MEZZO

Mariinsky Orchestra, Valery Gergiev (Conductor) Piotr I. Tchaikovsky (1840 - 1893) Symphony No. 2 in C minor, 'Little Russia', op. Symphony No. 5 in E minor, op. 64 Recorded at the Zaryadye Hall, Moscow, 7 September 2019 TV Director, François-René Martin

Mariinsky Orchestra, Valery Gergiev (Conductor) Denis Matsuev (piano) Rodion Shchedrin (b. 1932) Piano Concerto no 2 Symphonic Diptych Modest Mussorgsky (1839 - 1881) Pictures at an Exhibition (orch. Maurice Ravel) Recorded at the Zaryadye Hall, Moscow, 4 November 2019 Directed by Corentin Leconte

Magnetic Ensemble @ D'Jazz Nevers Antonin Leymarie, artistic direction, composition, drums Benjamin Flament, treated metallic percussions, vibraphone Sylvain Lemêtre, digital and orchestral percussions Linda Olah, voice Fabrizio Rat, prepared piano Adrien Spirli, bass synthesizer Adrian'Aladin' Bourget, sound designer Thomas Veyssière, scenoraphy, lights Guest François Corneloup, saxophone In my heart (Antonin Leymarie) Victory (Antonin Leymarie, Marine Pellegrini) S'abaisse (Antonin Leymarie) Butterfly (Antonin Leymarie) La Fabuleuse (Antonin Leymarie) Dancing Alone (Antonin Leymarie) What to you call a birthday party that doesn't end on the dance floor? A fiasco! No danger of this with the Magnetic Ensemble. They turned the Maison de la Culture into a proper dance floor. No beatbox for Antonin Leymarie's quintet. Why use one when you can do so much better yourself? Techno has not been very popular with jazzmen, largely for its lack of flexibility (a rigid tempo, a uniformity of sound). The Magnetic Ensemble picks up the challenge and demonstrates brilliantly that techno can be human, very human. Prepare yourself for a technoid trance, slow, progressive, polyrhythmic, irresistible, wild, frenzied. This music is made for movement! Recorded on November 12th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, hall) TV Director, Samuel Thiebaut

Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director , guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,

El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que !? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director,

Luisa Miller 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849 The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor) Elijah Moshinsky, Gregory Keller (Stage Director) Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa) Piotr Beczala (Rodolfo) Plácido Domingo (Miller) Alexander Vinogradov (Count Walter) Dmitry Belosselskiy (Wurm) Olesya Petrova (Federica) Rihab Chaieb (Laura) Patrick Miller (Peasant) Recorded at the Metropolitan Opera, New York, 14 April 2018 Directed by Matthew Diamond

Berliner Philharmoniker, Riccardo Muti (conductor) Chor des Bayerischen Rundfunks Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass) Giuseppe Verdi (1813 - 1901) Messa da Requiem Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019 Directed by Nele Münchmeyer

Strada Quartet, Romain Descharmes (piano) Johannes Brahms (1833 - 1897) Piano Quintet in F minor, op. 34 Recorded June 8, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Wynton Marsalis Septet with special guest Naseer Shamma Wynton Marsalis (trumpet), Dan Nimmer (piano), Carlos Henriquez (Double bass), Ali Jackson (drums), Walter Blanding (Saxophone tenor), Jeffery Miller (Trombone), Immanuel Wilkins (Saxophone), Naseer Shamma (oud) Recorded on August 7th 2017 at Jazz in Marciac TV Director, Jean-Marc Birraux

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Ralph's Nero blues' - 'Fugato from original sin' - 'Horo high the moon' - 'Pierrot' - 'Django' Recorded on1962 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Laurent Maur Quartet La dernière danse (The last dance) Laurent Maur, Harmonica Mario Canonge, Piano Felipe Cabrera, Double bass Pierre-Alain Tocanier, Drums Play list Enlacés (Eddy Louiss) Indifference (Tony Murena) La Derniére Danse, Marie-No (Laurent Maur) Benny's Dream (Larry Golding) Chef Larry (Laurent Maur) Vivo Sonhando (Antonio Carlos Jobim) Agua! (Felipe Cabrera) Don't Drink The Water (Donald Harrisson) Solo (Laurent Maur) La Javanaise (Serge Gainsbourg arrgt Thierry Lujan / L. Maur) Recorded on May 15, 2018 at the Studio de l'Ermitage TV Director, Loïc Léglise

Roland Kirk Quartet With Rahsaan Roland Kirk (Sax, flute, clarinet) George Gruntz (piano) Guy Pedersen (double bass) Daniel Humair (Drums) Playlist : Moon Song, Lover, Three For The Festival, Yesterdays, Milestones Recorded on 1964 at the Paris Jazz festival TV Director, Serge Leroy

Archie Shepp, musical direction, saxophones Ambrose Akinmusire, trumpet Jason Moran, piano Richard Davis, double bass Billy Hart, drums With guests: Marion Rampal, voice Izidor Leitinger, trumpet Sébastien Llado, trombone Jean-Philippe Scali, baritone saxophone Playlist Naima - John Coltrane - Arranged by Izidor Leitinger Cousin Mary - John Coltrane - Arranged by Izidor Leitinger Blasé - Archie Shepp Prelude to a Kiss - Duke Ellington Los Olvidados - Archie Shepp In 1960, Archie Shepp attended a concert by John Coltrane at the Five Spot, the mythical club on the Lower East Side. Totally fascinated, he decided to pick up the tenor saxophone. Five years later, Shepp - already a reference in the world of free jazz - recorded alongside his hero. The resulting album, 'Ascension', was released in 1966, and remains today one of the great monuments of free improvisation. To celebrate the fiftieth anniversary of Coltrane's death - at the age of forty - the most Parisian representative of the New York avant-garde pays tribute to the brilliant composer of 'A Love Supreme', with a Franco-American all-star band not unlike that which recorded the revolutionary 'Ascension'. A giant of jazz pays tribute to one of his gods... Recorded on September 3rd 2016 at the Grande Halle of la Villette TV Director, Frank Cassenti

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

The Necks Chris Abrahams, piano Tony Buck, drums Lloyd Swanton, bass From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin

Youn Sun Nah Youn Sun Nah, voice Tomek Miernowski, guitars, piano, synthesizer , programming Rémi Vihnolo, drums, double bass, electric bass, programming A decade after the release of Same Girl, recording marking the consecration in 2010 of Youn Sun Nah, she continues to assert herself as a singer resolutely not to be classified, whose all-embracing virtuoso voice can handle jazz, improvisation, opera, pop and world music. With her recent album, a polished made in-studio immersion with the complicity of her producer-arranger Clément Ducol, the Korean has produced her most personal work to date: apart from the revisiting of an eclectic repertoire from Albéniz to Michel Legrand and George Harrison, Marvin Gaye and Leonard Cohen, she leaves plenty of room for the first time for her own compositions, thus confirming a singular talent as a songwriter. An explosive cocktail, which can be taken full advantage of on stage with the complicity of Tomek Miernowski on guitars and keyboards as well as the phenomenal Rémi Vignolo, just as at ease on the drums as on the double bass. Recorded at the D'jazz Nevers on November 16, 2019 TV Director, Samuel Thiebaut

Carmen Johan Inger, choreographer Urtzi Aranburu, choreography assistant Compañia Nacional de Danza José Carlos Martinez, artistic director Musical extracts by Georges Bizet and Rodion Shchedrin Marc Álvarez, Original music Crut Allen Wilmer (AAPEE), Scenography Tom Visser, Lighting designer David Delfín, costume designer Gregor Acuña-Pohl, Dramaturgy Compañia Nacional de Danza With Kayoko Everhart (Carmen) Daan Vervoort (Don José) Leona Sivôs (The child) Isaac Montllor (Escamillo) Toby William Mallitt (ZÚÑIGA) Álvaro Madrigal, Ion Agirretxe, Juan José Carazo, Erez Ilan (The dogs) Agirretxe, Erez Ilan (Two shadows ) Rodrigo Sanz, Benjamin Poirier (The soldiers) Ana Pérez-Nievas, Elisabet Biosca, Mar Aguiló, Agnès López, Aída Badía, Shani Peretz, Sara Fernández (The girls) Recorded on October 20th 2017 at the Coursive Theater , La Rochelle, France TV Director, Stéphane Lebard

Romeo and Juliet Choreography by Goyo Montero Compañía Nacional de Danza Artistic director, José Martinez Orquesta Sinfonica de Madrid Koen Kessels, conductor Music by Serge Prokofiev Shakespeare's mythical creation has been broadcasted at the Royal Theater of Madrid (Teatro Real); it has been adapted for ballet by Goyo Montero (Artistic Director of Opera of Nuremberg's Ballet Company) and greatly performed by dancers of the National Ballet and Contemporary Dance Company of Spain (Artistic Director José Carlos Martinez). The music of Prokofiev was played during the performance and performed by the Madrid Symphonic Orchestra. TV Director, Jean-Marie David Recorde at the Teatro Real in 2013

Roméo et Juliette Opéra in five acts by Charles Gounod (1818 - 1893) Libretto by Jules Barbier and Michel Carré after William Shakespeare's play First performance in Paris, Théâtre Lyrique, 27 April 1867 Orchestra & Chorus of the Grand Teatre del Liceu, Josep Pons (Conductor) Conxita Garcia (Chorus Master) Stephen Lawless (Stage Direction) Ashley Martin Davis (Sets & Costumes), Mimi Jordan Sherin (Lighting Designer), Nicola Bowie (Choreography) Aida Garifullina (Juliette) Saimir Pirgu (Roméo) Tara Erraught (Stéphano) Susanne Resmark (Gertrude) David Alegrt (Tybalt) Beñat Egiarte (Benvolio) Gabriel Bermúdez (Mercutio) Isaac Galán (Pâris) Germán Olvera (Grégorio) Ruben Amoretti (Capulete) Nicola Ulivieri (Frère Laurent) Stefano Palatchi (Le Duc) Dimitar Darlev (Frère Jean) Recorded on February 22 & 27, 2018 at the Gran Teatre del Liceu, Barcelona Directed by Benoît Toulemonde

Fidelio Opera in two acts by Ludwig van Beethoven (1770 - 1827) Libretto by Joseph Sonnleitner and Stephan von Breuning First performance in Vienna, Theater and der Wien, 20 November 1805 Wiener Symphoniker Manfred Honeck (Conductor) Arnold Schoenberg Chor Christoph Waltz (Stage Director) Barkow Leibinger (Sets), Judith Holste (Costumes), Henry Braham (Lighting) Eric Cutler (Florestan) Nicole Chevalier (Leonore) Gábor Bretz (Don Pizarro) Christof Fischesser (Rocco) Károly Szemerédy (Don Fernando) Benjamin Hulett (Jaquino) Anna Lucia Richter (Marzelline) Recorded at the Theater an der Wien, Vienna, 20 March 2020

Berliner Philharmoniker, Simon Rattle (Conductor) Elina Garanca (mezzo-soprano) Richard Strauss (1864 - 1949) Don Juan op. 20 Alban Berg (1885 - 1935) Sieben frühe Lieder for voice and orchestra Maurice Ravel (1875 - 1937) Shéhérazade Igor Stravinsky (1882 - 1971) Pétrouchka (1947) Recorded at the Festspielhaus, Baden-Baden, 25 March 2019 Directed by Nele Münchmeyer

Les Dissonances, David Grimal (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no. 7 in A major, op. 92 Igor Stravinsky (1882 - 1971) Le Sacre du printemps Recorded on October 26, 2017 at the Philharmonie de Paris Directed by Frédéric Delesques

Boubacar Traoré live at the Paris Jazz Festival Boubacar Traoré guitar, vocal Vincent Bucher, harmonica Babah Koné, calabash TV director, Stéphane Jourdain Recorded on July 11th 2015 at the Parc Floral de Vincennes

Donald Brown All Stars Donald Brown, piano Steve Nelson, vibraphone Ed Cherry, guitar Darryl Hall, double bass Jean Toussaint, saxophone Eric Harland, drums Line up The early bird gets the short end of the stick (Donald Brown) Up next, soul broter herlin riley (Donald Brown) Hearts that Smile - for Trayvon, Tamir & Sandra (Donald Brown) The Only thing greater than yourself (Donald Brown) At 63 years of age, Donald Brown is not only one of the indispensable composers of his generation, the prolific author of over 400 works, but he's also one of the great thinkers of the world of jazz and blues. A highly respected personality and acknowledged by all jazz musicians, the magician of Memphis is especially bringing together an 'all stars' for the 30 years of the festival. Recorded on October 27th at the Festival Jazz en Tête TV Director, Guillaume Dero

Kurt Elling & National Polish Radio Orchestra Kurt Elling (lyric) Stu Mindeman (piano) Clark Sommers (double bass) John McLean (guitar) Christian Euman (drums) National Polish Radio Symphony Orchestra Alexandra Humali (conductor) Kurt Elling will perform certain pieces from his recent albums but also interpretations of modern jazz standards and of course, a few improvisations. Recorded on February 25th 2018 at the NOSPR Concert hall, Katowice, Zadymka Festival TV Director, Samuel Thiebaut

Ari Hoenig Trio Ari Hoenig, drums Nitai Hershkovits , piano Or Bareket , bass Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Lonely woman' d'Ornette Coleman - 'Animal dance final' de John Lewis - 'Columbine' de John Lewis - 'Concorde' de John Levis - 'Bags groove' de Milt Jackson Recorded on1963 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Rymden Bugge Wesseltoft, piano Dan Berglund; double bass Magnus Ostrom, drums When the rhythmic section of the mythical Swedish jazz group played again for the first time in trio since the passing of Esbjörn Svensson, it produces Rymden (space in the French version) - logical for blokes who are into atmospheric sounds. Alongside them, one of the most exciting pianists of the Nordic jazz scene. Founder of the thrilling label Jazzland and pillar of cross-overs between impro and electro, Bugge Wesseltoft is very much an ideal playing partner. A 'young' trio filled with experience(s). Recording at the Tourcoing Jazz Festival on October 12, 2019 TV Director, Samuel Thiebaut

E.J. STrickland Quintet Enoch Jamal 'E.J.' Strickland, drums Godwin Louis, alto saxophone Marcus Strickland, Saxophone Taber Gable, Piano Josh Ginsburg, Bass Over about ten years, the drummer E.J. Strickland has appeared on more than 60 albums. He has toured with Cassandra Wilson, Terence Blanchard, Wynton Marsalis, Vincent Herring, Nnenna Freelon, to mention but a few. With his twin brother, the saxophonist Marcus Strickland, co-leader of the group, he is certainly one of the most innovative entertainers of the new generation. Recorded on October 27th at the Festival Jazz en Tête TV Director, Gilles Le Mao

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Der Freischütz, opera in three acts by Carl Maria von Weber (1786 - 1826) Libretto by Friedrich Kind First performance in Berlin, Schauspielhaus, 18 June 1821 Teatro alla Scala Chorus and Orchestra, Myung-Whun Chung (Conductor) Matthias Hartmann (Stage Director) Raimund Voigt (Sets), Marco Filibeck (Lights), Michael Küster (Dramaturgy), Susanne Bisovsky, Josef Gerger (Costumes) Julia Kleiter (Agathe) Michael König (Max) Günther Groissböck (Kaspar) Michael Kraus (Ottokar) Eva Liebau (Äennchen) Franck van Hove (Kuno) Stephen Milling (Ein Eremit) Till Von Orlowsky (Kilian) Recorded on October 17, 2017 at the Teatro alla Scala, Milano TV Director, Jean-Pierre Loisil

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Symphony no 7 in A major, op. 92 Recorded at the Opéra Royal, Versailles, 14 March 2020

Ensemble Vox Luminis, Lionel Meunier (Conductor) Sara Jäggi, Zsuzsi Tóth, Stefanie True, Caroline Weynants (soprani), Jan Kullman, Daniel Elgersma (alti), Robert Buckland, Philippe Froeliger (tenors), Sebastian Myrus, Lionel Meunier (basses) Ensemble Masques, Olivier Fortin (artistic direction) Sophie Gent, Tuomo Suni (violins), Kathleen Kajioka (viola), Mélisande Corriveau (viola da gambe), Benoît Vanden Bemden (violone), Olivier Fortin (harpsichord, organ) Dietrich Buxtehude Gott hilf mir, denn das Wasser geht mit bis an die Seele, BuxWV 34 Sonata in A minor BuxWV 272 Cantata BuxWV 10 Jesu, meines Lebens Leben, BuxWV 62 Cantata BuxWV 77 Sonata in B flat major BuxWV 255 Herzlich lieb hab ich dich, o Herr, BuxWV 41 Recorded on January 27, 2017 at the AMUZ, Antwerp Directed by Sonia Paramo

Daniel Barenboim (piano) Frédéric Chopin (1810 - 1849) Etudes, op. 25 (No. 1 in A flat major, No. 2 in F minor, No. 7 in C sharp minor) Etudes, op. 10 (n ° 4 in C sharp minor, n ° 6 in E flat minor, nº8 in F major) Nocturne, op. 15 No. 2 in F sharp major Ballade No. 1 in G minor, op. 23 Recorded at the Pierre Boulez Saal, Berlin, 19 April 2020

The sleeping Beauty Choreography and Production, Nacho Duato Music, Peter I. Tschaikowsky Orchestra of the Deutsche Oper Berlin Musical Direction, Robert Reimer Sets and Costumes, Angelina Atlagic Light Design, Brad Fields King Florestan, Michael Banzhaf The Queen, Beatrice Knop Princess Aurora, Iana Salenko Prince Désiré, Marian Walter The Master of Cerimony , Arshak Ghalymyan The Nurse, Martina Böckmann Pages, Elvis Abazi et Ty Gurfein The Fairies and their suites Candid, Anastasia Kurkova et Dominic Hodal Wheat flour, Krasina Pavlova et Alexej Orlenco Falling breadcrumbs, Aurora Dickie et Kevin Pouzou Singing canary, Marina Kanno et Federico Spallitta Violant, Elena Pris et Olaf Kollmannserger Lilac Fairy, Sarah Mestrovic et Nikolay Korypaev Carabosse, Rishat Yulbarisov et Alexander Abdukarimov, Alexander Korn, Artur Lill, Vladislav Marinov, Lucio Vidal, Wei Wang Four Princes, Nikolay Korypaev, Kevin Pouzou, Alexej Orlenco, Olaf Kollmannserger The Duchess, Sebnem Gülseker Trio , Krasina Pavlova, Vladislav Marinov, Ulian Topor The Fairy Gems Sapphire, Anastasia Kurkova Amethyst, Krasina Pavlova Gold, Elena Pris et Olaf Kollmannserger Puss in Boots and White Pussycat, Danielle Muir et Ulian Topor The Bluebird and Princess Florine, Marina Kanno & Nikolay Korypaev Little Red Riding Hood and the Grey Wolf, Maria Boumpouli et Dominic Hodal Prince Florimond and the Princess, Lisa Breuker et Alexander Shpak Cinderella and the Prince, Aoi Suyama et Giacomo Bevilacqua The Beauty and the Beast, Xenia Wiest et Taras Bilenko Soloists and Corps de ballet of the Berlin Staatsballett Recording on October 2nd 2015 at the Deutsche Oper Berlin TV Director, Andy Sommer

Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Ari Hoenig Trio Ari Hoenig, drums Nitai Hershkovits , piano Or Bareket , bass Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin

Bill Frisell Trio Bill Frisell, guitar Thomas Morgan, bass Rudy Royston, drums One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia TV Director, Mathieu Mastin

Donald Brown All Stars Donald Brown, piano Steve Nelson, vibraphone Ed Cherry, guitar Darryl Hall, double bass Jean Toussaint, saxophone Eric Harland, drums Line up The early bird gets the short end of the stick (Donald Brown) Up next, soul broter herlin riley (Donald Brown) Hearts that Smile - for Trayvon, Tamir & Sandra (Donald Brown) The Only thing greater than yourself (Donald Brown) At 63 years of age, Donald Brown is not only one of the indispensable composers of his generation, the prolific author of over 400 works, but he's also one of the great thinkers of the world of jazz and blues. A highly respected personality and acknowledged by all jazz musicians, the magician of Memphis is especially bringing together an 'all stars' for the 30 years of the festival. Recorded on October 27th at the Festival Jazz en Tête TV Director, Guillaume Dero

Charles Mingus & Eric Dolphy With Charles Mingus (double bass) Eric Dolphy (Alto Sax , Flute, Bass Clarinet) Clifford Jordan (Tenor Sax) Jaki Byard (Piano) Dannie Richmond (Drums) Playlist - 'Farewell' - 'Carlye Goodbye' - 'Meditations Recorded on1965 at the Palais des congrès de Liège TV Director, Serge Leroy

Avishai Cohen trio 'Gently Disturbed' 10th Anniverary Avishai Cohen - double bass Shai Maestro - piano Noam David - drums Ten years after the release of Gently Disturbed, this Israeli bassist re-engages with his two accomplices in the trio that sparked it all: pianist Shai Maestro and drummer Mark Guiliana. Recorded on August 31, 2018 at the Pierre Boulez Hall, Philharmonie de Paris, Jazz à la villette TV Director

Mariinsky Orchestra, Valery Gergiev (Conductor) Piotr I. Tchaikovsky (1840 - 1893) Symphony No.3 in D major, 'Polish Symphony', op. 29 Symphony No. 6 in B minor, 'Pathétique', op. 74 Recorded at the Zaryadye Hall, Moscow, 8 September 2019 TV Director, François-René Martin

Trio Zadig Ian Barber (piano), Boris Borgolotto (violin), Marc Girard Garcia (cello) Piotr Ilych Tchaikovsky (1840 - 1893) Piano Trio in A minor, op. 50 Dmitri Shostakovich (1906 - 1975) Piano Trio no. 2 in E minor, op. 67 Recorded on 1, 2 & 3 september 2017 at the Auditorium St Pierre des Cuisines, Toulouse Directed by Patrick Lauze

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Vadim Gluzman (violin) David Azagra Prélude (World Premiere) Ludwig van Beethoven (1770 - 1827) Concerto for violin and orchestra in D major, op. 61 Béla Bartók (1881 - 1945) The Wooden Prince, op. 13, Sz. 60 Recorded on March 4th, 2016, in Toulouse Directed by Jean-Pierre Loisil

Les Dissonances, David Grimal (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no. 7 in A major, op. 92 Igor Stravinsky (1882 - 1971) Le Sacre du printemps Recorded on October 26, 2017 at the Philharmonie de Paris Directed by Frédéric Delesques

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Christian Scott aTunde Adjuah Christian Scott, trumpet, Reverse Flugel, Sirenette Lawrence Fields, piano and keyboard Max Moran (b) Mike Mitchell, percussion Elena Pinderhughes, flute Weedie Braimah, drums 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival TV Director, Fabien Raymond

China Moses China Moses, vocals Luigi Grasso, saxophone, keyboard Joe Armon Jones, piano Neil Charles, bass Marijus Aleksa, drums China Moses is an outstanding American vocalist and the daughter of the famous jazz singer Dee Dee Bridgewater (the headliner at the fourth Alfa Jazz Fest) and Gilbert Moses. She was born in Los Angeles and later moved to Paris. She released her first single, 'Time' (1996), at the age of 16. Her first albums brought her success and fame in France on the soul and pop scene. In addition to her career as a singer and backing vocalist, she also works as a host at Radio Nova and MTV in France. In 2008, she launched her own production company, MadeInChina Productions. In 2009, she released an album called This One's for Dinah (Blue Note France), a tribute to Dinah Washington. Her next album, Crazy Blues, was named by British newspaper The Times as one of the top 100 albums of 2013. At the end of March 2017, she released her long-awaited new album, Nightintales. China co-hosted and sang at the first UNESCO International Jazz Day in Paris, and she also often performs concerts for US UNESCO. Recorded on 2017, June 25th at the Leopolis Jazz Fest, Ukraine TV Director, Amos Rozenberg

Luisa Miller 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849 The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor) Elijah Moshinsky, Gregory Keller (Stage Director) Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa) Piotr Beczala (Rodolfo) Plácido Domingo (Miller) Alexander Vinogradov (Count Walter) Dmitry Belosselskiy (Wurm) Olesya Petrova (Federica) Rihab Chaieb (Laura) Patrick Miller (Peasant) Recorded at the Metropolitan Opera, New York, 14 April 2018 Directed by Matthew Diamond

Steve Coleman & The Council of Balance Steve Coleman - alto saxophone Jonathan Finlayson - trumpet Jen Shyu - lyric Rane Moore - clarinet , bass clarinet Maria Grand - tenor saxophone Mike Lormand - trombone Kristin Lee - violin David Bryant - piano Miles Okazaki - guitar Anthony Tidd - bass guitar Greg Chudzik - bass guitar Sean Rickman - drums Alex Lipowski - drums Barry J. Crawford - flute Jeffrey Missal - trompet Elizabeth Weisser - viola Jay Campbell - Cello Recorded at La Villette Jazz Festival on September 5th 2015 TV Director, Samuel Thiebaut

Roy Hargrove quintet Roy Hargrove, Bugle, Trumpet Justin Robinson, Flute, Saxophone Ameen Saleem, Bass Quincy Phillips, drums Tadataka Unno, Piano The trumpeter and singer Roy Hargrove has asserted himself as one of the most important jazz musicians for thirty years. Always there where you are least expecting him to be, Roy Hargrove refines his music by invention and reinvention. He is immensely seductive and gives mammoth concerts and happiness to all generations...His flamboyant post-bop quintet tinted with groove is the very quintessence of the original jazz movement. Recorded on October 28th at the Festival Jazz en Tête TV Director, Guillaume Dero

Charles Mingus & Eric Dolphy With Charles Mingus (double bass) Eric Dolphy (Alto Sax , Flute, Bass Clarinet) Clifford Jordan (Tenor Sax) Jaki Byard (Piano) Dannie Richmond (Drums) Playlist - 'Farewell' - 'Carlye Goodbye' - 'Meditations Recorded on1965 at the Palais des congrès de Liège TV Director, Serge Leroy

Avishai Cohen Trio Avishai Cohen (double bass and lyric) Omri Mor (Piano) Itamar Doari (percussion) Noam David (drums) During the course of recent decades, the bass player, singer, composer and leader of the Avishai CohenTrio has confirmed that he is currently one of the greatest bass players. It is however as a composer that he is asserting himself more and more. This concert is a mixture of of standards which are popular with his followers, but also some new compositions. Recorded on February 25th 2018 at the NOSPR Concert hall, Katowice, Zadymka Festival TV Director, Samuel Thiebaut

El Comité Carlos Sarduy trumpet Irving Acao saxophone Harold López-nussa keyboard, piano Rolando Luna claviers, piano Gaston Joya basse, double bass Rodney Barreto drums Yaroldy Abreu percussion Here are at least are 7 good reasons to listen to El Comité : Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao ! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que !? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac TV Director,