В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Avishai Cohen Trio Avishai Cohen (double bass and lyric) Omri Mor (Piano) Itamar Doari (percussion) Noam David (drums) During the course of recent decades, the bass player, singer, composer and leader of the Avishai CohenTrio has confirmed that he is currently one of the greatest bass players. It is however as a composer that he is asserting himself more and more. This concert is a mixture of of standards which are popular with his followers, but also some new compositions. Recorded on February 25th 2018 at the NOSPR Concert hall, Katowice, Zadymka Festival TV Director, Samuel Thiebaut

Princess Stephan Olivia, piano Susanne Abbuehl, voices Edward Perraud, percussion In the footsteps of Jimmy Giuffre and a new art of the trio, these musicians explore all kinds of expressive possibilities, and remind us that the human voice is first and foremost an instrument. Reaching beyond the confines of jazz, 'Princess ' presents a style of singing as free as the ether and explores the infinite. Recorded on 2017, July 07th at the Festival Jazz in Porquerolles TV Director, Frank Cassenti

Fractus V Choreography, Sidi Larbi Cherkaoui Music Live , Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta Dramaturgy, Antonio Cuenca Ruiz Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui Lights,Krispijn Schuyesmans Costumes, Sumire Hayakawa Recorded on May 18, 2017 at the Maison de la Danse de Lyon TV Director, Denis Caïozzi

Svetlana Zakharova, The Divine Shot in the Bolshoi Theater before its reconstruction, this film is a behind-the-scenes account of principal dancer Svetlana Zakharova. We follow her in rehearsal for Sleeping Beauty with coach Ludmilla Semeniaka and on stage as she performs in The Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky). This director's cut of 'Tsarina of the Dance' reveals the passions, agonies and joys of a prima ballerina at the height of her career. Text extract form Jean Blot's book ''Le soleil se couche à l'est'' (The sun set in the East) Choreographies extracts from : Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky) With : Svetlana Zakharova, Farukh Ruzimatov, Andreï Uvarov, Andreï Merkuriev, NikolaÏ Tsiskaridze and the dancers from the Bolshoi and from the Mariinsky Theaters. Music from : Zemfira, Camille St Saens, Ludwig Minkus, Adolphe Adam, Piotr Illich Tchaikosky, NikolaÏ Rimsky-Korsakov, Yuri Khanon, And : Ekaterina Belyaeva (Dance Critic), Iaroslav Svedov (Dance Historian and Critic), Yuri Grigorovitch (former Bolshoi Artistic Director & Director of Krasnodar Ballet), Natalia Bessmertonova (former Bolshoi Ballerina), Ludmilla Semeniaka (former Ballerina and coach) Recorded in 2016, Moscow and St Petersburg TV Director, Laurent Gentot

Macbeth, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after the tragedy of William Shakespeare First performance in Florence, Teatro della Pergola, March 14, 1847 Paolo Arrivabeni (conductor) Stefano Mazzonis Di Pralafera (staging) Jean-Guy Lecat (sets) Fernand Ruiz (costume) Franco Marri (lights) Rachael Mossom (choreography) Opéra Royal de Wallonie-Liège Orchestra and chorus Pierre Iodice (Chorus master) Leo Nucci (Macbeth) Tatiana Serjan (Lady Macbeth) Gabriel Mangione (Mcduff) Giacomo Prestia (Banco) Papuna Tchuradze (Malcolm) Roger Joakim (Medico & Sicario) And the participation of La Compagnie dle Centro di Danza - Balletto di Roma Recorded on June 14th et 17th 2018 at the Opéra Royal de Wallonie- Liège TV Director, Nicolas Foulon

Fidelio Opera in two acts by Ludwig van Beethoven (1770 - 1827) Libretto by Joseph Sonnleitner and Stephan von Breuning First performance in Vienna, Theater and der Wien, 20 November 1805 Wiener Symphoniker Manfred Honeck (Conductor) Arnold Schoenberg Chor Christoph Waltz (Stage Director) Barkow Leibinger (Sets), Judith Holste (Costumes), Henry Braham (Lighting) Eric Cutler (Florestan) Nicole Chevalier (Leonore) Gábor Bretz (Don Pizarro) Christof Fischesser (Rocco) Károly Szemerédy (Don Fernando) Benjamin Hulett (Jaquino) Anna Lucia Richter (Marzelline) Recorded at the Theater an der Wien, Vienna, 20 March 2020

Chamber Orchestra of Europe, Yannick Nézet-Séguin (conductor) Felix Mendelssohn (1809 - 1847) Symphony no 1 Symphony no 4 'Italian' Symphony no 5 'Reformation' Recorded on February the 21st, 2016 at the Philharmonie 1 of Paris - Grande Salle TV Director, Don Kent

Steve Coleman & The Council of Balance Steve Coleman - alto saxophone Jonathan Finlayson - trumpet Jen Shyu - lyric Rane Moore - clarinet , bass clarinet Maria Grand - tenor saxophone Mike Lormand - trombone Kristin Lee - violin David Bryant - piano Miles Okazaki - guitar Anthony Tidd - bass guitar Greg Chudzik - bass guitar Sean Rickman - drums Alex Lipowski - drums Barry J. Crawford - flute Jeffrey Missal - trompet Elizabeth Weisser - viola Jay Campbell - Cello Recorded at La Villette Jazz Festival on September 5th 2015 TV Director, Samuel Thiebaut

The Necks Chris Abrahams, piano Tony Buck, drums Lloyd Swanton, bass From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin

Circuits Chris Potter Trio Feat James Francies & Eric Harland Chris Potter, sax Eric Harland, drums James Francies, keyboard After twenty years of a brilliant career, Chris Potter is now established as one of the best saxophonists on the jazz scene. A master of chiaroscuro, as well as the most lyrical, even epic modes, he encompasses the whole palette of contemporary jazz. Supported by world-class sidemen, this singular voice in a new generation of tenor saxophonists takes us on a voyage to the farthest horizons. Recorded on 2017, July 06th at the Jazz Festival in Porquerolles TV Director, Yvan Schreck

Portico Quartet Jack Wyllie - saxophone, keyborad Kerr Vine - drums, keyborad, hang Milo Fitzpatrick - bass Duncan Bellamy - drums After an electronica break, Portico Quartet recalls our sweet memories of their first two albums, released at the end of the 2000s. This is excellent news for fans of the London-based British group whose signature instrument is the Hang. Recorded on September, 2018 à la Grande Halle de la Villette, Jazz à la villette TV Director, Celidja Pornon

Bill Frisell Trio Bill Frisell, guitar Thomas Morgan, bass Rudy Royston, drums One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin