Одна подруга - звезда вечеринок, привыкшая получать, что захочется. Другая - совсем не такая блистательная и удачливая, зато искренняя и добрая. И вот первая собралась замуж за молодого человека, которому давно принадлежит сердце "хорошей девочки". А теперь это сердце вот-вот будет разбито, ведь тихоня привыкла во всем уступать подруге. Но если совсем невозможно смириться, то нужно сражаться за свою любовь, главное, правильно выбрать оружие. Лучше всего было бы напомнить парню, что от его мнения тоже кое-что зависит. Данная романтическая комедия является экранизацией романа Эмили Гриффин "Жених напрокат".. 2011. Художественный фильм.

Хотч и его команда расследуют дело, в котором родители помогают своему парализованному сыну-убийце скрывать преступления и избавляться от трупов. Хотч знакомит Бет с Джеком.. Сериал.

Женщина, бывшая учительница, арестованная за совращение своего ученика, вышла из тюрьмы и теперь убивает людей, чтобы воссоединить семью. Команда должна найти убийцу. Кевин пытается сделать Пенелопе предложение. Сериал.

Отдел по розыску похищенных детей приглашает команду Хотча, когда семья находит мальчика, пробывшего в плену у маньяка 8 лет. Им предстоит разговорить пострадавшего, чтобы найти новую жертву.. Сериал.

Двое подростков обнаруживают в заброшенной психиатрической больнице тело женщины, которое лежит в определённое позе в определённом месте. Женщина одета в старинное платье и накрашенна по моде давних времён.. Сериал.

Monty Alexander, piano Born in Jamaca on D-Day- a sign of destiny ? - Monty Alexander rapidly left his native country for the United States. In New York, he regularly accompanied Frank Sinatra and performed in the jazz clubs of Manhattan (including the famous Minton's which was the birthplace of bebop) where Duke Ellington, Count Basie and Miles Davies did not miss a chance of hearing him play. After more than fifty years of a career crowned with collaborations with Tony Bennett, Nathalie Cole, Clint Eastwood, Dizzy Gillespie, Sonny Rollins, Quincy Jones, Ernest Ranglin and Barbara Hendricks the pianist travelled around the globe thrilling audiences with his vibrant personality, which communicated an original musical message, in which the heady beat of reggae is mixed with the contagious rocking of swing. Recorded on November 23, 2018 at the Seine Musicale TV director, Julien Faustino

We Love Ella The Amazing Keystone Big Band Bastien Ballaz, Aloïs Benoit, Loïc Bacheveillier, Sylvain Thomas (trombones) Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones) David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets) Fred Nardin (piano), François Thibaut (Guitar) Patrick Maradan (Double Bass) Romain Sarron (Drums) Guests Célia Kaméni (vocal) China Moses (vocal) Sarah McKenzie (vocal, piano) The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had ???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel TV Director,Laurent Hasse

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019 TV Director, François-René Martin

The Dead Queen (La Reine Morte) Choreography and stage by Kader Belarbi Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652) Orchestre national du Capitole Koen Kessels, Conductor Music, Piotr Ilitch Tchaïkovski Set, Bruno de Lavenère Costume, Olivier Bériot Lights, Sylvain Chevallot Withe The Capitole Ballet Recorde on February 8th at the Capitole of Toulouse Theater TV Director, Luc Riolon

Peer Gynt Choreography by Heinz Spoerli Zurich opera Ballet Zurich opera chorus and orchestra Eivind Gullberg, conductor Music : Edvard Grieg, Brett Dean, Mark-Anthony Turnage With Philipp Schepmann (actor), Peer Gynt Marijn Rademaker (dancer), Boguslaw Bidzinski (tenor), Peer Gynt Yen Han (dancer), Christiane Kohl ( soprano), Solveig Ana Carolina Quaresma (dancer) , Ã…se Vahe Martirosyan (dancer), The death Arman Grigoryan (dancer), The mountain king Recorded on november and december 2008 at the Zurich opera TV director, Andy Sommer

Tatarstan State Symphony Orchestra, Alexander Sladkovsky (Conductor) Philipp Kopachevsky (piano) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for Piano and Orchestra No. 13 in C major, KV 415 Gustav Mahler (1860 - 1911) Symphony No. 9 in D major Recorded at the Tchaikovsky Hall, Moscow, 29 October 2017

Chœur de Chambre de Namur, Millenium Orchestra, Leonardo García Alarcón (Conductor) Sophie Junker, Judith van Wanroij (dessus), Mathias Vidal, Cyril Auvity (hautes-contre), Thibaut Lenaerts (taille), Alain Buet (basse taille) Jean-Baptiste Lully (1632 - 1687) Grands Motets Dies Irae De Profundis Te Deum Recorded on Fébruary 6th, 2018 at the Chapelle Royale du Château de Versailles Directed by Andy Sommer

Die Zauberflöte (The Magic Flute) Singspiel by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Emmanuel Schikaneder First performance in Vienna, Theater auf der Wieden, 30 September 1791 Orchestra of the Age of Enlightenment, Ryan Wigglesworth (Conductor) The Glyndebourne Chorus Barbe & Doucet (Stage Direction, Sets) Patrick Martel (Puppet Designer), Guy Simard (Lighting Designer) David Portillo (Tamino) Esther Dierkes (First Lady) Marta Fontanals-Simmons (Second Lady) Katharina Magiera (Third Lady) Björn Bürger (Papageno) Caroline Wettergreen (Queen of the Night) Jörg Schneider (Monostatos) Sofia Fomina (Pamina) Michael Kraus (Speaker) Brindley Sherratt (Sarastro) Thomas Atkins (Second Priest and First Man in Armour) Martin Snell (First Priest and Second Man in Armour) Alison Rose (Papagena) Puppeteers Richard Booth, Mikey Brett, Ashleigh Cheadle, Jack Parker, Ben Thompson, Scarlet Wilderink Recorded at the Glyndebourne Festival, 1 August 2019 Directed by François Roussillon

Tigran, Festival International de Jazz de Montreal Tigran, Hamasyan, piano With pianist/composer Tigran Hamasyan, potent jazz improvisation fuses with the rich folkloric music of his native Armenia. Turning 30 in 2017, he's one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. A piano virtuoso with groove power, Tigran's latest adventurous project is 2017's An Ancient Observer, his second solo album, his eighth overall as a sole leader, and his sophomore recording for Nonesuch. (Overall, this is his eighth recording as a sole leader.) Conceptually, An Ancient Observer is a poignant album focusing on the art of observing. Tigran's career has included an impressive number of accolades, including top piano award at the 2013 Montreux Jazz Festival and the grand prize at the prestigious 2006 Thelonious Monk Jazz Piano Competition. Recorded on 2017, July 1st at the Maison Symphonique of the Montreal Jazz Festival TV Director, Mathieu Mastin

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Chucho Valdés Quartet Chucho Valdés, piano Yelsy Heredia, bass Georvis Pico Milian, drums Pedro Pablo Rodríguez, percussion Chucho Valdés is a Cuban pianist, composer and arranger, a six-time Grammy Award winner and a three-time Latin Grammy Award winner, and one of the most influential Afro-Cuban musicians in history. His father, the famous Cuban pianist and bandleader Ramon 'Bebo' Valdés, was his first teacher. At the age of 3, little Chucho was already playing melodies he heard on the radio by ear with both hands in all kinds of tones. Chucho played in the famous Cuban band Irakere (1973-2005). He was also the band's founder, composer and arranger. Irakere combined traditional Afro-Cuban music, jazz, rock and classical music. Tribute to Irakere: Live at Marciac, dedicated to Irakere's 40th anniversary, won a Grammy Award as the best Latin jazz album of 2016. Chucho plays on tour and also gives music lessons. He recorded a duet with his father, Bebo, 'Juntos Para Siempre' (Grammy Award winner), and an album called Chucho's Steps, where he presented his new band, Afro-Cuban Messengers. Herbie Hancock believes Chucho is one of the most important figures in the world of Latin and piano jazz. Recorded on 2017, June 25th at the Leopolis Jazz Fest, Ukraine TV Director, Amos Rozenberg

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,