Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: V.Povilionienė, B.Dambrauskaitė, A.Valinskas, A.Butkevičius, P.Gražulis, L.Pobedonoscevas, A. Kandelis.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: V.Povilionienė, B.Dambrauskaitė, A.Valinskas, A.Butkevičius, P.Gražulis, L.Pobedonoscevas, A. Kandelis.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: V.Povilionienė, B.Dambrauskaitė, A.Valinskas, A.Butkevičius, P.Gražulis, L.Pobedonoscevas, A. Kandelis.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Muzikinis šou. Vedėjai K.Baublys ir M.Jampolskis. Gimtadienius švenčia: V.Povilionienė, B.Dambrauskaitė, A.Valinskas, A.Butkevičius, P.Gražulis, L.Pobedonoscevas, A. Kandelis.

Dalyvauja "69 Danguje", V.Genytė, Alanas, D.Mertinas, Ž.Žvagulis, I.Starošaitė, E.Anusauskaitė, "Yva", "Studentės", "Pikaso", Vilija, Dūmas, V.Katunskytė. Vedėjas R.Vilkončius.

Одна подруга - звезда вечеринок, привыкшая получать, что захочется. Другая - совсем не такая блистательная и удачливая, зато искренняя и добрая. И вот первая собралась замуж за молодого человека, которому давно принадлежит сердце "хорошей девочки". А теперь это сердце вот-вот будет разбито, ведь тихоня привыкла во всем уступать подруге. Но если совсем невозможно смириться, то нужно сражаться за свою любовь, главное, правильно выбрать оружие. Лучше всего было бы напомнить парню, что от его мнения тоже кое-что зависит. Данная романтическая комедия является экранизацией романа Эмили Гриффин "Жених напрокат".. 2011. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

From the House of the Dead, by Leoš Janáček (1854 - 1928) Libretto by the composter after 'Memoirs from the House of the Dead' by Fyodor Dostoyevsky First performance in Brno, Natinla Theatre, 12 April 1930 Simone Young (Conductor) Sören Eckhoff (Chorus Master) Frank Castorf (Stage Director) Aleksandar Denic (Sets), Adriana Braga-Peretzki (Costumes), Rainer Casper (Lighting) Peter Rose (Alexandr Petrovič Gorjančikov) Evgeniya Sotnikova (Aljeja) Aleš Briscein (Filka Morozov) Manuel Günther (Big Prisoner) Tim Kuypers (Small Prisoner) Christian Rieger (Prison Governor) Ulrich Reß (Elderly Prisoner) Charles Workman (Skuratov) Johannes Kammler (Čekunov) Boris Prýgl (Cook) Alexander Milev (Blacksmith ) Peter Lobert (Priest) Heike Grötzinger (Prostitute) Callum Thorpe (Prisoner/Don Juan/The Brahmin) Matthew Grills (Kedril) Kevin Conners (Schapkin) Bo Skovhus (Šiškov) Dean Power (Čerevin) Recorded on May 18 and 26, 2018 at the Nationaltheater, Bayerische Staatsoper, Munich TV Director, Andy Sommer

Il Corsaro, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after 'The Corsair' by Lord Byron First performance in Trieste, Teatro Grande, October 25, 1848 Orquestra de la Comunitat Valenciana, Fabio Biondi (Conductor) Cor de la Generalitat Valenciana, Francesc Perales (Chorus Master) Nicola Raab (Stage Direction) George Souglides (Sets & Costumes), Ran Arthur Braun (Choreography), David Debriny (Lighting Design), Miguel Bosch (Video) Michael Fabiano (Corrado) Oksana Dyka (Gulnara) Kristina Mkhitaryan (Medora) Vito Priante (Seid) Evgeny Stavinsky (Giovanni) Ignacio Giner (Selimo) Antonion Gómez (eunuch) Jesús Rita (Slave) Recorded on April 5 & 8, 2018 at the Palau de les Arts Reina Sofia, Valencia Directed by Olivier Simonnet

Casse-Noisette (The Nutcracker) Choreography by Kader Belarbi Ballet in two acts Ivan Vsevolojski et Marius Petipa, libretto After Histoire d'un Casse-Noisette, adapted by Alexandre Dumas from Nutcracker and The Mouse King by E. T. A. Hoffmann Piotr Ilitch Tchaïkovski, music Ballet du Capitole Kader Belarbi, direction Orchestre national du Capitole Koen Kessels, conductor Maîtrise du Capitole Alfonso Caiani, chorus master Anthony Rouchier, composition and arrangements Kader Belarbi, choreographye and staging Antoine Fontaine, sets Lola Sergent, sets assistant Philippe Guillotel, costume Hervé Gary, lighting With (Nutcracker) Ramiro Gómez Samón (Drosselmeyer) Rouslan Savdenov (The Ultimate Supervision) Alexandra Surodeeva (Marie) Natalia de Froberville Recorded on December 27 and 29, 2017 at the Théâtre du Capitole TV Director, Luc Riolon

The Dead Queen (La Reine Morte) Choreography and stage by Kader Belarbi Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652) Orchestre national du Capitole Koen Kessels, Conductor Music, Piotr Ilitch Tchaïkovski Set, Bruno de Lavenère Costume, Olivier Bériot Lights, Sylvain Chevallot Withe The Capitole Ballet Recorde on February 8th at the Capitole of Toulouse Theater TV Director, Luc Riolon

Les Arts Florissants, William Christie, Paul Agnew (Conductors) Sandrine Piau (soprano), Lea Desandre (mezzo-soprano), Christophe Dumaux (countertenor), Marcel Beekman (haute-contre), Marc Mauillon (baritone), Lisandro Abadie (bass) Works by Marc-Antoine Charpentier (1643 - 1704), Georg Friedrich Haendel (1685 - 1759), Jean-Baptiste Lully (1632 - 1687), Henry Purcell (1659 - 1695) and Jean-Philippe Rameau (1683 - 1764) Recorded at the Philharmonie de Paris, 21 December 2019

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Nikolai Rimsky-Korsakov Scheherazade Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires Directed by Jean-Pierre Loisil

Le Comte Ory, by Gioachino Rossini (1792 - 1868) Libretto by Eugène Scribe and Charles-Gaspard Delestre-Poirson First performance in Paris, Opéra, 20 August 1828 Orchestre des Champs-Elysées, Louis Langrée (Conductor) les éléments, Joël Suhubiette (Chorus Master) Denis Podalydès (Stage Direction) Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting) Philippe Talbot (Le Comte Ory) Julie Fuchs (La Comtesse) Gaëlle Arquez (Isolier) Éve-Maud Hubeaux (Dame Ragonde) Patrick Bolleire (Le Gouverneur) Jean-Sébastien Bou (Raimbaud) Jodie Devos (Alice) Laurent Podalydès, Léo Reynaud (Comédiens) Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris Directed by Vincent Massip

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Charles Lloyd & Jason Moran duo - Jazz sous les pommiers festival 35th edition With Charles Lloyd, saxophone Jason Moran, piano A lesson of serenity by Charles Lloyd ... who fits today as a giant in the exclusive world of jazz. This duet between a saxophonist among the most lyrical and most daring of his generation and one of today best pianists, shines with its eclecticism , finesse and intelligence. The poetic stroll revisits in a very intimate way a repertoire that mixes Ellington, Gershswin , Strayhorn , the Beach Boys and Dylan, with personal compositions , including a suite in memory of his great-grandmother , sold to a slave trader at the age of ten years. About this repertoire, Lloyd says : 'Music has always been for me both inspiration and consolation. The sentiments I would like to share with those who listen to me . ' Recorded on May 6th 2016, at the Municipal Theatre of Coutances TV direction by Thierry Villeneuve