 113 Robert Schumann (1810 - 1856) Piano Concerto in A minor, op. 54 Recorded in Lausanne, Salle Métropole, 16 December 2020 Directed by Andy Sommer

Don Pasquale, dramma buffo in three acts by Gaetano Donizetti (1797 - 1848) Libretto by Giovanni Ruffini and Gaetano Donizetti after 'Ser Marcantonio' by Angelo Anelli First performance in Paris, Théâtre Italien, February 3, 1843 Symphony Orchestra and Chorus of La Monnaie, Alain Altinoglu (Conductor) Académie des chœurs de la Monnaie Martino Faggiani (Chorus Master) Laurent Pelly (Stage Direction and costumes) Chantal Thomas (Sets), Duane Schuler (Lighting) Michele Pertusi (Don Pasquale) Lionel Lhote (Dottor Malatesta) Joel Prieto (Ernesto) Danielle De Niese (Norina) Alessandro Abis (A Notaro) Recorded at La Monnaie | De Munt, Brussels, 21 December 2018 TV Director, Anaïs et Olivier Spiro

Wiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) Wolfgang Amadeus Mozart (1756 - 1791) Symphony No. 33 in B flat major, K. 319 Symphony No. 38 in D major, K. 504 'Prague Symphony' 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Piano Concerto No. 24 in C minor, K. 491 Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth Malzer

Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Marie Perbost (Dessus), Samuel Boden (Haute-contre), Zachary Wilder (Taille), Victor Sicard (Basse-taille) Jean-Philippe Rameau (1683-1764) In convertendo Dominus Jean-Joseph Cassanéa de Mondonville (1711-1772) In exitu Israël André Campra (1660-1744) Messe de Requiem Recorded at the Chapelle Royale, Château de Versailles, 20 November 2019 TV Director, Olivier Simonnet

L'Arpeggiata, Christina Pluhar (Conductor) Céline Scheen (Soprano), Vincenzo Capezzuto (alto) Mei Hong Lin Dance Company Dirk Hofacker (Sets & Costumes) Music and Dance for a While Improvisations on Henry Purcell, G.F. Händel, Claudio Monteverdi. Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Arrival of the Queen of Sheba Henry Purcell / Improvisation / arr. C. Pluhar: Strike the viol (Céline Scheen) Georg Friedrich Händel / Improvisation: Lascio ch'io pianga Henry Purcell / Improvisation / arr. C. Pluhar: `Twas within a furlong (Vincenzo Capezzuto) Claudio Monteverdi: Pur ti miro (Céline Scheen, Vincenzo Capezzuto) Traditional (Venezuela): El curruchà (Vincenzo Capezzuto, Céline Scheen) Claudio Monteverdi: Lamento della Ninfa (Céline Scheen) Traditional (Sicily) / arr. C. Pluhar: Silenziu d'amuri (Vincenzo Capezzuto) Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Alcina Henry Purcell / Improvisation / arr. C. Pluhar: Music for a while (Céline Scheen) Traditional (Salento): Pizzica di San Vito (Vincenzo Capezzuto) Traditional (Bulgaria): Bucimis Giovanni Felice Sances: Stabat Mater (Céline Scheen) Improvisation: Hasapiko Traditional (Italy): Tarantella del Gargano (Vincenzo Capezzuto) Traditional (Mexico) / arr. C. Pluhar: La Llorona (Vincenzo Capezzuto) Henry Purcell / Improvisation / arr. C. Pluhar: When I am laid (Céline Scheen) Improvisation: Canario Maurizio Cazzati / arr. C. Pluhar: Ciaccona Girolamo Kapsberger: Toccata L'Arpeggiata Traditional (Italy) / arr. Christina Pluhar : Ninna, nanna sopra la Romanesca (Vincenzo Capezzuto, Céline Scheen) Georg Friedrich Händel / Improvisation / arr. C. Pluhar: O sleep, why thost thou leave me (Céline Scheen) Recorded on November 6, 2017 at the Landestheater Linz, Austria Directed by Sonia Paramo

La Rencontre Choreography by Ambra Senatore With Matteo Ceccarelli, Elisa Ferrari, Gilselda Hanieri, Antoine Roux-Briffaud, Ambra Senatore Recorded on December 18, 2017 at The Castel of If TV Director, Caroline Cutaia

A feature documentary about female singers living inside Iran and their daily life and the deepest wish: 'I want my voice to be heard'. Dealing with cultural censorship in Iran, women singers started using also digital media more. Invited by Negar, a magical entity, female voices from all over this vast country come out of isolation, gather in a garden in the very middle of Iran to make their dream come true. Nobody has tried this before, so Negar seeks the help of two travellers to connect. Along the way they meet surprisingly strong female personalities of diverse cultural backgrounds and come closer to understanding the orient...

Kenny Garrett Quintet Kenny Garrett (alto saxophone, soprano saxophone) Vernell Brown (piano) Corcoran Holt (bass) Samuel Laviso (drum kit) Rudy Bird (percussion) From the nu soul and hip hop rhythms of drummer Chris Dave, to the post-bop and calypso brio of alto saxophonist Kenny Garrett and precision funk of Ghost-Note, an evening of jazz infused with today's urban culture, bringing together true masters of groove. Recorded on August 31, 2019 at the Grand Halle de la Villette, Jazz à la Villette TV Director, Giuseppe De Vecchi

Archie Shepp, musical direction, saxophones Ambrose Akinmusire, trumpet Jason Moran, piano Richard Davis, double bass Billy Hart, drums With guests: Marion Rampal, voice Izidor Leitinger, trumpet Sébastien Llado, trombone Jean-Philippe Scali, baritone saxophone Playlist Naima - John Coltrane - Arranged by Izidor Leitinger Cousin Mary - John Coltrane - Arranged by Izidor Leitinger Blasé - Archie Shepp Prelude to a Kiss - Duke Ellington Los Olvidados - Archie Shepp In 1960, Archie Shepp attended a concert by John Coltrane at the Five Spot, the mythical club on the Lower East Side. Totally fascinated, he decided to pick up the tenor saxophone. Five years later, Shepp - already a reference in the world of free jazz - recorded alongside his hero. The resulting album, 'Ascension', was released in 1966, and remains today one of the great monuments of free improvisation. To celebrate the fiftieth anniversary of Coltrane's death - at the age of forty - the most Parisian representative of the New York avant-garde pays tribute to the brilliant composer of 'A Love Supreme', with a Franco-American all-star band not unlike that which recorded the revolutionary 'Ascension'. A giant of jazz pays tribute to one of his gods... Recorded on September 3rd 2016 at the Grande Halle of la Villette TV Director, Frank Cassenti