Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: V.Pauliukaitis, M.A.Pavilionienė, L.Kunigėlis, K.Masiulis, R.Cicinas, V.Prudnikovas, N.Narmontaitė, D.Bilevičiūtė..

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: V.Pauliukaitis, M.A.Pavilionienė, L.Kunigėlis, K.Masiulis, R.Cicinas, V.Prudnikovas, N.Narmontaitė, D.Bilevičiūtė..

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: V.Pauliukaitis, M.A.Pavilionienė, L.Kunigėlis, K.Masiulis, R.Cicinas, V.Prudnikovas, N.Narmontaitė, D.Bilevičiūtė..

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: V.Pauliukaitis, M.A.Pavilionienė, L.Kunigėlis, K.Masiulis, R.Cicinas, V.Prudnikovas, N.Narmontaitė, D.Bilevičiūtė..

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Orchestre national du Capitole de Toulouse, Tugan Sokhiev (Conductor) Emmanuel Pahud (flute) Alexander Borodin (1833-1887) In the Steppes of Central Asia Jacques Ibert (1890-1962) Flute Concerto Piotr Ilyich Tchaikovsky (1840-1893) Symphony No. 4 in F minor Op. 36 Claude Debussy (1862-1918) Syrinx Recorded at the Prague Spring Festival, 3 June 2019 TV Director, Adam Rezek

Royal Concertgebouw Orchestra, Andris Nelsons (Conductor) Håkan Hardenberger (trumpet), Pierre-Laurent Aimard (piano) Ludwig van Beethoven (1770 - 1827) The Creatures of Prometheus, Op. 43 Brett Dean (né en 1961) Dramatis personae Alexander Skryabin (1871 - 1915) Prométhée, le poème du feu Recorded on 17 January 2020 at the Concertgebouw, Amsterdam

Ensemble Correspondances, Sébastien Daucé (conductor) Lucile Richardot (La Nuit, Vénus italienne), Violaine Le Chenadec (Une Heure, Cintia, Une grâce française), Caroline Weynants (Eurydice, Une grâce française), Ilektra Platiopoulou (Junon), Caroline Dangin-Bardot (Vénus, Le Silence), Judith Fa (Pasitea, Mnémosyne), Deborah Cachet (La Lune, Déjanire, Une grâce française), David Tricou (Apollon, L'Aurore), Davy Cornillot (Endymion), Etienne Bazola (Le Sommeil), Renaud Bres (Hercule), Nicolas Brooymans (Grand Sacrificateur) Sean Patrick Mombruno (dancer) Le ballet Royal de la Nuit Grand divertissement pour le jeune Roi Soleil Performed on February 23, 1653 at the Petit-Bourbon, Paris Based on ''Le Ballet royal de la nuict'' (1653) by Isaac de Benserade (1613?-1691), Jean de Cambefort (1605-1661), Louis Constantin (1679-1779) and others composers Orfeo (1647) by Luigi Rossi (1597-1653), Ercole Amante (1661) by Francesco Cavalli (1602-1676) and airs de ballet by Antoine Boësset (1587-1643), Michel Lambert (1610-1696) Recorded on November 11 & 12, 2017 at the Théâtre de Caen Directed by François-René Martin

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.

Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg

Mam'zelle Nitouche 'Vaudeville-opérette' by Louis Auguste Joseph Florimond Ronger, aka Hervé (1825 - 1892) Libretto by Henri Meilhac and Albert Millaud First performance in Paris, Théâtre des Variétés, 26 January 1883 Orchestre de Chambre de Lausanne, Christophe Grapperon (conductor) Chœur de l'Opéra de Lausanne Pierre-André Weitz (Stage director, Costumes, Sets, Make-up) Bertrand Killy (Lighting), Iris Florentiny (Choreography) Olivier Py (La Supérieure, Corinne, Miss Knife, Loriot) Lara Neumann (Denise de Flavigny, Mam'zelle Nitouche) Damien Bigourdan (Célestin, Floridor) Samy Camps (Le Vicomte Fernand de Champlâtreux) Eddie Chignara (Le Major, comte de Château-Gibus) Sandrine Sutter (La Tourière / Sylvia) Antoine Philippot (Le Directeur de théâtre) Pierre Lebon (Gustave, officier) David Ghilardi (Robert, officier) Clémentine Bourgoin (Lydie) Ivanka Moizan (Gimblette) David Ghilardi (Robert,officer) Piero (alias Pierre-André Weitz) (Stage Managezr) Joséphine Kirch (A nun) Recorded at the Opéra, Lausanne, January 2018 TV Director, Sébastien Glas

Jaime Woods at the International Jazz Festival of Montréal 2016 Like many before her, Jaime Woods' career began in a church. Learning and sharpening her work on the Gospel scene, in Chicago, she moved in the East Coast for a brief schooling at Berklee College. The opportunity there to explore different types of music pushed her towards New York, and in particular Brooklyn. Jaime has since been into strong collaborations with Bilal, Casey Benjamin, Gadget, Cloche Jennah, Jose James, Emily King, Nick Hakim, Roy Hargrove, Kendra Foster, Gary Bartz, Lalah Hathaway, Haitus Kaiyote... Leaning on her soul voice, upon a precise and delicate instrumentation, Jaime is undoubtedly a stand-out artist who shows, despite her 25 years, a great maturity and true sensitivity. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Jaime Woods at the International Jazz Festival of Montréal 2016 Like many before her, Jaime Woods' career began in a church. Learning and sharpening her work on the Gospel scene, in Chicago, she moved in the East Coast for a brief schooling at Berklee College. The opportunity there to explore different types of music pushed her towards New York, and in particular Brooklyn. Jaime has since been into strong collaborations with Bilal, Casey Benjamin, Gadget, Cloche Jennah, Jose James, Emily King, Nick Hakim, Roy Hargrove, Kendra Foster, Gary Bartz, Lalah Hathaway, Haitus Kaiyote... Leaning on her soul voice, upon a precise and delicate instrumentation, Jaime is undoubtedly a stand-out artist who shows, despite her 25 years, a great maturity and true sensitivity. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

John Scofield @ D'Jazz Nevers John Scofield, guitar Larry Golding, organ, piano Steve Swallow, electric bass Bill Stewart, drums Mr Fool (Darrell Edwards - George Jones - Herbie Treece) The Gambler (Don Schlitz) Jolene (Dolly Parton) Just a girl I used to know (Jack Clement) I'm lonesome I could cry (Hank Williams) You're still the one (Shania Twain - John Robert Lange) 'Sco' brilliantly continues his exploration of swing and country music. Brought into the limelight by Miles Davis in the 1980's, John Scofield explores all forms of jazz, including the blues, funk and country music. The American musician teams up with Steve Swallow, who now plays electric bass, and Bill Stewart on drums. John Scofield began playing the guitar as a teenager, discovered the standards of jazz before being drawn to jazz-rock and studying at the Berklee College of Music in Boston. In the 1970's, his career started as a side man with trumpeter and singer Chet Baker and pianist George Duke, among others. In the 1980's the general public discovered his swing, when he played for three years alongside the legendary Miles Davis. Later, Sco's brand of jazz fusion absorbed elements of soul and of the 'New Orleans Spirit', as he played with the greatest musicians of his generation, Chick Corea, Herbie Hancock and Jim Hall. Recorded on November 12th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, hall) TV Director, Samuel Thiebaut

Gregory Porter at the International Jazz Festival of Montréal 2016 Gregory Porter's musical awakening came upon hearing his mother's Nat King Cole records as a child - Porter would later write a show in homage to the singer. After seeing his dreams of professional football thwarted by a major injury, the California-born artist turned to music. With the help of his mentor, the multi-instrumentalist and composer Kamau Kenyatta, Porter honed his skills in San Diego jazz clubs before landing a role in the musical It Ain't Nothing But the Blues. His resume also includes a collaboration with famed flutist Hubert Laws. A gifted songwriter, he penned most of the jazz and soul-oriented material appearing on his first albums, Water (2010), Be Good (2012) and Liquid Spirit (2013), winner of a Grammy for Best jazz vocal album. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin