Разочаровавшись в любви, лучшие друзья решают завести друг с другом ни к чему не обязывающие отношения при условии, что ни о какой любви между ними не может быть и речи. Но идиллия быстро заканчивается, когда они понимают, что стали испытывать друг к другу куда более теплые чувства и что пора что-то менять.. 2011. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

London Symphony Orchestra, Sir Simon Rattle (Conductor) Pierre-Laurent Aimard (piano) Olivier Messiaen (1908 - 1992) Couleurs de la cité céleste Anton Bruckner (1824 - 1896) Symphony No 8 Recorded on April, 14th 2016 at the Barbican Hall, London Corentin Leconte, TV director

Lucerne Festival Orchestra, Claudio Abbado (Conductor) Bavarian Radio Choir, Swedish Radio Choir Juliane Banse (Soprano, Beethoven) Anna Prohaska (Soprano, Mozart) Sara Mingardo (Alto) Maximilian Schmitt (Tenor) René Pape (Bass) Bruno Ganz (Narrator, Beethoven) Ludwig van Beethoven Egmont opus 84 Wolfgang Amadeus Mozart Requiem in D minor KV 626 Directed by Michael Beyer Recorded on 8/10 August 2012 at the Concert Hall of the KKL Luzern

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (guitar) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Madama Butterfly Tragedia giapponese by Giacomo Puccini (1858 - 1924) Libretto by Giuseppe Giacosa and Luigi Illica after David Belasco's play 'Madame Butterfly' First performance in Milan, Teatro alla Scala, 17 February 1904 Orchestra and Chorus of the Royal Opera House, Antonio Pappano (Conductor) Moshe Leiser, Patrice Caurier (Stage Direction) Christian Fenouillat (Sets), Agostino Cavalca (Costumes) Ermonela Jaho (Cio-Cio-San) Marcelo Puente (Pinkerton) Scott Hendricks (Sharpless) Carlo Bosi (Goro) Elizabeth DeShong (Suzuki) Jeremy White (Bonze) Emily Edmonds (Kate Pinkerton) Gyula Nagy (Imperial Commissioner) Yuriy Yurchuk (Prince Yamadori) Recorded at the Royal Opera House, Covent Garden, London, 2017 Directed by Matthew Woodward

Berlin Philharmonic Orchestra, Claudio Abbado (direction) Maurizio Pollini (piano), Karita Mattila (soprano), Lioba Braun (soprano), Peter Seiffert (tenor) Swedish Radio Choir, Eric Ericson Chamber Choir Ludwig van Beethoven Choral Fantasy Op. 80 Felix Mendelssohn-Bartholdy Symphony No. 2 Op. 52 Directed for video by Michael Beyer (1h30) Recorded at the Berlin Philharmonie in 2002 

Gewandhausorchester, Herbert Blomstedt (Conductor) Isabelle Faust (Violin), Jean-Guihen Queyras (Cello), Martin Helmchen (Piano) Ludwig van Beethoven (1770 - 1827) Concerto for piano, violin, cello and orchestra in C major op. 56 'Triple Concerto' Symphony no. 5 in C minor op. 67 Recorded on January 13, 2017 at the Gewandhaus, Leipzig TV director, Ute Feudel

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg

Omar Sosa, Quarteto Afrocubano Omar Sosa, piano, Fender Rhodes Lukmil Perez, drums Childo Thomas: electric bass Leandro Saint-hill: percussion, flute, saxophone Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi