Richard Galliano & Ron Carter duo Richard Galliano, accordeon Ron Carter, double bass Playlist Blue for D.P. (Ron Carter) Tango pour Claude (Richard Galliano) Laurita (Richard Galliano) Little Waltz (Ron Carter) Aria (Richard Galliano) et Libertango (Astor Piazzolla) Improvisation (Ron Carter) It's about time (Ron Carter) Concert organisé dans le cadre des 50 ans de carrière de Richar Galliano, en accord avec Thierry Sola, manager de l'artiste. Recorded on March 1st, 2020 at the NOSPR Concert Hall, Katowice, Bielska Zadymka Jazzowa festival TV Director, Samuel Thiebaut

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Thomas de Pourquery & Supersonic Thomas De Pourquery, saxophone alto Laurent Bardainne, saxophone ténor Fabrice Martinez, trompette Arnaud Roulin, piano, claviers Frederick Galiay, basse Edward Perraud, batterie Playlist Thomas De Pourquery; Mermaids Sun Ra, We travel the space ways Thomas De Pourquery, Slow down, Present eternity, Sons of love, Simple forces, Give the money back, Révolutions, Disco 2100 Sun Ra, Love in outer space Recorded on June 15, 2019 at the Cité de la musique TV Director, Josselin Carré

Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members of the London Symphony Orchestra, Members of the New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein (direction) Bavarian Radio Chorus, Berlin Radio Chorus, Dresden Philharmonic Childrens Chorus June Anderson (soprano), Sarah Walker (alto), Klaus Konig (tenor), Jan-Hendrik Rootering (bass) Ludwig van Beethoven Symphony no. 9 in D minor, op. 125 'Choral' Directed by Humphrey Burton Recorded on December 25, 1989 The Berlin Wall fall on 9 November 1989 unleashed democratization in Central and Eastern Europe. 'I am experiencing a historical moment, incomparable with others in my long, long life,' commented Bernstein. In a typically grandiose yet eloquent gesture, Bernstein spontaneously accepted an invitation to conduct two performances of Beethoven's Ninth Symphony to celebrate this freedom. Two concerts, held in each section of the city that had been divided for 28 years: one in West Berlin's Philharmonie on 23 December, the other in East Berlin on 25 December 1989. It was only fitting that East Germany's new-found freedom should be celebrated with Beethoven's Ninth Symphony. The monumental work, perhaps the world's most famous symphony, was inspired by Schiller's poem 'Ode to Joy,' a passionate paean to freedom. For his two concerts, Bernstein substituted the word 'freedom' (Freiheit) for 'joy' (Freude) to reflect his personal message. 'I'm sure that Beethoven would have given us his blessing,' added Mr. Bernstein. This recording was taped live in East Berlin on Christmas Day 1989. Adding to the symbolism of the event, Bernstein conducted an orchestra and chorus with musicians from the United States, Great Britain, France, the Soviet Union - the four victorious World War II allies who were still responsible for governing Berlin at the time. Joining the Bavarian Radio Symphony Orchestra and Chorus were musicians from the London Symphony, the New York Philharmonic, the Orchestre de Paris, the Staatskapelle Dresden, the Orchestra of Leningrad's Kirov Theater, as well as chorus members from the East-Berlin Radio Chorus and the Children's Chorus of the Dresden Philharmonic Orchestra. Equally international were the illustrious vocalists in the movement's 'Ode to Joy,' June Anderson, Sarah Walker, Klaus König and Jan-Hendrik Rootering.

Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.13 in E-flat major, Op.27 No.1 ('Quasi una fantasia') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques

Orchestre National de Lille, Lionel Bringuier (Conductor) Alexander Malofeev(piano) Magnus Lindberg (b. 1958) Chorale Sergei Prokofiev (1891 - 1953) Piano Concerto no 3 Pyotr Ilyich Tchaikovsky (1840 - 1893) Symphony no 5 Recorded at the Nouveau Siècle, Lille, 11 March 2020

Royal Concertgebouw Orchestra, Philippe Herrreweghe (Conductor) Collegium Vocale Gent, Dorothee Mields (Soprano), Hana Blazikova (Soprano), Damien Guillon (Counter Tenor), Benjamin Hulett (Tenor), Kresimir Strazanac (Bass) Johann Sebastian Bach Mass in B minor, BWV 232 Recorded on December 25th at the Concertgebouw, Amsterdam Directed by Joost Honselaar

Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound)

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux

Edmar Castadena at the International Jazz Festival of Montréal 2016 As an out-of-the-ordinary harpist, and one of the most creative musicians of the Big Apple, Edmar Castadena possesses the polyvalence and the enchanting charisma to draw his instrument into the light, which is pretty rare in the world of jazz and improvised music. Performing on the most prestigious stages of the world, Edmar Castadena 's body and his Colombian harp seems to make only one, shaping incredible detailed rhythm by unheard nuances, thus rivaling with the greatest flamenco guitarists. Edmar Castadena's last album 'Double Portion' (with Miguel Zenon, the cuban pianist Gonzalo Rubalcaban and the mandolinist Hamilton de Holanda) draws the fans and critics' attention, Recorded on June 30th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Edmar Castadena at the International Jazz Festival of Montréal 2016 As an out-of-the-ordinary harpist, and one of the most creative musicians of the Big Apple, Edmar Castadena possesses the polyvalence and the enchanting charisma to draw his instrument into the light, which is pretty rare in the world of jazz and improvised music. Performing on the most prestigious stages of the world, Edmar Castadena 's body and his Colombian harp seems to make only one, shaping incredible detailed rhythm by unheard nuances, thus rivaling with the greatest flamenco guitarists. Edmar Castadena's last album 'Double Portion' (with Miguel Zenon, the cuban pianist Gonzalo Rubalcaban and the mandolinist Hamilton de Holanda) draws the fans and critics' attention, Recorded on June 30th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Juan Carmona Septet Juan Carmona (guitar, composition) Piculabe (Voice) Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass) Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's​ raspy melismas. Recorded on July 03, 2019 at Jazz à Vienne TV Director, MFabien Raymond

Una oda al tiempo (an ode to time) Choreography, María Pagés Dramaturgy & Lyrics, El Arbi El Harti Music, Rubén Levaniegos, María Pagés, Piotr Ilitch Tchaikovski, Antonio Vivaldi, Georg FRiedrich Haendel, Sergio Menem, David Moñiz, Isaac Muñoz, musique populaire traditionnelle 'Your wind Moves Me' poem by Marifé Santiago Lighting design, Dominique You, Paul Fullana Costume design, Maria pagés Scenography, Maria Pagés & El Arbi El Harti Sound design, Albert Cortada, Enrique Canañas María Pagés Compañía Dancers María Pagés, Eva Varela, Julia Gimeno, Marta Galvez, Virginia Muñoz, José Barrios, Rafael Ramirez, Juan Carlos Avecilla, José Ángel Capel Artists Anna Ramon, Sara Corea, Barnardo Miranda, voices Ruben Levaniegos, Isaac Munoz, guitars David Moniz, violin Sergio Menem, Cary Rosa, Marina Barba, cello Cheam Uriarte, percussion Recorded on May 31 & Juner 1st, 2019 at the Teatro Campoamor, Oviedo, Spain TV Director, Arnaud Lalanne