MEZZO

Kamasi Washington Kamasi Washington, saxophone tenor Rickey Washington, Flute / Saxophone soprano Ryan Porter, trombone Brandon Coleman, keyboard Robert Miller, drums Miles Mosley, double bass Tony Austin, drums Patrice Quinn, voice Kamasi Washigton's apprenticeship is incredible: Lauryn Hill, Raphael Saadiq, Snoop Dog, Kendrick Lamar. So it is not surprising to discover that his triple album 'The Epic' was released in 2015 on the electro and rap and instrumental label Brainfeeder. Respectful to his elders (Dolphy, Coleman, Mingus...) but free of musical clans, the powerful Californian saxophonist, a real phenomenon, assures his singularity on stage. Mixing audiences and generations around a music with an electrifying groove, he takes in all of the heritage of the Great Black Music. Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Concerto Köln Shunske Sato (violin) Antonio Vivaldi (1678 - 1741) Concerto for Strings and Continuo in G minor RV 156 Evaristo Felice dall'Abaco (1675 - 1742) Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa Antonio Vivaldi Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera) Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate) Charles Avison (1709 - 1770) Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti Antonio Vivaldi Sinfonia al Santo Sepolcro in B minor RV 169 Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno) Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno) Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 13, 2018 Directed by Julien Condemine

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Alison Balsom (trumpet) Joseph Haydn (1732 - 1809) Concerto for trumpet and orchestra in E flat major Hob. VIIE.1 Dmitri Shostakovich (1906 - 1975) Symphony no. 7 in C major 'Leningrad', op. 60 Recdorded on January 13, 2017 at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Sumi Jo (soprano), Michel Bouvard (organ) Claude Debussy (1862 - 1918) Prélude à l'après-midi d'un faune Charles Gounod (1818 - 1893) Roméo et Juliette : Je veux vivre ce rêve Ruggero Leoncavallo (1857 - 1919) Pagliacci : Intermezzo Act II Vicenzo Bellini (1801 - 1835) I Capuleti e I Montecchi : Eccomi in Lieta Veste... Oh Quante Volte Guiseppe Verdi (1813 - 1901) La Traviata : Prelude Act I Ah ! fors'e lui... Sempre libera Giacomo Puccini (1858 - 1924) Gianni Schicchi : O mio Babbino caro ... Jacques Offenbach (1819 - 1880) Les Contes d'Hoffmann : Les oiseaux dans la charmille Camille Saint-Saëns (1835 - 1921) Symphony no. 3 in C minor op. 78, ' with organ ' Recorded on April 25, 2017 at the National Theatre Concert Hall, Taipei, Taiwan Directed by Julien Jaunet

Freiburger Barockorchester, RIAS Kammerchor, Rene Jacobs (conductor) Polina Pastirchak (soprano), Sophie Harmsen (contralto), Steve Davislim (tenor), Johannes Weisser (bass) Ludwig van Beethoven (1770 - 1827) Missa solemnis in D major, op. 123 Recorded at the Philharmonie, Berlin, 13 May 2019 TV Director, Michael Beyer

Orchestre de Paris, Daniel Harding (Conductor) Isabelle Faust (violin), Christina Landshamer (Soprano) Alban Berg (1885 - 1935) Violin concerto 'To the memory of an angel' Gustav Mahler (1860 - 1911) Symphony no 4 in G major Recorded on May, the 19th 2016 at the Philharmonie of Paris Jean-PIerre Loisil, TV director

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

Trio Earl Hines, Roland Haynes & Wallace Bishop With Earl Hines (piano) Roland Haynes (bass) Wallace Bishop (Drums) Playlist - 'I've got the world on a string ' - ' I'm a little brown bird looking for a blue bird ' - ' Portrait of Fats Waller ' - ' Black coffee ' - ' Boogie woogie on St. Louis blues Recorded on 1966 at Comblain-la-Tour

Antonio Sanchez & Migration Antonio Sanchez, drums Seamus Blake, sax John Escreet, piano Matt Brewer, bass Thana Alexa, song A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iñárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

Tony Allen - The Source Tony Allen (drums) Mathias Allamane (double bass) Indy Dibongue (guitar) Jean-Phi Dary (Piano - keyborad) Nicolas Giraux (trumpet) Yann Jankielewicz (Tenor saxophone) Playlist Bad Roads Ewajo On Fire Wolf eat Wolf Push and Pull Crusing Cool Cats (Album The Source (Universal >Blue Note Records) Born in 1940 in Lagos, Tony Allen had never played any of the traditional percussion instruments only to straightaway become interested in their far-off cousin, that is to say, the drum kit. Self-taught, it was by listening to the recordings of Art Blakey or Max Roach that he perfected his technique of drum playing, even though he was working as a technician at the National Radio of Nigeria. His destiny took a new turn when in 1964 he made the acquaintance of Fela Kuti, firstly as part of the Koola Lobitos, then as conductor of Africa 70 where he developed a new language known as the Afrobeat, a mixture of Yoruba rhythms, of funk and of revolutionary themes. With Fela Kuti, Tony would append his rhythmic signature to around twenty albums, a unique manner of drawing out the rhythms with caressing energy, but which is fantastically efficient. For the rest of his career, Tony would spend it remaining faithful to the original Afrobeat and a multidirectional emancipation leading him through jazz, Dub music and international Pop. Recorded on August 31, 2019 at the Grande Halle de la Villette Jazz à la Villette TV Director, Samuel Thibaut

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues' , Clichy-sous-bois TV Director, Stéphane Sinde

Kamasi Washington Kamasi Washington, saxophone tenor Rickey Washington, Flute / Saxophone soprano Ryan Porter, trombone Brandon Coleman, keyboard Robert Miller, drums Miles Mosley, double bass Tony Austin, drums Patrice Quinn, voice Kamasi Washigton's apprenticeship is incredible: Lauryn Hill, Raphael Saadiq, Snoop Dog, Kendrick Lamar. So it is not surprising to discover that his triple album 'The Epic' was released in 2015 on the electro and rap and instrumental label Brainfeeder. Respectful to his elders (Dolphy, Coleman, Mingus...) but free of musical clans, the powerful Californian saxophonist, a real phenomenon, assures his singularity on stage. Mixing audiences and generations around a music with an electrifying groove, he takes in all of the heritage of the Great Black Music. Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Francesco Bearzatti Tinissima 4et 'This machine kills fascists' Italian saxophonist Francesco Bearzatti and his Tinissima Quartet pay tribute to Woody Guthrie, the father of modern folk music, during the 'This Machine Kills Fascists' concert. With Francesco Bearzatti, clarinet, saxophone Giovanni Falzone, trumpet Danilo Gallo, Basse, acoustic bass Zenon de Rossi, drums Concert recorded on April the 6th 2016 at the Odéon Tremblay en France During the 33rd edition of Banlieues Bleues Festival, Jazz en Seine-Saint-Denis TV director, Gilles Le Mao

Bugge Wesseltoft's New Conception Of Jazz @Jazz Fest Sarajevo Marthe Lea, saxophone Oddrun Lilja Jonsdottir, guitar Sanskriti Shrestha, tablas Siv Øyun Kjenstad, drums Bugge Wesseltoft, keyboards Recorded on November 2nd 2016 at the Jazz Fest of Sarajevo TV Director, Yvan Schreck

Taksim Trio @Jazz Fest Sarajevo Hüsnü Şenlendirici - clarinet, balaban İsmail Tunçbilek - bağlama Aytaç Doğan - kanun Recorded on November 3rd 2016 at the Jazz Fest of Sarajevo TV Director, Yvan Schreck

Carmen, opéra comique in four acts by Georges Bizet (1838 - 1875) Libretto by Henri Meilhac and Ludovic Halévy after Prosper Merimée's novel First performance in Paris, Opéra-Comique, 3 March 1875 Orchestre et chœur de l'Opéra Royal de Wallonie-Liège, Speranza Scappucci (Conductor) Pierre Iodice (Chorus Master) Henning Brockhaus (Stage Direction, Lighting) Margherita Palli (Sets), Giancarlo Colis (Costumes), Valentina Escobar (Choreography) Nino Surguladze (Carmen) Marc Laho (Don José) Silvia Dalla Benetta (Micaela) Lionel Lhote (Escamillo) Alexia Saffery (Frasquita) Alexise Yerna (Mercédès) Patrick Delcour (Le Dancaïre) Papuna Tchuradze (Le Remendado) Roger Joakim (Zuniga) Alexandre Tiereliers (Lillas Pastia) Alexei Gorbatchev (Moralès) Réjane Soldano (Une marchande) Benoit Delvaux (Un bohémien) Recorded on January 29 & 30, 2018 at the Opéra Royal de Wallonie-Liège Directed by Arnaud Lalanne

Les Six concertos brandebourgeois (The six Brandenburg Concertos) Anne Teresa De Keersmaeker (Choreography) Rosas company Created with and danced by Boštjan Antončič - Carlos Garbin - Frank Gizycki - Marie Goudot - Robin Haghi - Cynthia Loemij - Mark Lorimer - Michaël Pomero - Jason Respilieux - Igor Shyshko - Luka Švajda - Jakub Truszkowski - Thomas Vantuycom - Samantha van Wissen - Sandy Williams - Sue Yeon Youn Music Johann Sebastian Bach Brandenburg Concertos BWV 1046 -1051 B'Rock Orchestra, Amandine Beyer (Conductor) Jan Versweyveld (Scenography, Lighting design), An D'Huys (Costume design), Jan Vandenhouwe (Dramaturgy) Recorded 13 March 2019 at the Opéra National de Paris, Palais Garnier TV Director, Louise Narboni

Le Poème Harmonique, Arte dei Suonatori, Vincent Dumestre (Conductor) Antonio Draghi (1634- 1700) Il terremoto Recorded on April 12, 2017 at the Saint Catherine Church, Krakow, during the Misteria Paschalia Festival Directed by Jean-Pierre Loisil

Laboratorio '600, Franco Pavan (theorbo, leader) Pino de Vittorio (tenor) Flora Papadopoulos (harp), Elisa La Marca (lute) Lu Cuntu de la Passiuni Chi è devoto (anonimo) Tarantella della Passione (anonimo) Passacaglio delle ore de la Passiuni (anonimo) Si partì la Madonna (anonimo) Gagliarda del Principe (Gesualdo da Venosa) Passioni Nostro Signuri (anonimo) Canzona a morto / Sonata dopo la canzone (anonimo) La morte di Gesù (anonimo) Stava a piè della Croce (anonimo) Tarantella (anonimo) Stabat Mater di Santo Stefano di Camastra (tradizionale) Misericordes sicut pater Madonna della Grazia Recorded at the Wieliczka Salt Mine, 20 April 2019, as part of the Misteria Paschalia Festival TV Director, Jean-Pierre Loisil

Tony Allen - The Source Tony Allen (drums) Mathias Allamane (double bass) Indy Dibongue (guitar) Jean-Phi Dary (Piano - keyborad) Nicolas Giraux (trumpet) Yann Jankielewicz (Tenor saxophone) Playlist Bad Roads Ewajo On Fire Wolf eat Wolf Push and Pull Crusing Cool Cats (Album The Source (Universal >Blue Note Records) Born in 1940 in Lagos, Tony Allen had never played any of the traditional percussion instruments only to straightaway become interested in their far-off cousin, that is to say, the drum kit. Self-taught, it was by listening to the recordings of Art Blakey or Max Roach that he perfected his technique of drum playing, even though he was working as a technician at the National Radio of Nigeria. His destiny took a new turn when in 1964 he made the acquaintance of Fela Kuti, firstly as part of the Koola Lobitos, then as conductor of Africa 70 where he developed a new language known as the Afrobeat, a mixture of Yoruba rhythms, of funk and of revolutionary themes. With Fela Kuti, Tony would append his rhythmic signature to around twenty albums, a unique manner of drawing out the rhythms with caressing energy, but which is fantastically efficient. For the rest of his career, Tony would spend it remaining faithful to the original Afrobeat and a multidirectional emancipation leading him through jazz, Dub music and international Pop. Recorded on August 31, 2019 at the Grande Halle de la Villette Jazz à la Villette TV Director, Samuel Thibaut

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Hindi Zahra et Fatoumata Diawara Olympic Café Tour Banlieues Bleues Festival Hindi Zahra, voice Fatoumata Diawara, voice, guitar Yacouba Kone, guitar, keyboards, Sekou Bah, bass Zé Luis Nascimento, drums This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine , as part of the 'Banlieues Bleues' Festival TV Director, Laurent Hasse

Salome, musikdramma in one act by Richard Strauss (1864 - 1949) Libretto by Hedwig Lachmann, translation of Oscar Wilde's 'Salome' First performance in Dresde, Hofoper, 9 December 1945. Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Ivo van Hove (Stage Direction) Jan Versweyveld (Sets), An D'Huys (Costumes), Jan Versweyveld (Lighting) Lance Ryan (Herodes) Doris Soffel (Herodias) Malin Byström (Salome) Evgeny Nikitin (Jochanaan) Peter Sonn (Narraboth) Hanna Hipp (Ein Page der Herodias) Dietmar Kerschbaum (1. Jude) Marcel Reijans (2. Jude) Mark Omvlee (3. Jude) Marcel Beekman (4. Jude) Alexander Vassiliev (5. Jude) James Creswell (1. Nazarener) Roger Smeets (2. Nazarener) Recorded on June 27, 2017 at Dutch National Opera & Ballet, Amsterdam TV Director, François Roussillon

Les nuits barbare ou les premiers matins du monde (The Barbaric Nights or The world's first mornings) Choreography, Hervé Koubi Musique : Mozart - Fauré - musique traditionnelle algérienne Création musicale : Maxime Bodson Arrangements : Guillaume Gabriel Création lumière : Lionel Buzonie Création Costumes, accessoires et masques bijoux : Guillaume Gabriel assisté de Claudine G-Delattre With Lazhar Berrouag, Nasreddine Djerrad, Fayçal Hamlat, Nassim Hendi, Amine Maamar Kouadri, Riad Mendjel, Youcef Ouali, Issa Sanou, Ismail Seddiki, Reda Tighremt, MustaphaZahem, Adel Zouba Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

The unexpected on all fronts, Hervé Koubi A film by Sonia Paramo Co-authored by Bérengère Alfort and Sonia Paramo. Trained at the Rosella Hightower International Dance Centre in Cannes and then at the Marseilles Opera, he became one of Claude Brumachon's artists at the Centre Chorégraphique national in Nantes, Karine Saporta at the Centre Chorégraphique national in Caen and Thierry Smits for the Compagnie Thor in Brussels. In 2000 he produced his first project'Le Golem', in 2008 he undertook three choreographic trials based on three works: Coppélia, une fiancée aux yeux d'émail...', 'Les Suprêmes' and 'Bref séjour chez les vivants'.In 2010, he started a Mediterranean project interspersed with a number of first performances El Din' (2010-2011), 'Ce que le jour doit à la nuit' (2013), 'Des hommes qui dansent' (2014), 'Les nuits barbares' (2015), 'Les premiers matins du monde' (2016). Hervé Koubi's dance is made up of poetry, nourished with calligraphy, with sculpture, influenced by street dancing such as hip-hop but also the contribution of artists coming from very different horizons. The choreographer's company is a reflection of this cultural blending. We are going to set off on a voyage with Hervé Koubi and his company, who in January 2018 will begin a tour of the United States (including amongst other venues the prestigious Joyce Theater in New York) the French West Indies, and concluding at the Bolchoï Theatre in Moscow. Recorded between April and June 2018 at New-York, Fort de France and Moscow RV director, Sonia Paramo

Ce que le jour doit à la nuit (What the daytime owes to the nighttime) Choreography, Hervé Koubi Music, Hamza El Din by Kronos Quartet, J.S. Bach, Soufi music Musical creation, Maxime Bodson Arrangements, Guillaume Gabriel Lights, Lionel Buzonie Costume, Guillaume Gabriel With Lazhar Berrouag, Adil Bousbara, AbdelghaniFerradji, Zakaria Nail Ghezal, Giovanni Martinat, Mohammed Medelsi, Nadjib Meherhera, Riad Mendejl, Mourad Messaoud, Houssni Mijem, Issa Sanou et El Houssaini Zahid Recorded on April 26th and 27th 2018 , at the Tropiques Atrium, Fort de France TV Director, Patrick Lauze Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

Dunedin Consort, John Butt (Conductor) Ian Bostridge (tenor) Georg Friedrich Haendel (1685 - 1759) Concerto Grosso, Op. 6 no. 4 in A minor Waft her, Angels through the Sky (Jephtha) As Steals the morn Ode for St. Cecilia's Day Recorded on April 2, 2018 at the Misteria Paschalia Festival, Cracovie Directed by Jean-Pierre Loisil

Le Poème Harmonique, Les Cris de Paris, Vincent Dumestre (direction) Emmanuelle de Negri (soprano), Zachary Wilder (ténor), Victor Sicard (basse) Henry Purcell (1659 - 1695) Welcome to all the pleasures Jeremiah Clarke (1674 - 1707) Ode on the Death of Henry Purcell Henry Purcell Funeral sentences for the death of Queen Mary II Recorded on March 31st 2018 at the Misteria Paschalia festival of Cravow TV Director, Jean-Pierre Loisil

Così fan tutte 'Opera buffa' in two acts by Wolfgang Amadeus Mozart (1756 - 1790) Libretto by Lorenzo Da Ponte First performance in Vienna, Burgtheater, 26 January 1790 Staatskapelle Berlin, Danile Barenboim (Conductor) Staatsopernchor, Anna Milukova (Chorus Master) Vincent Huguet (Stage Director) Aurélie Maestre (Sets), Clémence Pernoud (Costumes) Elsa Dreisig (Fiordiligi) Marianne Crebassa (Dorabella) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Ferruccio Furlanetto (Don Alfonso) Barbara Frittoli (Despina) Live from te Staaatsoper unter den Linden Berlin, 11 April 2020

Il Giasone Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676) Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor) Serena Sinigaglia (Stage Director) Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting) Valer Sabadus (Giasone) Kristina Hammarström (Medea) Kristina Mkhitaryan (Isifile, Sole) Alexander Milev (Ercole) Günes Gürle (Besso) Raúl Giménez (Egeo) Willard White (Oreste, Giove) Migran Agadzhanyan (Demo, Volano) Dominique Visse (Delfa, Eolo) Mariana Flores (Alinda) Mary Feminear (Amore) Recorded at the Grand Théâtre, Geneva, February 2017 Directed by Isabelle Soulard

Hindi Zahra et Fatoumata Diawara Olympic Café Tour Banlieues Bleues Festival Hindi Zahra, voice Fatoumata Diawara, voice, guitar Yacouba Kone, guitar, keyboards, Sekou Bah, bass Zé Luis Nascimento, drums This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine , as part of the 'Banlieues Bleues' Festival TV Director, Laurent Hasse

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Knower Genevieve Artadi - vocal Rai Thisthlethwayte - keyboard Jacob Mann - keyboard Sam Wilkes - bass Louis Cole - drums A futuristic electro-pop duo borrowing vocabulary and harmony from contemporary jazz, Knower is truly in a league of its own, straight from LA. Embarking upon their international career, they are likely to make a strong impression with French audiences, unaccustomed to such extravagant combos! Recorded on September, 2018 à la Grande Halle de la Villette, Jazz à la villette TV Director, Pornon

Hindi Zahra et Fatoumata Diawara Olympic Café Tour Banlieues Bleues Festival Hindi Zahra, voice Fatoumata Diawara, voice, guitar Yacouba Kone, guitar, keyboards, Sekou Bah, bass Zé Luis Nascimento, drums This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine , as part of the 'Banlieues Bleues' Festival TV Director, Laurent Hasse

Tony Allen - The Source Tony Allen (drums) Mathias Allamane (double bass) Indy Dibongue (guitar) Jean-Phi Dary (Piano - keyborad) Nicolas Giraux (trumpet) Yann Jankielewicz (Tenor saxophone) Playlist Bad Roads Ewajo On Fire Wolf eat Wolf Push and Pull Crusing Cool Cats (Album The Source (Universal >Blue Note Records) Born in 1940 in Lagos, Tony Allen had never played any of the traditional percussion instruments only to straightaway become interested in their far-off cousin, that is to say, the drum kit. Self-taught, it was by listening to the recordings of Art Blakey or Max Roach that he perfected his technique of drum playing, even though he was working as a technician at the National Radio of Nigeria. His destiny took a new turn when in 1964 he made the acquaintance of Fela Kuti, firstly as part of the Koola Lobitos, then as conductor of Africa 70 where he developed a new language known as the Afrobeat, a mixture of Yoruba rhythms, of funk and of revolutionary themes. With Fela Kuti, Tony would append his rhythmic signature to around twenty albums, a unique manner of drawing out the rhythms with caressing energy, but which is fantastically efficient. For the rest of his career, Tony would spend it remaining faithful to the original Afrobeat and a multidirectional emancipation leading him through jazz, Dub music and international Pop. Recorded on August 31, 2019 at the Grande Halle de la Villette Jazz à la Villette TV Director, Samuel Thibaut

Daniil Trifonov (piano) Johann Sebastian Bach (1685 - 1750) Fantasia and Fugue BWV 542 (arr. Franz Liszt) Ludwig van Beethoven (1770 - 1827) Sonata for piano in C minor no. 32 op. 111 Franz Liszt (1811 - 1886) Etudes d'exécution transcendante Recorded on November the 7th, 2014, at the Auditorium Maurice Ravel, Lyons Directed by Pierre-Martin Juban

Le Poème Harmonique, Vincent Dumestre (Conductor) Eva Zaïcik (mezzo-soprano) 'Il Viaggio' Music by Monteverdi, Castaldi, Frescobaldi... Salomone Rossi (1570 - 1630) Sinfonia Bellerofonte Castaldi (1581 - 1649) La lettera Francese lamentavole Giovanni Battista Buonamente (1595 - 1642) Aria di Fiorenze Bellerofonte Castaldi Echo notturno Marco Uccellini (1603 - 1680) Sinfonia a gran battaglia La Bergamasca Girolamo Frescobaldi (1583 - 1643) Ti lascio anima mia Claudio Monteverdi (1567 - 1643) Addio Roma Oblivion soave Voglio di vita uscir Bellerofonte Castaldi Chi vidde più lieto Dolci miei martiri Recorded at the Palazzo Farnese, Rome, 5 December 2019 Directed by Jean-Pierre Loisil

Francesco Bearzatti Tinissima 4et 'This machine kills fascists' Italian saxophonist Francesco Bearzatti and his Tinissima Quartet pay tribute to Woody Guthrie, the father of modern folk music, during the 'This Machine Kills Fascists' concert. With Francesco Bearzatti, clarinet, saxophone Giovanni Falzone, trumpet Danilo Gallo, Basse, acoustic bass Zenon de Rossi, drums Concert recorded on April the 6th 2016 at the Odéon Tremblay en France During the 33rd edition of Banlieues Bleues Festival, Jazz en Seine-Saint-Denis TV director, Gilles Le Mao

Harold Lopez-Nussa El Viaje Harold Lopez-Nussa, piano Alioune Wade, bass Ruy Adrian Lopez-Nussa, drums, bongos, cajón This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival TV director, Guillaume Dero

Il Barbiere di Siviglia, opera buffa in two acts by Gioachino Rossini (1792 - 1868) Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais First performance in Rome, Teatro Argentina, 20 February 1816 Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Chorus of the Grand Théâtre de Genève, Alan Woodbridge (Chorus Master) Sam Brown (Stage Director) Bogdan Mihai (Il Conte di Almaviva) Bruno Taddia (Figaro) Lena Belkina (Rosina) Bruno de Simone (Bartolo) Marco Spotti (Basilio) Mary Feminear (Berta) Rodrigo Garcia (Fiorello) Aleksandar Chaveev (Un Ufficiale) Peter Baekeun (Ambrogio) Furio Longhi (Il Notario) Recorded on September 20, 2017 at the Grand Théâtre de Genève Directed by Isabelle Soulard

Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No. 13 op. 27 No. 1 in E-flat major 'Sonata quasi una fantasia' Recorded at the Schloss Hetzendorf, Vienna Directed by Jean-Pierre Ponnelle

Gautier Capuçon (Cello), Frank Braley (Piano) Ludwig Van Beethoven (1770 - 1827) 12 Variations on 'See the conqu'ring hero comes' by Handel, WoO 45 Cello Sonata No. 1 in F major, op. 5 No. 1 12 Variations on 'Ein Mädchen oder Weibchen', op. 66 Cello Sonata no. 3 in A major, op. 69 Filmed at the Auditorium of the Fondation Louis Vuitton, Paris, on March 17, 2017 Directed by Franck Chaudemanche

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Erik Truffaz feat Nya Eric Truffaz, trumpet Benoît Corboz, piano, Fender Rhodes Marcello Giuliani, bass Marc Erbetta, drunms Nya, vocal Setlist Sweet Mercy (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Arroyo (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Siegfried (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Less (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Bending new corners (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Friendly Fire (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Yury s choice (A/C: M. Giuliani, S. Burli) Betty (A/C: Erik Truffaz) Tripping the lovelight fantastic (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Recorded on June 28, 2019 at the Montreal Jazz festival, grande scène TD TV Director, Sîla