Эрон - молодой 25-летний парень, работающий в кофейне и постоянно находящейся в поисках заработка. Сэнди - мать-одиночка, разбитая горем после измены мужа в собственном доме, и ищущая новой жизни в другом городе. Он ищет работу, она ищет няньку для своих детей. Однажды встретившись, они начинают развивать отношения не только в работе, но также между ними завязывается романтическая связь. И вроде все прекрасно, если не главная интрига - Сэнди старше Эрона на 15 лет.. 2009. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Murray Perahia (piano) Academy of Saint-Martin-in-the-Fields, Neville Marriner (direction) Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 1 in C major op. 15 Piano Concerto No. 2 in B flat major op. 19

Murray Perahia (piano) Academy of Saint-Martin-in-the-Fields, Neville Marriner (direction) Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 3 in C minor op. 37 Piano Concerto No. 4 in G major op. 58

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Peter Vermeersch - clarinet Stefaan Blancke - trombone Benjamin Boutreur - saxophone Berlinde Deman - tuba Luc Van Lieshout - trumpet Bart Maris - trumpet Michel Mast - saxophone Marc Meeuwissen - trombone Kristof Roseeuw - double bass Bruno Vansina - saxophone Peter Vandenberghe - piano, keyboards Teun Verbruggen - drums, dustbingrooves Pierre Vervloesem - guitar Wim Willaert - accordion, keyboards Tom Wouters - clarinet, vibraphone, vocal Even in the 20th century, there's a society which claims that the Earth is flat: the Flat Earth Society. The bizarre society was founded in the 19th century in Great Britain and it still believes that pictures taken from space are false. The eponymous 1998 Big Band from Belgium, however, plays anything but flat music. The claim to fame came for this jazz orchestra, founded by artist and clarinettist Peter Vermeersch in 2004, as he and pianist Uri Caine went on tour. In 2006 they released their first CD, 'Psychoscout', followed by their second CD, 'Clear Me, Perverts!' in 2009. A rebel and anti-conformist ensemble with a lot to offer, from faithful adherence to music rules to intoxicating improvisation.

Sebastian Rochford - drums Mark Lockheart - saxophone Pete Wareham - tenor saxophone Tom Herbert - double bass John Leafcutter - laptop, controllers This quintet, led by Sebastian Rochford, occupies a leading position on the London scene. Nominated in 2003 and 2004 for the BBC 'Rising Star' Jazz Award, in 2005 Polar Bear were nominated for the Mercury Prize. Following their excellent album 'Peepers' (2010), the band took a long break, returning to make it onto the Mercury Prize shortlist in 2014 with 'In Each and Every One'. The tracks on this CD are musical slow food, finely spiced and prepared: minimalism and electronics meet funk, free jazz and complex dance rhythms. Their new CD 'Same as You' was actually conceived of as a single piece, finally resulting in six tracks in which the ensemble develop their sound experiments.

L'Orfeo, favola in musica in a prologue and five acts by Claudio Monteverdi (1567 - 1643) Libretto by Alessansdro Striggio First performance in Mantue, Palazzo Ducale, 24 February 1607 Cappella Mediterranea, Leonardo García Alarcón (Conductor) Chœur de chambre de Namur Jean Bellorini (Stage Direction, Lighting) Valerio Contaldo (Orfeo) Giuseppina Bridelli (Messagiera) Anna Reinhold (Proserpina) Konstantin Wolff (Plutone) Salvo Vitale (Caronte) Francesca Aspromonte (soprano) Leandro Marziotte, Alessandro Giangrande, Nicholas Scott, Matteo Bellotto (shepherds) Recorded on June 20, 2017 at the Saint-Denis Festival Directed by Julien Condemine

Il Corsaro, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after 'The Corsair' by Lord Byron First performance in Trieste, Teatro Grande, October 25, 1848 Orquestra de la Comunitat Valenciana, Fabio Biondi (Conductor) Cor de la Generalitat Valenciana, Francesc Perales (Chorus Master) Nicola Raab (Stage Direction) George Souglides (Sets & Costumes), Ran Arthur Braun (Choreography), David Debriny (Lighting Design), Miguel Bosch (Video) Michael Fabiano (Corrado) Oksana Dyka (Gulnara) Kristina Mkhitaryan (Medora) Vito Priante (Seid) Evgeny Stavinsky (Giovanni) Ignacio Giner (Selimo) Antonion Gómez (eunuch) Jesús Rita (Slave) Recorded on April 5 & 8, 2018 at the Palau de les Arts Reina Sofia, Valencia Directed by Olivier Simonnet

London Symphony Orchestra, Sir John Eliot Gardiner (conductor) Monteverdi Choir Actors : Ceri-Lyn Cissone (Titania), Frankie Wakefield (Oberon), Alexander Knox (Puck) Félix Mendelssohn (1809 - 1847) Symphony no. 1 A Midsummer Night's Dream Recorded on February 16th 2016, at the Barbican Hall, London TV Director, Corentin Leconte

London Symphony Orchestra, Antonio Pappano (Conductor) Janine Jansen (violin) Jean Sibelius (1865 - 1957) The Oceanides Leonard Bernstein (1918 - 1990) Serenade Carl Nielsen (1865 -1931) Symphony No 4 ('The Inextinguishable') Recorded at the Barbican Hall, London, 5 February 2017 TV Director Corentin Leconte

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Thomas de Pourquery & Supersonic Thomas De Pourquery, saxophone alto Laurent Bardainne, saxophone ténor Fabrice Martinez, trompette Arnaud Roulin, piano, claviers Frederick Galiay, basse Edward Perraud, batterie Playlist Thomas De Pourquery; Mermaids Sun Ra, We travel the space ways Thomas De Pourquery, Slow down, Present eternity, Sons of love, Simple forces, Give the money back, Révolutions, Disco 2100 Sun Ra, Love in outer space Recorded on June 15, 2019 at the Cité de la musique TV Director, Josselin Carré