Michael Wollny Michael Wollny - piano Christian Weber - contrebasse Eric Schaefer - batterie Playlist Atavus (Eric Schaefer) Phlesma Phighter (Eric Schaefer) Big Louise (Scott Walker) Farbenlehre (Michael Wollny) Gravité (Eric Schaefer) Sleeper (Michael Wollny) Hiroshima mon amour (Eric Schaefer) Little Person (Jon Brion) Gorilla Bsicuits (Eric Schaefer) Lassel (Machant) Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

Il Corsaro, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after 'The Corsair' by Lord Byron First performance in Trieste, Teatro Grande, October 25, 1848 Orquestra de la Comunitat Valenciana, Fabio Biondi (Conductor) Cor de la Generalitat Valenciana, Francesc Perales (Chorus Master) Nicola Raab (Stage Direction) George Souglides (Sets & Costumes), Ran Arthur Braun (Choreography), David Debriny (Lighting Design), Miguel Bosch (Video) Michael Fabiano (Corrado) Oksana Dyka (Gulnara) Kristina Mkhitaryan (Medora) Vito Priante (Seid) Evgeny Stavinsky (Giovanni) Ignacio Giner (Selimo) Antonion Gómez (eunuch) Jesús Rita (Slave) Recorded on April 5 & 8, 2018 at the Palau de les Arts Reina Sofia, Valencia Directed by Olivier Simonnet

L'Arpeggiata, Christina Pluhar (Conductor) Céline Scheen (Soprano), Vincenzo Capezzuto (alto) Mei Hong Lin Dance Company Dirk Hofacker (Sets & Costumes) Music and Dance for a While Improvisations on Henry Purcell, G.F. Händel, Claudio Monteverdi. Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Arrival of the Queen of Sheba Henry Purcell / Improvisation / arr. C. Pluhar: Strike the viol (Céline Scheen) Georg Friedrich Händel / Improvisation: Lascio ch'io pianga Henry Purcell / Improvisation / arr. C. Pluhar: `Twas within a furlong (Vincenzo Capezzuto) Claudio Monteverdi: Pur ti miro (Céline Scheen, Vincenzo Capezzuto) Traditional (Venezuela): El curruchà (Vincenzo Capezzuto, Céline Scheen) Claudio Monteverdi: Lamento della Ninfa (Céline Scheen) Traditional (Sicily) / arr. C. Pluhar: Silenziu d'amuri (Vincenzo Capezzuto) Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Alcina Henry Purcell / Improvisation / arr. C. Pluhar: Music for a while (Céline Scheen) Traditional (Salento): Pizzica di San Vito (Vincenzo Capezzuto) Traditional (Bulgaria): Bucimis Giovanni Felice Sances: Stabat Mater (Céline Scheen) Improvisation: Hasapiko Traditional (Italy): Tarantella del Gargano (Vincenzo Capezzuto) Traditional (Mexico) / arr. C. Pluhar: La Llorona (Vincenzo Capezzuto) Henry Purcell / Improvisation / arr. C. Pluhar: When I am laid (Céline Scheen) Improvisation: Canario Maurizio Cazzati / arr. C. Pluhar: Ciaccona Girolamo Kapsberger: Toccata L'Arpeggiata Traditional (Italy) / arr. Christina Pluhar : Ninna, nanna sopra la Romanesca (Vincenzo Capezzuto, Céline Scheen) Georg Friedrich Händel / Improvisation / arr. C. Pluhar: O sleep, why thost thou leave me (Céline Scheen) Recorded on November 6, 2017 at the Landestheater Linz, Austria Directed by Sonia Paramo

Mariinsky Theatre Orchestra, Valery Gergiev (Conductor) Denis Matsuev (piano), Kristóf Baráti (violin) Sergei Prokofiev (1891 - 1953) Symphony no. 3 Piano Concerto no. 2 Violin no. 2 Cantata for the 20th Anniversary of the October Revolution Recorded on April, 23rd 2016 at the Mariinsky Theatre, Saint Petersburg TV direction by François-René Martin

Jordi Savall (viola da gamba, rebab, lyre) Rebab Anonymous, late 14th century Alba - Traditional Berber Erotókritos - Byzantine dance Rotundellus (MSC 105) - Alfonso X the Wise Alagyeaz & Khnki tsar - Traditional (Armenian) Saltarello - Trecento mss. (Italy, 13th century) Viola da gamba soprano Anonymous Italians, around 1490 Las estrellas de los cielos - Traditional Sephardic (Sarajevo) La Quarte Estampie Royal - Le Manuscrit du Roy (Paris, 13th century) Ya Mariam el bekr - Traditional (Syria) Hermosa muchachica - Traditional Sephardic (Jerusalem) Lyre of gambe Anonymous Italians, around 1450 El Rey Nimrod - Traditional Sephardic (Jerusalem) Saltarello (MSC 77 & 119) - Alfonso X the Wise Danza del viento - Traditional Berber Lamento di Tristano - Trecento mss. (Italy, 13th century) Makām-ı Uzzäl Sakîl 'Turna' Semâ'î - Mss. D. Cantemir (324) Recorded at the Festival de Granada, Alhambra de Granada, Patio de los Arrayanes, 6 July 2020

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Jean Sibelius Symphony no. 1 in E minor, op. 39 Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo) Directed by Laura Joutsi and Hannu Kamppila

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Jean Sibelius Symphony no. 2 in D major, op. 39 Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo) Directed by Laura Joutsi and Hannu Kamppila

Orchestre de l'Opéra Royal, Marie Van Rhijn (Organ and Musical direction) Bruno de Sá, Samuel Marino (Countertenors) Antonio Vivaldi (1678-1741) In Furore Concerto for violin, organ and cello in C Major RV 554a (1st movement) Stabat Mater Giovanni Battista Pergolesi (1710-1736) Stabat Mater Recorded at the Château de Versailles, Chapelle Royale, 20 June 2020

Hedda Gabler Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, choreography and staging Kaloyan Boyadjive, Group choreography Nils Petter Molvær, music Even Børsum, sets design Ingrid Nylander, costume design Kristin Bredal , lighting design With dancers from The Norwegian national ballet The Norwegian national ballet school And Grete Sofie Borud Nybakken (Hedda Gabler) Silas Henriksen (Eilert Løvborg) Philip Currell (Jørgen Tesman) Eugenie Skilnand (Thea Elvsted) Shane Urton (Assessorr Brack) Samantha Lynch (Aunt Julie) Klara Mårtensson (Diana) Kristian Alm (Général Gablerl, Hedda's father) Erle Østraat (Hedda Gabler child) Helle Flood (Thea Elvsted , child) Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Ghosts Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, creation and staging Cina Espejord, choreography Nils Petter Molvær , Music Even Børsum , set design Ingrid Nylander , costumes Kristin Bredal , lighting design Jan Bang, trumpet With the dancers of The Norwegian National Ballet The Norwegian Bational Ballet school and Andreas Heise (Osvald / M. Alving) Camilla Spidsøe (Ms Alving) Grete Sofie Borud Nybakken (Regine) Yoshifumi Inao (Engstrand) Ole Willy Falkhaugen (Pastor Manders) Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Michael Wollny Michael Wollny - piano Christian Weber - contrebasse Eric Schaefer - batterie Playlist Atavus (Eric Schaefer) Phlesma Phighter (Eric Schaefer) Big Louise (Scott Walker) Farbenlehre (Michael Wollny) Gravité (Eric Schaefer) Sleeper (Michael Wollny) Hiroshima mon amour (Eric Schaefer) Little Person (Jon Brion) Gorilla Bsicuits (Eric Schaefer) Lassel (Machant) Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

QVENILD PERSONAL PIANO @ Oslo Jazz Festival 2016 Morten Qvenild, a member of In The Country, who also accompanies Susanna Wallumrød in Susanna & The Magical Orchestra, presents a very personal kind of music. Qvenild drifts away from jazz standards, presenting works performed on his 'HyPer(sonal) Piano', a keyboard augmented with electronics. The Norwegian musician's compositions are varied, and may include his own vocals. He sometimes reduces the accompaniment to a bare minimum, a few melodic touches to support the melancholy of his timbre (Wild Horses). He feels at liberty, for example, to break the continuity of a piece like Kick And Glide, speeding up the tempo and calling on programs to give his piano a psychedelic and futuristic touch - in the company of a distorted guitar - taking us far away from traditional jazz. Record on August 17th 2016 at the Nasjonal Jazzscene Victoria, Oslo (Oslo Jazz Festival) TV director, Jean-François Hugel

Con Brio Ziek McCarter, vocal Brendan Liu, trumpet Marcus Stephens, saxopone Benjamin Andrews, guitar Patrick Glynn, keyboard Jonathan Kirchner, bass Andrew Laubacher, percussion Seven musicians formed Con Brio in 2003 with the same passion for the Bay Area's signature funk and psychedelic soul. San Francisco is where Sly and The Family Stone, Tower Of Power, The Headhunters and Darondo flourished. Con Brio produced their first EP, Kiss The Sun, in 2015 and are already famous on the West Coast for their electric concerts and Ziek McCarter's velvety vocals. After touring the US and Europe alongside veterans Galactic and Fishbone, the Californians headed to the studio to put their buzzing live energy on record in 2016. The result is called Paradise, an album in which 'We tried to create a narrative arc in the same way as we link tracks when we play live,' says McCarter. Con Brio has set the stages at the top US festivals Bonnaroo, Lollapalooza and Summerfest on fire. A good omen. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Mike Stern (guitar) Niels Lan Doky (piano) Richard Bona (bass) Manu Katché (drums) The Cameroonian international artist Richard Bona at first became known as a bass player in the company of jazz musicians before beginning a career as a singer and composer in 1999. He interprets his own songs and now has more than half a dozen albums under his belt. Jazz Grand Prix winner of the SACEM, Richard Bona never cheats, but then, he doesn't need to. For those who may be unaware, Mike Stern is one of the greatest jazz-rock guitarists, and has been for more than twenty years now. Pupil of Pat Metheny, he was at first spotted by Billy Cobham and then by Miles Davis at the beginning of the 1980's, he was then taken on by Jaco Pastorius and an active member of 'Steps Ahead' with Danny Sanborn before starting out on a promising solo career . The drummer and percussionist Manu Katché has been for some thirty years one of the most sought after musicians at an international level on the jazz, rock and pop scenes. He became known in 1986 thanks to his participation in the album 'So' by Peter Gabriel and since then has been performing non-stop in groups or for recordings, as leader or as sideman. Whatever the context he demonstrates his magnificent technique. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux