MEZZO

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

Berliner Philharmoniker, Paavo Järvi (conductor) Eva-Maria Westbroek (soprano) Ludwig van Beethoven Leonora Overture No. 3 in C major, op. 72 Richard Wagner Wesendonck Lieder (orch. by Felix Mottl and Richard Wagner) Ludwig van Beethoven Symphony No. 4 in B flat major, op. 60 Recorded on May 1, 2018, at the Markgräfliches Opernhaus, Bayreuth TV Director, Henning Kasten

Freiburger Barockorchester, RIAS Kammerchor, Rene Jacobs (conductor) Polina Pastirchak (soprano), Sophie Harmsen (contralto), Steve Davislim (tenor), Johannes Weisser (bass) Ludwig van Beethoven (1770 - 1827) Missa solemnis in D major, op. 123 Recorded at the Philharmonie, Berlin, 13 May 2019 TV Director, Michael Beyer

Murray Perahia (piano) Academy of Saint-Martin-in-the-Fields, Neville Marriner (direction) Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 1 in C major op. 15 Piano Concerto No. 2 in B flat major op. 19

Murray Perahia (piano) Academy of Saint-Martin-in-the-Fields, Neville Marriner (direction) Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 3 in C minor op. 37 Piano Concerto No. 4 in G major op. 58

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

Fred Hersch Trio Fred Hersch, piano John Hébert, double-bass Eric Mc Pherson, drums A long-time sideman with Stan Getz and Lee Konitz amongst others, Fred Hersch is a pianist with a multi-faceted background. His sensitivity, impeccable technique and art of the trio, along with his interest in all strands of contemporary jazz make Fred Hersch a complete jazz pianist. Brad Mehldau, who studied with him in the 1980's, is full of praise for this brilliant musician, whose name should be better known in Europe. Recorded on May 25th 2017 at the Théâtre Municipal of Coutances , Jazz sous les Pommiers TV Director, Thierry Villeneuve

Carmen, opéra comique in four acts by Georges Bizet (1838 - 1875) Libretto by Henri Meilhac and Ludovic Halévy after Prosper Merimée's novel First performance in Paris, Opéra-Comique, 3 March 1875 Orchestre et chœur de l'Opéra Royal de Wallonie-Liège, Speranza Scappucci (Conductor) Pierre Iodice (Chorus Master) Henning Brockhaus (Stage Direction, Lighting) Margherita Palli (Sets), Giancarlo Colis (Costumes), Valentina Escobar (Choreography) Nino Surguladze (Carmen) Marc Laho (Don José) Silvia Dalla Benetta (Micaela) Lionel Lhote (Escamillo) Alexia Saffery (Frasquita) Alexise Yerna (Mercédès) Patrick Delcour (Le Dancaïre) Papuna Tchuradze (Le Remendado) Roger Joakim (Zuniga) Alexandre Tiereliers (Lillas Pastia) Alexei Gorbatchev (Moralès) Réjane Soldano (Une marchande) Benoit Delvaux (Un bohémien) Recorded on January 29 & 30, 2018 at the Opéra Royal de Wallonie-Liège Directed by Arnaud Lalanne

Monty Alexander & The Harlem Kingston Express Monty Alexander, piano Andy Bassford, Guitar Hassan Shakur, Double bass Leon Duncan, Bass Wayne Escoffery, Saxophone tenor Andrae Murchison, trombone Jason Brown, Drums Karl Wright, Drums In a career spanning fifty years, Monty Alexander-a great ambassador for Jamaican music-has played with the best of the best. From Dizzy Gillespie to Ernest Ranglin, many of the greats have called on his exceptional sense of improvisation. Here, at the head of a group of American and Jamaican musicians, he explores two facets of his musical heritage: the jazz of Harlem and the reggae of Kingston. Recorded on 2017, April 23rd at the Grande Salle Pierre Boulez, Philarmonie de Paris TV Director, Samuel Petit

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Antonio Sanchez & Migration Antonio Sanchez, drums Seamus Blake, sax John Escreet, piano Matt Brewer, bass Thana Alexa, song A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iñárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

Danilo Perez, john Patitucci, Brian Blade Trio 'Children of the light' Danilo Pérez, piano John Patitucci, double bass Brian Blade, drums What a trio! These musicians have been the heart of the Wayne Shorter Quartet's formidable rhythm section for the past fifteen years: Danilo Pérez on piano, John Patitucci on bass, Brian Blade on drums. Each is of course a true master in his own right. And their reunion is an amazing gift to jazz lovers. The stylistic unity and level of communication never fail to impress. The three musicians know each other perfectly, as is apparent throughout the album, with a unique sense of narration. Pérez has rarely played so well, while Patitucci and Blade constantly experiment and innovate. Some of their compositions/improvisations can be very dense melodically and harmonically, but they also enjoy the beauty of a simple melody. A treat! Recorded on 2017, July 19th at the 1 Festival Jazz in Junas TV Director, Giuseppe de Vechi

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Sumi Jo (soprano), Michel Bouvard (organ) Claude Debussy (1862 - 1918) Prélude à l'après-midi d'un faune Charles Gounod (1818 - 1893) Roméo et Juliette : Je veux vivre ce rêve Ruggero Leoncavallo (1857 - 1919) Pagliacci : Intermezzo Act II Vicenzo Bellini (1801 - 1835) I Capuleti e I Montecchi : Eccomi in Lieta Veste... Oh Quante Volte Guiseppe Verdi (1813 - 1901) La Traviata : Prelude Act I Ah ! fors'e lui... Sempre libera Giacomo Puccini (1858 - 1924) Gianni Schicchi : O mio Babbino caro ... Jacques Offenbach (1819 - 1880) Les Contes d'Hoffmann : Les oiseaux dans la charmille Camille Saint-Saëns (1835 - 1921) Symphony no. 3 in C minor op. 78, ' with organ ' Recorded on April 25, 2017 at the National Theatre Concert Hall, Taipei, Taiwan Directed by Julien Jaunet

Orchestre national du Capitole de Toulouse, Tugan Sokhiev (conductor) Claude Debussy (1862 - 1918) Prélude à l'après-midi d'un faune Piotr Ilych Tchaikovsky (1840 - 1893) Nutcracker, suite Modest Mussorgsky (1839 - 1881) Pictures at an exhibition (orchestration by Maurice Ravel) Georges Bizet (1838 - 1875) Arlésienne, Suite no 2: Farandole Carmen, Ouverture Recorded on July 8th 2017, The Castle Gardens Auditorium, Festival Castell de Peralada Directed by Jean-Pierre Loisil

Orchestre de Paris, Daniel Harding (Conductor) Isabelle Faust (violin), Christina Landshamer (Soprano) Alban Berg (1885 - 1935) Violin concerto 'To the memory of an angel' Gustav Mahler (1860 - 1911) Symphony no 4 in G major Recorded on May, the 19th 2016 at the Philharmonie of Paris Jean-PIerre Loisil, TV director

London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle (conductor) Simon Halsey (chorus director) Iwona Sobotka (soprano), Anna Stéphany (mezzo-soprano), Robert Murray (tenor), Florian Boesch (baritone) Alban Berg (1885 - 1935) Lulu-Suite Ludwig van Beethoven (1770 - 1827) Symphony no 9 in D minor, op. 125 'Choral' Recorded at the Barbican Hall, London, 16 February 2020

Lucerne Festival Orchestra, Claudio Abbado (direction) Mihoko Fujimura (mezzo-soprano) Johannes Brahms Tragic Overture, Op. 81 Arnold Schoenberg Orchestral Interlude and Song of the Wood-Dove from 'Gurrelieder' Ludwig van Beethoven Symphony No. 3 in E-flat major, Op. 55 'Eroica' Recorded at the KKL, Lucerne, on 16 & 17 August 2013 TV director, Ute Feudel

Berlin Philharmonic Orchestra, Claudio Abbado (direction) Maurizio Pollini (piano), Karita Mattila (soprano), Lioba Braun (soprano), Peter Seiffert (tenor) Swedish Radio Choir, Eric Ericson Chamber Choir Ludwig van Beethoven Choral Fantasy Op. 80 Felix Mendelssohn-Bartholdy Symphony No. 2 Op. 52 Directed for video by Michael Beyer (1h30) Recorded at the Berlin Philharmonie in 2002 

Éric Legnini Trio Éric Legnini Trio Eric Legnini (piano) Rocky Gresset (guitar) Thomas Bramerie (double bass) A foot-stomping jazz, touched by soul and by funk. Eric Legnini's recording tryptich, begun in 2006 with Miss Soul (then Big Boogaloo and Trippin'), marking the magnificent first steps of a leader for a pianist with a hyper-sophisticated bop language as early as the middle of the 1990's alongside the saxophonist Stefano Di Battista. Since then, the Belgian musician, settled in Paris has led an eclectic career, multiplied collaborations with vocalists (his friend Huge Coltman amngst others) and regularly puts on his producer's hat. In this 2019 season, Eric Legnini is coming back to the trio, but this time without drums : he will be accompanied by the guitarist Rocky Gresset (a reference on the Gypsy jazz scene) and by Thomas Bramerie (long-time touring partner and very probably the most sought after Parisian bass player) with whom he will present a completely new repertoire. Recorded on September 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (guitar) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

Meschell Ndegeocello American singer and bassist Me'shelle Ndegeocello presents her new album Comet, Come to Me at the Banlieues Bleues festival With Meschell Ndegeocello, bass and voice Chris Bruce, guitar Jebin Bruni, keyboards Abraham Rounds, drums Concert recorded on April, the 12th 2016 at the Espace 1789 St Ouen During the 33rd edition of Banlieues Bleues festival, Jazz en Seine-Saint-Denis TV Director, Guillaume Dero

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

The Bad Plus Ethan Iverson - piano Reid Anderson - bass Dave King - drums invites - Tim Berne - alto saxophone Sam Newsome - soprano saxophone Ron Miles - trumpet Recorded on September 12nd 2015 at La Villette jazz festival, Cité de la Musique, Philharmonie 2 TV Director, Samuel Thiebaut

Harold Lopez-Nussa El Viaje Harold Lopez-Nussa, piano Alioune Wade, bass Ruy Adrian Lopez-Nussa, drums, bongos, cajón This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival TV director, Guillaume Dero

Redstar Orkestar feat T. de Pourquery To open the festival, the Red Star Orchestra and Thomas de Pourquery, in unexpected crooner mode, cruise through the history of jazz and its classics with Broad Ways (Label Bleu). With Thomas de Pourquery, voice Hohane Myran, direction Alexi Bourguignon, trumpet Franck Guicherd, Matthieu Haage, Xavier Bornene, trumpets Bertrand Luzignant, Antoine Giraud, Daniele Israel, Stéphane Motigny, trombones Esaïe Cid, Julien Raffin, Jean-Gervé Michel, Juien Duchet, Sylvain Fetis, saxophones Matthieu Jérome, piano Marc-Antoine Perrio, guitar Blaise Chevallier, double bass Julien Grégoire, drums Concert recorded on March, the 18th 2016 at the Espace 1789 St Ouen During the 33rd edition of the Banlieues Bleues festival, Jazz en Seine-Saint-Denis TV director, Stéphane Jourdain

Macbeth, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after the tragedy of William Shakespeare First performance in Florence, Teatro della Pergola, March 14, 1847 Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Giampaolo Maria Bisanti (Conductor) Christof Loy (Stage Director) Jonas Dahlberg (Sets), Ursula Renzenbrink (Costumes), Brend Purkrabek (Lighting) Ludovic Tézier (Macbeth) Vitalij Kowaljow (Banquo) Martina Serafin (Lady Macbeth) Anna Puche (Dama di Lady Macbeth) Saimir Pirgu (Macduff) Albert Casals (Malcolm) David Sánchez (Medico) Marc Canturri (Domestico di Macbeth, sicario) Recorded on October 16 & 20, 2016 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier

Le Corsaire Ballet In three acts, with a prologue and epilogue Music, Adolphe Adam, Cesare Pugni, Léo Delibes, Riccardo Drigo and Pyotr Oldenburgsky Libretto, Henri Vernoy de Saint-Georges et · and Joseph Masilier, Edited by Yuri Slonimsky and Pyotr Gusev Choreography,Pyotr Gusev Based on the Composition and Choreography of Marius Petipa Set Design, Teymuraz Murvanidze Assistant décorateur · Assistant Designer Mikhail Shishliannikov Costumes · Costume Design Galina Solovyova Lumières · Lighting Design Vladimir Lukasevich Chef d'orchestre · Conductor Alexei Repnikov (Conrad, le corsaire) Timur Askerov (Medora) Alina Somova (Gulnare) Nadezhda Batoeva (Lankedem, le négrier) Philipp Stepin (Birbanto) Islom Baimuradov (Ali) Kimin Kim (Seyd Pasha) Soslan Kulaev (Les trois odalisques) Daria Ionova, Anastasia Nuikina, Maria Khoreva (Danse de forbans/brigands) Anastasia Petushkova, Maria Lebedeva, Alina Krasovskaya, Roman Malyshev, Maxim Zenin (Danse algérienne) Léa Thomasson & les artistes du ballet (Danse palestinienne) Alisa Rusina & les artistes du ballet Corsaires, femmes esclaves, odalisques, eunuques, guerriers, marins et marchands, artistes de la compagnie de ballet et figurants

Les Six concertos brandebourgeois (The six Brandenburg Concertos) Anne Teresa De Keersmaeker (Choreography) Rosas company Created with and danced by Boštjan Antončič - Carlos Garbin - Frank Gizycki - Marie Goudot - Robin Haghi - Cynthia Loemij - Mark Lorimer - Michaël Pomero - Jason Respilieux - Igor Shyshko - Luka Švajda - Jakub Truszkowski - Thomas Vantuycom - Samantha van Wissen - Sandy Williams - Sue Yeon Youn Music Johann Sebastian Bach Brandenburg Concertos BWV 1046 -1051 B'Rock Orchestra, Amandine Beyer (Conductor) Jan Versweyveld (Scenography, Lighting design), An D'Huys (Costume design), Jan Vandenhouwe (Dramaturgy) Live from the Opéra National de Paris, Palais Garnier TV Director, Louise Narboni

Concerto Köln Shunske Sato (violin) Antonio Vivaldi (1678 - 1741) Concerto for Strings and Continuo in G minor RV 156 Evaristo Felice dall'Abaco (1675 - 1742) Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa Antonio Vivaldi Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera) Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate) Charles Avison (1709 - 1770) Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti Antonio Vivaldi Sinfonia al Santo Sepolcro in B minor RV 169 Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno) Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno) Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 13, 2018 Directed by Julien Condemine

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Alison Balsom (trumpet) Joseph Haydn (1732 - 1809) Concerto for trumpet and orchestra in E flat major Hob. VIIE.1 Dmitri Shostakovich (1906 - 1975) Symphony no. 7 in C major 'Leningrad', op. 60 Recdorded on January 13, 2017 at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Thelonious Monk Quartet Palais des Beaux-Arts, Brussels 'Bye Ya', 'Drums solo', 'Criss Cross', 'Nutty', 'Epistrophy'. Thelonious Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), Frankie Dunlop (drums). Recorded on 1965 TV Director Serge Leroy

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921) Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877 Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor) Andrei Petrenko (Chorus Master) Yannis Kokkos (Stage Director, Sets) Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video) Ekaterina Semenchuk (Dalila) Gregory Kunde (Samson) Roman Burdenko (Le Grand Prêtre de Dagon) Mikhail Petrenko (Abimélech) Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg) Directed by Louise Narboni

Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor) Denis Matsuev (piano) Mikhail Glinka (1804 - 1857) Ouverture to Ruslan and Lyudmila Piotr Tchaikovsky (1840 - 1893) Piano Concerto no. 2 in G major op. 44 Modest Mussorgsky (1839 - 1881) (orch. Maurice Ravel) Pictures at an exhibition Recorded on December 6, 2016 at the Musikverein, Vienna

Summerspace (1958) Play for 6 dancers : Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núňez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agnès Melchoir (Pianists) Exchange (1978) Play for 15 dancers : Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design ) Costume, sets, ligtin : after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum , Festival Montpellier Danse TV Director, Marie-Hélène Rebois

CCN, Ballet de Lorraine Petter Jacobson, artistic direciton Corps de ballet (2014) Choreography by Noé Soulier Costume by Noé Soulier abd Martine Augsbourger LIghting by Noé Soulier and Olivier Bauer Musical conceptin by Noé Soulier and Aurélien Azan-Zielinski Music by Franz Schubert nd Giuseppe Verdi Musical arrangement by Jacques Gandard With 17 dancers Sounddance (1975) Choreography by Merce Cunningham Music by David Tudor Sets, costume and LIghting by Mark Lancaster Reinterprated by Meg Harper and Thomas Caley With 10 dancers Relâche (Release) Ballet instantanéiste (Immédiate Ballet) in 2 acts, a cinematographic interval and ' la queue du chien' (The dog's tail) Conception by Francis Picabia Music bt Erik Satie Choreography by Jean Börlin Film by René Clair A new take (2014) of the choreography by Petter Jacobsson and Thomas Caley Historical Researches and dramaturgy by Christophe Wavelet Scenography by Annie Tolleter Lighting by Éric Wurtz Specialist in Picabia, Carole Boulbès With 14 dancers Recorded on 2014 at the sixteen Biennale de Danse de Lyon TV Director, Luc Riolon

Orchestre de Paris, Chœur de l'Orchestre de Paris, Karina Canellakis (Conductor) Dorothea Röschmann (soprano) Richard Wagner (1813 - 1883) Lohengrin, prelude to act 1 Wesendonck Lieder Maurice Ravel (1875 - 1937) Daphnis et Chloé, suite no 2 Béla Bartók (1881 - 1945) Concerto for orchestra, Sz 116 Recorded at the Philharmonie de Paris, 4 September 2019 TV Director, Jean-Pierre Loisil

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Elisabeth Leonskaja (piano) Wolfgang Amadeus Mozart (1756 - 1791) Don Giovanni, overture Ludwig van Beethoven (1770 - 1827) Piano Concerto no 3 in C minor, op. 37 Dmitri Shostakovich (1906 - 1975) Symphony no 9 in E flat major, op. 70 Recorded 20 September 2017, Halle aux Grains, Toulouse

Orchestre philharmonique de Monte-Carlo, Kazuki Yamada (Conductor) Boris Berezovsky (piano) Chœur de l'Orchestre de Paris Lionel Sow (Chorus Master) Claude Debussy (1862 - 1918) Gigues Franz Liszt (1811 - 1886) Piano Concerto no 1 Totentanz Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded on September 22, 2017 at the Grimaldi Forum, Monte-Carlo Directed by Benjamin Bleton

Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Orchestre de la Suisse Romande, Marko Letonja (Conductor) Chorus of the Grand Théâtre de Genève, Alan Woodbridge (Chorus Master) Tobias Richter (Stage Director) Ildebrando D'Arcangelo (Il Conte di Almaviva) Nicole Cabell (La contessa di Almaviva) Regula Mühlemann (Susanna) Guido Loconsolo (Figaro) Avery Amereau (Cherubino) Monica Bacelli (Marcellina) Bruce Rankin (Don Basilio) Fabrice Farina (Don Curzio) Balint Szabo (Bartolo) Mélody Louledjian (Barbarina) Romaric Braun (Antonio) Recorded on September 21, 2017 at the Grand Théâtre de Genève Directed by Andy Sommer

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Antonio Sanchez & Migration Antonio Sanchez, drums Seamus Blake, sax John Escreet, piano Matt Brewer, bass Thana Alexa, song A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iñárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas TV Director, Giuseppe de Vechi

The Bad Plus Ethan Iverson - piano Reid Anderson - bass Dave King - drums invites - Tim Berne - alto saxophone Sam Newsome - soprano saxophone Ron Miles - trumpet Recorded on September 12nd 2015 at La Villette jazz festival, Cité de la Musique, Philharmonie 2 TV Director, Samuel Thiebaut

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain