Mike Stern & Randy Brecker Band Mike Stern (Michael Sedgwick) (Guitar) Randy Brecker (trumpet) Lenny White (drums) Teymur Phell (Bass) Playlist . Out Of The Blue (MikeStern) . KT (MikeStern) . Dipshit (Randy Brecker) . What Might Have Been (MikeStern) . Red House (Jimi Hendrix) Enregistré le 10 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club) Réalisation, Vincent Guélat

Shabaka and the Ancestors Shabaka Akua Lumumba Kamau Hutchings (saxophone ténor) Mthunzi Mvubu (saxophone alto) Siyabonga Mthembu (voix) Ariel Zomonsky (Basse) Tumi Mogorosi (batterie) Gontse Makhene (Percussions) Playlist . Nguni (Shabaka Hutchings, Siyabonga Mthembu) . The Sea (Shabaka Hutchings) . The Observer (Shabaka Hutchings, Siyabonga Mthembu) . Joyous ((Shabaka Hutchings) . Natty (Shabaka Hutchings) . Mzwandile (Shabaka Hutchings, Siyabonga Mthembu) . Chik CHIkka (Lykaty Astatke) Refocusing jazz could be Shabaka Hutchings' mantra. The tenor saxophonist recently went to Johannesburg to soak up South African heritage and to surround himself with the country's best musicians. It led to a celebratory, spiritual sound on the vibrant Wisdom of Elders, recorded in just one day in Johannesburg. The music composed by the saxophonist is primitive, spontaneous, and unpredictable. It's infused with drummer Tumi Mogoros's polyrhythmic beats and the hypnotic sounds of singer Siyabonga Mthembu. British Shabaka Hutchings has Barbadian roots. He's been recognized as a key player on the London jazz scene for a few years now. He got noticed when he brought African and Caribbean sounds to Sons Of Kemet and by playing with the electro-cosmic sounds of The Comet Is Coming. Enregistré le 12 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club) Réalisation, Marc Schütrumpf

La Favorite Opéra in four acts by Gaetano Donizetti (1797 - 1848) Libretto by Alphonse Royer, Gustave Vaëz and Eugène Scribe First performance in Paris, Opéra, 2 December 1840 Bayerisches Staatsorchester, Karel Mark Chichon (Conductor) Chorus of the Bayerische Staatsoper Amélie Niermeyer (Stage Direction) Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes) Elīna Garanča (Léonor de Guzman) Matthew Polenzani (Fernand) Mariusz Kwiecien (Alphonse XI) Mika Kares (Balthazar) Joshua Owen Mills (Don Gaspard) Elsa Benoit (Inès) Directed by Tiziano Mancini Recorded at the Bayerische Staatsoper, Munich, 2016

One Thousand and One Nights Ballet in 2 Acts Choreographer & Artistic Director , Andrey Petrov Music, Fikret Amirov Libretto by Maksud & Rustam Ibragimbekov, Nailia Naziorova bassée sur sur le conte Arabe 'Les 1001 nuits' Sets, Tair Salahov Costume, Olga Polyanskaya With The Kremlin Ballet Scheherezada, Ekaterina Pervushina Shahriyar, a Persian tsar, Mikhail Evgenov NuRida, Shahriyar's wife, Irina Ablitsova Masood, a slav of Nurida, Amir Salimov Vizier, father of Sheherezada, Ivan Fadeev Executioner, Nikita Smirnov Alladin, Egor Motuzov Tsarevna Budour, Natalia Balakhnicheva Wizard, Nikita Ivanov Gene of the lamps, Ivan Zakharchenko Sindbad, Maxim Afnasyev Girl, Karina Salimova Bird Ruh, Nikolay Zheltikov Le Sultan, Sergey Vasyuchenko Wife of the Sultan, Ksenia Khabinets Hobo, Dmitry Prusakov Ali-Baba, Eugeny Korolev Marjana, servant Ali-Baba, Alina Kaicheva Maxym robbers, Maxim Sabitov Soloist in bash, Arina Tomilina, Ekaterina Chekryzheva Recorded at the Heydar Aliyev Palace, Bakou, Azerbaïdjan on April 11 & 12, 2019 TV Director, Vincent Massip

Lars Anders Tomter (viola), Sharon Kam (clarinet), Christian Ihle Hadland (piano) Edvard Grieg Cello Sonata in A minor, op. 36 (Transcription for viola and piano by Lars Anders Tomter) Robert Schumann Märchenerzählungen, op. 132 Johannes Brahms Sonata for Clarinet and Piano in E flat major, op. 120 Recorded on June 6th 2017 at the concert hall of Troldhaugen as part of the Bergen Festival Directed by Benjamin Bleton

Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Marie Perbost (Dessus), Samuel Boden (Haute-contre), Zachary Wilder (Taille), Victor Sicard (Basse-taille) Jean-Philippe Rameau (1683-1764) In convertendo Dominus Jean-Joseph Cassanéa de Mondonville (1711-1772) In exitu Israël André Campra (1660-1744) Messe de Requiem Recorded at the Chapelle Royale, Château de Versailles, 20 November 2019 TV Director, Olivier Simonnet

B'Rock Orchestra Karina Gauvin (soprano, L'Età dell Oro), Sonia Prina (alto, La Virtù), Ugo Guagliardo (bass, La Senna) AntonioVivaldi La Senna festeggiante Recorded on January 14th, 2017 at the Arsenal de Metz Directed by Sylvain Pierrel

Carmen, opéra comique in four acts by Georges Bizet (1838 - 1875) Libretto by Henri Meilhac and Ludovic Halévy after Prosper Merimée's novel First performance in Paris, Opéra-Comique, 3 March 1875 Orchestre et chœur de l'Opéra Royal de Wallonie-Liège, Speranza Scappucci (Conductor) Pierre Iodice (Chorus Master) Henning Brockhaus (Stage Direction, Lighting) Margherita Palli (Sets), Giancarlo Colis (Costumes), Valentina Escobar (Choreography) Nino Surguladze (Carmen) Marc Laho (Don José) Silvia Dalla Benetta (Micaela) Lionel Lhote (Escamillo) Alexia Saffery (Frasquita) Alexise Yerna (Mercédès) Patrick Delcour (Le Dancaïre) Papuna Tchuradze (Le Remendado) Roger Joakim (Zuniga) Alexandre Tiereliers (Lillas Pastia) Alexei Gorbatchev (Moralès) Réjane Soldano (Une marchande) Benoit Delvaux (Un bohémien) Recorded on January 29 & 30, 2018 at the Opéra Royal de Wallonie-Liège Directed by Arnaud Lalanne

Phronesis & Engines orchestra Phronesis Jasper Høiby, piano Ivo Neame, piano Anton Eger, piano Phill Meadows' Engines Orchestra Phill Meadow, conductor Rosanna Ter-Berg, Flute Katie Bennington, Oboe Gennie Joy, Clarinet/ Bass Clarinet Lois Au, Bassoon Katherine Waller, Violin I Scott Lowry, Violin II Alison D'souza, Viola Zosia Jagodzinska, Cello Musc played by Phronesis and Engine Orchestra Dave Mari, composer Decade Zero Composer Dave Maric provides the alchemy that brings together two ensembles whose contrasting talents are poised to create musical fireworks. Jasper Høiby, Ivo Neame and Anton Eger make piano trio music of distinctive power and lyricism that has had a worldwide impact over the past decade, whilst Phil Meadows' Engines Orchestra has fused today's generation of jazz and classical young bloods in a floating group of strings, horns and groove that transcends expectations. Recorded on November 12th 2017 at Barbican Milton Court, London Jazz Festival TV Director, Mathieu Mastin

Damn'co Damien Schmitt, voice, drums Michael Lecoq, keyboard, voice Mika Joseph, keyboard, talkbox Yann Negrit, guitar, voice Swaéli Mbappé, bass, voice Mixing up pop and hip-hop Dam'nco, the group of the drummer Damien Schmidt, takes its inspiration from the different neighbourhoods of Paris to compose a dancing a colourful music which is not without reminding us of that of Snarky Puppy.An unfailing rhythm section, soloists with explosive improvisations: all the ingrediants are brought together for a wild end to the evening! Recorded on May 10, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt

Esperanza Spalding : Emily's D + Evolution at the Melbourne Jazz Festival 2016 Esperanza Spalding, bass / vocals Matt Steven, guitar Justin Tyson, drums Emily Elbert, vocals Originally conceived the day before her birthday -during a 'sleepless night of full moon inspiration'- Emily's D+Evolution will perform all-new material that Spalding says 'unfolds as live musical vignettes.' 'Emily is my middle name and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand' says Spalding. 'My hope for this group is to create a world around each song... We will be staging the songs as much as we play them, using characters, video and the movement of our bodies.' Emily's D+Evolution is opening Melbourne Jazz Festival 2016 in the Forum. Recorded on June 3rd 2016 at the Forum Melbourne TV direction by Mathieu Mastin

QVENILD PERSONAL PIANO @ Oslo Jazz Festival 2016 Morten Qvenild, a member of In The Country, who also accompanies Susanna Wallumrød in Susanna & The Magical Orchestra, presents a very personal kind of music. Qvenild drifts away from jazz standards, presenting works performed on his 'HyPer(sonal) Piano', a keyboard augmented with electronics. The Norwegian musician's compositions are varied, and may include his own vocals. He sometimes reduces the accompaniment to a bare minimum, a few melodic touches to support the melancholy of his timbre (Wild Horses). He feels at liberty, for example, to break the continuity of a piece like Kick And Glide, speeding up the tempo and calling on programs to give his piano a psychedelic and futuristic touch - in the company of a distorted guitar - taking us far away from traditional jazz. Record on August 17th 2016 at the Nasjonal Jazzscene Victoria, Oslo (Oslo Jazz Festival) TV director, Jean-François Hugel