MEZZO

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Bernhard Gander (B. 1969) Take death Frank Zappa (1940 - 1993) Naval Aviation in Art? Dupree's Paradise The Perfect Stranger Edgard Varèse (1883 -1965) Intégrales John Zorn (B. 1953) For Your Eyes Only Frank Zappa Get Whitey The Dog Breath Variations / Uncle Meat (aka Dog / Meat), G-Spot Tornado Recorded at the Philharmonie de Paris, 29 September 2018 Directed by

Borodin Quartet Ruben Aharonian (violin), Sergei Lomovsky (violin), Igor Naidin (viola), Vladimir Balshin (cello) Florent Héau (clarinet), Yuri Bashmet (viola) Wolfgang Amadeus Mozart (1756 - 1791) Clarinet Quintet Dmitri Shostakovich (1906 - 1975) String quartet no. 8 Johannes Brahms (1833 - 1897) String quintet no. 2 op. 111 Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

Tosca Melodramma in three acts by Giacomo Puccini (1858 - 1924) Libretto by Luigi Illica and Giuseppe Giacosa after Victorien Sardou's play 'La Tosca' First performance in Rome, Teatro Costanzi, 14 January 1900 Chœur, maîtrise et orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor) Christophe Honoré (Stage direction and video) Alban Ho Van (Sets), Olivier Bériot (Costumes), Dominique Bruguière (Lighting) Angel Blue (Floria Tosca) Catherine Malfitano (Prima Donna) Joseph Calleja (Mario Cavaradossi) Alexey Markov (Il barone Scarpia) Simon Shibambu (Cesare Angelotti) Leonardo Galeazzi (Il sagrestano) Jean-Gabriel Saint Martin (Sciarrone) Michael Smallwood (Spoletta) Virgile Ancely (Un Carceriere) Recorded on July 2 & 9, 2019, Festival d'Aix-en-Provence, Théâtre de l'Archevêché TV Director, Philippe Béziat

Berliner Philharmoniker, Riccardo Muti (conductor) Chor des Bayerischen Rundfunks Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass) Giuseppe Verdi (1813 - 1901) Messa da Requiem Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019 Directed by Nele Münchmeyer

Ensemble Artaserse, Philippe Jaroussky (Conductor) Bruno de Sá (Abel) Christophe Dumaux (Cain) Sandrine Piau (Eva) Kresimir Spicer (Adamo) Yannis François (Lucifero) Paul-Antoine Benos-Dijan (La voce di Deo) Alessandro Scarlatti (1660 - 1725) Il primo omicidio Recorded at the Opéra-Comédie, Montpellier

Martha Argerich (piano), Renaud Capuçon (violin) Ludwig van Beethoven (1770-1827) Violin Sonata no. 9 in A major, op. 47 'Kreutzer Sonata' César Franck (1822-1890) Violin Sonata in A major FWV 8 Sommets Musicaux de Gstaad, Eglise de Saanen, 2 February 2021

La Traviata Opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after La Dame aux Camélias by Alexandre Dumas First performance in Venice, Teatro La Fenice, 6 mars 1853 Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Speranza Scappucci (Conductor) Conxita Garcia (Chorus Master) David McVicar (Stage Direction), Marie Lambert (Reprise) Tanya McCallin (Sets, costumes) Jennifer Tipton (Lighting) Kristina Mkhitaryan (Violetta Valéry) Pavol Breslik (Alfredo Germont) Laura Vila (Flora Bervoix) Gemma Coma-Alabert (Aninna) George Petean (Giorgio Germont) Aaron Blake (Gastone) Gerardo Bullón (Douphol) Tomeu Bibiloni (D'Obigny) Felipe Bou (Grenvil) Recorded at the Gran Teatre del Liceu, Barcelona, 21 December 2020

State Academic Symphony Orchestra 'Evgeny Svetlanov', Fuad Ibrahimov (conductor) Sahib Pashazade (tar) Uzeyir Hajibayli (1885 - 1948) Ouverture from Opera 'Koroglu' Haji Khanmammadov (1918 - 2005) Concerto no. 2 for tar and orchestra Fikret Amirov (1922 - 1984) Symphony in memory of Nizami Ganjavi Arif Melikov (1933 - 2019) Symphony 4 Recorded at the Great Hall of the Tchaikovsky Moscow State Conservatory, Moscow, 21 October 2020 TV Director, François-René Martin

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

Monty Alexander & The Harlem Kingston Express Monty Alexander, piano Andy Bassford, Guitar Hassan Shakur, Double bass Leon Duncan, Bass Wayne Escoffery, Saxophone tenor Andrae Murchison, trombone Jason Brown, Drums Karl Wright, Drums In a career spanning fifty years, Monty Alexander-a great ambassador for Jamaican music-has played with the best of the best. From Dizzy Gillespie to Ernest Ranglin, many of the greats have called on his exceptional sense of improvisation. Here, at the head of a group of American and Jamaican musicians, he explores two facets of his musical heritage: the jazz of Harlem and the reggae of Kingston. Recorded on 2017, April 23rd at the Grande Salle Pierre Boulez, Philarmonie de Paris TV Director, Samuel Petit

Semiramide Melodramma tragico in two acts by Gioachino Rossini (1792 - 1868) Libretto by Gaetano Rossi after Voltaire's 'Sémiramis' First performance in Venice, Teatro La Fenice, 3 February 1868 Orchestra e Coro Teatro de La Fenice, Riccardo Frizza (conductor) Claudio Marino Moretti (chorus master) Cecilia Ligorio (staging) Nicholas Bovey (sets) Marco Piemontese (costumes) Jessica Pratt (Semiramide) Teresa Iervolino (Arsace) Alex Esposito (Assur) Enea Scala (Idreno) Simon Lim (Oroe) Silvia Frigato (Azema) Recorded on 23 & 25 October 2018 at the Teatro La Fenice, Venice Directed by Stéphane Vérité

Berliner Philharmoniker, Daniel Harding (conductor) Bryn Terfel (bass) Richard Wagner (1813 - 1883) Good Friday Music from Parsifal Wotan's Farewell and The Magic Fire from Die Walküre Hector Berlioz (1803 - 1869) Royal Hunt and Storm from Les Troyens Claude Debussy (1862 - 1918) Pelléas et Melisande (Concert Suite by Claudio Abbado, based on the Orchestral Suite, arranged by Erich Leinsdorf) Prélude à l'après-midi d'un faune Hector Berlioz Love Scene from Romeo et Juliette Recorded at the Musée d'Orsay, Paris, 1st May 2019 TV Director, Henning Kasten

The Bronze Horseman Ballet in three acts Choreography by Rostislav Zakharov and Yuri Smekalov Music by Reinhold Gliere Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin Mariinsky Orchestra and Chorus Valery Gergiev, musical director and conductor Andrei Sevbo, production designer Tatiana Noginova, costume Alexander Naumov, lights Alexander Logvinov, video graphics designer Wth Vladimir Shklyarov, Eugene Viktoria Tereshkina, Parasha Vladimir Ponomarev, Peter I Ivan Oskorbin, Ibrahim the Blackmoor Yekaterina Kondaurova, the Queen of the Ball Sofia Ivanova-Skoblikova, Columbine Vasily Tkachenko, Harlequin Grigory Popov, Balakirev the Jester Valeria Karpina, Parasha's mother Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016 TV direction by Louise Narboni

Le Concert de la Loge, Julien Chauvin (Conductor) Emöke Baráth (soprano) Antonio Vivaldi (1678 - 1741) L'Olimpiade RV 725: Opening Concerto in B minor RV 387: I. Allegro Concerto in D major RV 217: II. Largo Atenaide RV 702: 'Della rubella' Violin Concerto in G minor RV 321: I. Ballo. Allegro Ercole sul Termodonte RV 710: 'Zeffiretti che sussurrate' Violin Concerto in G minor RV 321: III. Allegro Sinfonia in G minor RV 156: I. Allegro | II. Adagio | III. Allegro Juditha triumphans RV 644: 'Armatae face et anguibus' Concerto in B flat major RV 366: II. Adagio | III. Allegro La Griselda; Vede orgogliosa l'onda ' Concerto in B minor RV 387: II. Largo | III. Allegro La Fida Ninfa: 'Alma oppressa da sort crudele' Recorded at the Château de Fontainebleau

Orchestre National de France, Emmanuel Krivine (Conductor) Martha Argerich (piano) Boris Blacher (1903 - 1975) Variations on a Theme by Paganini Maurice Ravel (1875 - 1937) Piano Concerto in G Nikolai Rimsky-Korsakov (1844 - 1908) Sheherazade Recorded on October 5, 2017 at the Auditorium de la Maison de la Radio, Paris TV Director, Olivier Simonnet

Martha Argerich, Daniel Barenboim (piano and four hands piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata for two pianos in D major KV 448 Franz Schubert (1797 - 1828) Variations on an Original Theme, for piano, 4 hands in A-flat Major, D. 813 (Op.35) Igor Stravinsky (1882 - 1971) Le Sacre du Printemps (Version for piano, 4 hands) Recorded at the Philharmonie, Berlin, on April 2014

Justin Taylor (harpsichord), Sophie de Bardonnèche (violin) François Francœur (1698 - 1787) Sonata no. In E minor (Livre 1, Paris 1720) Élisabeth Jacquet de La Guerre (1665 - 1729) Sonata in D minor (Paris, 1707) Jean-Philippe Rameau (1683 - 1764) Premier livre de pièces de clavecin (Allemande I & Gavotte et doubles) Jacques Duphly (1715 - 1789) Pièces pour clavecin avec accompagnement de violon, Sonata no 1, Aria gratioso Antoine Albanèse (1729 - 1800) Romance 'au bord d'une fontaine, hélas j'ai perdu mon amant' (second recueil de chansons avec accompagnement de violon et la basse continue) Wolfgang-Amadeus Mozart (1756 - 1791) Six variations on 'Hélas, j'ai perdu mon amant' K.360/374b Recorded 20 May 2020, Fondation Singer Polignac, Paris

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

The Bronze Horseman Ballet in three acts Choreography by Rostislav Zakharov and Yuri Smekalov Music by Reinhold Gliere Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin Mariinsky Orchestra and Chorus Valery Gergiev, musical director and conductor Andrei Sevbo, production designer Tatiana Noginova, costume Alexander Naumov, lights Alexander Logvinov, video graphics designer Wth Vladimir Shklyarov, Eugene Viktoria Tereshkina, Parasha Vladimir Ponomarev, Peter I Ivan Oskorbin, Ibrahim the Blackmoor Yekaterina Kondaurova, the Queen of the Ball Sofia Ivanova-Skoblikova, Columbine Vasily Tkachenko, Harlequin Grigory Popov, Balakirev the Jester Valeria Karpina, Parasha's mother Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016 TV direction by Louise Narboni

Ensemble Les Accents, Thibault Noally (Conductor) Tim Mead (counter-tenor) Antonio Vivaldi (1678 - 1741) Stabat Mater Nisi Dominus Recorded on June 29, 2017 at the Sainte Chapelle, Paris Directed by Don Kent

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anaïs Spiro

Mariinsky Theatre Orchestra, Valery Gergiev (conductor) Denis Kozhukhin (piano) Leonidas Kavakos (violin) Igor Morozov (tenor) Sergei Prokofiev (1891 - 1953) Concerto No. 1 for piano and orchestra Symphony No. 1 'Classical' Symphony No. 2 Concerto No. 1 for violin and orchestra 'Seven, They are Seven', cantata for tenor, choir and orchestra Skythian Suite ('Ala & Lolly') Recorded on April 23, 2016 at the Tchaikovsky Hall, Moscow TV direction by François-René Martin

Dido and Aeneas Tragic opera in three acts by Henry Purcell (1659 - 1695) Libretto by Nahum Tate after Virgil's 'Aeneid' Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Franck Chartier (Stage Direction, Choreography) Peeping Tom Eurudike De Beul, Leo De Beul, Marie Gyselbrecht, Hunmok Jung, Brandon Lagaert, Chen-Wei Lee, Yichun Liu, Romeu Runa Justine Bougerol (Sets), Anne-Catherine Kunz (Costumes), Giacomo Gorini (Lightings) Marie-Claude Chappuis (Dido | Sorceress) Emőke Baráth (Belinda | First Witch) Marie Lys (Second Woman | Second Witch) Jarrett Ott (Aeneas) Recorded at the Grand Théâtre, Geneva, 2 May 2021

State Academic Symphony Orchestra 'Evgeny Svetlanov', Fuad Ibrahimov (conductor) Sahib Pashazade (tar) Uzeyir Hajibayli (1885 - 1948) Ouverture from Opera 'Koroglu' Haji Khanmammadov (1918 - 2005) Concerto no. 2 for tar and orchestra Fikret Amirov (1922 - 1984) Symphony in memory of Nizami Ganjavi Arif Melikov (1933 - 2019) Symphony 4 Recorded at the Great Hall of the Tchaikovsky Moscow State Conservatory, Moscow, 21 October 2020 TV Director, François-René Martin

Martha Argerich and Stephen Kovacevich, two giants of the piano, seen by their daughter Stéphanie: a family portrait but also film about the relationship between a goddess mother and her three daughters. How to reach the balance between a family life and a demanding artistic career, a musician life and a marriage?

Martha Argerich (piano) Sinfonia Varsovia, Jacek Kaspszyk (conductor) Frédéric Chopin (1810 - 1849) Piano Concerto in E minor No.1, Op. 11 Mazurka, Op.24 No.2 Robert Schumann (1810 - 1856) Traumeswirren, Op. 12, No.7 (Fantasie Stücke) Philharmonic Hall, Warsaw, 27 August 2010 Directed by Pierre-Martin Juban

Marco Spada Original choreography, Joseph Mazilier (1857) Re-enacment and new production by Pierre Lacotte Music, Daniel-François-Esprit Auber Wit Etoiles, soloists Bolshoi corps de ballet Choreography, sets and costume, Pierre Lacotte Corps de ballet of the Bolshoi Theater Bolshoi Theater Orchestra Conductor, Alexey Bogorad With Marco Spada, David Hallberg Angela, Evguénia Obraztsova The marquise Sampietri, Olga Smirnova The Prince Frederici, Semion Chudin The Count Pepinelli, Igor Tsvirko Brother Borromée, Alexeï Loparevitch The Prince Osario, Andreï Sitnikov The Fiancée, Anastasia Stashkevich The Fiancé, Vyacheslav Lopatin Recorded on March 28 & 30 2014 at the Bolshoi of Moscow TV Director, Vincent Bataillon

ESPERANZA SPALDING - JAZZ A VIENNE 2012 Multi-instrumentalist and singer Esperanza Spalding had an eclectic musical upbringing. A graduate of Berklee University, the African American double bass player released her first album 'Junjo' in 2006, and 'Esperanza' in 2008. Her jazzy style, praised by the critics, acquired a larger following with 'Chamber Music Society' in 2010. She played on the stage of the 'Théâtre antique' in Vienne on 8 July 2012, in a sophisticated yet accessible performance.

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse

One Thousand and One Nights Ballet in 2 Acts Choreographer & Artistic Director , Andrey Petrov Music, Fikret Amirov Libretto by Maksud & Rustam Ibragimbekov, Nailia Naziorova bassée sur sur le conte Arabe 'Les 1001 nuits' Sets, Tair Salahov Costume, Olga Polyanskaya With The Kremlin Ballet Scheherezada, Ekaterina Pervushina Shahriyar, a Persian tsar, Mikhail Evgenov NuRida, Shahriyar's wife, Irina Ablitsova Masood, a slav of Nurida, Amir Salimov Vizier, father of Sheherezada, Ivan Fadeev Executioner, Nikita Smirnov Alladin, Egor Motuzov Tsarevna Budour, Natalia Balakhnicheva Wizard, Nikita Ivanov Gene of the lamps, Ivan Zakharchenko Sindbad, Maxim Afnasyev Girl, Karina Salimova Bird Ruh, Nikolay Zheltikov Le Sultan, Sergey Vasyuchenko Wife of the Sultan, Ksenia Khabinets Hobo, Dmitry Prusakov Ali-Baba, Eugeny Korolev Marjana, servant Ali-Baba, Alina Kaicheva Maxym robbers, Maxim Sabitov Soloist in bash, Arina Tomilina, Ekaterina Chekryzheva Recorded at the Heydar Aliyev Palace, Bakou, Azerbaïdjan on April 11 & 12, 2019 TV Director, Vincent Massip

Ensemble Les Accents, Thibault Noally (Conductor) Tim Mead (counter-tenor) Antonio Vivaldi (1678 - 1741) Stabat Mater Nisi Dominus Recorded on June 29, 2017 at the Sainte Chapelle, Paris Directed by Don Kent

Penthesilea Opera in a prologue, 11 scenes and epilogue by Pascal Dusapin (b. 1955) Libretto by Pascal Dusapin and Beate Haeckl after Heinrich von Kleist First performance in Brussels, Théâtre de la Monnaie, 31 May 2015 Orchestre de Paris Ariane Matiakh (Conductor) Accentus, Richard Wilberforce (Chorus Master) Thierry Coduys (electroacoustic) Christel Loetzsch, mezzo-soprano (Penthesilea) Marisol Montalvo, soprano (Prothoe) Georg Nigl, baryton (Achilleus) Paul Gay, baryton-basse (Odysseus) Noa Frenkel, contralto (OberPriesteri) Recorded at the Philharmonie de Paris, 27 November 2020 Directed and staged by Philippe Béziat

Berliner Philharmoniker, Riccardo Muti (conductor) Chor des Bayerischen Rundfunks Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass) Giuseppe Verdi (1813 - 1901) Messa da Requiem Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019 Directed by Nele Münchmeyer

Il Barbiere di Siviglia 'Commedia' in two acts by Gioachino Rossini (1792 - 1868) Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais First performance in Rome, Teatro Argentina, 20 February 1816 Orchestra e Coro del Teatro La Fenice, Federico Maria Sardelli (Conductor) Claudio Marino Moretti (Chorus Master) Bepi Morassi (Stage Direction) Lauro Crisman (Sets, costumes), Andrea Benetello (Lighting) Antonino Siragusa (Il conte d'Almaviva) Omar Montanari (Bartolo) Josè Maria Lo Monaco (Rosina) Simone Del Savio (Figaro) Antonio Patucelli (Basilio) Giovanna Donadini (Berta) William Corrò (Fiorello) Luca Ludovici (Un ufficiale) Recorded Venice, Teatro La Fenice, 22 & 24 October 2020

Berliner Philharmoniker, Daniel Harding (conductor) Bryn Terfel (bass) Richard Wagner (1813 - 1883) Good Friday Music from Parsifal Wotan's Farewell and The Magic Fire from Die Walküre Hector Berlioz (1803 - 1869) Royal Hunt and Storm from Les Troyens Claude Debussy (1862 - 1918) Pelléas et Melisande (Concert Suite by Claudio Abbado, based on the Orchestral Suite, arranged by Erich Leinsdorf) Prélude à l'après-midi d'un faune Hector Berlioz Love Scene from Romeo et Juliette Recorded at the Musée d'Orsay, Paris, 1st May 2019 TV Director, Henning Kasten

Martha Argerich, Iddo Bar-Shaï (piano), Maxim Vengerov (violin), Mischa Maisky (cello) Les Siècles, Ion Marin (Conductor) Camille Saint-Saëns (1835 - 1921) Carnival of the animals Ludwig van Beethoven (1770 - 1827) Triple concerto in C major Op. 56 Château de Chantilly, 4 May 2021

Gewandhausorchester Leipzig, Riccardo Chailly (conductor) Martha Argerich (piano) Robert Schumann Piano Concerto op.54 'Von fremden Ländern und Menschen' from 'Kinderszenen' Op. 15 « Adagio et Allegro brilliante » from Etudes Symphoniques (Orch. Tchaikovsky) Carnaval, Op. 9 (Orch. Ravel) Symphony No. 4 Recorded at the Gewandhaus Leipzig in 2006 Directed by Bob Coles

Monty Alexander & The Harlem Kingston Express Monty Alexander, piano Andy Bassford, Guitar Hassan Shakur, Double bass Leon Duncan, Bass Wayne Escoffery, Saxophone tenor Andrae Murchison, trombone Jason Brown, Drums Karl Wright, Drums In a career spanning fifty years, Monty Alexander-a great ambassador for Jamaican music-has played with the best of the best. From Dizzy Gillespie to Ernest Ranglin, many of the greats have called on his exceptional sense of improvisation. Here, at the head of a group of American and Jamaican musicians, he explores two facets of his musical heritage: the jazz of Harlem and the reggae of Kingston. Recorded on 2017, April 23rd at the Grande Salle Pierre Boulez, Philarmonie de Paris TV Director, Samuel Petit

Dhafer Youssef, Diwan of Beauty And Odd Dhafer Youssef, oud and voice Aaron Parks, piano Ben Williams, bass Justin Faulkner, drums Ambrose Akinmusire, trumpet After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris TV director , Laurent Hasse