Андрей и Марина Голубевы, поженившись, и не подозревали, что спустя семь лет будут с трудом переносить друг друга. Решив просто так не сдаваться, они отправляются к семейному психологу доктору Когану. На следующий день после визита к доктору, Марина и Андрей просыпаются каждый не в своем собственном теле. В панике они не знают, что делать, а доктор Коган куда-то исчез. Теперь им нужно постараться, чтобы их карьеры не пошли прахом. Ведь искусствовед Марина ничего не знает о юриспруденции, а для юриста Андрея все картины в галереи жены - всего лишь набор цветных пятен. А тут еще преступники решили ограбить галерею Марины. "Любовь-морковь" - российская комедия Александра Стриженова, ставшая первой в череде фильмов про обмен телами.. 2007. Художественный фильм.

Десять лет назад супруги Голубевы проверили свои чувства на прочность, поменявшись телами. Теперь они - папа Андрей и мама Марина. В их семье растут близнецы - Глеб и Светочка. Жизнь супругов налажена, карьера головокружительна, а дни расписаны по часам. Они уже плохо помнят, что дети больше любят живых собак, чем искусственных, и что друзья родителей - не лучшая компания в день рожденья. Они забыли, что любовь и внимание дороже денег. Чтобы вернуть все на свои места, нужно опять поменять всех местами. Так решил доктор Коган, который навестил своих старых приятелей Голубевых. А поутру они проснутся - Глеб и Света в родительской спальне, Андрей и Марина - в детской. Пока "маленькие" Голубевы будут поражать одноклассников и учителей познаниями, их "взрослые" дети едва не поставят крест на карьере родителей и лишат семью крова. Андрею и Марине светит детский дом, а Свете и Глебу - сумасшедший. Но Голубевы не сдаются!. 2008. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Youn Sun Nah Youn Sun Nah, voice Tomek Miernowski, guitars, piano, synthesizer , programming Rémi Vihnolo, drums, double bass, electric bass, programming A decade after the release of Same Girl, recording marking the consecration in 2010 of Youn Sun Nah, she continues to assert herself as a singer resolutely not to be classified, whose all-embracing virtuoso voice can handle jazz, improvisation, opera, pop and world music. With her recent album, a polished made in-studio immersion with the complicity of her producer-arranger Clément Ducol, the Korean has produced her most personal work to date: apart from the revisiting of an eclectic repertoire from Albéniz to Michel Legrand and George Harrison, Marvin Gaye and Leonard Cohen, she leaves plenty of room for the first time for her own compositions, thus confirming a singular talent as a songwriter. An explosive cocktail, which can be taken full advantage of on stage with the complicity of Tomek Miernowski on guitars and keyboards as well as the phenomenal Rémi Vignolo, just as at ease on the drums as on the double bass. Recorded at the D'jazz Nevers on November 16, 2019 TV Director, Samuel Thiebaut

Il Giasone Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676) Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor) Serena Sinigaglia (Stage Director) Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting) Valer Sabadus (Giasone) Kristina Hammarström (Medea) Kristina Mkhitaryan (Isifile, Sole) Alexander Milev (Ercole) Günes Gürle (Besso) Raúl Giménez (Egeo) Willard White (Oreste, Giove) Migran Agadzhanyan (Demo, Volano) Dominique Visse (Delfa, Eolo) Mariana Flores (Alinda) Mary Feminear (Amore) Recorded at the Grand Théâtre, Geneva, February 2017 Directed by Isabelle Soulard

Allegria Artistic direction dramaturgy & choreography, Kader Attou Assistant, Mehdi Ouachek Scenography, Camille Duchemin in collaboration with Kader Attou Music, Régis Baillet - Diaphane Lights, Fabrice Crouzet With Gaetan Alin, Khalil Chabouni, Jackson Ntcham, Mehdi Ouachek, Artem Orlov, Sulian Rios, Hugo de Vathaire, Maxime Vicente Recorded on November 26, 2019 at the Théâtre National de Chaillot TV Director, Mohamed Athmana

TRIPLE BILL #1 Biennale de Danse de Lyon Reverse Pièce for 5 dancers Choreography and scenography, Jann Gallois Light design, Cyril Mulon Sound design, Christophe Zurfluh Costume design participation, Hitomi Tsuchida With Hayate, Jona, Katsuya, Sakyo, Katashi Yoso Pièce for 5 dancers Choreography, Kader Attou Light design, Cyril Mulon Sound design, Régis Baillet Costume, Hitomi Tsuchida With Hayate, Jona, Katsuya, Sakyo, Takashi Tokyo Gegegay's High School Choreography, Mikey Choreography Assistants, Tokyo Gegegay, Ryota Takaji Sound design, Mikey, Kideki Ataka, Takayuki Sonohata Light design, Nami Nakayama Costume, Mikey, Marie, Tankobu Mai With Mikey, Bow, Marie, Miku, Yuyu Recorded on September 27 & 28, 2018 at the Radiant, Biennale de Danse de Lyon TV Director, Vincent Massip

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020

Orchestre national de Lyon, Leonard Slatkin (Conductor) Khatia Buniatishvili (piano) Aaron Copland (1900 - 1990) Billy the Kid, suite George Gershwin (1898 - 1937) Rhapsody in blue Hector Berlioz (1803- 1869) Symphonie fantastique op. 14 Recorded on 11 February 2017 at the Auditorium Maurice Ravel, Lyons Directed by Sébastien Glas

Orchestre national de Lyon, Alain Altinoglu (Conductor) Emmanuel Pahud (flute) Paul Dukas (1865 - 1935) L'Apprenti sorcier Jacques Ibert (1890 - 1962) Flute Concerto François Borne (1840 - 1920) Fantaisie brillante on 'Carmen' by Bizet Maurice Ravel (1975 - 1937) Alborada del gracioso Rapsodie espagnole Boléro Recorded on April 18th, 2015 at the Auditorium Maurice Ravel, Lyon Directed by Pierre-Martin Juban

Phaéton 'Tragédie en musique' in a prologue and five acts by Jean-Baptiste Lully (1632 - 1687) Libretto by Philippe Quinault after Ovid's 'Metamorphoses' First performance in Versailles, 6 January 1683 Le Poème Harmonique, musicAeterna, Vincent Dumestre (Conductor) Benjamin Lazar (Stage Direction) Mathieu Lorry-Dupuy (Sets), Alain Blanchot (Costumes), François Menou (Lighting) Mathias Vidal (Phaéton) Éva Zaïcik (Lybie) Victoire Bunel (Théone) Lisandro Abadie (Saturne / Epaphus / Jupiter) Cyril Auvity (Triton / le Soleil / la Déesse de la Terre) Léa Trommenschlager (Climène) Viktor Shapovalov (Protée / le Roi tributaire) Elizaveta Sveshnikova (Astrée / une Heure du jour) Aleksandre Egorov (Mérops) Alfiya Khamidullina (Une Heure du jour) Recorded at the Opéra Royal, Château de Versailles, 2 June 2018 Directed by Corentin Leconte

Youn Sun Nah Youn Sun Nah, voice Tomek Miernowski, guitars, piano, synthesizer , programming Rémi Vihnolo, drums, double bass, electric bass, programming A decade after the release of Same Girl, recording marking the consecration in 2010 of Youn Sun Nah, she continues to assert herself as a singer resolutely not to be classified, whose all-embracing virtuoso voice can handle jazz, improvisation, opera, pop and world music. With her recent album, a polished made in-studio immersion with the complicity of her producer-arranger Clément Ducol, the Korean has produced her most personal work to date: apart from the revisiting of an eclectic repertoire from Albéniz to Michel Legrand and George Harrison, Marvin Gaye and Leonard Cohen, she leaves plenty of room for the first time for her own compositions, thus confirming a singular talent as a songwriter. An explosive cocktail, which can be taken full advantage of on stage with the complicity of Tomek Miernowski on guitars and keyboards as well as the phenomenal Rémi Vignolo, just as at ease on the drums as on the double bass. Recorded at the D'jazz Nevers on November 16, 2019 TV Director, Samuel Thiebaut

Francesco Bearzatti Tinissima 4et 'This machine kills fascists' Italian saxophonist Francesco Bearzatti and his Tinissima Quartet pay tribute to Woody Guthrie, the father of modern folk music, during the 'This Machine Kills Fascists' concert. With Francesco Bearzatti, clarinet, saxophone Giovanni Falzone, trumpet Danilo Gallo, Basse, acoustic bass Zenon de Rossi, drums Concert recorded on April the 6th 2016 at the Odéon Tremblay en France During the 33rd edition of Banlieues Bleues Festival, Jazz en Seine-Saint-Denis TV director, Gilles Le Mao

Meshell Ndegeocello American singer and bassist Me'shelle Ndegeocello presents her new album Comet, Come to Me at the Banlieues Bleues festival With Meshell Ndegeocello, bass and voice Chris Bruce, guitar Jebin Bruni, keyboards Abraham Rounds, drums Concert recorded on April, the 12th 2016 at the Espace 1789 St Ouen During the 33rd edition of Banlieues Bleues festival, Jazz en Seine-Saint-Denis TV Director, Guillaume Dero

Anne Paceo (Circles) Anne Paceo, batterie, voice Leila Martial, voice Tony Paeleman, keyboard Christophe Panzani, saxophone From New-Orleans blues, pop experiments, to groove and hip-hop, jazz drummer Anne Paceo (winner of a 'Victoire du Jazz' award in 2016) is up for all kinds of musical adventures. This concert illustrates her eclecticism, beginning with her album 'Circles', followed by 'Fables of Shwedagon', a new project involving a Burmese orchestra. The evening's opening act features Anne's quartet, with Christophe Panzani on saxophone, singer Leila Martial and Tony Paeleman on keyboards. Anne's compositions, full of emotion and energy, show she has now become a major figure on the French jazz scene. Recorded on May 27th 2017 at the Théâtre Municipal of Coutances, Jazz sous les Pommiers TV director, Thierry Villeneuve

Youn Sun Nah Youn Sun Nah, voice Tomek Miernowski, guitars, piano, synthesizer , programming Rémi Vihnolo, drums, double bass, electric bass, programming A decade after the release of Same Girl, recording marking the consecration in 2010 of Youn Sun Nah, she continues to assert herself as a singer resolutely not to be classified, whose all-embracing virtuoso voice can handle jazz, improvisation, opera, pop and world music. With her recent album, a polished made in-studio immersion with the complicity of her producer-arranger Clément Ducol, the Korean has produced her most personal work to date: apart from the revisiting of an eclectic repertoire from Albéniz to Michel Legrand and George Harrison, Marvin Gaye and Leonard Cohen, she leaves plenty of room for the first time for her own compositions, thus confirming a singular talent as a songwriter. An explosive cocktail, which can be taken full advantage of on stage with the complicity of Tomek Miernowski on guitars and keyboards as well as the phenomenal Rémi Vignolo, just as at ease on the drums as on the double bass. Recorded at the D'jazz Nevers on November 16, 2019 TV Director, Samuel Thiebaut