Visų žvaigždžių koncertas. Vedėjai U.Skonsmanaitė ir T.Ališauskas. Dalyvauja: Violeta ir Vilius Tarasovai, "69 Danguje", "Yva", I.Starošaitė, Ž.Žvagulis, R.Kirilkinas, Stano, Merūnas, Radži, Šorena, Baiba, V.Baumila, Deivis, Mino ir kt..

Visų žvaigždžių koncertas. Vedėjai U.Skonsmanaitė ir T.Ališauskas. Dalyvauja: Violeta ir Vilius Tarasovai, "69 Danguje", "Yva", I.Starošaitė, Ž.Žvagulis, R.Kirilkinas, Stano, Merūnas, Radži, Šorena, Baiba, V.Baumila, Deivis, Mino ir kt..

Visų žvaigždžių koncertas. Vedėjai U.Skonsmanaitė ir T.Ališauskas. Dalyvauja: Violeta ir Vilius Tarasovai, "69 Danguje", "Yva", I.Starošaitė, Ž.Žvagulis, R.Kirilkinas, Stano, Merūnas, Radži, Šorena, Baiba, V.Baumila, Deivis, Mino ir kt..

Visų žvaigždžių koncertas. Vedėjai U.Skonsmanaitė ir T.Ališauskas. Dalyvauja: Violeta ir Vilius Tarasovai, "69 Danguje", "Yva", I.Starošaitė, Ž.Žvagulis, R.Kirilkinas, Stano, Merūnas, Radži, Šorena, Baiba, V.Baumila, Deivis, Mino ir kt..

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

Michael Janisch Band Michael Janisch, double/electric bass John O'Gallagher, alto saxophone Jason Palmer, trumpet Rez Abbasi, guitar Clarence Penn, drums Whirlwind head honcho, bassist, composer and producer Michael Janisch (nominated in 2016 for a MOBO Award in the Jazz category after releasing his latest solo album 'Paradigm Shift' (see below), premieres a terrific Stateside band on their first European tour-date with guitarist Rez Abbasi - rapidly emerging as one of today's major new voices on his instrument - alongside Grammy-winning alto saxophonist John O'Gallagher (Joe Henderson, Maria Schneider), trumpeter Jason Palmer (Herbie Hancock, Kurt Rosenwinkel) and the brilliant drummer Clarence Penn (Michael Brecker, Maria Schneider). Recorded on November 10th 2017 au Rich Mix, London Jazz Festival TV Director, Mathieu Mastin

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Budapest Festival Orchestra, Iván Fischer (Conductor) Johannes Brahms (1833 - 1897) Symphony no. 1 in C minor op. 68 Symphony no. 2 in D major op. 73 Live from the Béla Bartók National Concert Hall, Budapest TV Director, Corentin Leconte

Vox Luminis, Lionel Meunier (Conductor) Claudio Monteverdi (1567 - 1643) Selva morale e spirituale SV 258-288 (excerpts) Adoramus te Christe, SV 289 Letanie della Beata Vergine, SV 204 Christe, adoramus te, SV 294 Recorded at the Festival de Granada, San Jerónimo Monastery, 6 July 2019 TV Director, Arnaud Lalanne

Gewandhausorchester, Riccardo Chailly (Conductor) GewandhausChor, Chor der Oper Leipzig Alexandrina Pendatchanska (soprano), Manuela Custer (alto), Stefano Secco (tenor), Mirco Palazzi (bass) Gioachino Rossini (1792 - 1868) Petite Messe Solennelle Gioacchino Rossini's Petite Messe Solennelle was written in 1863, 'the last', the composer called it, of my 'péchés de vieillesse' (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. Directed by Michael Beyer Recorded on 2008 at the Leipzig Gewandhaus

Martha Argerich, Nicholas Angelich, Iddo Bar-Shaï, Akane Sakai, Vahan Mardirossian, Itamar Golan, Natsuko Inoue (piano), Sergei Nakariakov (bugle) Renaud Capuçon, Mayu Kishima, Jean-Marc Phillips-Varjabédian, Thomas Lefort (violin) Quatuor Ébène Quatuor David Oïstrakh Sirba Octet One yiddish song (arranged by Marc-Olivier Dupin for two pianos) Mein Shtetele Belz Witold Lutosławski (1913-1994) Variations on a theme by Paganini Claude Debussy (1862-1918) En blanc et noir Béla Bartók (1881-1945) Romanian Folk Dances - excerpts Ernest Chausson (1855-1899) Concert for Violin, Piano and String Quartet op. 21 (II. Sicilienne) Robert Schumann (1810-1856) Fantasiestücke Op. 73 Traditionnal Tire l'aiguille Bessarabye Ukrainian Memory Tum Balalaika / Roumania Roumania Recorded at the Philharmonie de Paris, 7 January 2019 Tv Director, Sébastien Glas

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

L'Incoronazione di Poppea Dramma musicale in a prologue and three acts by Claudio Monteverdi (1567-1643) Libretto by Giovanni Francesco Busenello Fist performance in Venice, Teatro SS Giovanni et Paolo, 1643 Les Arts Florissants, William Christie (Conductor) Jan Lauwers (Stage Director, Sets, Choreography) Lemm&Barkey (Costumes), Ken Hioco (Lighting) Sonya Yoncheva (Poppea) Kate Lindsey (Nerone) Stéphanie d'Oustrac (Ottavia) Carlo Vistoli (Ottone) Renato Dolcini (Seneca) Ana Quintans (Virtù/Drusilla) Marcel Beekman (Nutrice/Famigliare I) Dominique Visse (Arnalta) Léa Desandre (Amore/Valletto) Directed by Tiziano Mancini Recorded at the Haus für Mozart, Salzburg, 2018

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Henry Spencer & Juncture The Reasons Don't Change Henry Spencer, trumpet Nick Costley-White, guitar Matt Robinson, piano, Fender rhodes, Wurlitzer Andrew Robb, double bass David Ingamells, drums Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival TV Director, Mathieu Mastin

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Ornette | Apparitions Antonin Tri Hoangn, Alto saxophone , clarinet, Geoiffroy Gesser, Tenor saxophone , Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais ' ce n'est pas un autre jazz, c'est une musique autre, créative '. Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette : même lyrisme tarabiscoté, même goût du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des rêves, des ponts évocateurs, ' pas un revival, mais un survival '. Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent à la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93 TV Director, Stéphane Jourdain