MEZZO

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Esbjörn Svensson Trio Esbjörn Svensson (piano), Dan Berglund (bass) Magnus Oström (Drums) Playlist Good morning Susie Soho From Gagarin's point of view definitio of a dog the fce of love bowling dodge the dodo 'round midnight bernsha swing Recorded on December 10th 2000 at Nalen, Stockholm TV Direction, Paul Möllerstedt, Johan Larsson, Petter Persson, Bobo Ericzén, Mans Dahlkvist, Tobias Anerhult

Peter Vermeersch - clarinet Stefaan Blancke - trombone Benjamin Boutreur - saxophone Berlinde Deman - tuba Luc Van Lieshout - trumpet Bart Maris - trumpet Michel Mast - saxophone Marc Meeuwissen - trombone Kristof Roseeuw - double bass Bruno Vansina - saxophone Peter Vandenberghe - piano, keyboards Teun Verbruggen - drums, dustbingrooves Pierre Vervloesem - guitar Wim Willaert - accordion, keyboards Tom Wouters - clarinet, vibraphone, vocal Even in the 20th century, there's a society which claims that the Earth is flat: the Flat Earth Society. The bizarre society was founded in the 19th century in Great Britain and it still believes that pictures taken from space are false. The eponymous 1998 Big Band from Belgium, however, plays anything but flat music. The claim to fame came for this jazz orchestra, founded by artist and clarinettist Peter Vermeersch in 2004, as he and pianist Uri Caine went on tour. In 2006 they released their first CD, 'Psychoscout', followed by their second CD, 'Clear Me, Perverts!' in 2009. A rebel and anti-conformist ensemble with a lot to offer, from faithful adherence to music rules to intoxicating improvisation.

Esbjörn Svensson Trio Esbjörn Svensson (piano), Dan Berglund (bass) Magnus Oström (Drums) Playlist Tuesday Wonderland Improvisation # 1 The Rube Thing The Goldhearted Miner In The Tail Of Her Eye The Unstable Table & The Infamous Fable Eighthundred Streets by Feet Dolores in a Shoestand Dodge The Dodo Round Midnight Recorded on December 3rd 2006 at the National Theater of Timisoara, Timisoara Jazz Festival (Jazz Banat Cultural Foundation) TV Directors, Catalin Stefanescu et Silvia Pospaescu

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

Kamasi Washington Kamasi Washington, saxophone tenor Rickey Washington, Flute / Saxophone soprano Ryan Porter, trombone Brandon Coleman, keyboard Robert Miller, drums Miles Mosley, double bass Tony Austin, drums Patrice Quinn, voice Kamasi Washigton's apprenticeship is incredible: Lauryn Hill, Raphael Saadiq, Snoop Dog, Kendrick Lamar. So it is not surprising to discover that his triple album 'The Epic' was released in 2015 on the electro and rap and instrumental label Brainfeeder. Respectful to his elders (Dolphy, Coleman, Mingus...) but free of musical clans, the powerful Californian saxophonist, a real phenomenon, assures his singularity on stage. Mixing audiences and generations around a music with an electrifying groove, he takes in all of the heritage of the Great Black Music. Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Norma Tragedia lirica in two acts by Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani after the play 'Norma, ou L'infanticide' (Norma, or The Infanticide) by Alexandre Soumet First performance in Milan, Teatro alla Scala, 26 December 1831 Orchestra of the Royal Opera House, Antonio Pappano (Conductor) Royal Opera Chorus Alex Ollé (Stage Direction) Alfons Flores (Sets), Lluc Castells (Costumes), Marco Filibeck (Lighting) Sonya Yoncheva (Norma) Joseph Calleja (Pollione) Sonia Ganassi (Adalgisa) Brindley Sherratt (Oroveso) Directed by Jonathan Haswell Recorded at the Royal Opera House, Covent Garden London, 2016

Les Six concertos brandebourgeois (The six Brandenburg Concertos) Anne Teresa De Keersmaeker (Choreography) Rosas company Created with and danced by Boštjan Antončič - Carlos Garbin - Frank Gizycki - Marie Goudot - Robin Haghi - Cynthia Loemij - Mark Lorimer - Michaël Pomero - Jason Respilieux - Igor Shyshko - Luka Švajda - Jakub Truszkowski - Thomas Vantuycom - Samantha van Wissen - Sandy Williams - Sue Yeon Youn Music Johann Sebastian Bach Brandenburg Concertos BWV 1046 -1051 B'Rock Orchestra, Amandine Beyer (Conductor) Jan Versweyveld (Scenography, Lighting design), An D'Huys (Costume design), Jan Vandenhouwe (Dramaturgy) Live from the Opéra National de Paris, Palais Garnier TV Director, Louise Narboni

Orchestre de Paris, Daniel Harding (Conductor) Chœur de l'Orchestre de Paris, Lionel Sow (Chorus master) Christiane Karg (soprano), Wiebke Lehmkuhl (mezzo-soprano) Gustav Mahler (1860 - 1911) Symphony no. 2 in C minor 'Resurrection' Recorded on 24 & 25 May 2017 at the Philharmonie de Paris Directed by Julien Condemine

Orchestre de Paris, Chœur de l'Orchestre de Paris, Karina Canellakis (Conductor) Dorothea Röschmann (soprano) Richard Wagner (1813 - 1883) Lohengrin, prelude to act 1 Wesendonck Lieder Maurice Ravel (1875 - 1937) Daphnis et Chloé, suite no 2 Béla Bartók (1881 - 1945) Concerto for orchestra, Sz 116 Recorded at the Philharmonie de Paris, 4 September 2019 TV Director, Jean-Pierre Loisil

Mitridate, Rè di Ponto, dramma per musica in three acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Vittorio Amedeo Cigna-Santi after 'Mithridate' by Jean Racine First performance in Milan, Teatro Regio Ducal, 26 December 1770 Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Clément Hervieu-Léger (Stage Direction) Frédérique Plain (Dramaturgy), Eric Ruf (Sets), Caroline de Vivaise (Costumes), Bertrand Couderc (Lihgting) Michael Spyres (Mitridate) Patricia Petibon (Aspasia) Myrtò Papatanasiu (Sifare) Christophe Dumaux (Farnace) Sabine Devieilhe (Ismene) Cyrille Dubois (Marzio) Jaël Azzaretti (Arbate) Recorded at the Théâtre des Champs-Elysées, Paris on February 20th 2016 Directed by Olivier Simonnet

Kamasi Washington Kamasi Washington, saxophone tenor Rickey Washington, Flute / Saxophone soprano Ryan Porter, trombone Brandon Coleman, keyboard Robert Miller, drums Miles Mosley, double bass Tony Austin, drums Patrice Quinn, voice Kamasi Washigton's apprenticeship is incredible: Lauryn Hill, Raphael Saadiq, Snoop Dog, Kendrick Lamar. So it is not surprising to discover that his triple album 'The Epic' was released in 2015 on the electro and rap and instrumental label Brainfeeder. Respectful to his elders (Dolphy, Coleman, Mingus...) but free of musical clans, the powerful Californian saxophonist, a real phenomenon, assures his singularity on stage. Mixing audiences and generations around a music with an electrifying groove, he takes in all of the heritage of the Great Black Music. Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Troyka Chris Montague - guitar, loop Joshua Blackmore - drums Kit Downes - organ Troyka are rooted in the jazz tradition and are at the same time hiply contemporary. Atmospheres often change in a single piece, almost to the point of paradox: hard and aggressive guitar riffs mix with gentle keyboard motifs, while composition and improvisation combine as one. This blend of garage rock, jazz improvisations and dance music defies labelling: the band sound like 'King Crimson for the iPod generation,' as the London listings magazine 'Time Out' put it. One thing is for sure: this trio forms part of a generation of young musicians who reject the limits of genre, with the decisive question no longer 'What is it?' but 'Is it good?'.

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (guitar) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Lisa Batiashvili (violin), Valeriy Sokolov (violin), Gérard Caussé (viola), Gautier Capuçon (cello), Franck Braley (piano) Tribute to Henri Dutilleux Henri Dutilleux Trois strophes sur le nom de Sacher Three Préludes for piano (D'ombre et de silence - Sur un même accord - Le Jeu des contraires) Maurice Ravel Piano Trio Claude Debussy Sonata for violin and piano Henri Dutilleux String quartet 'Ainsi la nuit' Recorded in January 22nd, 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris Directed by par Franck Chaudemanche

Jakub Jozef Orliński, counter-tenor Il Pomo d'Oro orchestra Johann David Heinichen (1683 - 1729) Alma redemptoris Mater Arcangelo Corelli (1653 - 1713) Concerto grosso op. 6 no 5 in b flat major Antonio Vivaldi (1678 - 1741) Nisi Dominus Jan Dismas Zelenka (1679 - 1745) S'un sol lagrime Sinfonia in A minor - Allegro Nicola Fago (1677 - 1745) Tam non splendet Johann Adolph Hasse (1699 - 1783) Mea tormenta properate Recorded 15 November 2018 at the Théâtre Impérial, Compiègne TV Director, Patrick Lauzé

Omar Sosa, Quarteto Afrocubano Omar Sosa, piano, Fender Rhodes Lukmil Perez, drums Childo Thomas: electric bass Leandro Saint-hill: percussion, flute, saxophone Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

Antonio Sanchez & Migration Antonio Sanchez, drums Seamus Blake, sax John Escreet, piano Matt Brewer, bass Thana Alexa, song A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iñárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

Cendrillon Conte de fées in four acts by Jules Massenet (1842 - 1912) Libretto by Henri Cain after Charles Perrault's fairy-tale First performance in Paris, Opéra Comique, 24 May 1899 London Philharmonic Orchestra, John Wilson (Conductor) The Glyndebourne Chorus Fiona Shaw (Stage Director) Jon Bausor (Set Designer), Nicky Gillibrand (Costume Designer), Anna Watson (Lighting Designer) Danielle de Niese (Cendrillon) Kate Lindsey (Le Prince Charmant) Nina Minasyan (La Fée) Lionel Lhote (Pandolfe) Agnes Zwierko (Madame de la Haltière) Eduarda Melo (Noémie) Julie Pasturaud (Dorothée) Recorded at the Glyndebourne Festival, 30 June 2019 TV Director, François Roussillon

Daniil Trifonov (piano) Johann Sebastian Bach (1685 - 1750) Fantasia and Fugue BWV 542 (arr. Franz Liszt) Ludwig van Beethoven (1770 - 1827) Sonata for piano in C minor no. 32 op. 111 Franz Liszt (1811 - 1886) Etudes d'exécution transcendante Recorded on November the 7th, 2014, at the Auditorium Maurice Ravel, Lyons Directed by Pierre-Martin Juban

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Pura Fé's music is a happy mix of Blues, traditional Indian music and Folk Song. Her moving voice conveys an ancestral message from the Native American world and tells how history unites southern Native and African-Americans. Mathis Haugs's contemporary folk-blues brings to mind Ben Harper and Moriarty. But comparisons are irrelevant, as Mathis has developed his own musical world. This project draws its inspiration from the comic album 'Rouge Camargue' by Jean Vilaine and Michel Faure. Pura Fé Cresioni (vocals) Eric Longsworth (cello) Mathis Haug (guitar) Stephane Notari (percussions)

Summerspace (1958) Play for 6 dancers : Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núňez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agnès Melchoir (Pianists) Exchange (1978) Play for 15 dancers : Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design ) Costume, sets, ligtin : after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum , Festival Montpellier Danse TV Director, Marie-Hélène Rebois

CCN, Ballet de Lorraine Petter Jacobson, artistic direciton Corps de ballet (2014) Choreography by Noé Soulier Costume by Noé Soulier abd Martine Augsbourger LIghting by Noé Soulier and Olivier Bauer Musical conceptin by Noé Soulier and Aurélien Azan-Zielinski Music by Franz Schubert nd Giuseppe Verdi Musical arrangement by Jacques Gandard With 17 dancers Sounddance (1975) Choreography by Merce Cunningham Music by David Tudor Sets, costume and LIghting by Mark Lancaster Reinterprated by Meg Harper and Thomas Caley With 10 dancers Relâche (Release) Ballet instantanéiste (Immédiate Ballet) in 2 acts, a cinematographic interval and ' la queue du chien' (The dog's tail) Conception by Francis Picabia Music bt Erik Satie Choreography by Jean Börlin Film by René Clair A new take (2014) of the choreography by Petter Jacobsson and Thomas Caley Historical Researches and dramaturgy by Christophe Wavelet Scenography by Annie Tolleter Lighting by Éric Wurtz Specialist in Picabia, Carole Boulbès With 14 dancers Recorded on 2014 at the sixteen Biennale de Danse de Lyon TV Director, Luc Riolon

Tenebrae, Nigel Short (Conductor) Gregorio Allegri (1582 - 1652) Miserere (1638) Joby Talbot (b. 1971) Path of Miracles (2005) Recorded on June 12, 2018 at the Basilique cathédrale de Saint Denis TV Director, François-René Martin

Norma Tragedia lirica in two acts by Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani after the play 'Norma, ou L'infanticide' (Norma, or The Infanticide) by Alexandre Soumet First performance in Milan, Teatro alla Scala, 26 December 1831 Orchestra of the Royal Opera House, Antonio Pappano (Conductor) Royal Opera Chorus Alex Ollé (Stage Direction) Alfons Flores (Sets), Lluc Castells (Costumes), Marco Filibeck (Lighting) Sonya Yoncheva (Norma) Joseph Calleja (Pollione) Sonia Ganassi (Adalgisa) Brindley Sherratt (Oroveso) Directed by Jonathan Haswell Recorded at the Royal Opera House, Covent Garden London, 2016

Salome, musikdramma in one act by Richard Strauss (1864 - 1949) Libretto by Hedwig Lachmann, translation of Oscar Wilde's 'Salome' First performance in Dresde, Hofoper, 9 December 1945. Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Ivo van Hove (Stage Direction) Jan Versweyveld (Sets), An D'Huys (Costumes), Jan Versweyveld (Lighting) Lance Ryan (Herodes) Doris Soffel (Herodias) Malin Byström (Salome) Evgeny Nikitin (Jochanaan) Peter Sonn (Narraboth) Hanna Hipp (Ein Page der Herodias) Dietmar Kerschbaum (1. Jude) Marcel Reijans (2. Jude) Mark Omvlee (3. Jude) Marcel Beekman (4. Jude) Alexander Vassiliev (5. Jude) James Creswell (1. Nazarener) Roger Smeets (2. Nazarener) Recorded on June 27, 2017 at Dutch National Opera & Ballet, Amsterdam TV Director, François Roussillon

Lucerne Festival Orchestra, Claudio Abbado (Conductor) Bavarian Radio Choir, Swedish Radio Choir Juliane Banse (Soprano, Beethoven) Anna Prohaska (Soprano, Mozart) Sara Mingardo (Alto) Maximilian Schmitt (Tenor) René Pape (Bass) Bruno Ganz (Narrator, Beethoven) Ludwig van Beethoven Egmont opus 84 Wolfgang Amadeus Mozart Requiem in D minor KV 626 Directed by Michael Beyer Recorded on 8/10 August 2012 at the Concert Hall of the KKL Luzern

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Elisabeth Leonskaja (piano) Wolfgang Amadeus Mozart (1756 - 1791) Don Giovanni, overture Ludwig van Beethoven Piano Concerto no 3 in C minor, op. 37 Dmitri Shostakovich Symphony no 9 in E flat major, op. 70 Recorded 20 September 2017, Halle aux Grains, Toulouse

Orchestre philharmonique de Monte-Carlo, Kazuki Yamada (Conductor) Boris Berezovsky (piano) Chœur de l'Orchestre de Paris Lionel Sow (Chorus Master) Claude Debussy (1862 - 1918) Gigues Franz Liszt (1811 - 1886) Piano Concerto no 1 Totentanz Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded on September 22, 2017 at the Grimaldi Forum, Monte-Carlo Directed by Benjamin Bleton

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Erik Truffaz feat Nya Eric Truffaz, trumpet Benoît Corboz, piano, Fender Rhodes Marcello Giuliani, bass Marc Erbetta, drunms Nya, vocal Setlist Sweet Mercy (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Arroyo (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Siegfried (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Less (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Bending new corners (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Friendly Fire (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Yury s choice (A/C: M. Giuliani, S. Burli) Betty (A/C: Erik Truffaz) Tripping the lovelight fantastic (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Recorded on June 28, 2019 at the Montreal Jazz festival, grande scène TD TV Director, Sîla

Knower Genevieve Artadi - vocal Rai Thisthlethwayte - keyboard Jacob Mann - keyboard Sam Wilkes - bass Louis Cole - drums A futuristic electro-pop duo borrowing vocabulary and harmony from contemporary jazz, Knower is truly in a league of its own, straight from LA. Embarking upon their international career, they are likely to make a strong impression with French audiences, unaccustomed to such extravagant combos! Recorded on September, 2018 à la Grande Halle de la Villette, Jazz à la villette TV Director, Pornon

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921) Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877 Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor) Andrei Petrenko (Chorus Master) Yannis Kokkos (Stage Director, Sets) Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video) Ekaterina Semenchuk (Dalila) Gregory Kunde (Samson) Roman Burdenko (Le Grand Prêtre de Dagon) Mikhail Petrenko (Abimélech) Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg) Directed by Louise Narboni

Orchestre de Paris, Daniel Harding (Conductor) Orchestre de Paris choir, Lionel Sow (chorus master) London voices, Terry Edwards (chorus master) Luciano Berio (1925 - 2003) Sinfonia, for eight voices and orchestra Jörg Widmann (né en 1973) Fantasie, for solo clarinet Igor Stravinsky (1882 - 1971) Symphony of Psalms For Mixed Choir And Orchestra Jörg Widmann Au Cœur De Paris (World Premiere) Claude Debussy (1862 - 1918) La Mer, Three Symphonic Sketches for Orchestra Franz Schubert (1897 - 1828) / Luciano Berio An die Musik D 547 Igor Stravinsky The Firebird - Suite (1919) - Final Recorded on november 2nd 2017 at the Philharmonie de Paris TV Director, François-René Martin

Philharmonia Orchestra, Philharmonia Chorus, London Philharmonic Choir, John Nelson (conductor) Michael Spyres (tenor) Hector Berlioz (1803 - 1869) Grande messe des morts, op. 5, H 75 Recorded at the Saint Paul Cathedral, London, 8 March 2019 TV Director, Sébastien Glas

Freiburger Barockorchester, RIAS Kammerchor, Rene Jacobs (conductor) Polina Pastirchak (soprano), Sophie Harmsen (contralto), Steve Davislim (tenor), Johannes Weisser (bass) Ludwig van Beethoven (1770 - 1827) Missa solemnis in D major, op. 123 Recorded at the Philharmonie, Berlin, 13 May 2019 TV Director, Michael Beyer

London Symphony Orchestra, Sir Simon Rattle (Conductor) Pierre-Laurent Aimard (piano) Olivier Messiaen (1908 - 1992) Couleurs de la cité céleste Anton Bruckner (1824 - 1896) Symphony No 8 Recorded on April, 14th 2016 at the Barbican Hall, London Corentin Leconte, TV director

Lucerne Festival Orchestra, Claudio Abbado (direction) Mihoko Fujimura (mezzo-soprano) Johannes Brahms Tragic Overture, Op. 81 Arnold Schoenberg Orchestral Interlude and Song of the Wood-Dove from 'Gurrelieder' Ludwig van Beethoven Symphony No. 3 in E-flat major, Op. 55 'Eroica' Recorded at the KKL, Lucerne, on 16 & 17 August 2013 TV director, Ute Feudel

Ce que le jour doit à la nuit (What the daytime owes to the nighttime) Choreography, Hervé Koubi Music, Hamza El Din by Kronos Quartet, J.S. Bach, Soufi music Musical creation, Maxime Bodson Arrangements, Guillaume Gabriel Lights, Lionel Buzonie Costume, Guillaume Gabriel With Lazhar Berrouag, Adil Bousbara, AbdelghaniFerradji, Zakaria Nail Ghezal, Giovanni Martinat, Mohammed Medelsi, Nadjib Meherhera, Riad Mendejl, Mourad Messaoud, Houssni Mijem, Issa Sanou et El Houssaini Zahid Recorded on April 26th and 27th 2018 , at the Tropiques Atrium, Fort de France TV Director, Patrick Lauze Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

The unexpected on all fronts, Hervé Koubi A film by Sonia Paramo Co-authored by Bérengère Alfort and Sonia Paramo. Trained at the Rosella Hightower International Dance Centre in Cannes and then at the Marseilles Opera, he became one of Claude Brumachon's artists at the Centre Chorégraphique national in Nantes, Karine Saporta at the Centre Chorégraphique national in Caen and Thierry Smits for the Compagnie Thor in Brussels. In 2000 he produced his first project'Le Golem', in 2008 he undertook three choreographic trials based on three works: Coppélia, une fiancée aux yeux d'émail...', 'Les Suprêmes' and 'Bref séjour chez les vivants'.In 2010, he started a Mediterranean project interspersed with a number of first performances El Din' (2010-2011), 'Ce que le jour doit à la nuit' (2013), 'Des hommes qui dansent' (2014), 'Les nuits barbares' (2015), 'Les premiers matins du monde' (2016). Hervé Koubi's dance is made up of poetry, nourished with calligraphy, with sculpture, influenced by street dancing such as hip-hop but also the contribution of artists coming from very different horizons. The choreographer's company is a reflection of this cultural blending. We are going to set off on a voyage with Hervé Koubi and his company, who in January 2018 will begin a tour of the United States (including amongst other venues the prestigious Joyce Theater in New York) the French West Indies, and concluding at the Bolchoï Theatre in Moscow. Recorded between April and June 2018 at New-York, Fort de France and Moscow RV director, Sonia Paramo

Les nuits barbare ou les premiers matins du monde (The Barbaric Nights or The world's first mornings) Choreography, Hervé Koubi Musique : Mozart - Fauré - musique traditionnelle algérienne Création musicale : Maxime Bodson Arrangements : Guillaume Gabriel Création lumière : Lionel Buzonie Création Costumes, accessoires et masques bijoux : Guillaume Gabriel assisté de Claudine G-Delattre With Lazhar Berrouag, Nasreddine Djerrad, Fayçal Hamlat, Nassim Hendi, Amine Maamar Kouadri, Riad Mendjel, Youcef Ouali, Issa Sanou, Ismail Seddiki, Reda Tighremt, MustaphaZahem, Adel Zouba Recorded on November 8th 2016 at national scene the Odyssée, Périgueux, France Tv Director, Sonia Paramo

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Erik Truffaz feat Nya Eric Truffaz, trumpet Benoît Corboz, piano, Fender Rhodes Marcello Giuliani, bass Marc Erbetta, drunms Nya, vocal Setlist Sweet Mercy (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Arroyo (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Siegfried (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Less (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani) Bending new corners (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Friendly Fire (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Yury s choice (A/C: M. Giuliani, S. Burli) Betty (A/C: Erik Truffaz) Tripping the lovelight fantastic (A/C: Erik Truffaz, P. Muller, M. Erbetta, M. Giuliani, S. Burli) Recorded on June 28, 2019 at the Montreal Jazz festival, grande scène TD TV Director, Sîla

Omar Sosa, Quarteto Afrocubano Omar Sosa, piano, Fender Rhodes Lukmil Perez, drums Childo Thomas: electric bass Leandro Saint-hill: percussion, flute, saxophone Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi