MEZZO

Alcione, tragédie lyrique in a prologue and five acts by Marin Marais (1656 - 1728) Libretto by Antoine Houdar de Lamotte after Ovid Creation in Paris, Opéra, February 18, 1706 Le Concert des Nations, Jordi Savall (Conducteur) Louise Moaty (Stage Direction) Raphaëlle Boitel (Circus Choreography) Tristan Baudoin, Louise Moaty (Sets) Alain Blanchot (Costumes), Maël Iger (Lighting) Lea Desandre (Alcione) Cyril Auvity (Ceix) Marc Mauillon (Pelée) Lisandro Abadie (Pan, Phorbas) Antonio Abete (Tmole, Grand-Prêtre /Neptune) Hasnaa Bennani (Ismène, 1ère Matelote) Hanna Bayodi-Hirt (Bergère, 2ème Matelote, Prêtresse) Pauline Journe, Tarek Aitmeddour, Alba Faivre, Cyril Combes, Emily Zuckerman, Valentin Bellot, Mikael Fau, Maud Payen (Danseurs et Circus artists) Recorded on May 6th, 2017, at the Opéra-Comique, Paris TV Director, François Roussillon

Casse-Noisette (The Nutcracker) Choreography by Kader Belarbi Ballet in two acts Ivan Vsevolojski et Marius Petipa, libretto After Histoire d'un Casse-Noisette, adapted by Alexandre Dumas from Nutcracker and The Mouse King by E. T. A. Hoffmann Piotr Ilitch Tchaïkovski, music Ballet du Capitole Kader Belarbi, direction Orchestre national du Capitole Koen Kessels, conductor Maîtrise du Capitole Alfonso Caiani, chorus master Anthony Rouchier, composition and arrangements Kader Belarbi, choreographye and staging Antoine Fontaine, sets Lola Sergent, sets assistant Philippe Guillotel, costume Hervé Gary, lighting With (Nutcracker) Ramiro Gómez Samón (Drosselmeyer) Rouslan Savdenov (The Ultimate Supervision) Alexandra Surodeeva (Marie) Natalia de Froberville Recorded on December 27 and 29, 2017 at the Théâtre du Capitole TV Director, Luc Riolon

The Corsair Choreography by Kader Belarbi Capitole Ballet and Orchestra David Coleman, conductor Music : Adolphe Adam, Massenet, Anton Arenski, Edouard Lalo, Jean Sibelius, David Coleman TV Director, Luc Riolon Recorded at The Capitole of Toulouse in May 2013

Flanders Symphony Orchestra, Jan Latham-Koenig (director) Pascal Amoyel , piano Felix Mendelssohn (1809 - 1847) Overture Die Hebriden Edvard Grieg (1843 - 1907) Piano concerto in A minor opus 16 Ludwig van Beethoven (1770 - 1827) Symphonie no 7 Recorded on April, the 21st 2016 at the Concertgebouw, Bruges

Anima Eterna Brugge, Jos Van Immerseel (director) Chouchane Siranossian (violin), Claire Chevallier (piano) Maurice Ravel (1875 - 1934) Ma mère l'oye Rhapsodie Espagnole Tzigane Manuel de Falla (1876 - 1946) Noches en los jardines de España George Enesco (1881 - 1955) Romanian Rhapsody no. 1 Recorded on March, the 4th 2016 at the Concertgebouw, Bruges

Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Orchestre de la Suisse Romande, Marko Letonja (Conductor) Chorus of the Grand Théâtre de Genève, Alan Woodbridge (Chorus Master) Tobias Richter (Stage Director) Ildebrando D'Arcangelo (Il Conte di Almaviva) Nicole Cabell (La contessa di Almaviva) Regula Mühlemann (Susanna) Guido Loconsolo (Figaro) Avery Amereau (Cherubino) Monica Bacelli (Marcellina) Bruce Rankin (Don Basilio) Fabrice Farina (Don Curzio) Balint Szabo (Bartolo) Mélody Louledjian (Barbarina) Romaric Braun (Antonio) Recorded on September 21, 2017 at the Grand Théâtre de Genève Directed by Andy Sommer

Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le même émerveillement à chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particulière qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisième opus, entre hymne écolo et appel à prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

NORMA WINSTONE TRIO & EMILY REMEMBERED LIVE AT THE EFG LONDON JAZZ FESTIVAL Since emerging on the London jazz scene in 1966 with an engagement at Ronnie Scott's Club, Norma Winstone has worked with many of the innovators on the British and European scene. Her unique voice could be said to define an entire era of British and European Jazz, from re-inventions of The Great American Songbook to more abstract excursions into vocal timbre. She recorded five albums for the iconic German record label ECM with the group Azimuth, with John Taylor and Kenny Wheeler. Her own album for ECM, Somewhere Called Home with John Taylor and saxophonist/clarinettist Tony Coe, has become a classic vocal album, and her latest album Dance without Answer was released on ECM in 2013.

Golden Striker Trio Ronald L. Carter (bass guitar ) Russel L. Malone (guitar) Donald Vega (piano) A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz à Vienne TV Director, Fabien Raymond

The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large

François-Frédéric Guy (piano) Johannes Brahms (1833 - 1897) Piano sonata no 1 in C major, opus 1 Piano sonata no 2 in F sharp minor, opus 2 Piano sonata no 3 in F minor, opus 5 Recorded on March, 30th 2016 at the Salle Gaveau, Paris Guillaume L'Hôte, TV director

Il Corsaro, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after 'The Corsair' by Lord Byron First performance in Trieste, Teatro Grande, October 25, 1848 Orquestra de la Comunitat Valenciana, Fabio Biondi (Conductor) Cor de la Generalitat Valenciana, Francesc Perales (Chorus Master) Nicola Raab (Stage Direction) George Souglides (Sets & Costumes), Ran Arthur Braun (Choreography), David Debriny (Lighting Design), Miguel Bosch (Video) Michael Fabiano (Corrado) Oksana Dyka (Gulnara) Kristina Mkhitaryan (Medora) Vito Priante (Seid) Evgeny Stavinsky (Giovanni) Ignacio Giner (Selimo) Antonion Gómez (eunuch) Jesús Rita (Slave) Recorded on April 5 & 8, 2018 at the Palau de les Arts Reina Sofia, Valencia Directed by Olivier Simonnet

The Tallis Scholars, Peter Phillips (Conductor) Jacob Obrecht (1457/8-1505) Missa de Sancto Donatiano John Browne (active ca.1490-1505) Stabat iuxta Robert Fayrfax (1464-1521) Maria plena virtute Nicolas Gombert (ca.1495-ca.1560) Magnificat quarti toni Recorded on May 10, 2018, at the St James Church, Brugge

Ensemble Pygmalion, Raphaël Pichon (Conductor) Céline Scheen (Soprano), Lucile Richardot (Mezzo-soprano), Samuel Boden (Tenor), Marc Mauillon (Baritone), Christian Immler (Baritone) Jean Colin Miserere, faux-bourdon André Danican Philidor Tambour & Marche funèbre pour le Convoi du Roy Michel-Richard de Lalande De Profundis, Grand Motet Plain Chant et Faux Bourdon Jean Colin Pie Jesu, faux-bourdon Fanfare 'Le Roy est mort ! Vive le Roy !' Recorded on November 3rd and 4th, 2015, at the Chapelle Royale, Château de Versailles Directed by Stéphane Vérité

The Sound of New York, Mark Turner 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Mark Turner is an American jazz saxophonist. He played the clarinet, followed by the alto and tenor saxophones in high school. In 1990 he moves to New York and worked at Tower Records in New York City for an extended period before working full-time as a jazz musician. Turner's sound is reminiscent of that of Warne Marsh, but he also has elements of John Coltrane in his playing. His improvised lines tend to span several octaves and contain great harmonic and rhythmic complexity. His compositions often make use of repeated patterns, odd-metered time signatures, and intervallic leaps. Turner claims that his music is 'unfolding like a narrative'. In September 2014, Turner released his first album as a leader since 2001 on ECM Records; it features trumpeter Avishai Cohen, bassist Joe Martin, and drummer Marcus Gilmore. Turner is a member of the trio Fly, which includes himself, bassist Larry Grenadier, and drummer Jeff Ballard. Recorded in 2017 TV director, Gloria Rebecchi

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Chaplin Choreography by Mario Schröder Leipziger Ballett Gewandhaus Orchestra William Lacey, conductor Music by Charlie Chaplin, Benjamin Britten, Samuel Barber, Richard Wagner. With (Chaplin), Tyler Galster (The Tramp), Amelia Waller (The mother), Urania Lobo Garcia (The father), Mohamed Youssry (Mildred), Vanessa Shield (Paulette), Isis Calil de Albuquerque (Oona), Romy Avemarg (The Dictator), Oliver Preiß Recorded on 2013 at the Leipzig Oper TV Director, Sonia Paramo

Pinocchio Choreography by IIvan Cavallari Music, Enrico Melozzi Conductor, Myron Romanul Set, Edoardo Sanchi Costume, Maria Porro Lights, Jon Buswell Tenor, Jean Christophe Born Opéra national du Rhin ballet Mulhouse symphonic orchestra Once there was a piece of wood... Carved by old carpenter Geppetto, Pinocchio, a cheeky puppet with an unruly nose provokes all around him, as well as his fate. He is dispatched to the land of toys, where donkeys and young boys look alarmingly alike, and finally ends up in the belly of a sea monster... At the end of this initiation journey, his will and courage get the better of his wooden body, and he becomes a real boy. Ivan Cavallari has kept in touch with the child in himself and brings to life the most salient episodes in the puppet's story. The imaginative sets of Edoardo Sanchi and the music of Enrico Melozzi bring a new strength to Carlo Collodi's tale. Recorded at the Opéra National du Rhin January 31st and February 2nd 2014 TV Director, Stéphane Vérité

The Merry Widow, operetta in three acts by Franz Lehár (1870 - 1948) Libretto by Viktor Léon and Leo Stein, based on 'L'attaché d'ambassade' by Henri Meilhac First performance in Vienna, Theater an der Wien, 30 December 1905 The Metropolitan Opera Orchestra and Chorus, Andrew Davis (Conductor) Susan Stroman (Stage Director) Julian Crouch ( Set Designer) William Ivey Long (Costume Designer) Paul Constable (Lighting designer) Renée Fleming (Hanna Glawari) Kelli O'Hara (Valencienne) Nathan Gunn (Count Danilovitch) Alek Shrader (Camille de Rosillon) Thomas Allen (Baron Zeta) Jeff Mattsey (Vicomte Cascada) Alexander Lewis (Raoul de St. Brioche) Carson Elrod (Njegus) Emalie Savoy (Sylviane) Wallis Giunta (Olga) Margaret Lattimore (Praskowia) Daniel Mobbs (Kromow) Mark Schowalter (Bogdanovitch) Gary Simpson (Pritschitsch) Andrea Coleman (Woman) Jason Simon (Maitre D') Recorded at the Metropolitan Opera House, New York, on January 17, 2015 Directed by Gary Halvorson

Strada Quartet, Romain Descharmes (piano) Johannes Brahms (1833 - 1897) Piano Quintet in F minor, op. 34 Recorded June 8, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Anima Eterna Brugge, Jos van Immerseel (Conductor) Claron McFadden (soprano), Bart Van Caenegem (piano) George Gershwin Catfish Row, Symphonic suite in five movements from Porgy and Bess, arrangements by Steven D. Bowen An American in Paris The man I love I got Rhythm My Man's Gone Now By Strauss Rhapsody in Blue Recorded on March 3, 2017 at the Concertgebouw Brugge Directed by Nicolas Foulon

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Dick Kuijs

Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin (Conductor) Stéphane Tétreault (Cello), Alexandre Tharaud (piano) Edward Elgar (1857 - 1934) Cello Concerto in E minor, op. 85 Maurice Ravel (1875 - 1937) Concerto for the left hand Claude Debussy (1862- 1918) La Mer Recorded on December 2, 2017 at the Philharmonie de Paris

Huelgas Ensemble, Paul Van Nevel (Conductor) Huelgas Ensemble Poline Renou (soprano), Axelle Bernage (mezzo soprano), Achim Schulz (tenorino), Bernd Oliver Fröhlich, Stefan Berghammer, Matthew Vine (tenors), Tim Scott Whiteley, Guillaume Olry (basses), Bart Coen (recorder), Peter De Clercq (recorder), Silke Jacobsen (recorder, tabor, flute & percussion), An Van Laethem (rebec, fiddle & renaissance violin), Susanne Braumann (viol) Mirabile Mysterium - A European Christmas Tale (1300-1850) 1. The birth in Bethlehem Balaam de quo vaticinans (a 3) - anonymus, ca. 1300 Myrabile Mysterium (a 5) - Jacobus Gallus 1550-1591 Este niño que es sol del Aurora (a 2, 4 & 8) - Jerónimo Luca ca. 1630 Carol for Christmas-Eve (a 4), from Christmas Carols, London 1871 2. The crime of Herodes Hostis Herodes Impie (a 4) - Anonymus, ca. 1320 Interrogabat Magos Herodes (a 4) - Jean Mouton ca.1459-1522 Vox in Rama (a 5) - Giaches de Wert 1535-1596 A voice from Ramah was there sent (a 4) - B. Luard Selby (England, 19th Century) 3. The travel of the three Kings Melchior, Gaspar and Balthazar (Le voyage des trois rois mages) Vincti Presepio (a 3) - Anonymus, ca. 1300 Reges Terrae (a 6) - Pierre de Manchicourt, ca.1510-1564 Ab Oriente (a 5) - Jan Pieterszoon Sweelinck , 1562-1621 Drei Könige (a 5) - Peter Cornelius, 1824-1874 4. Epilogue Quae stella sole pulchrior (a 1 & 4) - Anonymus, ca. 1300 Dexen que Llore mi Niño (a 1, 4 & 8) - António Marques Lésbio, 1639-1709 Recorded on December 23, 2014 at the Saint Augustine Church, Antwerp, Belgium

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

AARON GOLDBERG LIVE AT THE EFG LONDON JAZZ FESTIVAL Aaron Goldberg (piano) Joe Sanders (bass) Eric Harland (drums) After graduating from Harvard in 1996, he performed as a sideman and is most associated with saxophonist Joshua Redman. In 2005 and 2006, Aaron toured and recorded with guitarist Kurt Rosenwinkel, appearing on Rosenwinkel's album The Remedy: Live at the Village Vanguard. In 2005 he toured South America with Madeleine Peyroux and spent 6 months performing with the Wynton Marsalis quartet as well as the Lincoln Center Jazz Orchestra. Goldberg's debut album as a leader was Turning Point. His most recent release is Home, which continues his long-standing musical partnership with bassist Reuben Rogers and drummer Eric Harland. In 2004, Goldberg organized Jazz for America's Future, an historic fundraising concert for Sen. John Kerry; in 2008 and 2012 he organized Jazz For Obama, similar fundraising efforts for President Obama.

The Sound of New York, Matthew Stevens 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stevens es un guitariste américain. Born in Toronto (Canada), he learnt piano and guitar at a young age. He studies at Berklee College of Music. Since 2004, Stevens has established himself in the contemporary jazz scene performing and recording with numerous artists including Christian Scott, Terri Lyne Carrington and Esperanza Spalding.Regarded to be one of 'most exciting up-and-coming jazz guitarists' in his generation, Stevens was placed in the Rising Star Guitar Category of the 63rd Annual DownBeat Critics Poll.. He got good reviews from NPR, Jazz Times, Billboard and the New York Times. His debut album as a leader, 'Woodwork', received stellar reviews from critics. His last album 'Preverbal' releases on March 2017, Ropeadope Records. Stevens has toured extensively in the U.S., Canada, Europe, Asia, South Africa, and South America. He is also a member of the adjunct faculty at the New School and has taught workshops at the Maryland Summer Jazz Workshop, USC, and Berklee College of Music. Recorded in 2017 TV director, Gloria Rebecchi

Katerina Izmailova, by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitri Shostakovich and Alexander Preis after 'Lady Macbeth of the Mtsensk District' by Nikolai Leskov First performance in Moscow, Stanislavsky-Nemirovich-Danchenko Music Theatre, 8 January 1963 Bolshoi Orchestra, Tugan Sokhiev (conductor) Valery Borisov (chorus master) Rimas Tuminas (Stage Director) Adomas Jacovskis (Sets), Maria Danilova (Costume Design), Anzelica Cholina (Choreography), Damir Ismagilov (Lighting) Taras Shtonda (Boris Timofeyevich Izmailov, a merchant) Marat Gali (Zinoviy Borisovich Izmailov, his son) Nadja Michael (Katerina Lvovna Izmailova, wife of Zinovy Borisovich) John Daszak (Sergei, a labourer at the Izmailovs') Oxana Gorchakovskaya (Aksinya, a labourer at the Izmailovs') Roman Muravitsky (Shabby peasant) Alexander Korotky (Porter) Yuri Markelov (First labourer, Coachman, Drunken guest) Vadim Babichuka (Second labourer) Goderdzi Janelidze (Mill-hand) Nikolai Kazansky (Sergeant) Stanislav Mostovoy (Local nihilist) Alexander Naumenko (Old convict) Svetlana Shilova (Sonyetka, a woman convict) Irina Rubtsova (Woman convict) Goderdzi Janelidze (Officer) Alexander Korotky (Sentry) Recorded on November 10 and 12, 2016 at the Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

Orquestra Neojiba, Ricardo Castro (Direction) Martha Argerich (piano) Richard Wagner (1813 - 1883) Die Meistersinger von Nürnberg - Overture Robert Schumann (1810 - 1856) Piano Concerto George Gershwin (1896 - 1937) Cuban Overture Camargo Guarnieri (1907 - 1993) Abertura Festiva Silvestre Revueltas (1899 - 1940) Sensemayá Leonard Bernstein (1918 - 1990) West Side Story - Overture Arturo Márquez (né en 1950) (b. 1950) Danzón no 2 Recorded at the Philharmonie de Paris, 17 September 2018 Directed by Olivier Simonnet

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Narek Hakhnazaryan (Cello) Dmitri Shostakovich (1906 - 1975) Katerina Ismailova, suite, op.114a Piotr Ilych Tchaikovsky (1840 - 1893) Variations on a Rococo Theme, op.33 Symphony no. 6 in B minor, op.74 'Pathétique' Recorded on June 4th, 2014, at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Alcina, opera in three acts by George Friedrich Haendel (1685 - 1759) Anonymous libretto after Ludovico Ariosto's Orlando furioso First performance in London, Covent Garden Theatre, 16 April 1735 Freiburger Barockorchester, Andrea Marcon (Conductor) MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master) Katie Mitchell (Stage Direction) Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer) Patricia Petibon (Alcina) Philippe Jaroussky (Ruggiero) Anna Prohaska (Morgana) Katarina Bradić (Bradamante) Anthony Gregory (Oronte) Krzysztof Baczyk (Melisso) Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence Directed by Corentin Leconte

The Ninth Symhony Maurice Béjart, choreography After Schiller's 'Ode to joy' Ludwig van Beethoven, music Maurice Béjart, staging Friedrich Nietzsche, Prologue Gil Roman, artistic director Israel Philharmonic orchestra Zubin Mehta, conductor Ritsuyukai choir Kufiami Kuriyama, chorus master Gil Roman, narratorr Kristin Lewis, soprano Mihoko Fujimura, mezzo-soprano Kei Fukui, tenor Alexander Vinogradov, bass JB Meier and Thierry Hochstätter, percussion Joëlle Roustan abd Roger Bernard, original costumes and sets Henri Davila, costumes adaptation Dominique Roman, Lighting realisation Piotr Nardelli, Ballet Master revival With The Béjart Ballet Lausanne The Tokyo Ballet and Solooists Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald Recorded on November 9 th 2014 at the NHK Hall Tokyo TV Director, Mari Hnamasu

Le Tour du Monde en 80 minutes (Around the world in 80 minutes) Maurice Béjart, choreographer Béjart Ballet de Lausanne Gil Roman, Artistic director Original musical compositions by : Thierry Hochstätter & jB Meier (Citypercussion), Ilia Chkolnik, Stravinsky, Théodorakis, Vivaédi, Hadjidakis. Lebars, Mozart, Strauss, Wagner, Ellington, Warren Harry, Tchaikovsky, Musiques traditionnelle chinoise, Tahitienne, Corée Pérou Recorded on 2008 at the Palais des Sports de Paris TV Director, Gil Amado

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Yamandu Costa and Vincent Peirani Yamandu Costa (Guitar) Vincent Peirani (Accordion) A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti