MEZZO

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Enrico Rava Special edition 80th Brithday Enrico Rava - trumpet & bugle Gianluca Petrella - trombone Francesco Diodati - guitar Giovanni Guidi - piano Gabriele Evangelista - bass guitar Enrico Morello - drums Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues' , Clichy-sous-bois TV Director, Stéphane Sinde

Alexandre Kantorow (piano) Johannes Brahms (1833 - 1897) Rhapsody no 1, op.79 Franz Liszt (1811 - 1886) Chasse Neige (Douze études d'exécution transcendante) Béla Bartók (1881 - 1945) Rhapsody for Piano op.1 Johannes Brahms Piano Sonata no 2, Op. 2 Gabriel Fauré (1845 - 1924) Nocturne no 6, op. 63 Enregistré le 23 septembre 2019 à la Fondation Louis Vuitton, Paris

Presidential Symphony Orchestra, Cemi'i Can Deliorman (conductor) Angela Gheorghiu (soprano), Güher & Süher Pekinel (piano) State Choir Turkey Ferit Tüzün (1929 - 1977) Turkish Capriccio (Türk Kapriçiyosu) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for two pianos No.10 in E-flat major, K.365/316a Özkan Manav (né en 1967) Pluriel (new work, commission by the President of the Republic) Georg Frideric Handel (1685 - 1759) Rinaldo | Lascia ch'io pianga Francesco Cilea (1866 - 1950) Adriana Lecouvreur | Del sultano amurate... Ecco respiro appena Georges Bizet (1838 - 1875) Carmen | Overture Habanera Manuel de Falla (1876 - 1946) La Vida breve | Danza española Ernesto de Curtis (1875 - 1937) Non ti scordar di me Agustín Lara (1897 - 1970) Granada Recorded at the CSO Grand Hall, Ankara, 4 December 2020 TV Director, Presidential Symphony Orchestra, Cemi'i Can Deliorman (direction) Angela Gheorghiu (soprano), Güher & Süher Pekinel (piano) State Choir Turkey Ferit Tüzün (1929 - 1977) Capriccio Turc (Türk Kapriçiyosu) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour deux pianos et orchestre en Mi bémol majeur, K.365/316a Özkan Manav (né en 1967) Pluriel (œuvre commandée par la Présidence de la République) Georg Frideric Handel (1685 - 1759) Rinaldo | Lascia ch'io pianga Francesco Cilea (1866 - 1950) Adriana Lecouvreur | Del sultano amurate... Ecco respiro appena Georges Bizet (1838 - 1875) Carmen | Prélude Habanera Manuel de Falla (1876 - 1946) La Vida breve | Danse espagnole Ernesto de Curtis (1875 - 1937) Non ti scordar di me Agustín Lara (1897 - 1970) Granada Enregistré au CSO Grand Hall, Ankara, 4 décembre 2020 Réalisation, TV Director, Mustafa Odabaşı Presidential Symphony Orchestra, Cemi'i Can Deliorman (conductor) Angela Gheorghiu (soprano), Güher & Süher Pekinel (piano) State Choir Turkey Ferit Tüzün (1929 - 1977) Turkish Capriccio (Türk Kapriçiyosu) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for two pianos No.10 in E-flat major, K.365/316a Özkan Manav (né en 1967) Pluriel (new work, commission by the President of the Republic) Georg Frideric Handel (1685 - 1759) Rinaldo | Lascia ch'io pianga Francesco Cilea (1866 - 1950) Adriana Lecouvreur | Del sultano amurate... Ecco respiro appena Georges Bizet (1838 - 1875) Carmen | Overture Habanera Manuel de Falla (1876 - 1946) La Vida breve | Danza española Ernesto de Curtis (1875 - 1937) Non ti scordar di me Agustín Lara (1897 - 1970) Granada Recorded at the CSO Grand Hall, Ankara, December 4, 2020 TV Director, TV Director, Mustafa Odabaşı

Ä°dil Biret (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata no 21 in C major, Op. 53 'Waldstein' Piano Sonata no 23 in F minor, Op. 57 'Appassionata' Claude Debussy (1862 - 1918) Pour le Piano Adnan Saygun (1907 - 1991) 4 Preludes Sergei Prokofiev (1891 - 1953) Piano Sonata no 7 in B-flat major, Op. 83 Recorded at the CSO Grand Hall, Ankara, 5 December 2020

Monte Carlo Philharmonic Orchestra, Kazuki Yamada (conductor) Francesco Piemontesi (piano) Wolfgang Amadeus Mozart (1756-1791) Serenade No.13 in G major K 525 'A little night music' Piano Concerto No.12 in A major K414/385p Arnold Schonberg (1874-1951) Transfigured Night, Op.4 (1943 version) Recorded on 2 August 2020 in the Court of Honour of the Prince's Palace, Monaco Directed by Julien Faustino

Lucas Debargue (piano) Gabriel Fauré (1845 - 1924) Barcarolle no. 1 in A minor, Op. 26 Barcarolle no. 2 in G major, Op. 41 Barcarolle no. 3 in G flat major, Op. 42 Barcarolle no. 4 in A flat major, Op. 44 Maurice Ravel (1875 - 1937) Gaspard de la nuit Stéphane Delplace (b. 1953) Preludes and fugues in the thirteen tonalities - Prelude and Fugue XXVII in E flat major Klavierstück VI in E minor Septem Perpetuum Lucas Debargue (b. 1990) 2nd piece for piano: Prelude and fugue in G minor 3rd piece for piano: Barcarolle in F minor Recorded 22 June 2020 at the Fondation Singer Polignac, Paris

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Roberto Fonseca Roberto Fonseca piano, claviers Joe Lovano saxophone Yandy Martinez contrebasse, basse Ruly Herrera batterie Andres Coayo Batista percussions Omara Portuondo voix Mayra Andrade voix Rossio Jimenez Blanco chœur Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 août 2019 à Jazz in Marciac Réalisateur,

Trio Jimmy Mc Griff, Earl Hines & His all stars With Earl Hines (piano) Roy Eldridge (trumpette) Ben Webster(Tenor Sax) Bon Byas (Tenor Sax) Stuff SMITH (violin) Jimmy WOODE (bass) Kenny CLARKE (drums) Playlist - 'Boogie Woogie on Saint Louis Blues' -' Rosetta ' - ' Sweet Lorraine ' - ' Tenderly ' - ' Timme's Blues ' Recorded on 1967 at Comblain-la-tour Festival, Belgium TV Director, Pierre Badel

Bojan Z Bojan Z, piano, fender rhodes Thomas Bramerie, bass Martijn Vink, drums Pantelis Stoikos, trumpet Claudio Puntin, clarinet Paolo Fresu, trumpet Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Trio Earl Hines, Roland Haynes & Wallace Bishop With Earl Hines (piano) Roland Haynes (bass) Wallace Bishop (Drums) Playlist - 'I've got the world on a string ' - ' I'm a little brown bird looking for a blue bird ' - ' Portrait of Fats Waller ' - ' Black coffee ' - ' Boogie woogie on St. Louis blues Recorded on 1966 at Comblain-la-Tour

Hindi Zahra et Fatoumata Diawara Olympic Café Tour Banlieues Bleues Festival Hindi Zahra, voice Fatoumata Diawara, voice, guitar Yacouba Kone, guitar, keyboards, Sekou Bah, bass Zé Luis Nascimento, drums This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine , as part of the 'Banlieues Bleues' Festival TV Director, Laurent Hasse

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Enrico Rava Special edition 80th Brithday Enrico Rava - trumpet & bugle Gianluca Petrella - trombone Francesco Diodati - guitar Giovanni Guidi - piano Gabriele Evangelista - bass guitar Enrico Morello - drums Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director , guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,

Orphée et Eurydice, tragédie opéra in three acts by Christophe Willibald Gluck (1714 - 1787) Libretto by Pierre-Louis Moline after Ranieri de' Calzabigi First performance in Paris, Opéra, 2 August 1774 Orchestra and Chorus of the Teatro alla Scala, Michele Mariotti (direction) Hofesh Shechter, John Fulljames (Stage Direction) Hofesh Shechter (Choreography), Conor Murphy (Sets & Costumes) Juan Diego Flórez (Orphée) Christiane Karg (Eurydice) Fatma Said (Amour) Recorded on March 14 & 17, 2018 at the Teatro alla Scala, Milano Directed by Tiziano Mancini

Coppelia Ballet in three acts Libretto by Charles Nuitter and Arthur Saint-Leon after the stories by Ernst Theodore Amadeus Hoffmann Music, Léo Delibes Choreography, Marius Petipa and Enrico Cecchetti Staging and new choreographic versionn Sergei Vikharev Designer, Boris Kaminsky Costume Designer, Tatiana Noginova Lighting Designer, Damir Ismagilov Bolshoi Orchestra Conductor, Pavel Sorokin Choreography Revival, Vladimir Grigoriev Sets Revival, Dmitry Fialkovsky Costumes Revival, Olga Nikulina Lighting Design Revival, Mikhail Sokolov, Igor Deryugin With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II) Archive Researches and Coordination: Pavel Gershenzon With The Bolshoi ballet Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina , Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova , Xenia Averina, Maria Mishina , Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos) Recorded on June 8 & 10 2018 at the Bolshoi Theater TV Director, Isabelle Julien

The Nutcracker Ballet in three acts Choreography by Vasily Vainonen Pyotr Illitch Tchaikovsky, composer Libretto by Marius Petipa based on the story by E.T.A. Hoffmann Orchestra of the Mariinsky Theatre Valery Gergiev, conductor Simon Virsaladze, sets With The Ballet of the Mariinsky Theatre Stahlbaum, Vladimir Ponomarev His wife, Elena Bazhenova Masha, Renata Shakirova Luisa, Svetlana Tychina Franz, Alisa Petrenko Drosselmeyer, Andrei Yakovlev The Grandmother, Lira Khuslamova The Grandfather, Vasily Shcherbakov The Nanny, Yana Tikhonova The Princess, Renata Shakirova The Nutcracker Prince, David Zaleyev The Nutcracker, Alisa Petrenko Clown, Maxim Izmestiev Doll, Sofia Ivanova-Skoblikova Blackamoor, Grigory Popov The Mouse King, Alexei Kuzmin Waltz of the Snowflakes (Act II) , Shamala Guseinova, Yekaterina Ivannikova Elegant Ladies and Gentlemen, Anastasia Yaromenko, Alexandra Popova, Artem Kellerman, Alexander Beloborodov Spanish Dance, Alisa Rusina, Roman Malyshev Oriental Dance, Maria Shevyakova and artists of the Ballet Company Chinese Dance, Anastasia Asaben, Grigory Popov Trepak, Maria Lebedeva, Alisa Petrenko, Maxim Lynda Pas de trois, Yana Selina, Svetlana Ivanova, Vasily Tkachenko Waltz of the Flowers, Diana Smirnova, Yevgenia Gonzalez, Anastasia Nikitina, Kumiko Ishii, Alexander Beloborodov, Roman Belyakov, Fuad Mamedov, Nikita Korneyev and artists of the Ballet Company Filmed at the Mariinsky Theatre on June 9th 2017

Orchestre National de Lille, Yaron Traub (Conductor) Varvara Nepomnyashchaya (piano) Sergei Rachmaninov (1873 - 1943) Piano Concerto no 1 in F-sharp minor, Op. 1 Piano Concerto no 3 in D minor, Op. 30 Recorded at the Nouveau Siècle, Lille, 8 February 2019 TV Director, Nicolas Foulon

Beatrice Rana (piano), Pierre Fouchenneret (violin), Guillaume Chilemme (violin), Marie Chilemme (viola), Yan Levionnois (cello) Franz Schubert (1797 - 1828) Sonata for cello and piano in A minor ''Arpeggione'' Frédéric Chopin (1810 - 1849) Sonata no. 2 in B flat op. 35 Piano Concerto no. 1, op. 21 Recorded on June 15th, 2016 at the Salle Gaveau, Paris TV director, Don Kent

Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues' , Clichy-sous-bois TV Director, Stéphane Sinde

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director , guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019 TV Director, François-René Martin

Mosaïques Choreography, Julien Lestel Music, Ivan Julliard (original creation, 66'17''), Mama Morte by Andréa Chénier (Acte III, by Umberto Giordano & Maria Callas, 4'25''), Down To Earth de Flight Facilities, 1'50'') Costume, Patrick Murru Lighting, Lo-Ammy Vaimatapako Dancers Mara Whittington, Zélie Jourdan, Roxanne Katrun, Inès Pagotto, Gilles Porte, Ivan Julliard, Gaël Alamargot, Florent Cazeneuve, Jean-Baptiste de Gimel, Matisse Coelho-Mandes et Alexandra Cardinale (artiste invitée). Recorded at the Opéra de Marseille, on October 23 e& 24, 2020 TV Director, Patrick Lauze

PUCCINI Choreography by Julien LESTEL Music by G. Puccini Lights, Lo Ammy VAIMATAPAKO Costume and scenography, Patrick MURRU With the dancers from Julien Lestel company A tribute to Puccini Recorded on November 23rd 2014 at the Opera of Marseille TV Director, Patrick Lauze

Orchestre de la Suisse Romande, Jonathan Nott (conductor) Alexei Volodin (piano), Vincent Thévenaz (organ) Franz Liszt (1811 - 1886) Prelude and Fugue on B-A-C-H, S 260 Arnold Schönberg (1874 - 1951) Variations for Orchestra, op. 31 Sergei Rachmaninov (1873 - 1943) Rhapsody on a Theme of Paganini, op. 43 Maurice Ravel (1875 - 1937) Boléro Recorded on November 15, 2017 at the Victoria Hall, Genèva Directed by Andy Sommer

Grigory Sokolov (piano) Robert Schumann (1810 - 1856) 4 Fugues Op. 72 Bunte Blätter Op. 99 Frédéric Chopin (1810 - 1849) Polonaises Op. 26 1 Allegro appassionato (C-sharp minor) 2 Maestoso (E-flat minor) Polonaise in F-sharp minor, Op. 44 Polonaise in A-flat major, Op. 53 Recorded at the Palais des Nations, Geneva, 12 December 2020

Werther 'Drame lyrique' in four acts and five tableaux by Jules Massenet (1842 - 1912) Libretto by Edouard Blau, Paul Millet and Georges Hartmann after Goethe First performance in Viena, Hofoper, 16 February 1892 Philharmonia Zürich, Cornelius Meister (Conductor) Kinderchor und SoprAlti der Oper Zürich Tatjana Gürbaca (Stage Director) Klaus Grünberg (Sets), Silke Willrett (costumes), Klaus Grünberg (light design) Juan Diego Flórez (Werther) Anna Stéphany (Charlotte) Audun Iversen (Albert) Mélissa Petit (Sophie) Cheyne Davidson (Le Bailli) Martin Zysset (Schmidt) Recorded at the Opernhaus Zurich en April 2017 Directed by Michael Beyer

Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues' , Clichy-sous-bois TV Director, Stéphane Sinde

Roberto Fonseca Roberto Fonseca piano, claviers Joe Lovano saxophone Yandy Martinez contrebasse, basse Ruly Herrera batterie Andres Coayo Batista percussions Omara Portuondo voix Mayra Andrade voix Rossio Jimenez Blanco chœur Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 août 2019 à Jazz in Marciac Réalisateur,

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (drums) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Bojan Z Bojan Z, piano, fender rhodes Thomas Bramerie, bass Martijn Vink, drums Pantelis Stoikos, trumpet Claudio Puntin, clarinet Paolo Fresu, trumpet Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Laszlo Fassang (Organ) Franz Liszt (1811 - 1886) Méphisto-Valse no. 1 Philipp Maintz (b. 1977) de figuris, organ concerto (World Premiere) Béla Bartók (1881 - 1945) Concerto for orchestra Recorded 18 September 2020 at the Salle Philharmonique, Liège

Tempo Madaras, Life's journey as a conductor Gergely Madaras (conductor) Orchestre Philharmonique Royal de Liège In order of appearance : Marton Fejer, Peter Eötvös, Fodor 'Neti' Sandro, Noémi Gyori, Grazioso Chamber Orchestra of the Hungarian National Philharmonic, Budapest Youth Symphony Orcheestra, Budapest Phlharmonic Orchestra, Paul Hughes, English National Opera Orchestra, George Benjamin, Filamonica '900 del Teatro Regio, Celia Willis, Daniel Weissmann, Orchestre Dijon Bourgogne, Savaria Symphony Orchestra, Zsolt Haja, David Kadouch, Philippe Boesmans, Gyorgy Kurtag, Choeur de radio France, Lionel Sow and the kind complicity of Frédéric Waseige. Recorded on 2019 TV Director, Thierry Dory

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Enrico Rava Special edition 80th Brithday Enrico Rava - trumpet & bugle Gianluca Petrella - trombone Francesco Diodati - guitar Giovanni Guidi - piano Gabriele Evangelista - bass guitar Enrico Morello - drums Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Don Pasquale, dramma buffo in three acts by Gaetano Donizetti (1797 - 1848) Libretto by Giovanni Ruffini and Gaetano Donizetti after 'Ser Marcantonio' by Angelo Anelli First performance in Paris, Théâtre Italien, February 3, 1843 Symphony Orchestra and Chorus of La Monnaie, Alain Altinoglu (Conductor) Académie des chœurs de la Monnaie Martino Faggiani (Chorus Master) Laurent Pelly (Stage Direction and costumes) Chantal Thomas (Sets), Duane Schuler (Lighting) Michele Pertusi (Don Pasquale) Lionel Lhote (Dottor Malatesta) Joel Prieto (Ernesto) Danielle De Niese (Norina) Alessandro Abis (A Notaro) Recorded at La Monnaie | De Munt, Brussels, 21 December 2018 TV Director, Anaïs et Olivier Spiro

Evgeny Kissin (piano) Frédéric Chopin (1810-1849) Three Nocturnes Robert Schumann (1810-1856) Piano Sonata no 3 in F minor op.14 Claude Debussy (1862-1918) Eight Preludes Alexander Scriabin (1872-1915) Piano Sonata no 4 in F sharp major op.30 Claude Debussy (1862-1918) Golliwog's cakewalk Recorded 22 July 2018 at the Verbier Festival TV Director, Pierre-Martin Juban

Lucerne Festival Orchestra, Riccardo Chailly (Conductor) Maurice Ravel (1875 - 1937) Valses nobles et sentimentales La Valse Daphnis et Chloé - Suites Nos. 1 & 2 Boléro Recorded at the KKL, Lucerne in 2018

Mahler Chamber Orchestra, Jakub Hrůša (conductor) Emmanuel Pahud (flute) Felix Mendelssohn (1809 - 1847) The Hebrides or Fingal's Cave. Concert Overture, Op. 26 Wolfgang Amadeus Mozart (1756 - 1791) Flute Concerto in G major, K. 313 (285c) Robert Schumann (1810 - 1856) Symphony No. 2 in C major, Op. 61 Recorded at the KKL Luzern, Concert Hall, as part of the Lucerne Festival, 27 August 2019

Roberto Fonseca Roberto Fonseca piano, claviers Joe Lovano saxophone Yandy Martinez contrebasse, basse Ruly Herrera batterie Andres Coayo Batista percussions Omara Portuondo voix Mayra Andrade voix Rossio Jimenez Blanco chœur Like all musicians born in Cuba and having grown-up in Havana, Roberto Fonseca came out of school ready for work. This multi-disciplinary aptitude enabled numerous projects and encounters. His contribution to Latin music was to have extended his roots into contemporary expression, often with instrumentation closer to that of modern jazz, and this, whilst not losing one ounce of poetry. Because it really is this capacity to make his public dream which characterises this composer/singer/arranger that his female admirers recognise from afar because of the hat which never leaves him and close up by the harmonious lines of his face. Adding on successes in Marciac like so many pearls on his musical necklace, Roberto Fonseca could almost stake claim to having the status of an event organiser. Using ingredients which guarantee his artistic longevity in the domain of Afrocubanism, he put on stage a new group of which the guests are Omara Portuondo, Mayra Andrade, Joe Lovano and an orchestra of pupils from the conservatoires of the Occitanie Region, conducted by Jean-Pierre Peyrebelle. Enregistré le 06 août 2019 à Jazz in Marciac Réalisateur,

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut