Diane Reeves Dianne Reeves, vocal Peter Martin, keyboard Romero Lubambo, guitar Reginald Veal, bass Terreon Gully, drums Recorded on Spetember 10th 2017 at the Grande Halle de la Villette, Jazz à la Villette festival TV Director, David Unger

Eric Legnini trio invites Thomas Dutronc & Hugh Coltman Eric Legnini, piano Thomas Bramerie, bass Franck Agulhon, drums Thomas Dutronc, guitar and voice Hugh Coltman, guitar and voice Set List E.Legnini trio Boda-Boda - Breakfeast at Dawn ou Doo We Doo - The Jive Hugh Coltman If Only for a minute - Near the house - Night Birds - The sun will dance Thomas Dutronc Plus je t'embrasse - Petite Fleur - C'est si bon - La belle vie Recorded on June 23, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien Raymond

Robot ! Choreography, artistic direction Blanca Li Musical robots, Maywa Denki NAO Robots , Aldebaran Robotics Scenography, Pierre Attrait Light, Jacques Chatelet Music, Tao Gutierrez In partnership with Aldebaran Robotics for the NAO robots Dancers, Yacnoy Abreu Alfonso, Emilie Camacho, Géraldine Fournier, Yann Hervé, Aliashka Hilsum, Samir M'Kirech, Margalida Riera Roig, Gael Rougegrez and 8 robots Eight dancers and the musically animated humanoids of the Japanese collective Maywa Denki are directed by Blanca Li and investigate the relationship between man and machine, in the particular context where robots tend to become more and more human. This innovative performance is immediately engaging and the audience is dazzled by the technical prowess of the robotic choreography. A futuristic fantasy, 'Robot!', Blanca Li's new creation for the Montpellier Dance Festival, is one of these unidentified objects the choreographer from Andalusia particularly enjoys. In this approach to 'total theatre', she involves eight dancers and the animated humanoids of the Japanese collective Maywa Denki. The resulting opera takes stock of a world in which mathematics and technology try to harness human life and design thinking machines. Machines with desires... A post-dadaist choreographer, influenced by psychoanalytically-minded Martha Graham and her native city of Granada where she was a gymnast at the age of twelve, Blanca Li enjoys a comical and poetical form of humour. Her 'Garden of Earthly Delights' after Hieronymus Bosch, premiered at Montpellier in 2009, her opera 'Rag Time' after Scott Joplin, a commercial for the Longchamp brand and a show for Jean-Paul Gaultier all partake of her invitation to 'come and dance with me'. 'Robot!' clearly belong to this tradition. Recorded at the Maison des Arts & de la Culture de Créteil TV directors, Blanca Li and Fabien Raymond

Elektro Kif Choreography and staging , Blanca LI Lighting design, Jacques Châtelet Original Music, Tao Guttierrez Costume, Françoise Yapo Dancers Khaled Abdulahi (alias Cerizz) Jeremy Alberge (alias Jerem) , Arnaud Bacharach (alias Nino), Roger Bepet (alias Big Jay) , William Falla (alias Treaxy) , Slate Hemedi (Alias Crazy) , Alou Sidibe (alias Kyrra), Adrien Sissoko (alias Fiasco) Recorded on 2013 at la Cigale, Paris TV Director,

Orchestre national de l'Opéra de Paris, Philippe Jordan (Conductor) Pyotr Ilych Tchaikosky (1840 - 1893) Symphony no. 3 Symphony no. 6 Recorded on May 15, 2018 at the Philharmonie de Paris Directed by François-René Martin

Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848) Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor' First performance in Naples, Teatro San Carlo, 26 September 1835 Symphony Orchestra and Chorus of the Gran Teatre del Liceu, Marco Armiliato (Conductor) Conxita Garcia (Chorus Master) Damiano Michieletto (Stage Direction) Paolo Fantin (Sets), Carla Teti (Costumes), Martin Gebhardt (Lighting) Elena Mosuc (Lucia di Lammermoor) Juan Diego Flórez (Edgardo) Marco Caria (Enrico) Simón Orfila (Raimondo) Albert Casals (Arturo) Jorge Rodríguez Norton (Normano) Sandra Ferrández (Alisa) Recorded on December 20th & 23th 2015 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier

Orchestre de Chambre de Lausanne, Bertrand de Billy (conductor) Antoine Tamestit (viola) Richard Strauss (1864 - 1949) Serenade for 13 wind instruments, Op.7 Bohuslav Martinu (1890 - 1959) Rhapsody-concerto for viola and orchestra, H.337 Joseph Haydn (1732 - 1809) The Seven last words of Christ, Hob. XX:1a, orchestral version Recorded on December 11th 2017 at the Salle Métropole of Lausanne TV Director, Andy Sommer

Lady Macbeth of Mtsensk Opera in four acts op. 29 by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitry Shostakovich and Alexander Preis from Nikolai Leskov's story Creation in Leningrad, Maliÿ Opernïy Teatr, 22 January 1934 Chorus and Orchestra of the Paris National Opera, Ingo Metzmacher (Conductor) José Luis Basso (Chorus Master) Krzysztof Warlikowski (Stage Direction) Małgorzata Szczęśniak (sets, costumes), Felice Ross (lighting), Claude Bardouil (choreography), Christian Longchamp (dramaturgy) Dmitry Ulyanov (Boris Timofeevich Ismailov) John Daszak (Zinovy Borisovich Ismailov) Aušrinė Stundytė (Katerina Lvovna Ismailova) Pavel Černoch (Sergey) Sofija Petrovic (Aksinya) Wolfgang Ablinger-Sperrhacke (Shabby Peasant) Oksana Volkova (Sonetka) Andrei Popov (Teacher) Krzysztof Baczyk (A Pope, un gardien) Marianne Croux (Woman Convict) Alexander Tsymbalyuk (Chief of Police, Old Convict) Sava Vemić (Officer) Florent Mbia (Le Régisseur) Julien Joguet (Porter) Hyun-Jong Roh, Antonel Boldan, Paolo Bondi (Workers) Jian-Hong Zhao (Millhand) John Bernard (Coachman) Pierpaolo Palloni (Policemant) Fernando Velasquez (Drunken Guest) Recorded at the Opéra National de Paris, Opéra-Bastille, on 13 & 16 April 2019 TV Director, Stétphane Metge

Orchestre National du Capitole de Toulouse, Orfeón Donostiarra, Tugan Sokhiev (Conductor) Bryan Hymel (tenor) Hector Berlioz (1803 - 1869) Grande messe des morts op. 5 Recorded on 5 February 2015 at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Concerto Köln Shunske Sato (violin) Antonio Vivaldi (1678 - 1741) Concerto for Strings and Continuo in G minor RV 156 Evaristo Felice dall'Abaco (1675 - 1742) Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa Antonio Vivaldi Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera) Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate) Charles Avison (1709 - 1770) Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti Antonio Vivaldi Sinfonia al Santo Sepolcro in B minor RV 169 Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno) Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno) Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 13, 2018 Directed by Julien Condemine

En un battement continu, Choreography by Luc Petton et Marilén Iglesias Breuker Assistant, Tuomas Lahti Music, Ottol Lindholm (Fauve) With Pieradolfo Ciulli, Adalberto Fernandez Torres, Aurore Godfroy, Sun-A Lee, Anaïs Michelin, Animaliers : Cyril Cattai, Philippe Hertel, Mélanie Poux Wolves, barn owls and great grey owls, peregrine falcon, white-backed vultures Recorded on December 18, 2017 at the Castel of Pierrefonds TV Director, Tommy Pascal

La Rencontre Choreography by Ambra Senatore With Matteo Ceccarelli, Elisa Ferrari, Gilselda Hanieri, Antoine Roux-Briffaud, Ambra Senatore Recorded on December 18, 2017 at The Castel of If TV Director, Caroline Cutaia

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Ballake Sissoko & Vincent Segal invite Naissam Jalal & Keyvan Chemirani Ballake Sissoko, Kora Vincent Segal, cello Track list Music from 'Musique de Nuit' (Night music) Recorded on June 18, 2020 at Jazz à Vienne, Théâtre antique TV Director, Fabien Raymond

Bokanté Malika Tirolien, voice Michael League, guitar & voice Chris McQueen, guitar & voice Bob Lanzetti, guitar Roosevelt Collier, steel guitar Jamey Haddad, percussion Keita Ogawa, percussion André Ferrari, percussion An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.' Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg