В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Ambrose Akinmusire Quartet Ambrose Akinmusire (trumpet) Sam Harris (piano), Harish Raghavan (bass guitar), Justin Brown (drums) This young trumpet player (aged 36), an American of Nigerian heritage, has an impeccable background (from Berkeley High School to the first prize in the Thelonious Monk competition in 2007), but is much more than an impressive academic CV. He aims to create a personal world 'dedicated to beauty'. Akinmusire was born and raised in Oakland, California and first attracted the attention of the saxophonist Steve Coleman, who asked him to join Five Elements. Ambrose Akinmusire was then 19. He released his first album, 'Prelude (To Cora)', and moved to New York, where he played with Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. In 2010, he worked with Terri Lyne Carrington, Ron Carter, Wallace Roney, Herbie Hancock and Wayne Shorter. Everyone could see that this creative and surprising trumpet player would be a name to watch in contemporary jazz. This view was shared by the Blue Note label, who signed him up. The albums 'When the Heart Emerges Glistening' and 'The Imagined Savior is Far Easier to Paint' were released in 2011 and 2014. The artist draws his landscapes, visions, ideas and states of mind - pure grace! Akinmusire explores the two sides of his temperament: introspection and lyrical ebullience. In summer 2017, he released 'A Rift in Decorum - Live at the Village Vanguard', a double CD recorded at the legendary club in New York, featuring 16 new compositions in two wide-ranging sets, in defiance of gravity. Recorded on July 9, at the Festival Jazz à Vienne TV Director, Fabien Raymon

Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit

Swan Lake Ballet in three acts Libretto by Vladimir Begichev and Vasily Geltser Music, Piotr Ilyich Tchaikovsky Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister Choreographic version, Valery Kovtun (premiered in 1986) Stage Designer, Maria Levitskaya Costumes, Oxana Zinchenko Ballet Company of The National opera of Ukraine Orchestra of The National opera of Ukraine Musical direction, Mykola Dyadura (Odette/ Odile) Natalia Matsak (Prince Siegfried) Denys Nedak (Rothbart), Yaroslav Tkachuk (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina (Venetian Dance) Oleksandre Skulkine (The Tutor) Sergey Litvinenko (The Knight) Vladislav Ivashchenko (The Queen) Ludmila Melnik

Salue pour moi le monde! Choreography by Joëlle Bouvier After Tristan und Isolde with different music pieces by Richard Wagner Choreography assistants, Emilio Urbina et Rafael Pardillo Sccnography, Émilie Roy Costumes, Sophie Hampe Lights, Renaud Lagier With the Ballet of the Grand Théâtre de Genève Recorded on May 27th 2015 at the Bâtiment des Forces Motrices (Genève) TV Director, Stéphane Lebard

Lulu Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha) Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora' First performance in Zürich, Stadtheater, 2 June 1937 The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor) William Kentridge (Stage Director) Catherine Meyburgh (Production Designer) Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting) Marlis Petersen (Lulu) Johan Reuter (Dr. Schön | Jack the Ripper) Susan Graham (Countess Geschwitz) Daniel Brenna (Alwa) Franz Grundheber (Schigolch) Martin Winkler (Animal Tamer | Acrobat) Paul Groves (Painter | African Prince) James Courtney (Physician | Professor | Policeman) Alan Oke (Prince | Manservant | Marquis) Elizabeth DeShong (Dresser | Schoolboy | Page) Julian Close (Theater Manager | Banker) Tyler Duncan (Journalist) Paul Corona (Servant) Kathryn Day (Designer) Ashley Emerson (Girl) Jane Shaulis (Mother) Recorded at the Metropolitan Opera, New York, 9 November 2015

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019 TV Director, François-René Martin

Alexandre Kantorow (piano) Johannes Brahms (1833 - 1897) Rhapsody no 1, op.79 Franz Liszt (1811 - 1886) Chasse Neige (Douze études d'exécution transcendante) Béla Bartók (1881 - 1945) Rhapsody for Piano op.1 Johannes Brahms Piano Sonata no 2, Op. 2 Gabriel Fauré (1845 - 1924) Nocturne no 6, op. 63 Enregistré le 23 septembre 2019 à la Fondation Louis Vuitton, Paris

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Vadim Gluzman (violin) David Azagra Prélude (World Premiere) Ludwig van Beethoven (1770 - 1827) Concerto for violin and orchestra in D major, op. 61 Béla Bartók (1881 - 1945) The Wooden Prince, op. 13, Sz. 60 Recorded on March 4th, 2016, in Toulouse Directed by Jean-Pierre Loisil

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

Jean-Jacques Milteau What's That Sound at the Paris Jazz Festival JJ Milteau, harmonicas Manu Galvin, guitar Ronald Smyth vocal Michael Robinson vocal Eric Lafont drums Gilles Michel bass Guest Mathis Haug TV Director, Stéphane Jourdain Recorded on June 16th 2013 at the Parc Floral de Vincennes

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

We Love Ella The Amazing Keystone Big Band Bastien Ballaz, Aloïs Benoit, Loïc Bacheveillier, Sylvain Thomas (trombones) Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones) David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets) Fred Nardin (piano), François Thibaut (Guitar) Patrick Maradan (Double Bass) Romain Sarron (Drums) Guests Célia Kaméni (vocal) China Moses (vocal) Sarah McKenzie (vocal, piano) The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had ???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel TV Director,Laurent Hasse