MEZZO

Yaron Herman trio Yaron Herman, Piano, KIeyboard Bastien Burger, Bass, Vocal, Keyboard Ziv Ravitz, drums, electronics Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Dø Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne TV Director, Fabien Raymond

John Coltrane (saxophone), McCoy Tyner (piano), Elvin Jones (drums), Jimmy Garrisson (bass). 'Vigil','Naema','My Favorite Things'. Recorded on 1966 at the Comblain La Tour Jazz Festival TV Director Serge Leroy

Guillaume Perret Guillaume Perret, saxophone, machines The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as 'a whirlwind of emotion' and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: 'Since there were many of all of us, there were already too many people.' You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Der Freischütz, opera in three acts by Carl Maria von Weber (1786 - 1826) Libretto by Friedrich Kind First performance in Berlin, Schauspielhaus, 18 June 1821 Teatro alla Scala Chorus and Orchestra, Myung-Whun Chung (Conductor) Matthias Hartmann (Stage Director) Raimund Voigt (Sets), Marco Filibeck (Lights), Michael Küster (Dramaturgy), Susanne Bisovsky, Josef Gerger (Costumes) Julia Kleiter (Agathe) Michael König (Max) Günther Groissböck (Kaspar) Michael Kraus (Ottokar) Eva Liebau (Äennchen) Franck van Hove (Kuno) Stephen Milling (Ein Eremit) Till Von Orlowsky (Kilian) Recorded on October 17, 2017 at the Teatro alla Scala, Milano TV Director, Jean-Pierre Loisil

The Nutcracker Music composer Pyotr Ilyich Tchaikovsky Choreography Ben Stevenson Libretto Marius Petipa - Ivan Aleksandrovic Vsevolozskij Based on The Nutcracker and the Mouse King Ernst Theodor Amadeus Hoffmann And The story of a Nutcracker Alexandre Dumas Père Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892 First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976 Production Estonian National Ballet Stage director Timothy O'Keefe Costume designer and set Thomas Boyd Light designer Tiit Urvik Music direction Mihhail Gerts Orchestra Orchestra del Teatro La Fenice Choir Piccoli Cantori Veneziani Choir Maestro Diana D'Alessio The Prince Vladislav Lantratov (The Bolshoi Theatre) Snow Queen Galina Laush Sugar Plum Fairy Alena Shkatula Clara Svetlana Danilova Fritz Bruno Micchiardi Drosselmeyer Viktor Yelisseyev The Nutcracker Michele Pellegrini Spanish dance Daria Günter Viktor Yelisseyev Matteo Di Loreto Arabian dance Heidi Kopti Alexander Kanaplyov Chinese dance Daniel Kirspuu Michele Pellegrini Mirlitons Nanae Maruyama Anastassia Savela Jonathan Hanks Trepak Sergey Upkin Mme Bonbonaire Vitaly Nikolayev Flower waltz soloists Marika Muiste Maxim Chukaryov Troupe of the Estonian National Ballet Tallinn Ballet School students Film director / Réalisation Stéphane Vérité GENERIQUE FIN Film director / Réalisation Stéphane Vérité Executive producer / Production déléguée Jean-Romain Sales

David Parsons Dance Company Choreographer, David Parsons Lights, Howell Bimkley The Envelope (1986) Music, Gioachino Rossini Costume, Judy Wirkula Hand Dance (2003) Original music , Kenji Bunch Costume, David Parsons Finding center (2015) Music, Thomas Newman Visual Art, Rita Blitt Costume, Natomi Luppescu Caught (1982) Music, Robert Fripp 'Let the Power fall' Costume, Judy Wirkula Lighting concept, David Parsons In the End (2005) Music, Dave Matthews Band Costume, Mia McSwain Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice TV Director, Yan Proefrock

Armenian State Symphony Orchestra, Sergey Smbatyan (Conductor) Aram Khachaturian (1903 - 1978) Symphony no 2 in E minor 'The Bell' Recorded at the Aram Khachaturian Concert Hall, Yerevan, 11 December 2017

Mariinsky Theater Orchestra, Valery Gergiev (Conductor) Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass) Modest Mussorgsky Prelude to Khovantchina Pictures of an exhibition Nikolai Rimsky-Korsakov The Tsar's Bride, Air of Marfa Piotr Tchaikovsky Iolanta, duo and final Sergei Rachmaninov Variations on a theme of Paganini Modest Mussorgsky Boris Godounov, air of Boris Sergei Prokofiev Concerto for piano and orchestra n ° 2 Rodion Shchedrin Solemn Overture Recorded at the Zaryadye Hall, Moscow, 8 September 2018 TV Director, François-René Martin

Trio Jimmy Mc Griff, Earl Hines & His all stars With Earl Hines (piano) Roy Eldridge (trumpette) Ben Webster(Tenor Sax) Bon Byas (Tenor Sax) Stuff SMITH (violin) Jimmy WOODE (bass) Kenny CLARKE (drums) Playlist - 'Boogie Woogie on Saint Louis Blues' -' Rosetta ' - ' Sweet Lorraine ' - ' Tenderly ' - ' Timme's Blues ' Recorded on 1967 at Comblain-la-tour Festival, Belgium TV Director, Pierre Badel

Avishai Cohen Trio Avishai Cohen (double bass and lyric) Omri Mor (Piano) Itamar Doari (percussion) Noam David (drums) During the course of recent decades, the bass player, singer, composer and leader of the Avishai CohenTrio has confirmed that he is currently one of the greatest bass players. It is however as a composer that he is asserting himself more and more. This concert is a mixture of of standards which are popular with his followers, but also some new compositions. Recorded on February 25th 2018 at the NOSPR Concert hall, Katowice, Zadymka Festival TV Director, Samuel Thiebaut

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Ralph's Nero blues' - 'Fugato from original sin' - 'Horo high the moon' - 'Pierrot' - 'Django' Recorded on1962 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Laurent Maur Quartet La dernière danse (The last dance) Laurent Maur, Harmonica Mario Canonge, Piano Felipe Cabrera, Double bass Pierre-Alain Tocanier, Drums Play list Enlacés (Eddy Louiss) Indifference (Tony Murena) La Derniére Danse, Marie-No (Laurent Maur) Benny's Dream (Larry Golding) Chef Larry (Laurent Maur) Vivo Sonhando (Antonio Carlos Jobim) Agua! (Felipe Cabrera) Don't Drink The Water (Donald Harrisson) Solo (Laurent Maur) La Javanaise (Serge Gainsbourg arrgt Thierry Lujan / L. Maur) Recorded on May 15, 2018 at the Studio de l'Ermitage TV Director, Loïc Léglise

John Coltrane (saxophone), McCoy Tyner (piano), Elvin Jones (drums), Jimmy Garrisson (bass). 'Vigil','Naema','My Favorite Things'. Recorded on 1966 at the Comblain La Tour Jazz Festival TV Director Serge Leroy

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Lulu Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha) Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora' First performance in Zürich, Stadtheater, 2 June 1937 The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor) William Kentridge (Stage Director) Catherine Meyburgh (Production Designer) Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting) Marlis Petersen (Lulu) Johan Reuter (Dr. Schön | Jack the Ripper) Susan Graham (Countess Geschwitz) Daniel Brenna (Alwa) Franz Grundheber (Schigolch) Martin Winkler (Animal Tamer | Acrobat) Paul Groves (Painter | African Prince) James Courtney (Physician | Professor | Policeman) Alan Oke (Prince | Manservant | Marquis) Elizabeth DeShong (Dresser | Schoolboy | Page) Julian Close (Theater Manager | Banker) Tyler Duncan (Journalist) Paul Corona (Servant) Kathryn Day (Designer) Ashley Emerson (Girl) Jane Shaulis (Mother) Recorded at the Metropolitan Opera, New York, 9 November 2015

The sleeping Beauty Choreography and Production, Nacho Duato Music, Peter I. Tschaikowsky Orchestra of the Deutsche Oper Berlin Musical Direction, Robert Reimer Sets and Costumes, Angelina Atlagic Light Design, Brad Fields King Florestan, Michael Banzhaf The Queen, Beatrice Knop Princess Aurora, Iana Salenko Prince Désiré, Marian Walter The Master of Cerimony , Arshak Ghalymyan The Nurse, Martina Böckmann Pages, Elvis Abazi et Ty Gurfein The Fairies and their suites Candid, Anastasia Kurkova et Dominic Hodal Wheat flour, Krasina Pavlova et Alexej Orlenco Falling breadcrumbs, Aurora Dickie et Kevin Pouzou Singing canary, Marina Kanno et Federico Spallitta Violant, Elena Pris et Olaf Kollmannserger Lilac Fairy, Sarah Mestrovic et Nikolay Korypaev Carabosse, Rishat Yulbarisov et Alexander Abdukarimov, Alexander Korn, Artur Lill, Vladislav Marinov, Lucio Vidal, Wei Wang Four Princes, Nikolay Korypaev, Kevin Pouzou, Alexej Orlenco, Olaf Kollmannserger The Duchess, Sebnem Gülseker Trio , Krasina Pavlova, Vladislav Marinov, Ulian Topor The Fairy Gems Sapphire, Anastasia Kurkova Amethyst, Krasina Pavlova Gold, Elena Pris et Olaf Kollmannserger Puss in Boots and White Pussycat, Danielle Muir et Ulian Topor The Bluebird and Princess Florine, Marina Kanno & Nikolay Korypaev Little Red Riding Hood and the Grey Wolf, Maria Boumpouli et Dominic Hodal Prince Florimond and the Princess, Lisa Breuker et Alexander Shpak Cinderella and the Prince, Aoi Suyama et Giacomo Bevilacqua The Beauty and the Beast, Xenia Wiest et Taras Bilenko Soloists and Corps de ballet of the Berlin Staatsballett Recording on October 2nd 2015 at the Deutsche Oper Berlin TV Director, Andy Sommer

Armenian State Symphony Orchestra, Sergey Smbatyan (Conductor) Aram Khachaturian (1903 - 1978) Symphony no 2 in E minor 'The Bell' Recorded at the Aram Khachaturian Concert Hall, Yerevan, 11 December 2017

Mariinsky Orchestra, Valery Gergiev (Conductor) Piotr I. Tchaikovsky (1840 - 1893) Symphony No.3 in D major, 'Polish Symphony', op. 29 Symphony No. 6 in B minor, 'Pathétique', op. 74 Recorded at the Zaryadye Hall, Moscow, 8 September 2019 TV Director, François-René Martin

Manon Lescaut, dramma lirico in four acts by Giacomo Puccini (1858- 1924) Libretto by Luigi Illica and Domenico Oliva after 'L'histoire du Chevalier Des Grieux et de Manon Lescaut' by Antoine-François Prévost First performance in Milan, Teatro alla Scala, 7 February 1894 Orchestra and choirs et from the Royal Opera of Wallonia-Liège, Speranza Scappucci (conductor) Pierre Iodice (chorus master) Jean-Gabriel Raelet (Konzertmeister) Stefano Mazzonis Di Pralafera (Stage Director) Jean-Guy Lecat (set), Fernand Ruiz (costumes), Franco Marri (lighting) Anna Pirozzi (Manon) Marcello Giordani (Des Grieux) Ionut Pascu (Lescaut) Marcel Vanaud (Geronte) Marco Ciaponi (Edmondo) Alexise Yerna (Il Musico) Patrick Delcour (L'Oste & Il Sergente) Pietro Picone (Il Maestro di ballo) Recorded on September 28, 2017 at the Royal Opera of Wallonia-Liège TV Director, Nicolas Foulon

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Wynton Marsalis Septet with special guest Naseer Shamma Wynton Marsalis (trumpet), Dan Nimmer (piano), Carlos Henriquez (Double bass), Ali Jackson (drums), Walter Blanding (Saxophone tenor), Jeffery Miller (Trombone), Immanuel Wilkins (Saxophone), Naseer Shamma (oud) Recorded on August 7th 2017 at Jazz in Marciac TV Director, Jean-Marc Birraux

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Lonely woman' d'Ornette Coleman - 'Animal dance final' de John Lewis - 'Columbine' de John Lewis - 'Concorde' de John Levis - 'Bags groove' de Milt Jackson Recorded on1963 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit

Kurt Elling & National Polish Radio Orchestra Kurt Elling (lyric) Stu Mindeman (piano) Clark Sommers (double bass) John McLean (guitar) Christian Euman (drums) National Polish Radio Symphony Orchestra Alexandra Humali (conductor) Kurt Elling will perform certain pieces from his recent albums but also interpretations of modern jazz standards and of course, a few improvisations. Recorded on February 25th 2018 at the NOSPR Concert hall, Katowice, Zadymka Festival TV Director, Samuel Thiebaut

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Mariinsky Orchestra, Valery Gergiev (Conductor) Piotr I. Tchaikovsky (1840 - 1893) Symphony No. 2 in C minor, 'Little Russia', op. Symphony No. 5 in E minor, op. 64 Recorded at the Zaryadye Hall, Moscow, 7 September 2019 TV Director, François-René Martin

Alexandre Kantorow (piano) Johannes Brahms (1833 - 1897) Rhapsody no 1, op.79 Franz Liszt (1811 - 1886) Chasse Neige (Douze études d'exécution transcendante) Béla Bartók (1881 - 1945) Rhapsody for Piano op.1 Johannes Brahms Piano Sonata no 2, Op. 2 Gabriel Fauré (1845 - 1924) Nocturne no 6, op. 63 Enregistré le 23 septembre 2019 à la Fondation Louis Vuitton, Paris

Béla Fleck & the Flecktones Béla Fleck (Banjo) Victor Wooten (Bass guitar) Futureman (Percussions) Howard Levy (Harmonica) Banjo virtuoso Béla Fleck and his supremely talented Flecktones-Victor Wooten, Futureman and Howard Levy-are globally renowned for their magisterial performances and musical potpourri seasoned with bluegrass, African music, electric blues and Eastern European folk. Eight years after their last Festival visit, they finally make a highly anticipated return. Unmissable. Live from the Montreal Jazz Festival, Maisonneuve Theater TV Director, Mathieu Mastin

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Yamandu Costa and Vincent Peirani Yamandu Costa (Guitar) Vincent Peirani (Accordion) A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Der Freischütz, opera in three acts by Carl Maria von Weber (1786 - 1826) Libretto by Friedrich Kind First performance in Berlin, Schauspielhaus, 18 June 1821 Teatro alla Scala Chorus and Orchestra, Myung-Whun Chung (Conductor) Matthias Hartmann (Stage Director) Raimund Voigt (Sets), Marco Filibeck (Lights), Michael Küster (Dramaturgy), Susanne Bisovsky, Josef Gerger (Costumes) Julia Kleiter (Agathe) Michael König (Max) Günther Groissböck (Kaspar) Michael Kraus (Ottokar) Eva Liebau (Äennchen) Franck van Hove (Kuno) Stephen Milling (Ein Eremit) Till Von Orlowsky (Kilian) Recorded on October 17, 2017 at the Teatro alla Scala, Milano TV Director, Jean-Pierre Loisil

Martha Argerich, Daniel Barenboim (piano and four hands piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata for two pianos in D major KV 448 Franz Schubert (1797 - 1828) Variations on an Original Theme, for piano, 4 hands in A-flat Major, D. 813 (Op.35) Igor Stravinsky (1882 - 1971) Le Sacre du Printemps (Version for piano, 4 hands) Recorded at the Philharmonie, Berlin, on April 2014

Munich Philharmonic Orchestra, Valery Gergiev (Conductor) Anton Bruckner (1824-1896)/Rudolf Krzyzanowski (1859-1911) Symphonic Prelude in C minor Anton Bruckner Symphony No. 5 in Bb major, WAB 105 (1875-76, rev. 1877-78) Recorded at Saint Florian Abbey, Linz, 26 September 2019 TV Director, François-rené Martin

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

Charles Mingus & Eric Dolphy With Charles Mingus (double bass) Eric Dolphy (Alto Sax , Flute, Bass Clarinet) Clifford Jordan (Tenor Sax) Jaki Byard (Piano) Dannie Richmond (Drums) Playlist - 'Farewell' - 'Carlye Goodbye' - 'Meditations Recorded on1965 at the Palais des congrès de Liège TV Director, Serge Leroy

Donald Brown All Stars Donald Brown, piano Steve Nelson, vibraphone Ed Cherry, guitar Darryl Hall, double bass Jean Toussaint, saxophone Eric Harland, drums Line up The early bird gets the short end of the stick (Donald Brown) Up next, soul broter herlin riley (Donald Brown) Hearts that Smile - for Trayvon, Tamir & Sandra (Donald Brown) The Only thing greater than yourself (Donald Brown) At 63 years of age, Donald Brown is not only one of the indispensable composers of his generation, the prolific author of over 400 works, but he's also one of the great thinkers of the world of jazz and blues. A highly respected personality and acknowledged by all jazz musicians, the magician of Memphis is especially bringing together an 'all stars' for the 30 years of the festival. Recorded on October 27th at the Festival Jazz en Tête TV Director, Guillaume Dero

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Lonely woman' d'Ornette Coleman - 'Animal dance final' de John Lewis - 'Columbine' de John Lewis - 'Concorde' de John Levis - 'Bags groove' de Milt Jackson Recorded on1963 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Boubacar Traoré live at the Paris Jazz Festival Boubacar Traoré guitar, vocal Vincent Bucher, harmonica Babah Koné, calabash TV director, Stéphane Jourdain Recorded on July 11th 2015 at the Parc Floral de Vincennes

Ambrose Akinmusire Quartet Ambrose Akinmusire (trumpet) Sam Harris (piano), Harish Raghavan (bass guitar), Justin Brown (drums) This young trumpet player (aged 36), an American of Nigerian heritage, has an impeccable background (from Berkeley High School to the first prize in the Thelonious Monk competition in 2007), but is much more than an impressive academic CV. He aims to create a personal world 'dedicated to beauty'. Akinmusire was born and raised in Oakland, California and first attracted the attention of the saxophonist Steve Coleman, who asked him to join Five Elements. Ambrose Akinmusire was then 19. He released his first album, 'Prelude (To Cora)', and moved to New York, where he played with Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. In 2010, he worked with Terri Lyne Carrington, Ron Carter, Wallace Roney, Herbie Hancock and Wayne Shorter. Everyone could see that this creative and surprising trumpet player would be a name to watch in contemporary jazz. This view was shared by the Blue Note label, who signed him up. The albums 'When the Heart Emerges Glistening' and 'The Imagined Savior is Far Easier to Paint' were released in 2011 and 2014. The artist draws his landscapes, visions, ideas and states of mind - pure grace! Akinmusire explores the two sides of his temperament: introspection and lyrical ebullience. In summer 2017, he released 'A Rift in Decorum - Live at the Village Vanguard', a double CD recorded at the legendary club in New York, featuring 16 new compositions in two wide-ranging sets, in defiance of gravity. Recorded on July 9, at the Festival Jazz à Vienne TV Director, Fabien Raymon

Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit

Swan Lake Ballet in three acts Libretto by Vladimir Begichev and Vasily Geltser Music, Piotr Ilyich Tchaikovsky Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister Choreographic version, Valery Kovtun (premiered in 1986) Stage Designer, Maria Levitskaya Costumes, Oxana Zinchenko Ballet Company of The National opera of Ukraine Orchestra of The National opera of Ukraine Musical direction, Mykola Dyadura (Odette/ Odile) Natalia Matsak (Prince Siegfried) Denys Nedak (Rothbart), Yaroslav Tkachuk (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina (Venetian Dance) Oleksandre Skulkine (The Tutor) Sergey Litvinenko (The Knight) Vladislav Ivashchenko (The Queen) Ludmila Melnik

Salue pour moi le monde! Choreography by Joëlle Bouvier After Tristan und Isolde with different music pieces by Richard Wagner Choreography assistants, Emilio Urbina et Rafael Pardillo Sccnography, Émilie Roy Costumes, Sophie Hampe Lights, Renaud Lagier With the Ballet of the Grand Théâtre de Genève Recorded on May 27th 2015 at the Bâtiment des Forces Motrices (Genève) TV Director, Stéphane Lebard

Lulu Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha) Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora' First performance in Zürich, Stadtheater, 2 June 1937 The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor) William Kentridge (Stage Director) Catherine Meyburgh (Production Designer) Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting) Marlis Petersen (Lulu) Johan Reuter (Dr. Schön | Jack the Ripper) Susan Graham (Countess Geschwitz) Daniel Brenna (Alwa) Franz Grundheber (Schigolch) Martin Winkler (Animal Tamer | Acrobat) Paul Groves (Painter | African Prince) James Courtney (Physician | Professor | Policeman) Alan Oke (Prince | Manservant | Marquis) Elizabeth DeShong (Dresser | Schoolboy | Page) Julian Close (Theater Manager | Banker) Tyler Duncan (Journalist) Paul Corona (Servant) Kathryn Day (Designer) Ashley Emerson (Girl) Jane Shaulis (Mother) Recorded at the Metropolitan Opera, New York, 9 November 2015

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019 TV Director, François-René Martin

Alexandre Kantorow (piano) Johannes Brahms (1833 - 1897) Rhapsody no 1, op.79 Franz Liszt (1811 - 1886) Chasse Neige (Douze études d'exécution transcendante) Béla Bartók (1881 - 1945) Rhapsody for Piano op.1 Johannes Brahms Piano Sonata no 2, Op. 2 Gabriel Fauré (1845 - 1924) Nocturne no 6, op. 63 Enregistré le 23 septembre 2019 à la Fondation Louis Vuitton, Paris

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Vadim Gluzman (violin) David Azagra Prélude (World Premiere) Ludwig van Beethoven (1770 - 1827) Concerto for violin and orchestra in D major, op. 61 Béla Bartók (1881 - 1945) The Wooden Prince, op. 13, Sz. 60 Recorded on March 4th, 2016, in Toulouse Directed by Jean-Pierre Loisil

Arthur Possing Quartet Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions Sebastian 'Schlapbe' Flach, double bass Pit Huberty, drums Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director,

Jean-Jacques Milteau What's That Sound at the Paris Jazz Festival JJ Milteau, harmonicas Manu Galvin, guitar Ronald Smyth vocal Michael Robinson vocal Eric Lafont drums Gilles Michel bass Guest Mathis Haug TV Director, Stéphane Jourdain Recorded on June 16th 2013 at the Parc Floral de Vincennes

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

We Love Ella The Amazing Keystone Big Band Bastien Ballaz, Aloïs Benoit, Loïc Bacheveillier, Sylvain Thomas (trombones) Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones) David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets) Fred Nardin (piano), François Thibaut (Guitar) Patrick Maradan (Double Bass) Romain Sarron (Drums) Guests Célia Kaméni (vocal) China Moses (vocal) Sarah McKenzie (vocal, piano) The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had ???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel TV Director,Laurent Hasse