Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: D.Banionis, Č.Juršėnas, V.Urbonas, R.Mikelkevičiūtė, K.Krysko, A.Orlauskas, J.Uspaskich, E.Jackaitė.

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: D.Banionis, Č.Juršėnas, V.Urbonas, R.Mikelkevičiūtė, K.Krysko, A.Orlauskas, J.Uspaskich, E.Jackaitė.

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: D.Banionis, Č.Juršėnas, V.Urbonas, R.Mikelkevičiūtė, K.Krysko, A.Orlauskas, J.Uspaskich, E.Jackaitė.

Muzikinis šou. Vedėjai M.Jampolskis ir K.Baublys. Gimtadienius švenčia: D.Banionis, Č.Juršėnas, V.Urbonas, R.Mikelkevičiūtė, K.Krysko, A.Orlauskas, J.Uspaskich, E.Jackaitė.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Обычный вечер после школы. К скайпу влюбленных Блэра и Митч подключаются друзья - Адам, Джес, Кен и Вэл, и кто-то седьмой с ником Billy227. Все уверены, что это компьютерный глюк, пока неизвестный не начинает им писать. Билли хочет знать, кто выложил в Сеть скандальное видео с их одноклассницей Лорой Барнс, из-за которого девушка покончила с собой. И он готов выяснить это любой ценой. Друзьям кажется, что можно просто выйти из чата, но это только кажется.. 2014. Художественный фильм.

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Nikolai Rimsky-Korsakov Scheherazade Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires Directed by Jean-Pierre Loisil

Trio Zadig Ian Barber (piano), Boris Borgolotto (violin), Marc Girard Garcia (cello) Piotr Tchaikovsky Piano Trio in A minor, op. 50 Dmitri Shostakovich Piano Trio no. 2 in E minor, op. 67 Recorded on 1, 2 & 3 september 2017 at the Auditorium St Pierre des Cuisines, Toulouse Directed by Patrick Lauze

Lea Desandre (mezzo-soprano), Thomas Dunford (lute) Michel Lambert (1610 - 1696) Ma bergère est tendre et fidèle Robert de Visée (1650 - 1725) Gavotte en ré mineur Marc-Antoine Charpentier (1643 - 1704) Celle qui fait tout mon tourment Sébastien Le Camus (1610 - 1677) On n'entend rien dans ce bocage Marin Marais (1656 - 1728) Les Voix Humaines Sébastien Le Camus Laissez durer la nuit Robert de Visée Chaconne en ré mineur Honoré d'Ambruys Le doux silence de nos bois Robert de Visée Prélude et Sarabande en ré mineur Sébastien Le Camus Forêts solitaires Marc-Antoine Charpentier Auprès du feu on fait l'amour Robert de Visée Allemande La Royale Marc-Antoine Charpentier Tristes déserts, sombre retraite Marc-Antoine Charpentier Sans frayeur dans ce bois Robert de Visée Rondeau La mascarade Michel Lambert Ombre de mon amant Michel Lambert Vos mépris chaque jour Marie-Joseph Déodat de Séverac (1872 - 1921) Paysages tristes Claude Debussy (1862 - 1918) Mes longs cheveux (Pelléas et Mélisande) Georg Friedrich Haendel (1685 - 1759) Ombra mai fù (Serse) Barbara (1930 - 1997) Dis quand reviendras-tu ? Recorded at the Festival de Maguelone, 11 June 2019 Directed by Olivier Simonnet

Royal Concertgebouw Orchestra, Iván Fischer (Conductor) Isabelle Faust (Violin), Tabea Zimmermann (Viola) Gioachino Rossini (1792 - 1868) Overture to 'L'italiana In Algeri' Wolfgang Amadeus Mozart (1756 - 1791) Sinfonia Concertante, K364 Gioachino Rossini Ouverture to 'La Gazza Ladra' Joseph Haydn (1732 - 1809) Symphony no. 102 in B-flat major Recorded 12 December 2019 at the Concergebouw, Amsterdam

Mariinsky Orchestra, Valery Gergiev (Conductor) Alexey Lobikov (trombone) Piotr I. Tchaikovsky (1844 - 1890) Symphony No. 1 in G minor, 'Winter Daydreams', op. Symphony No. 4 in F minor, op. Mazepa's Arioso (arranged for trombone) from the Opera Mazepa Recorded at the Zaryadye Hall, Moscow, 7 September 2019 TV Director, François-René Martin

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

Les Siècles, François-Xavier Roth (Conductor) Hector Berlioz (1803 - 1869) Symphonie fantastique Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

Gewandhausorchester, Riccardo Chailly (Conductor) GewandhausChor, Chor der Oper Leipzig Alexandrina Pendatchanska (soprano), Manuela Custer (alto), Stefano Secco (tenor), Mirco Palazzi (bass) Gioachino Rossini (1792 - 1868) Petite Messe Solennelle Gioacchino Rossini's Petite Messe Solennelle was written in 1863, 'the last', the composer called it, of my 'péchés de vieillesse' (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. Directed by Michael Beyer Recorded on 2008 at the Leipzig Gewandhaus

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Omar Sosa & Yilian Canizares Omar Sosa (piano) Yilian Cañizares (voix, violin), Gustavo Ovalles (percussions) Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Cañizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.' Recorded on July 08, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse