Экранизация культового бестселлера Элисон Пирсон о том, как сложно быть одновременно бизнес-леди, домохозяйкой, матерью и женой. Кейт, которую играет Сара Джессика Паркер, - фондовой менеджер и к тому же мать двоих детей. Мужчинам просто не понять, как она успевает делать миллион дел сразу. Впрочем, она и не успевает: вся ее жизнь - череда нелепых ситуация. И если придется остановиться на чем-то одном, что же выберет главная героиня - роман с Пирсом Броснаном, карьеру или уютный семейный очаг?. 2011. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921) Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877 Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor) Andrei Petrenko (Chorus Master) Yannis Kokkos (Stage Director, Sets) Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video) Ekaterina Semenchuk (Dalila) Gregory Kunde (Samson) Roman Burdenko (Le Grand Prêtre de Dagon) Mikhail Petrenko (Abimélech) Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg) Directed by Louise Narboni

Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor) Denis Matsuev (piano) Mikhail Glinka (1804 - 1857) Ouverture to Ruslan and Lyudmila Piotr Tchaikovsky (1840 - 1893) Piano Concerto no. 2 in G major op. 44 Modest Mussorgsky (1839 - 1881) (orch. Maurice Ravel) Pictures at an exhibition Recorded on December 6, 2016 at the Musikverein, Vienna

Summerspace (1958) Play for 6 dancers : Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núňez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agnès Melchoir (Pianists) Exchange (1978) Play for 15 dancers : Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design ) Costume, sets, ligtin : after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum , Festival Montpellier Danse TV Director, Marie-Hélène Rebois

CCN, Ballet de Lorraine Petter Jacobson, artistic direciton Corps de ballet (2014) Choreography by Noé Soulier Costume by Noé Soulier abd Martine Augsbourger LIghting by Noé Soulier and Olivier Bauer Musical conceptin by Noé Soulier and Aurélien Azan-Zielinski Music by Franz Schubert nd Giuseppe Verdi Musical arrangement by Jacques Gandard With 17 dancers Sounddance (1975) Choreography by Merce Cunningham Music by David Tudor Sets, costume and LIghting by Mark Lancaster Reinterprated by Meg Harper and Thomas Caley With 10 dancers Relâche (Release) Ballet instantanéiste (Immédiate Ballet) in 2 acts, a cinematographic interval and ' la queue du chien' (The dog's tail) Conception by Francis Picabia Music bt Erik Satie Choreography by Jean Börlin Film by René Clair A new take (2014) of the choreography by Petter Jacobsson and Thomas Caley Historical Researches and dramaturgy by Christophe Wavelet Scenography by Annie Tolleter Lighting by Éric Wurtz Specialist in Picabia, Carole Boulbès With 14 dancers Recorded on 2014 at the sixteen Biennale de Danse de Lyon TV Director, Luc Riolon

Orchestre de Paris, Chœur de l'Orchestre de Paris, Karina Canellakis (Conductor) Dorothea Röschmann (soprano) Richard Wagner (1813 - 1883) Lohengrin, prelude to act 1 Wesendonck Lieder Maurice Ravel (1875 - 1937) Daphnis et Chloé, suite no 2 Béla Bartók (1881 - 1945) Concerto for orchestra, Sz 116 Recorded at the Philharmonie de Paris, 4 September 2019 TV Director, Jean-Pierre Loisil

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Elisabeth Leonskaja (piano) Wolfgang Amadeus Mozart (1756 - 1791) Don Giovanni, overture Ludwig van Beethoven (1770 - 1827) Piano Concerto no 3 in C minor, op. 37 Dmitri Shostakovich (1906 - 1975) Symphony no 9 in E flat major, op. 70 Recorded 20 September 2017, Halle aux Grains, Toulouse

Orchestre philharmonique de Monte-Carlo, Kazuki Yamada (Conductor) Boris Berezovsky (piano) Chœur de l'Orchestre de Paris Lionel Sow (Chorus Master) Claude Debussy (1862 - 1918) Gigues Franz Liszt (1811 - 1886) Piano Concerto no 1 Totentanz Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded on September 22, 2017 at the Grimaldi Forum, Monte-Carlo Directed by Benjamin Bleton

Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Orchestre de la Suisse Romande, Marko Letonja (Conductor) Chorus of the Grand Théâtre de Genève, Alan Woodbridge (Chorus Master) Tobias Richter (Stage Director) Ildebrando D'Arcangelo (Il Conte di Almaviva) Nicole Cabell (La contessa di Almaviva) Regula Mühlemann (Susanna) Guido Loconsolo (Figaro) Avery Amereau (Cherubino) Monica Bacelli (Marcellina) Bruce Rankin (Don Basilio) Fabrice Farina (Don Curzio) Balint Szabo (Bartolo) Mélody Louledjian (Barbarina) Romaric Braun (Antonio) Recorded on September 21, 2017 at the Grand Théâtre de Genève Directed by Andy Sommer

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Antonio Sanchez & Migration Antonio Sanchez, drums Seamus Blake, sax John Escreet, piano Matt Brewer, bass Thana Alexa, song A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iñárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

The Bad Plus Ethan Iverson - piano Reid Anderson - bass Dave King - drums invites - Tim Berne - alto saxophone Sam Newsome - soprano saxophone Ron Miles - trumpet Recorded on September 12nd 2015 at La Villette jazz festival, Cité de la Musique, Philharmonie 2 TV Director, Samuel Thiebaut

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain