В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921) Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877 Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor) Andrei Petrenko (Chorus Master) Yannis Kokkos (Stage Director, Sets) Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video) Ekaterina Semenchuk (Dalila) Gregory Kunde (Samson) Roman Burdenko (Le Grand Prêtre de Dagon) Mikhail Petrenko (Abimélech) Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg) Directed by Louise Narboni

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

Philharmonia Orchestra, Philharmonia Chorus, London Philharmonic Choir, John Nelson (conductor) Michael Spyres (tenor) Hector Berlioz (1803 - 1869) Grande messe des morts, op. 5, H 75 Recorded at the Saint Paul Cathedral, London, 8 March 2019 TV Director, Sébastien Glas

Freiburger Barockorchester, RIAS Kammerchor, Rene Jacobs (conductor) Polina Pastirchak (soprano), Sophie Harmsen (contralto), Steve Davislim (tenor), Johannes Weisser (bass) Ludwig van Beethoven (1770 - 1827) Missa solemnis in D major, op. 123 Recorded at the Philharmonie, Berlin, 13 May 2019 TV Director, Michael Beyer

London Symphony Orchestra, Sir Simon Rattle (Conductor) Pierre-Laurent Aimard (piano) Olivier Messiaen (1908 - 1992) Couleurs de la cité céleste Anton Bruckner (1824 - 1896) Symphony No 8 Recorded on April, 14th 2016 at the Barbican Hall, London Corentin Leconte, TV director

Lucerne Festival Orchestra, Claudio Abbado (direction) Mihoko Fujimura (mezzo-soprano) Johannes Brahms Tragic Overture, Op. 81 Arnold Schoenberg Orchestral Interlude and Song of the Wood-Dove from 'Gurrelieder' Ludwig van Beethoven Symphony No. 3 in E-flat major, Op. 55 'Eroica' Recorded at the KKL, Lucerne, on 16 & 17 August 2013 TV director, Ute Feudel

Ce que le jour doit à la nuit (What the daytime owes to the nighttime) Choreography, Hervé Koubi Music, Hamza El Din by Kronos Quartet, J.S. Bach, Soufi music Musical creation, Maxime Bodson Arrangements, Guillaume Gabriel Lights, Lionel Buzonie Costume, Guillaume Gabriel With Lazhar Berrouag, Adil Bousbara, AbdelghaniFerradji, Zakaria Nail Ghezal, Giovanni Martinat, Mohammed Medelsi, Nadjib Meherhera, Riad Mendejl, Mourad Messaoud, Houssni Mijem, Issa Sanou et El Houssaini Zahid Recorded on April 26th and 27th 2018 , at the Tropiques Atrium, Fort de France TV Director, Patrick Lauze Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

The unexpected on all fronts, Hervé Koubi A film by Sonia Paramo Co-authored by Bérengère Alfort and Sonia Paramo. Trained at the Rosella Hightower International Dance Centre in Cannes and then at the Marseilles Opera, he became one of Claude Brumachon's artists at the Centre Chorégraphique national in Nantes, Karine Saporta at the Centre Chorégraphique national in Caen and Thierry Smits for the Compagnie Thor in Brussels. In 2000 he produced his first project'Le Golem', in 2008 he undertook three choreographic trials based on three works: Coppélia, une fiancée aux yeux d'émail...', 'Les Suprêmes' and 'Bref séjour chez les vivants'.In 2010, he started a Mediterranean project interspersed with a number of first performances El Din' (2010-2011), 'Ce que le jour doit à la nuit' (2013), 'Des hommes qui dansent' (2014), 'Les nuits barbares' (2015), 'Les premiers matins du monde' (2016). Hervé Koubi's dance is made up of poetry, nourished with calligraphy, with sculpture, influenced by street dancing such as hip-hop but also the contribution of artists coming from very different horizons. The choreographer's company is a reflection of this cultural blending. We are going to set off on a voyage with Hervé Koubi and his company, who in January 2018 will begin a tour of the United States (including amongst other venues the prestigious Joyce Theater in New York) the French West Indies, and concluding at the Bolchoï Theatre in Moscow. Recorded between April and June 2018 at New-York, Fort de France and Moscow RV director, Sonia Paramo

Les nuits barbare ou les premiers matins du monde (The Barbaric Nights or The world's first mornings) Choreography, Hervé Koubi Musique : Mozart - Fauré - musique traditionnelle algérienne Création musicale : Maxime Bodson Arrangements : Guillaume Gabriel Création lumière : Lionel Buzonie Création Costumes, accessoires et masques bijoux : Guillaume Gabriel assisté de Claudine G-Delattre With Lazhar Berrouag, Nasreddine Djerrad, Fayçal Hamlat, Nassim Hendi, Amine Maamar Kouadri, Riad Mendjel, Youcef Ouali, Issa Sanou, Ismail Seddiki, Reda Tighremt, MustaphaZahem, Adel Zouba Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Erik Truffaz feat Nya Eric Truffaz, trumpet Benoît Corboz, piano, Fender Rhodes Marcello Giuliani, bass Marc Erbetta, drunms Nya, vocal Setlist Sweet Mercy (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Arroyo (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Siegfried (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Less (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Bending new corners (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Friendly Fire (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Yury s choice (A/C: M. Giuliani, S. Burli) Betty (A/C: Erik Truffaz) Tripping the lovelight fantastic (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Recorded on June 28, 2019 at the Montreal Jazz festival, grande scène TD TV Director, Sîla

Omar Sosa, Quarteto Afrocubano Omar Sosa, piano, Fender Rhodes Lukmil Perez, drums Childo Thomas: electric bass Leandro Saint-hill: percussion, flute, saxophone Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi