MEZZO

Katerina Izmailova, by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitri Shostakovich and Alexander Preis after 'Lady Macbeth of the Mtsensk District' by Nikolai Leskov First performance in Moscow, Stanislavsky-Nemirovich-Danchenko Music Theatre, 8 January 1963 Bolshoi Orchestra, Tugan Sokhiev (conductor) Valery Borisov (chorus master) Rimas Tuminas (Stage Director) Adomas Jacovskis (Sets), Maria Danilova (Costume Design), Anzelica Cholina (Choreography), Damir Ismagilov (Lighting) Taras Shtonda (Boris Timofeyevich Izmailov, a merchant) Marat Gali (Zinoviy Borisovich Izmailov, his son) Nadja Michael (Katerina Lvovna Izmailova, wife of Zinovy Borisovich) John Daszak (Sergei, a labourer at the Izmailovs') Oxana Gorchakovskaya (Aksinya, a labourer at the Izmailovs') Roman Muravitsky (Shabby peasant) Alexander Korotky (Porter) Yuri Markelov (First labourer, Coachman, Drunken guest) Vadim Babichuka (Second labourer) Goderdzi Janelidze (Mill-hand) Nikolai Kazansky (Sergeant) Stanislav Mostovoy (Local nihilist) Alexander Naumenko (Old convict) Svetlana Shilova (Sonyetka, a woman convict) Irina Rubtsova (Woman convict) Goderdzi Janelidze (Officer) Alexander Korotky (Sentry) Recorded on November 10 and 12, 2016 at the Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

Orquestra Neojiba, Ricardo Castro (Direction) Martha Argerich (piano) Richard Wagner (1813 - 1883) Die Meistersinger von Nürnberg - Overture Robert Schumann (1810 - 1856) Piano Concerto George Gershwin (1896 - 1937) Cuban Overture Camargo Guarnieri (1907 - 1993) Abertura Festiva Silvestre Revueltas (1899 - 1940) Sensemayá Leonard Bernstein (1918 - 1990) West Side Story - Overture Arturo Márquez (né en 1950) (b. 1950) Danzón no 2 Recorded at the Philharmonie de Paris, 17 September 2018 Directed by Olivier Simonnet

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Narek Hakhnazaryan (Cello) Dmitri Shostakovich (1906 - 1975) Katerina Ismailova, suite, op.114a Piotr Ilych Tchaikovsky (1840 - 1893) Variations on a Rococo Theme, op.33 Symphony no. 6 in B minor, op.74 'Pathétique' Recorded on June 4th, 2014, at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Alcina, opera in three acts by George Friedrich Haendel (1685 - 1759) Anonymous libretto after Ludovico Ariosto's Orlando furioso First performance in London, Covent Garden Theatre, 16 April 1735 Freiburger Barockorchester, Andrea Marcon (Conductor) MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master) Katie Mitchell (Stage Direction) Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer) Patricia Petibon (Alcina) Philippe Jaroussky (Ruggiero) Anna Prohaska (Morgana) Katarina Bradić (Bradamante) Anthony Gregory (Oronte) Krzysztof Baczyk (Melisso) Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence Directed by Corentin Leconte

The Ninth Symhony Maurice Béjart, choreography After Schiller's 'Ode to joy' Ludwig van Beethoven, music Maurice Béjart, staging Friedrich Nietzsche, Prologue Gil Roman, artistic director Israel Philharmonic orchestra Zubin Mehta, conductor Ritsuyukai choir Kufiami Kuriyama, chorus master Gil Roman, narratorr Kristin Lewis, soprano Mihoko Fujimura, mezzo-soprano Kei Fukui, tenor Alexander Vinogradov, bass JB Meier and Thierry Hochstätter, percussion Joëlle Roustan abd Roger Bernard, original costumes and sets Henri Davila, costumes adaptation Dominique Roman, Lighting realisation Piotr Nardelli, Ballet Master revival With The Béjart Ballet Lausanne The Tokyo Ballet and Solooists Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald Recorded on November 9 th 2014 at the NHK Hall Tokyo TV Director, Mari Hnamasu

Le Tour du Monde en 80 minutes (Around the world in 80 minutes) Maurice Béjart, choreographer Béjart Ballet de Lausanne Gil Roman, Artistic director Original musical compositions by : Thierry Hochstätter & jB Meier (Citypercussion), Ilia Chkolnik, Stravinsky, Théodorakis, Vivaédi, Hadjidakis. Lebars, Mozart, Strauss, Wagner, Ellington, Warren Harry, Tchaikovsky, Musiques traditionnelle chinoise, Tahitienne, Corée Pérou Recorded on 2008 at the Palais des Sports de Paris TV Director, Gil Amado

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Yamandu Costa and Vincent Peirani Yamandu Costa (Guitar) Vincent Peirani (Accordion) A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Cleveland Orchestra, Franz Welser-Möst (Conductor) Yefim Bronfman (piano) Johannes Brahms (1833 - 1897) Variations on a theme by Haydn., op. 56a Concerto for piano no.1, op. 15 Recorded on February 2015 at the Severance Hall, Cleveland Directed by William Cosel

Cleveland Orchestra, Franz Welser-Möst (Conductor) Yefim Bronfman (piano) Johannes Brahms (1833 - 1897) Tragic overture op. 81 Concerto for piano no.2 op. 83 Recorded on February 2015 at the Severance Hall, Cleveland Directed by William Cosel

Oslo Philharmonic Orchestra, Vasily Petrenko (conductor) Gautier Capucon (cello) Geirr Tveitt (1908 - 1981) A hundred Folk tunes Joseph Haydn (1732 - 1809) Cello concerto no 1 Piotr Ilych Tchaikovsky (1840 - 1893) Symphony no 1 Recorded on October 30th 2014 at the Oslo Concert Hall TV Director, François-René Martin

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (conductor) Renaud Capuçon (violin) Anatoli Lyadov (1855 - 1914) The Enchanted Lake op. 62 Max Bruch (1838 - 1920) Violin Concerto no. 1 Edward Elgar (1857 - 1920) Enigma Variations Recorded in Moscow on October 26th, 2013 Directed by Jean-Pierre Loisil

Kammerorchester Basel, Christian Zacharias (Piano and Conductor) Jean-Philippe Rameau (1683 - 1764) Suite from 'Les Indes Galantes' Wolfgang Amadeus Mozart (1756- 1791) Piano Concerto no 24 K491 Georges Bizet (1838 - 1875) L'Arlésienne, incidental music Recorded at the Menuhin Festival, Gstaad, on July 24th 2014 Directed by Colin Laurent

Pierre Fouchenneret (violin), Lise Berthaud (viola), François Salque (cello), Eric Le Sage (piano) Johannes Brahms (1833 - 1897) Piano Quartet No. 2 in A major, op. 26 Recorded June 11, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Harold Lopez-Nussa El Viaje Harold Lopez-Nussa, piano Alioune Wade, bass Ruy Adrian Lopez-Nussa, drums, bongos, cajón This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival TV director, Guillaume Dero

Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues' , Clichy-sous-bois TV Director, Stéphane Sinde

Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Mercè Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier

The Sound of New York, Stefon Harris 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stefon Harrisis an American jazz vibraphonist. In 1999, the Los Angeles Times called him 'one of the most important young artists in jazz' who is 'at the forefront of new New York music' and 'much in demand as a star sideman'. Harris has played with several jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, and Charlie Hunter, in addition to releasing several of his own critically well-regarded albums. Multiple Grammy nominee, in 2016 he's named Director of the Manhattan school of music prestigious jazz arts program. Il a 6 albums à son actif. Recorded on 2017 TV Director, Gloria Rebecchi

Damn'co Damien Schmitt, voice, drums Michael Lecoq, keyboard, voice Mika Joseph, keyboard, talkbox Yann Negrit, guitar, voice Swaéli Mbappé, bass, voice Mixing up pop and hip-hop Dam'nco, the group of the drummer Damien Schmidt, takes its inspiration from the different neighbourhoods of Paris to compose a dancing a colourful music which is not without reminding us of that of Snarky Puppy.An unfailing rhythm section, soloists with explosive improvisations: all the ingrediants are brought together for a wild end to the evening! Recorded on May 10, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Ala.Ni, Hugh Coltman, Melissa Laveaux, Sophie Hunger, Camélia Jordana, Camille, Ben l'Oncle Soul, Sandra Nkaké, Yaël Naïm (vocals) Bojan Z (piano), Christophe Minck (bass, harp), Cyril Atef (drums), Pierre-François Dufour (cello), Cedric Ricard (saxophone, flute, clarinet), Brice Moscardini (trumpet, bugle), Richard Blanchet (trumpet, bugle), Sébastien Llado (trombonne), Maxime Duhem (tuba) L.E.J (choir) Orchestre national d'Ile-de-France, Clément Ducol (direction) Tribute to Nina Simone

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Dick Kuijs

Orchestre de Chambre de Lausanne, Bertrand de Billy (conductor) Antoine Tamestit (viola) Richard Strauss (1864 - 1949) Serenade for 13 wind instruments, Op.7 Bohuslav Martinu (1890 - 1959) Rhapsody-concerto for viola and orchestra, H.337 Joseph Haydn (1732 - 1809) The Seven last words of Christ, Hob. XX:1a, orchestral version Recorded on December 11th 2017 at the Salle Métropole of Lausanne TV Director, Andy Sommer

Benvenuto Cellini, opera in two acts by Hector Berlioz (1803 -1869) Libretto de Léon de Wailly and Auguste Barbier First performance in Paris, Opéra, 10 September 1838 Rotterdam Philharmonic Orchestra, Sir Mark Elder (Conductor) Chorus of the Dutch National Opera Terry Gilliam (Stage Direction) John Osborn (Benvenuto Cellini) Maurizio Muraro (Giacomo Balducci) Laurent Naouri (Fieramosca) Orlin Anastassov (Le Pape Clement VII) Nicky Spence (Francesco) Scott Conner (Bernardino) André Morsch (Pompeo) Marcel Beekman (Le Cabaretier) Mariangela Sicilia (Teresa) Michèle Losier (Ascanio) Recorded on May 18, 2015 at De Nationale Opera, Amsterdam Directed by François Roussillon

Strada Quartet, Romain Descharmes (piano) Johannes Brahms (1833 - 1897) Piano Quintet in F minor, op. 34 Recorded June 8, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Strada Quartet, Adrien Boisseau (viola) Johannes Brahms (1833 - 1897) String Quartet No. 1 in C minor, op. 51 String Quintet No. 2 in G major, op. 111 Recorded June 10, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

François Salque (cello), Eric Le Sage (piano) Johannes Brahms (1833 - 1897) Cello sonata No 1, op. 38 Pierre Fouchenneret (violin), Romain Descharmes (piano) Johannes Brahms (1833 - 1897) Violin sonata No 1, op. 78 Recorded on June 9, 2018 at the Bouffes du Nord Theater, Paris TV directors, Marc Wieviorka and Guillaume L'Hôte

Pierre Fouchenneret (violin), Lise Berthaud (viola), François Salque (cello), Eric Le Sage (piano) Johannes Brahms (1833 - 1897) Piano Quartet No. 2 in A major, op. 26 Recorded June 11, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

The Sound of New York, Matthew Stevens 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stevens es un guitariste américain. Born in Toronto (Canada), he learnt piano and guitar at a young age. He studies at Berklee College of Music. Since 2004, Stevens has established himself in the contemporary jazz scene performing and recording with numerous artists including Christian Scott, Terri Lyne Carrington and Esperanza Spalding.Regarded to be one of 'most exciting up-and-coming jazz guitarists' in his generation, Stevens was placed in the Rising Star Guitar Category of the 63rd Annual DownBeat Critics Poll.. He got good reviews from NPR, Jazz Times, Billboard and the New York Times. His debut album as a leader, 'Woodwork', received stellar reviews from critics. His last album 'Preverbal' releases on March 2017, Ropeadope Records. Stevens has toured extensively in the U.S., Canada, Europe, Asia, South Africa, and South America. He is also a member of the adjunct faculty at the New School and has taught workshops at the Maryland Summer Jazz Workshop, USC, and Berklee College of Music. Recorded in 2017 TV director, Gloria Rebecchi

Harold Lopez Nussa Trio Harold Lopez Nussa (piano) Ruy Adrian Lopez Nussa (drums) Gaston Joya (bass) Harold Lopez Nussa is a Cuban pianist who comes from a family of musicians. When you hear him it seems as if he is the custodian of all the musical traditions of the Caribbean, open to all the influences from Africa and the Americas without even mentioning the great European classical composers. It is an indication of just how much music lives within him and how he never ceases to want to share it with us. On stage, Harold Lopez overflows with expression just like everything which characterizes 'feeling' in Cuban music which is savoured with a shot of rum in the ears. Harold Lopez the direct descendent of the great Cuban pianists, Cucho Valdez, Carlos Maza, Roberto Fonseca, pianists who irresistibly make you get up off your seat and dance. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Pura Fé's music is a happy mix of Blues, traditional Indian music and Folk Song. Her moving voice conveys an ancestral message from the Native American world and tells how history unites southern Native and African-Americans. Mathis Haugs's contemporary folk-blues brings to mind Ben Harper and Moriarty. But comparisons are irrelevant, as Mathis has developed his own musical world. This project draws its inspiration from the comic album 'Rouge Camargue' by Jean Vilaine and Michel Faure. Pura Fé Cresioni (vocals) Eric Longsworth (cello) Mathis Haug (guitar) Stephane Notari (percussions)

Harold Lopez-Nussa El Viaje Harold Lopez-Nussa, piano Alioune Wade, bass Ruy Adrian Lopez-Nussa, drums, bongos, cajón This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival TV director, Guillaume Dero

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Ala.Ni, Hugh Coltman, Melissa Laveaux, Sophie Hunger, Camélia Jordana, Camille, Ben l'Oncle Soul, Sandra Nkaké, Yaël Naïm (vocals) Bojan Z (piano), Christophe Minck (bass, harp), Cyril Atef (drums), Pierre-François Dufour (cello), Cedric Ricard (saxophone, flute, clarinet), Brice Moscardini (trumpet, bugle), Richard Blanchet (trumpet, bugle), Sébastien Llado (trombonne), Maxime Duhem (tuba) L.E.J (choir) Orchestre national d'Ile-de-France, Clément Ducol (direction) Tribute to Nina Simone

All stars band Jazz en Baie Antonio Farao, piano Eddie Gomez, double bass Bireli Lagrène, guitar Lenny White, drums Recoded at Festival Jazz en Baie on August 15th 2015 TV Director, Laurent Preyale

Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no. 5 in C minor op. 67 Richard Wagner (1813 - 1883) Highlights from Der Ring des Nibelungen Entrance of the Gods into Valhalla (Das Rheingold) Siegfried's Rhine Journey (Gotterdämmerung) Siegfried's Death and Funeral March (Gotterdämmerung) Forest Murmurs (Siegfried) The Ride of the Walkyries (Die Walküre) Recorded on January 24th 2015 at the Philharmonie, Paris Directed by Corentin Leconte

Kammerorchester Basel, Stefano Barneschi (Conductor) Franco Fagioli (countertenor) Georg Friedrich Handel (1685 - 1759) Pompa vane di morte (from Rodelinda) Vivi tiranno (Rodelinda) Cara sposa (Rinaldo) Venti turbini (Rinaldo) Crude furie (Serse) Se bramate (Serse) Jean-Baptiste Lully (1632 - 1687) Xerse, overture Armide, Passacaille Luigi Rossi (1597 - 1653) L'Orfeo, overture and suite Nicola Porpora (1686 - 1768) Dolci freche aurette (Polifemo) Alto Giove (Polifemo) Attilio Ariosti (1666 - 1729) Vespasiano, overture Recorded on September 11th, 2015 at the Festival d'Ambronay Directed by Sébastien Glas

The Sleeping Beauty Ballet-féerie in three acts Music by Pyotr Ilyich Tchaikovsky Libretto by Ivan Vsevolozhsky, Marius Petipa after tales of Charles Perrault Choreography by Marius Petipa revised version by Konstantin Sergeev (1952) Set and costume designer, Simon Virsaladze Mariinsky Theater Orchestra Valery Gergiev, conductor The King, Vladimir Ponomarev The Queen, Elena Bazhenova Princess Aurora, their daughter, Alina Somova Prince Désiré, Vladimir Shklyarov Princess escort, Ivan Oskorbin, Maxim Zyuzin, Konstantin Zverev & Dmitry Pykhachov The Lilac Fairy, Kristina Shapran The Tender Fairy, Diana Smirnova The Playful Fairy, Tatiana Tiliguzova The Generous Fairy, Anastasia Asaben The Brave Fairy, Yana Selina The Carefree Fairy, Valeria Martynyuk The Diamond Fair, Sofia Ivanova-Skoblinova The Sapphire Fairy, Diana Smirnova The Gold Fairy, Tatiana Tiliguzova The Silver Fairy, Yekaterina Ivannikova The Fairy Carabosse, Igor Kolb Catalabutte,the master-of-ceremonies, Andrei Yakovlev Gallifronn Andrei Yakovlev Servantn Anatoly Marchenko Princess Florine, Oksana Skorik Bluebird, Alexei Timofeyev The White Cat, Yana Selina Puss-in-Boots, Grigory Popov The Little Red Riding-hood, Tamara Gimadieva The Gray Wolf, Oleg Demchenko Maidservant, Alisa Petrenko The Hunter, Kirill Leontiev And the Mariinsky Theater Ballet Recorded on May 30th and 31st and June 1st 2015 at the Mariinsky Theater of St Petersburg TV Director, Olivier Simonnet

Tonhalle-Orchester Zürich, Lionel Bringuier (Conductor) Martin Grubinger (Percussions) Igor Stravinsky (1882 - 1971) The Rite of Spring Avner Dorman (b. 1975) Frozen in Time Recorded on September 14, 2016 at the Tonhalle, Zürich Directed by Sébastien Glas

Tribute to Pierre Boulez Pierre Boulez (1925 - 2016) Dialogue de l'ombre double, for clarinet and electronics (excerpts) Soloists of the Ensemble intercontemporain Improvisation I, for voice and ensemble Ensemble intercontemporain, Matthias Pintscher (conductor) Messagesquisse, for seven cellos Soloists of the Ensemble intercontemporain Dérive 1 Students of the Conservatoire de Paris, Bruno Mantovani (Conductor) Improvisation II, for voice and ensemble Ensemble intercontemporain, Matthias Pintscher (Conductor) Notations I, II, III, IV Orchestre de Paris, Matthias Pintscher (Conductor) Notations VII Orchestre de Paris, Paavo Järvi (Conductor) Recorded at the Philharmonie de Paris I, Grande Salle, January 26th, 2016 TV director, Jean-Pierre Loisil

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

NORMA WINSTONE TRIO & EMILY REMEMBERED LIVE AT THE EFG LONDON JAZZ FESTIVAL Since emerging on the London jazz scene in 1966 with an engagement at Ronnie Scott's Club, Norma Winstone has worked with many of the innovators on the British and European scene. Her unique voice could be said to define an entire era of British and European Jazz, from re-inventions of The Great American Songbook to more abstract excursions into vocal timbre. She recorded five albums for the iconic German record label ECM with the group Azimuth, with John Taylor and Kenny Wheeler. Her own album for ECM, Somewhere Called Home with John Taylor and saxophonist/clarinettist Tony Coe, has become a classic vocal album, and her latest album Dance without Answer was released on ECM in 2013.