Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Ivan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, Sîla

MEYER and WRITING GROUND Two choreographies by Alonzo King Lines Ballet MEYER Original music by Edgar Meyer Lights by Axel Morgenthaler Costumes by Robert Rosenwasser WRITING GROUND Sacred music from the Jewish, Christian, Muslim and Tibetan traditions Lights by Axel Morgenthaler Costumes and sets by Robert Rosenwasser Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013 Directed by Denis Caïozzi

Biophony and Sand Choreographer, Alonzo King With Lines Ballet Babatunji, Robb Beresford, Adji Cissoko, Madeline DeVries, Shuaib Elhassan, James Gowan, Maya HarrCourtney Henry, Yujin Kim, Michael Montgomery BIOPHONY Music and sound environment, Bernie Krause et Richard Blackford Lights, Axel Morgenthaler Costumes, Robert Rosenwasser SAND Music, Charles Lloyd et Jason Moran Lights, Axel Morgenthaler Decors, Christopher Haas Costumes, Robert Rosenwasser Recorded on 2017, March 26th at the Faïencerie Théâtre, à Creil TV Director, Denis Caiozzi

Les Contes d'Hoffmann (The Tales of Hoffmann), 'opéra fantastique' in five acts by Jacques Offenbach (1819 - 1880) Jules Barbier's libretto after the play by Jules Barbier and Michel Carré based on works by E.T.A. Hoffmann First performance in Paris, Opéra-Comique, February 10, 1881 Orchestre Philharmonique de Monte-Carlo, Jacques Lacombe (Conductor) Choeur de l'Opéra de Monte-Carlo, Stefano Visconti (Chorus Master) Jean-Louis Grinda (Stage Direction) Laurent Castaingt (Sets), David Belugou (Costumes) , Laurent Castaingt (Lighting) Juan Diego Flórez (Hoffmann) Olga Peretyatko (Olympia, Antonia, Giuletta, Stella) Nicolas Courjal (Lindorf, Coppélius, Dr Miracle, Dapertutto) Sophie Marilley (Nicklausse) Rodolphe Briand (Andrès, Cochenille, Frantz, Pitichinaccio) Marc Larcher (Nathanaël) Yuri Kissin (Hermann/ Schlemil) Antoine Garcin (Luther) Reinaldo Macias (Spalanzani) Paata Burchuladze (Crespel) Christine Solhosse (La Mère d'Antonia) Recorded on January 28th and 31st at the Opéra de Monte-Carlo TV Director, Stéphan Aubé

Tristan und Isolde Drama in three acts by Richard Wagner (1813 - 1883) Libretto by Richard Wagner First performance in Munich, Hof- und Nationaltheater, 10 June 1865 Staatskapelle Berlin, Daniel Barenboim (Conductor) Dmitri Tcherniakov (Stage Direction) Andreas Schager (Tristan) Stephen Milling (King Marke) Anja Kampe (Isolde) Boaz Daniel (Kurwenal) Stephan Rügamer (Melot) Ekaterina Gubanova (Brangäne) Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin TV Director, Andy Sommer

Budapest Festival Orchestra, Iván Fisher (Conductor) Johann Sebastian Bach Brandenburg Concerto no. 3 in G major BWV 1048 Béla Bartók Music for strings, percussion and celesta, Sz. 106, BB 114 Johannes Brahms Symphony no. 3 en F major, op. 90 Recorded on December 7, 2017 at the Béla Bartók National Concert Hall, Budapest Réalisé par Sebastien Glas

Symfonieorkest Vlaanderen, Adrien Perruchon (conductor) Josef Spacek (violin) Claude Coppens (b. 1936) Music for Orchestra, op. 12 Edouard Lalo (1823 - 1892) Symphonie espagnole for violin and orchestra op. 21 Alberto Ginastera (1916 - 1983) Dances from Estancia, op. 8a Aaron Copland (1900 - 1990) El Salón México Maurice Ravel (1875 - 1937) Boléro Arturo Márquez (b. 1950) Danzón no. 2 Recorded on March 1st 2017 at the Concertgebouw, Bruges TV Director, Frédéric Caillierez

Snarky Puppy 11 musicians Performed music from the last recording, IMMIGRANCE. Two years after their sold-out French tour, the jazz group phenomenon is back to celebrate the release of its latest album. Based in Brooklyn, the community group brings together around thirty musicians who work with the greatest names in music. Having achieved recognition three times at the Grammy awards, Snarky Puppy, endeavours to create 'music for the body and the mind'. Recorded at the salle Pleyel on November 22, 2019 TV Director, Patrick Savey

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Airelle Besson quartet - Radio One Airelle Besson, trumpet Isabel Sörling, lyric Benjamin Moussay, piano, Fender Rhodes Fabien Moreau, Drums Recorded on June16, 2019 at the Philharmonie de Paris TV Director, Josselin Carré