Десять лет назад супруги Голубевы проверили свои чувства на прочность, поменявшись телами. Теперь они - папа Андрей и мама Марина. В их семье растут близнецы - Глеб и Светочка. Жизнь супругов налажена, карьера головокружительна, а дни расписаны по часам. Они уже плохо помнят, что дети больше любят живых собак, чем искусственных, и что друзья родителей - не лучшая компания в день рожденья. Они забыли, что любовь и внимание дороже денег. Чтобы вернуть все на свои места, нужно опять поменять всех местами. Так решил доктор Коган, который навестил своих старых приятелей Голубевых. А поутру они проснутся - Глеб и Света в родительской спальне, Андрей и Марина - в детской. Пока "маленькие" Голубевы будут поражать одноклассников и учителей познаниями, их "взрослые" дети едва не поставят крест на карьере родителей и лишат семью крова. Андрею и Марине светит детский дом, а Свете и Глебу - сумасшедший. Но Голубевы не сдаются!. 2008. Художественный фильм.

Темой третьей части фильма "Любовь-морковь" становятся взаимоотношения между отцами и детьми. Для того чтобы понять другого, нужно примерить его шкуру - именно это и проделывают Марина и Андрей со своими родителями. Марина вселяется в тело своей мамы Елизаветы Николаевны (Лия Ахеджакова), музейного работника и большой любительницы поэзии и музыки, а Андрей становится своим отцом - полковником Владимиром Андреевичем Голубевым. Оба родителя до сих пор не ободряют выбор своих детей, и только радикальное решение может помочь им понять друг друга.. 2011. Художественный фильм.

В Сиэтле за короткое время пропали без вести четыре молодые девушки. Возникает версия, что в городе появился серийный маньяк-убийца. За расследование этого криминального случая берется спецподразделение ФБР, специализирующееся на поведенческом анализе действий преступников. Во главе этого подразделения стоит Джейсон Гидеон, который со своими напарниками пытается вычислить преступника, создавая его психологический портрет. Джейсон - не частый гость криминалистических лабораторий ФБР. Он и его команда выезжают на места преступлений, опрашивают свидетелей, анализируют и изучают психологическую сторону жизни преступника.... Сериал.

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Shabaka and the Ancestors Shabaka Akua Lumumba Kamau Hutchings (saxophone ténor) Mthunzi Mvubu (saxophone alto) Siyabonga Mthembu (voix) Ariel Zomonsky (Basse) Tumi Mogorosi (batterie) Gontse Makhene (Percussions) Playlist . Nguni (Shabaka Hutchings, Siyabonga Mthembu) . The Sea (Shabaka Hutchings) . The Observer (Shabaka Hutchings, Siyabonga Mthembu) . Joyous ((Shabaka Hutchings) . Natty (Shabaka Hutchings) . Mzwandile (Shabaka Hutchings, Siyabonga Mthembu) . Chik CHIkka (Lykaty Astatke) Refocusing jazz could be Shabaka Hutchings' mantra. The tenor saxophonist recently went to Johannesburg to soak up South African heritage and to surround himself with the country's best musicians. It led to a celebratory, spiritual sound on the vibrant Wisdom of Elders, recorded in just one day in Johannesburg. The music composed by the saxophonist is primitive, spontaneous, and unpredictable. It's infused with drummer Tumi Mogoros's polyrhythmic beats and the hypnotic sounds of singer Siyabonga Mthembu. British Shabaka Hutchings has Barbadian roots. He's been recognized as a key player on the London jazz scene for a few years now. He got noticed when he brought African and Caribbean sounds to Sons Of Kemet and by playing with the electro-cosmic sounds of The Comet Is Coming. Enregistré le 12 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club) Réalisation, Marc Schütrumpf

Noé Choreography byThierry Malandain Music, Messa di Gloria de Gioachino Rossini Set and costume, Jorge Gallardo Lights, Francis Mannaert Costumes productin, Véronique Murat With Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Jacob Hernandez Martin, Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González Recorded on May 24th 2017 at the Théâtre national de Chaillot TV Director, Patrick Lauze

Beauty and the Beast Choreography by Thierry Malandain Music by Piotr Ilitch Tchaikovski (Symphony N° 6 ' Pathetic ', Op. 74) Additional music, The polonaise and the Waltz of the opera, Eugène Onéguine by P.I. Tchaïkovski Light creation, Jean-Claude Asquié Set and costume, Jorge Gallardo Ballet masters, Richard Coudray, Françoise Dubuc Conductor, Ainars Rubikis Orchestre Symphonique d'Euskadi With The Malandain Ballet Biarritz Beauty, Claire Lonchampt The Beast, Mickaël Conte The Artist, Arnaud Mahouy The Soul, Miyuki Kanei The Body, Daniel Vizcayo The father, Frederik Deberdt The sisters, Ellyce Daniele, Ione Miren Aguirre The brothers, Raphaël Canet, Baptiste Fisson Les allégories - Allegories The love, Patricia Velázquez The rose, Miyuki Kanei The mirror, Hugo Layer The glove, Irma Hoffren The horse, Baptiste Fisson The Key, Michaël Garcia Sets Ione Miren Aguirre, Raphaël Canet, Ellyce Daniele, Romain di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Lucia You González, Irma Hoffren, Mathilde Labé, Hugo Layer, Guillaume Lillo, Nuria López Cortés, Ismael Turel Yagüe, Patricia Velázquez, Laurine Viel, Daniel Vizcayo Recorded on February 2,3 & 4 2016 at the Donostia Kursaal in San Sébastien, Spain TV Director, Patrick Lauze

Il Giasone Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676) Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor) Serena Sinigaglia (Stage Director) Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting) Valer Sabadus (Giasone) Kristina Hammarström (Medea) Kristina Mkhitaryan (Isifile, Sole) Alexander Milev (Ercole) Günes Gürle (Besso) Raúl Giménez (Egeo) Willard White (Oreste, Giove) Migran Agadzhanyan (Demo, Volano) Dominique Visse (Delfa, Eolo) Mariana Flores (Alinda) Mary Feminear (Amore) Recorded at the Grand Théâtre, Geneva, February 2017 Directed by Isabelle Soulard

Les Boréades 'Tragédie en musique' in five acts by Jean-François Rameau (1683 - 1764) Libretto by Louis de Cahusac First performance at Aix-en-Provence, Théâtre de l'Archevêché, 21 July 1982 Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Barrie Kosky (Stage Direction) Katrin Lea Tag (Sets, costumes), Franck Évin (Lighting), Otto Pichler (Choreography) Hélène Guilmette (Alphise) Emmanuelle De Negri (Sémire, Polymnie, Cupidon, Nymphe) Mathias Vidal (Abaris) Christopher Purves (Borée) Yoann Dubruque (Borilée) Edwin Crossley-Mercer (Adamas, Apollon) Sébastien Droy (Calisis) Dancers Yacnoy Abreu Alfonso, Julie Dariosecq, Benjamin Dur, Anaëlle Echalier, Lazare Huet, Anna Konopska Recorded at the Opéra de Dijon, March 26 & 28, 2019 Directed by Julien Condemine

RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs (Conductor) Sunhae Im (Soprano), Benno Schachtner (Countertenor), Martin Lattke (Tenor), Sebastian Kohlhepp (Tenor), Johannes Weisser (Bass) Johann Sebastian Bach St John Passion Recorded on April 4th 2015 at the Philharmonie de Paris TV Director, Olivier Simonnet

Ensemble Pygmalion, Raphaël Pichon (Conductor) Maïlys de Villoutreys (soprano), William Shelton (alto), Reinoud Van Mechelen (tenor), Tomáš Král (bass) Nicolaus Bruhns (1665 - 1697) De Profundis clamavi Johann Sebastian Bach (1685 - 1750) Cantata BWV 131 Aus der Tiefe rufe ich, Herr, zu dir Franz Tunder (1614 - 1667) Ach Herr, laß deine Lieben Engelein Johann Sebastian Bach Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit Dietrich Buxtehude (1637 - 1707) Klag-Lied, BuxWV 76 Johann Sebastian Bach Cantata BWV 4 Christ lag in Todesbanden Recorded on February 6, 2018 at la Cité de la Musique, Paris Directed by Isabelle Soulard

Harold Lopez Nussa Trio Harold Lopez Nussa (piano) Ruy Adrian Lopez Nussa (drums) Gaston Joya (bass) Harold Lopez Nussa is a Cuban pianist who comes from a family of musicians. When you hear him it seems as if he is the custodian of all the musical traditions of the Caribbean, open to all the influences from Africa and the Americas without even mentioning the great European classical composers. It is an indication of just how much music lives within him and how he never ceases to want to share it with us. On stage, Harold Lopez overflows with expression just like everything which characterizes 'feeling' in Cuban music which is savoured with a shot of rum in the ears. Harold Lopez the direct descendent of the great Cuban pianists, Cucho Valdez, Carlos Maza, Roberto Fonseca, pianists who irresistibly make you get up off your seat and dance. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Snarky Puppy Their motto is to play music for your brain and body. Be prepared to furiously dance to the music of the most groovy Stochkolm festival band. Formed in 2004, Snarky Puppy was once a happy student dand of North Texas University. They are today one of the most exciting band in the world funk scene. Snarky Puppy members had played with big names and not just Jazz's : Snoop Dodd, Erykah Badu, Chaka Khan, Beyonce, Justin Timberlake, Jason Marsalis and many more. Recorded on 2013 at the Stockholm Jazz Festival TV Director, Mathieu Mastin

Slowly Rolling Camera With Dave Stapleton, keyboards Dionne Bennett, vocals Deri Roberts, DJ Elliot Bennett, drums Stuart McCallum, guitar Ben Waghorn, saxophone Aidan Thorne, bass Recorded on March, 4th 2016, during the LOTOS Jazz Festival Bielska Zadymka Jazzowa, Bielsko-Biala (Poland) Samuel Thiebaut, TV director

Richard Bona & Mandekan Cubano @ Montreux Jazz Festival 2016 Richard Bona, bass & voice Mandekan Cubano Dennis Hernandez, trumpet Luis Bonilla, trombone, Osmany Parades, piano, Luisito Quintero, timbal & percussion Robert Quintero, congas & percussion Born in Cameroon, singer-composer Richard Bona has enjoyed twenty years of an international career taking him from Paris to New York, from recordings studios to the most prestigious concert halls. Musical partners have included Pat Metheny, Stevie Wonder, Herbie Hancock, Paul Simon and Chick Corea. Admired by fellow musicians and considered to be one of the best bass players in the world, Richard Bona brings jazz and African music ever more closely and universally together. Recorded on July 7th 7 2016 at the Montreux Jazz Festival, Montreux Jazz Club TV Director, Marc Schütrumpf

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Ralph's Nero blues' - 'Fugato from original sin' - 'Horo high the moon' - 'Pierrot' - 'Django' Recorded on1962 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Snarky Puppy, Culcha Vulcha at L'Olympia Michael League, Bass Justin Stanton, Trumpet, Keyboards Bob Lanzetti, Guitar Bobby Sparks, Hammond Organ, Clavinet, Moog Zack Brock, Violin Mike ' Maz 'Maher, Trumpet, Flugel Chris Bullock, Tenor Saxophone, Flute Nate Werth, Percussion Larnell Lewis, Drums Recorded on 2017, 18th May at L'Olympia, Paris. TV Director, Colin Laurent