Jacob Collier @ Montreux Jazz Festival 2016 Jacob Collier, guitar, synth, drums, bass and voice Recorded on July 7th 7 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Ballake Sissoko & Vincent Segal Ballake Sissoko, kora Vincent Segal, cello Track list Chamber Music (Ballaké Sissoko) Oscarine (Vincent Segal) Houdesti (Ballaké Sissoko) Wo ye N'gnougobine (Ballaké Sissoko) Histoire de Molly (Vincent Segal) Ma Fa (Vincent Segal) Regret à Kader Barry ' (Ballaké Sissoko) Halinkata Djouba ' (Ballaké Sissoko) Future (Ballaké Sissoko) Mako Mady (Ballaké Sissoko) Recroded on October 18, 2009, at the hino Jazz festival TV Director, Francois Goetghebeur

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

An evening with Anne Teresa De Keersmaeker at the Opéra National de Paris, Palais Garnier Étoiles, principal dancers and the Corps de Ballet Conductor, Vello Pähn Opéra national de Paris orchestra Quatuor n°4 Enters the Repertory of Opéra national de Paris Choreography, Anne Teresa De Keersmaeker Music, Béla Bartók, Quatuor n°4 Set, Anne Teresa De Keersmaeker Lights, Anne Teresa De Keersmaeker and Herman Sorgeloos made by Vinicio Cheli Costume, Rosas With Sae Eun Park, Juliette Hilaire, Charlotte Ranson, Laura Bachman ______________________________________________________ Die grosse Fuge Enters the Repertory of Opéra national de Paris Choreography, Anne Teresa De Keersmaeker Music, Ludwig van Beethoven, La Grande Fugue, op.133 Staging, Jean-Luc Ducourt Set, Jan Joris Lamers Lights, Jan Joris Lamers made by Vinicio Cheli Costume, Rosas Music analysis, Georges-Elie Octors With Alice Renavand, Stéphane Bullion, Karl Paquette, Vincent Chaillet, Florian Magnenet, Nicolas Paul, Adrien Couvez, Alexandre Gasse _______________________________________________________ Verklärte Nacht Enters the Repertory of Opéra national de Paris Choreography, Anne Teresa De Keersmaeker Music, Arnold Schönberg, The Transfigured Night. op. 4, version for string orchestra Set, Gilles Aillaud , Anne Teresa De Keersmaeker Costume, Rudy Sabounghy Lights, Vinicio Cheli Music analysis, Georges-Elie Octors , Rosas With Émilie Cozette, Marie-Agnès Gillot, Léonore Baulac, Letizia Galloni, Séverine Westermann, Katherine Higgins, Emilie Hasboun, Alice Catonnet, Alexandre Gasse, Karl Paquette, Stéphane Bullion, Florian Magnenet, Takeru Coste, Nicolas Paul Recorded on October 27 and 30 2015 at the Opéra National de Paris, Palais Garnier TV director, Louise Narboni

Les Six concertos brandebourgeois (The six Brandenburg Concertos) Anne Teresa De Keersmaeker (Choreography) Rosas company Created with and danced by Boštjan Antončič - Carlos Garbin - Frank Gizycki - Marie Goudot - Robin Haghi - Cynthia Loemij - Mark Lorimer - Michaël Pomero - Jason Respilieux - Igor Shyshko - Luka Švajda - Jakub Truszkowski - Thomas Vantuycom - Samantha van Wissen - Sandy Williams - Sue Yeon Youn Music Johann Sebastian Bach Brandenburg Concertos BWV 1046 -1051 B'Rock Orchestra, Amandine Beyer (Conductor) Jan Versweyveld (Scenography, Lighting design), An D'Huys (Costume design), Jan Vandenhouwe (Dramaturgy) Recorded 13 March 2019 at the Opéra National de Paris, Palais Garnier TV Director, Louise Narboni

Carmen, opéra comique in four acts by Georges Bizet (1838 - 1875) Libretto by Henri Meilhac and Ludovic Halévy after Prosper Merimée's novel First performance in Paris, Opéra-Comique, 3 March 1875 Orchestre et chœur de l'Opéra Royal de Wallonie-Liège, Speranza Scappucci (Conductor) Pierre Iodice (Chorus Master) Henning Brockhaus (Stage Direction, Lighting) Margherita Palli (Sets), Giancarlo Colis (Costumes), Valentina Escobar (Choreography) Nino Surguladze (Carmen) Marc Laho (Don José) Silvia Dalla Benetta (Micaela) Lionel Lhote (Escamillo) Alexia Saffery (Frasquita) Alexise Yerna (Mercédès) Patrick Delcour (Le Dancaïre) Papuna Tchuradze (Le Remendado) Roger Joakim (Zuniga) Alexandre Tiereliers (Lillas Pastia) Alexei Gorbatchev (Moralès) Réjane Soldano (Une marchande) Benoit Delvaux (Un bohémien) Recorded on January 29 & 30, 2018 at the Opéra Royal de Wallonie-Liège Directed by Arnaud Lalanne

Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Marie Perbost (Dessus), Samuel Boden (Haute-contre), Zachary Wilder (Taille), Victor Sicard (Basse-taille) Jean-Philippe Rameau (1683-1764) In convertendo Dominus Jean-Joseph Cassanéa de Mondonville (1711-1772) In exitu Israël André Campra (1660-1744) Messe de Requiem Recorded at the Chapelle Royale, Château de Versailles, 20 November 2019 TV Director, Olivier Simonnet

The Indian Queen Semi-opea in a prologue and five acts by Henry Purcell (1659-1695) Libretto after John Dryden and Robert Howard First performance in London, Theatre Royal, Drury Lane, 1695 Le Concert d'Astrée, Chorus and orchestra, Emmanuelle Haïm (Conductor) Guy Cassiers (Stage Direction) Tim Van Steenbergen (Sets, costumes), Frederik Jassogne (Video), Fabiana Piccioli (Lighting) Anna Dennis (soprano) Tristan Hambleton (tenor) Hugo Hymas (tenor) Gareth John (baritone) Rowan Pierce (soprano) Nick Pritchard (tenor) Actors Christopher Ettridge, Elisabeth Hopper, James McGregor, Julie Legrand, Ben Porter, Matthew Romain Recorded 12 October 2019, Opéra de Lille TV Director, Isabelle Soulard

Munich Phiharmonic Orhestra, Valery Gergiev (conductor) Sergei Prokofiev Romeo and Juliet, op. 64, excerpts Richard Strauss Don Juan, op. 20 Piotri Tchaikovsky Symphony No 6 Recorded on September 24, 2015 at the Philharmonie im Gasteig, Munich TV Director, François-René Martin

Munich Philharmonic Orchestra, Valery Gergiev (Conductor) Sergei Prokofiev (1891 - 1953) Symphony No. 1 in D major, Opus 25, 'Symphonie classique' Symphony No 7 in C-Sharp minor, Opus 131 Anton Bruckner (1824 - 1897) Symphony No 3 in D minor (final version 1889) Recorded on March, the 31st 2016 at the Philharmonie am Gasteig, Munich

Erik Truffaz, Trumpet Estreilla Besson, Piano Playlist - Ganga Aarti (E. Truffaz) - Ombres et lumière (E. Truffaz) - Avant l'aube (E. Truffaz) - SO (E. Truffaz) - Betty (E. Truffaz) - Falling stars 2 (E. Truffaz) - Yasmina (E. Truffaz) Recorded on June 11 & 12, 2020 at the Piano Festival de Lille TV Director, Nicolas Foulon

Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt

Damn'co Damien Schmitt, voice, drums Michael Lecoq, keyboard, voice Mika Joseph, keyboard, talkbox Yann Negrit, guitar, voice Swaéli Mbappé, bass, voice Mixing up pop and hip-hop Dam'nco, the group of the drummer Damien Schmidt, takes its inspiration from the different neighbourhoods of Paris to compose a dancing a colourful music which is not without reminding us of that of Snarky Puppy.An unfailing rhythm section, soloists with explosive improvisations: all the ingrediants are brought together for a wild end to the evening! Recorded on May 10, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Shabaka and the Ancestors Shabaka Akua Lumumba Kamau Hutchings (saxophone ténor) Mthunzi Mvubu (saxophone alto) Siyabonga Mthembu (voix) Ariel Zomonsky (Basse) Tumi Mogorosi (batterie) Gontse Makhene (Percussions) Playlist . Nguni (Shabaka Hutchings, Siyabonga Mthembu) . The Sea (Shabaka Hutchings) . The Observer (Shabaka Hutchings, Siyabonga Mthembu) . Joyous ((Shabaka Hutchings) . Natty (Shabaka Hutchings) . Mzwandile (Shabaka Hutchings, Siyabonga Mthembu) . Chik CHIkka (Lykaty Astatke) Refocusing jazz could be Shabaka Hutchings' mantra. The tenor saxophonist recently went to Johannesburg to soak up South African heritage and to surround himself with the country's best musicians. It led to a celebratory, spiritual sound on the vibrant Wisdom of Elders, recorded in just one day in Johannesburg. The music composed by the saxophonist is primitive, spontaneous, and unpredictable. It's infused with drummer Tumi Mogoros's polyrhythmic beats and the hypnotic sounds of singer Siyabonga Mthembu. British Shabaka Hutchings has Barbadian roots. He's been recognized as a key player on the London jazz scene for a few years now. He got noticed when he brought African and Caribbean sounds to Sons Of Kemet and by playing with the electro-cosmic sounds of The Comet Is Coming. Enregistré le 12 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club) Réalisation, Marc Schütrumpf