Richard Bona & Mandekan Cubano @ Montreux Jazz Festival 2016 Richard Bona, bass & voice Mandekan Cubano Dennis Hernandez, trumpet Luis Bonilla, trombone, Osmany Parades, piano, Luisito Quintero, timbal & percussion Robert Quintero, congas & percussion Born in Cameroon, singer-composer Richard Bona has enjoyed twenty years of an international career taking him from Paris to New York, from recordings studios to the most prestigious concert halls. Musical partners have included Pat Metheny, Stevie Wonder, Herbie Hancock, Paul Simon and Chick Corea. Admired by fellow musicians and considered to be one of the best bass players in the world, Richard Bona brings jazz and African music ever more closely and universally together. Recorded on July 7th 7 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Jacob Collier @ Montreux Jazz Festival 2016 Jacob Collier, guitar, synth, drums, bass and voice Recorded on July 7th 7 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Alfredo Rodriguez Trio @ Montreux Jazz Festival 2016 Alfredo Rodriguez, piano Michael Olivera, drums Reinier Elizarde, doublebass Recorded on July 7th 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Badbadnotgood at the festival SingJazz 2016 With Matthew A. Tavares, keyboards Alexander Sowinski, drums, sampler Chester Hansen, bass guitar, upright bass Leland Whitty, saxophone, viola, violin Recorded on March, the 4h 2016 at the Marina Bay Sands, Singapore Amos Rozenberg, TV director

Ballake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from 'Musique de Nuit' (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien Raymond

Madama Butterfly 'Tragedia giapponese' by Giacomo Puccini (1858 - 1924) Libretto by Giuseppe Giacosa and Luigi Illica after David Belasco's play 'Madame Butterfly' First performance in Milan, Teatro alla Scala, 17 February 1904 Orchestre et Chœurs de l'Opéra Royal de Wallonie-Liège, Speranza Scappucci (Conductor) Pierre Iodice (Chorus master) Stefano Mazzonis di Pralafera (Stage Director) Jean-Guy Lecat (sets) Fernand Ruiz (costumes), Franco Marri (lighting) Svetlana Aksenova (Cio-Cio-San) Alexey Dolgov (Pinkerton) Mario Cassi (Sharpless) Sabina Willeit (Suzuki) Saverio Fiore (Goro) Alexise Yerna (Kate Pinkerton) Luca Dall'Amico (Lo Zio Bonzo) Patrick Delcour (Il Commissario/ Yamadori) Recorded at the Opéra Royal de Liège-Wallonie, 28 September 2019  

Royal Concertgebouw Orchestra, Carlos Kleiber (direction) Ludwig van Beethoven Symphony No. 4 in B flat major, op.60 Directed by Humphrey Burton Recorded at the Concertgebouw, Amsterdam, in 1983 Carlos Kleiber's all too rare concert appearances are always musical occasions to cherish and remember. The vitality and precision of his authoritative gestures never fail to generate excitement and inspire playing of great élan from orchestras throughout the world. When Carlos Kleiber conducts the Concertgebouworkest of Amsterdam in Beethoven, one can expect a performance of intense musical concentration and exceptional expressive power. Carlos Kleiber made this recording with the Dutch orchestra in 1983, conducting Beethoven's Fourth and Seventh Symphonies. The mesmeric command of this elusive conductor over his musicians is fascinating. With none of the excessive glamor of the star performer, Carlos Kleiber, with meticulous care for detail, creates clear instrumental textures, compelling rhythmic designs and magical moments of fine repose. This is spell-binding music-making. This is vintage Carlos Kleiber.

Romeo and Juliet Ballet in three acts by Sergei Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky after William Shakespeare's eponymous play The Ural Opera House ballet Vyacheslav Samodurov (Choreography) Anthony Mcilwaine (Sets), Irena Belousova (Costumes), Simon Bennison (Lights) Orchestra of the Ural Opera House Pavel Klinichev (Musical Direction) With Ekaterina Sapogova (Juliet) Alexandr Merkushev (Romeo) Igor Bulytsyn (Mercutio) Gleb Sageev (Benvolio) Vadim Eremin (Tybalt) Victor Mekhanoshin (Lord Capulet) Elena Safonova (Lady Capulet) Nadezhda Shamshurina (Nurse) Rafaela Ernandes Morel (Rosaline) Andrei Veshkurgev (Rosaline's Suitor) Maxim Klekovkin (Paris) Ivan Sobrovin (Friar Laurence ) Anton Guzeev (The Duke) Sofiya Tyupa (The Duke's companion ) Live from the Ural Opera House, Yekaterinburg TV director, Denis Caïozzi

Svetlana Zakharova, The Divine Shot in the Bolshoi Theater before its reconstruction, this film is a behind-the-scenes account of principal dancer Svetlana Zakharova. We follow her in rehearsal for Sleeping Beauty with coach Ludmilla Semeniaka and on stage as she performs in The Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky). This director's cut of 'Tsarina of the Dance' reveals the passions, agonies and joys of a prima ballerina at the height of her career. Text extract form Jean Blot's book ''Le soleil se couche à l'est'' (The sun set in the East) Choreographies extracts from : Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky) With : Svetlana Zakharova, Farukh Ruzimatov, Andreï Uvarov, Andreï Merkuriev, NikolaÏ Tsiskaridze and the dancers from the Bolshoi and from the Mariinsky Theaters. Music from : Zemfira, Camille St Saens, Ludwig Minkus, Adolphe Adam, Piotr Illich Tchaikosky, NikolaÏ Rimsky-Korsakov, Yuri Khanon, And : Ekaterina Belyaeva (Dance Critic), Iaroslav Svedov (Dance Historian and Critic), Yuri Grigorovitch (former Bolshoi Artistic Director & Director of Krasnodar Ballet), Natalia Bessmertonova (former Bolshoi Ballerina), Ludmilla Semeniaka (former Ballerina and coach) Recorded in 2016, Moscow and St Petersburg TV Director, Laurent Gentot

Royal Concertgebouw Orchestra, Nikolaus Harnoncourt (conductor) Marlis Petersen (soprano), Elisabeth Kulman (alto), Werner Güra (tenor), Gerald Finley (bass) Netherlands Radio Choir Ludwig van Beethoven Missa solemnis in D major, Op. 123 Directed by Joost Honselaar Recorded in 2012 at the Concertgebouw, Amsterdam

Orchestre de Chambre de Lausanne, Santtu-Matias Rouvali (Conductor) Boris Brovtsyn (violin) Sergei Prokofiev (1891 - 1953) Violin Concerto no 2 in G minor, op. 63 Ludwig van Beethoven (1770 - 1827) Symphony no 7 in A major, op. 92 Recorded at the Salle Métropole, Lausanne, 18 December 2019

Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.' Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Jacob Collier @ Montreux Jazz Festival 2016 Jacob Collier, guitar, synth, drums, bass and voice Recorded on July 7th 7 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Ballake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from 'Musique de Nuit' (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien Raymond

Magic Malik Rythms and dancses from Cameroon Magic Malik, flute, voice, co-composer, co-artistic direction, Hilaire Penda co-composer, co-artistic direction, Zaf Zapha, bass, Maciek Lassere, saxophone, William Ombe, percussions, voice, Merclin Nyakam, choreography, dance, voice Created in 2017 on the occasion of the residence of Magic Malik in Royaumont, this programme focusing on Cameroon was an invitation to see much further by looking much closer. To start with, it was a question of an encounter between the flautist with large antennas and a Fulani flute played by the Burkino Faso citizen Dramane Dembelé. However, along the way, the imagined project with the late Hilaire Penda and of which the Cameroonian dancer Merlin Nyakam has become the principle mediator, feeds off traces from the past in order to question the very nature of what we call jazz and to fertilise it by projecting it into the contemporary field of a 'creolised' world'. Recorded on March 28, 2019 at the Banlieues Bleues festival TV Director, Guillaume Dero