MEZZO

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Ensemble vocal de Lausanne, Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genève Mihoko Fujimura (mezzo-soprano) Gustav Mahler (1860 - 1911) Symphony no. 3 in D minor Recorded on May 24, 2018 at the Victoria Hall, Genève Directed by Andy Sommer

Orchestre National de France, Emmanuel Krivine (Conductor) Denis Matsuev (piano) Sergei Rachmaninov (1873 - 1943) Piano Concerto no. 3 in D minor, op. 30 Antonín Dvořák (1841 - 1904) Symphony no. 7 in D minor, op. 70 Recorded on January 12, 2017 at the Auditorium de Radio de France, Paris Directed by Olivier Simonnet

London Symphony Orchestra, Sir Simon Rattle (conductor) Christian Tetzlaff (violin) Helen Grime (b. 1981) Fanfare (world premiere) Thomas Adès (b. 1971) Asyla Harrison Birtwistle (b. 1934) Violin Concerto Oliver Knussen (1950 - 2018) Symphony No 3 Edward Elgar (1957 - 1934) Variations on an Original Theme, 'Enigma' Recorded at the Barbican Hall, London, 14 September 2017 TV Director François-René Marin

London Symphony Orchestra, Sir John Eliot Gardiner (conductor) Monteverdi Choir Actors : Ceri-Lyn Cissone (Titania), Frankie Wakefield (Oberon), Alexander Knox (Puck) Félix Mendelssohn (1809 - 1847) Symphony no. 1 A Midsummer Night's Dream Recorded on February 16th 2016, at the Barbican Hall, London TV Director, Corentin Leconte

Gregory Porter at the International Jazz Festival of Montréal 2016 Gregory Porter's musical awakening came upon hearing his mother's Nat King Cole records as a child - Porter would later write a show in homage to the singer. After seeing his dreams of professional football thwarted by a major injury, the California-born artist turned to music. With the help of his mentor, the multi-instrumentalist and composer Kamau Kenyatta, Porter honed his skills in San Diego jazz clubs before landing a role in the musical It Ain't Nothing But the Blues. His resume also includes a collaboration with famed flutist Hubert Laws. A gifted songwriter, he penned most of the jazz and soul-oriented material appearing on his first albums, Water (2010), Be Good (2012) and Liquid Spirit (2013), winner of a Grammy for Best jazz vocal album. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Dhafer Youssef, oud, vocals Eivind Aarset, electric-guitars Kristjan Randalu, piano Phil Donkin, double bass Ferenc Nemeth, drums On his last album Birds Requiem, Tunisian singer and oud maestro Dhafer Youssef explores all possible combinations between traditional Arabic music and contemporary jazz and rock. From the sacred to the profane, from the divine to the earthly, discover an incantatory voice beyond compare.

Cendrillon Conte de fées in four acts by Jules Massenet (1842 - 1912) Libretto by Henri Cain after Charles Perrault's fairy-tale First performance in Paris, Opéra Comique, 24 May 1899 London Philharmonic Orchestra, John Wilson (Conductor) The Glyndebourne Chorus Fiona Shaw (Stage Director) Jon Bausor (Set Designer), Nicky Gillibrand (Costume Designer), Anna Watson (Lighting Designer) Danielle de Niese (Cendrillon) Kate Lindsey (Le Prince Charmant) Nina Minasyan (La Fée) Lionel Lhote (Pandolfe) Agnes Zwierko (Madame de la Haltière) Eduarda Melo (Noémie) Julie Pasturaud (Dorothée) Recorded at the Glyndebourne Festival, 30 June 2019 TV Director, François Roussillon

Jaime Woods at the International Jazz Festival of Montréal 2016 Like many before her, Jaime Woods' career began in a church. Learning and sharpening her work on the Gospel scene, in Chicago, she moved in the East Coast for a brief schooling at Berklee College. The opportunity there to explore different types of music pushed her towards New York, and in particular Brooklyn. Jaime has since been into strong collaborations with Bilal, Casey Benjamin, Gadget, Cloche Jennah, Jose James, Emily King, Nick Hakim, Roy Hargrove, Kendra Foster, Gary Bartz, Lalah Hathaway, Haitus Kaiyote... Leaning on her soul voice, upon a precise and delicate instrumentation, Jaime is undoubtedly a stand-out artist who shows, despite her 25 years, a great maturity and true sensitivity. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Marshall Allen (saxophone, director) Knoel Scott (saxophones, vocals) Charles Davis (tenor saxophone) Danny Ray Thompson (baritone saxophone) Dave Davis (trombone) Cecil Brooks (trumpet) Farid Barron (piano) Tyler Mitchell (bass) Elson Nascimiento (percussions, surdo) Wayne A. Smith (drums)

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Éric Legnini Trio Éric Legnini Trio Eric Legnini (piano) Rocky Gresset (guitar) Thomas Bramerie (double bass) A foot-stomping jazz, touched by soul and by funk. Eric Legnini's recording tryptich, begun in 2006 with Miss Soul (then Big Boogaloo and Trippin'), marking the magnificent first steps of a leader for a pianist with a hyper-sophisticated bop language as early as the middle of the 1990's alongside the saxophonist Stefano Di Battista. Since then, the Belgian musician, settled in Paris has led an eclectic career, multiplied collaborations with vocalists (his friend Huge Coltman amngst others) and regularly puts on his producer's hat. In this 2019 season, Eric Legnini is coming back to the trio, but this time without drums : he will be accompanied by the guitarist Rocky Gresset (a reference on the Gypsy jazz scene) and by Thomas Bramerie (long-time touring partner and very probably the most sought after Parisian bass player) with whom he will present a completely new repertoire. Recorded on September 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Gewandhausorchester, Herbert Blomstedt (Conductor) Isabelle Faust (Violin), Jean-Guihen Queyras (Cello), Martin Helmchen (Piano) Ludwig van Beethoven (1770 - 1827) Concerto for piano, violin, cello and orchestra in C major op. 56 'Triple Concerto' Symphony no. 5 in C minor op. 67 Recorded on January 13, 2017 at the Gewandhaus, Leipzig TV director, Ute Feudel

Simon Rattle (conductor) London Symphony Orchestra, London Symphony Chorus, Tiffin Choirs, Philip Cobb (trumpet), Gábor Tarkövi (trumpet), Elizabeth Watts (soprano), Alice Coote (mezzo-soprano), Allan Clayton (tenor) Simon Halsey (chorus director) Harrison Birtwistle (b. 1934) Fanfare (world premiere) Gustav Holst (1874 - 1934) Egdon Heath Mark-Anthony Turnage (b. 1960) Dispelling the Fears Benjamin Britten (1913 - 1976) Spring Symphony Recorded at the Barbican Hall, London, on September 16, 2018 TV Director, François-René Martin

Orchestre de Chambre de Lausanne, Joshua Weilerstein (Conductor) Adam Laloum (piano) Joseph Haydn (1732 - 1809) Symphony no. 98 in B flat major, Hob. I: 98 Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 23 in A major, KV 488 Symphony no. 38 in D major 'Prague', KV 504 Recorded on 18 June 2016 at the la Maison de la Légion d'Honneur, Pavillon de Musique (Saint-Denis), Festival de Saint-Denis Directed by Isabelle Soulard

Royal Concertgebouw Orchestra, Andris Nelsons (Conductor) Håkan Hardenberger (trumpet), Pierre-Laurent Aimard (piano) Ludwig van Beethoven (1770 - 1827) The Creatures of Prometheus, Op. 43 Brett Dean (né en 1961) Dramatis personae Alexander Skryabin (1871 - 1915) Prométhée, le poème du feu Recorded on 17 January 2020 at the Concertgebouw, Amsterdam

Moscow Soloists, Yuri Bashmet (direction) Brassfire Band Jens Lindemann (trumpet), Elisabeth Leonskaja (piano), Gabriele Nani (baritone), Vadim Repin (violin), Kristian Alexandrov (piano), Jeremy Coates (bass), Joel Fountain (percussions) Christoph Willibald Gluck Overture to Orfeo ed Euridice Joseph Haydn Concerto for trumpet in E minor, Hob.:VIIe/1 Wolfgang Amadeus Mozart Piano Concerto no. 9 in E minor, KV271 Gioachino Rossini Figaro's Cavatina (« Il Barbiere di Siviglia ») Wolfgang Amadeus Mozart 'Non piu andrai' (Le Nozze di Figaro) Piotr Illitch Tchaikovsky Meditation op. 42 no. 1 Maurice Ravel Tzigane Bela Bartok Romanian Folk Dances, Sz.56 Allan Gilliland Dreaming of Masters III Recorded on 13 February 2015 at the Winter International Arts Festival, Sochi (Russia) Directed by William Japhet

B'Rock Orchestra, Vox Luminis, Lionel Meunier (Conductor) Marc-Antoine Charpentier (1643-1704) Te Deum, H146 Henry Purcell (1659-1695) Hail, bright Cecilia!, Z328 Recorded at the Brugge Concergebouw, 4 May 2019

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Thomas de Pourquery & Supersonic Thomas De Pourquery, saxophone alto Laurent Bardainne, saxophone ténor Fabrice Martinez, trompette Arnaud Roulin, piano, claviers Frederick Galiay, basse Edward Perraud, batterie Playlist Thomas De Pourquery; Mermaids Sun Ra, We travel the space ways Thomas De Pourquery, Slow down, Present eternity, Sons of love, Simple forces, Give the money back, Révolutions, Disco 2100 Sun Ra, Love in outer space Recorded on June 15, 2019 at the Cité de la musique TV Director, Josselin Carré

After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven.

Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg

Electro Deluxe James Copley, vocal Jérémie Coke, bass Gaël Cadoux, keyboards Thomas Faure, big band arrangements and tenor saxophone Arnaud Renaville, drums Vincent Payen, trumpet Bertrand Luzignant, trombone It is on stage that the overall effect of Electro Deluxe's music becomes clear. After two years on tour and 140 concerts across the globe, the Funk/Soul group will present at the Olympia an innovative show with the exceptional participation of 13 musicians from its BIG BAND. The prize-winning group of the Victoire du jazz (best group for the year 2017) are coming back to the mythical hall to play the rearranged repertoire of its latest album 'Circle' Always on the move, Electro Deluxe shapes a music which is rich and brassy, an inimitable groove, a truly musical fever. At each concert the group make an impact and manage to surprise a public which is every time larger. Don't miss this opportunity ! Recorded on October 18, 2018 at Paris Olympia TV Director, Yvan Benedetti

Brad Mehldau, piano Three Pieces After Bach Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 3 in C sharp major, BWV 848 Brad Mehldau Three Pieces After Bach / After Bach 1 : Rondo Johann Sebastian Bach The Well-Tempered Clavier (Book II) : Prelude no 1 in C major, BWV 870 The Well-Tempered Clavier (Book II) : Fugue no 16 in G minor, BWV 885 Brad Mehldau Three Pieces After Bach / After Bach 2 : Ostinato Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 6 in D minor, BWV 851 Brad Mehldau Three Pieces After Bach / After Bach 3 : Toccata Johann Sebastian Bach The Well-Tempered Clavier (Book I) : Prelude no 7 in E flat major, BWV 852 The Well-Tempered Clavier (Book I): Prelude and Fugue no 20 in A minor, BWV 865 Rcored on April 2nd 2018 at the philharmonie de Paris TV Director, Samuel Thiebaut

Gregory Porter at the International Jazz Festival of Montréal 2016 Gregory Porter's musical awakening came upon hearing his mother's Nat King Cole records as a child - Porter would later write a show in homage to the singer. After seeing his dreams of professional football thwarted by a major injury, the California-born artist turned to music. With the help of his mentor, the multi-instrumentalist and composer Kamau Kenyatta, Porter honed his skills in San Diego jazz clubs before landing a role in the musical It Ain't Nothing But the Blues. His resume also includes a collaboration with famed flutist Hubert Laws. A gifted songwriter, he penned most of the jazz and soul-oriented material appearing on his first albums, Water (2010), Be Good (2012) and Liquid Spirit (2013), winner of a Grammy for Best jazz vocal album. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Christian Sands Trio - 'Tribute to Erroll Garner' Christian Sands (piano) Terreon Gully (guitar) Luques Curtis (bass) Whereas he has just released a really great album, Facing Dragons only a few months ago, the pianist Christian Sands is presenting to kick off the season a new repertoire as a tribute to Erroll Garner : one of the most important figures in the history of jazz, he who established the form of the ' piano trio ' in the modern era, only just before Bill Evans. So he is reaching for a very high goal. And you can bet that the challenge will be met with brio, because the young American is one of the most talented pianists of his generation : protégé of the immense late Billy Taylor, taken on by Christian McBride at 20, recognised by Wynton Marsalis who saw in him one of the grate heirs of the tradition, Christian Sands does actually possess an instrumental language which alludes to the whole history of his instrument, but still succeeds in remaining extremely modern. Recorded on Sptember 7, 2019 at the Pierre Boulez Hall - Philharmonie, Jazz à la Villette TV Director, Samuel Thibaut

La Clemenza di Tito Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Pietro Mestastasio adapted by Caterino Mazzolà First performance in Prague, National Theatre, 6 September 1791 Orchestre et choeurs de l'Opéra Royal de Wallonie-Liège, Thomas Rösner (Conductor) Pierre Iodice (Chorus master) Julien Lubek, Cécile Roussat (Stage Direction, Sets, Costumes, Lighting, Choreography) Patrizia Ciofi (Vitellia) Anna Bonitatibus (Sesto) Leonardo Cortellazzi (Tito) Veronica Cangemi (Servilla) Cecilia Molinari (Annio) Markus Suihkonen (Publio) Recorded at the Opéra Royal de Wallonie-Liège, 15 May 2019 TV Director, Nicolas Foulon

Ensemble Matheus, Cor de Cambra del Palau de la Música Orfeó Català, Jean-Christophe Spinosi (Conductor) Simon Halsey (Chorus Master) Soraya Mafi (Soprano), Josè Maria Lo Monaco (Mezzo-soprano), Julien Behr (Tenor), Luigi De Donato (Bass) Wolfgang Amadeus Mozart (1756 - 1791) Mass in C major, K.317 'Coronation' Recorded at the Château de Versailles, Chapelle Royale, on June 18, 2017 Directed by Benjamin Bleton

Swan Lake Music Piotr Tchaikovsky Choreography Yuri Grigorovich (2001 version) Scenes in choreography by Marius Petipa, Lev Ivanov,Alexander Gorsky used Bolshoi orchestra Pavel Sorokin, conductor With, The Etoiles, the Soloists and the Corps de Ballet of the Bolshoi Odette-Odile, Svetlana Zakharova The Mother, Yekaterina Barykina Prince Siegfried, Denis Rodkin The Evil Genius, Artemy Belyakov The Tutor, Alexei Loparevich The Fool, Igor Tsvirko Friends to the Prince, Kristina Kretova, Elizaveta Kruteleva Master of Ceremonies, Alexander Fadeyechev Hungarian Bride, Angelina Karpova Russian Bride, Anna Rebetskaya Spanish Bride, Anna Tikhomirova Neapolitan Bride, Daria Khokhlova Polish Bride, Maria Semenyachenko, Three Swans, Angelina Karpova, Olga Marchenkova and Ana Turazashvili Four Swans, Yulia Lunkinan, Svetlana Pavlovan, Margarita Shrainern and Anna Voronkova Waltz, Karim Abdullin, Ivan Alexeyevn, Dmitry Efremovn, Egor Khromushinn, Nelli Kobakhidzen, Anna Okunevan, Yanina Parienkon and Anna Rebetskaya Recorded on Januarty 25th 2015 at the Bolshoi of Moscow TV Director, Vincent Bataillon

Svetlana Zakharova, The Divine Shot in the Bolshoi Theater before its reconstruction, this film is a behind-the-scenes account of principal dancer Svetlana Zakharova. We follow her in rehearsal for Sleeping Beauty with coach Ludmilla Semeniaka and on stage as she performs in The Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky). This director's cut of 'Tsarina of the Dance' reveals the passions, agonies and joys of a prima ballerina at the height of her career. Text extract form Jean Blot's book ''Le soleil se couche à l'est'' (The sun set in the East) Choreographies extracts from : Dying Swan (Michael Fokine), Don Quixote (Marius Petipa) , La Bayadère (Marius Petipa), Giselle (JeanCoralli et Jules Perrot), Swan Lake (Marius Petipa and Lev Ivanov) , The Sleeping Beauty (Marius Petipa), Scheherazade (Michael Fokine) and Middle Duet (Alexeï Ratmansky) With : Svetlana Zakharova, Farukh Ruzimatov, Andreï Uvarov, Andreï Merkuriev, NikolaÏ Tsiskaridze and the dancers from the Bolshoi and from the Mariinsky Theaters. Music from : Zemfira, Camille St Saens, Ludwig Minkus, Adolphe Adam, Piotr Illich Tchaikosky, NikolaÏ Rimsky-Korsakov, Yuri Khanon, And : Ekaterina Belyaeva (Dance Critic), Iaroslav Svedov (Dance Historian and Critic), Yuri Grigorovitch (former Bolshoi Artistic Director & Director of Krasnodar Ballet), Natalia Bessmertonova (former Bolshoi Ballerina), Ludmilla Semeniaka (former Ballerina and coach) Recorded in 2016, Moscow and St Petersburg TV Director, Laurent Gentot

Orchestre de Paris, Daniel Harding (Conductor) Isabelle Faust (violin), Christina Landshamer (Soprano) Alban Berg (1885 - 1935) Violin concerto 'To the memory of an angel' Gustav Mahler (1860 - 1911) Symphony no 4 in G major Recorded on May, the 19th 2016 at the Philharmonie of Paris Jean-PIerre Loisil, TV director

London Symphony Orchestra, Sir Simon Rattle (Conductor) Pierre-Laurent Aimard (piano) Olivier Messiaen (1908 - 1992) Couleurs de la cité céleste Anton Bruckner (1824 - 1896) Symphony No 8 Recorded on April, 14th 2016 at the Barbican Hall, London Corentin Leconte, TV director

Gregory Porter at the International Jazz Festival of Montréal 2016 Gregory Porter's musical awakening came upon hearing his mother's Nat King Cole records as a child - Porter would later write a show in homage to the singer. After seeing his dreams of professional football thwarted by a major injury, the California-born artist turned to music. With the help of his mentor, the multi-instrumentalist and composer Kamau Kenyatta, Porter honed his skills in San Diego jazz clubs before landing a role in the musical It Ain't Nothing But the Blues. His resume also includes a collaboration with famed flutist Hubert Laws. A gifted songwriter, he penned most of the jazz and soul-oriented material appearing on his first albums, Water (2010), Be Good (2012) and Liquid Spirit (2013), winner of a Grammy for Best jazz vocal album. Recorded on June 29th at the Théâtre Maisonneuve, Montréal TV direction by Mathieu Mastin

Airelle Besson quartet - Radio One Airelle Besson, trumpet Isabel Sörling, lyric Benjamin Moussay, piano, Fender Rhodes Fabien Moreau, Drums Recorded on June16, 2019 at the Philharmonie de Paris TV Director, Josselin Carré

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Vanessa Opera in four acts by Samuel Barber (1910 - 1981) Libretto by Gian Carlo Menotti First performance in New York, Metropolitan Opera, 15 January 1958 London Philharmonic Orchestra, Jakub Hrůša (Conductor) The Glyndebourne Chorus Nicholas Jenkins (Chorus Master) Keith Warner (Stage Direction) Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video) William Thomas (Nicholas, the Major-Domo) Virginie Verrez (Erika) Emma Bell (Vanessa) Edgaras Montvidas (Anatol) Rosalind Plowright (The Old Baroness) Ray Albert (The Old Doctor Donnie) Romanas Kudriašovas (Footman) Recorded 12 and 14 August 2018 at the Glyndebourne Festival Directed by François Roussillon

Lucerne Festival Orchestra, Claudio Abbado (Conductor) Bavarian Radio Choir, Swedish Radio Choir Juliane Banse (Soprano, Beethoven) Anna Prohaska (Soprano, Mozart) Sara Mingardo (Alto) Maximilian Schmitt (Tenor) René Pape (Bass) Bruno Ganz (Narrator, Beethoven) Ludwig van Beethoven Egmont opus 84 Wolfgang Amadeus Mozart Requiem in D minor KV 626 Directed by Michael Beyer Recorded on 8/10 August 2012 at the Concert Hall of the KKL Luzern

Marie-Antoinette Thierry Malandain (Choreographer) Joseph Haydn, Christoph Willibald Gluck (Music) Orchestre Symphonique d'Euskadi Mélanie Levy-Thiébaut (conductor) Jorge Gallardo (sets, costume) François Menou (Lighting design) Malandain Ballet Biarritz (Marie-Antoinette) Claire Lonchampt - (Louis XVI) Mickaël Conte - (Empress Marie-Thérèse) Irma Hoffren - (Louis XV) Frederik Deberdt - (Countess du Barry) Miyuki Kanei - (Count de Mercy-Argenteau) Arnaud Mahouy - (Axel von Fersen) Raphaël Canet - (Joseph II) Jeshua Costa) - (Ladies Aunts) Clémence Chevillotte, Allegra Vianello, Laurine Viel - (Perseus) Hugo Layer - (Medusa) Nuria Lopez Cortés - (Three nymphs) Clémence Chevillotte, Allegra Vianello, Laurine Viel - (Boys of the Rococo Queen) Raphaël Canet, Jeshua Costa, Romain Di Fazio, Loan Frantz; Michaël Garcia; Guillaume Lillo; Hugo Layer; Ismael Turel Yagüe - (Marie-Antoinette's familiars) Giuditta Banchetti, Clémence Chevillotte, Clara Forgues, Miyuki Kanei, Nuria López Cortés, Alessia Peschiulli, Patricia Velázquez, Allegra Vianello; Laurine Viel - (Shepherdess & Shepherd) Patricia Velázquez, Arnaud Mahouy Ensembles : Giuditta Banchetti, Raphaël Canet, Clémence Chevillotte; Jeshua Costa, Frederik Deberdt, Romain Di Fazio, Clara Forgues, Loan Frantz, Michaël Garcia, Irma Hoffren, Miyuki Kanei, Hugo Layer, Guillaume Lillo, Nuria López Cortés, Arnaud Mahouy, Alessia Peschiulli, Ismael Turel Yagüe, Allegra Vianello, Laurine Viel, Patricia Velázquez Recorded on March 30 & 31 2019 at the Opéra Royal, Château de Versailles TV Director, Patrick Lauzé

Malandain Ballet Biarritz Choreographies by Thierry Malandain Recorded on November 2016 at the Teatro Victoria Eugenia San Sebastián Silhouette 1-dancer ballet Choreography, sets and costumes by Thierry Malandain Music, Ludwig van Beethoven 3rd movement of Sonata no30, op.109 Lights, Jean-Claude Asquié Dancer, Fredérik Deberdt Created in Biarritz, in the gardens of the Hotel de Silhouette, this solo, set for the dancer Fredérik Deberdt, is a miniature through which dances Vaslav Nijinski's shadow. Estro 20-dancers ballet Choreography, sets and costumes by Thierry Malandain Music, Antonio Vivaldi Stabat Mater and Estro Amonico op. 3 Lights, Jean-Claude Asquié Malandain ballet Biarritz Thierry Malandain built his work on Vivaldi's Stabat Mater and Estro Amonico op. 3, an energized and high-vitamined music, consistently seeking the highest point. In this ballet, Thierry Malandain creates desire for elevation, through efforts to reach the peak, in reference to André Lendger words 'It is easier today to climb a 8000 meters-moutain, than to move forward a few centimeters in one's true self'. Nocturnes 22-dancers ballet Choreography by Thierry Malandain Music, Frederic Chopin Nocturnes Lights, Jean-Claude Asquié Remains from 'a dark day, more sorrowful that nights', according Charles Baudelaire's words. Nocturnes is like a fresco , a dream crushed under the weight of eternal melancholy. Recorded at the Lanterne Theater, Rambouillet on November 8th and 9th 2016 TV director, Patrick Lauzé

Philharmonia Orchestra, Philharmonia Chorus, London Philharmonic Choir, John Nelson (conductor) Michael Spyres (tenor) Hector Berlioz (1803 - 1869) Grande messe des morts, op. 5, H 75 Recorded at the Saint Paul Cathedral, London, 8 March 2019 TV Director, Sébastien Glas

Tenebrae, Nigel Short (Conductor) Gregorio Allegri (1582 - 1652) Miserere (1638) Joby Talbot (b. 1971) Path of Miracles (2005) Recorded on June 12, 2018 at the Basilique cathédrale de Saint Denis TV Director, François-René Martin

Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921) Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877 Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor) Andrei Petrenko (Chorus Master) Yannis Kokkos (Stage Director, Sets) Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video) Ekaterina Semenchuk (Dalila) Gregory Kunde (Samson) Roman Burdenko (Le Grand Prêtre de Dagon) Mikhail Petrenko (Abimélech) Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg) Directed by Louise Narboni

LLaurent Bardainne ' Tigre d'Eau Douce ' Laurent Bardainne (Tenor saxophone ) Arnaud Roulin (Hammond organ) Sylvain Daniel (bass) Philippe Gleizes (drums) Tenor saxophonist, Laurent Bardainne is one of the most discreet and yet active musicians on the Paris scene. It is difficult not to come across him when you like jazz and its related music : we can hear him in the Supersonic by Thomas de Pourquery, alongside Camélia Jordana with Lost, with his rock group Poni Hoax, in the electro detours Sabrina & Samantha, and even at the heart of Limousine, with whom he released an excellent recording in the spring. L'Été suivant. Laurent Bardainne comes back today with this incredibly free quartet, entitled Tigre d'Eau Douce. Music which recalls Albert Ayler's Laments and John Coltrane's freeest hours, all of which is crisscrossed by ballads and soothing moments in the colours of Soul spirituality played out on the Hammond B3 organ by Arnaud Roulin. Recorded on August 29, 2019 at the Grande Halle de la Villette, Jazz à la Villette TV Director, David Unger

Théo Ceccaldi Trio - Django, Anne Paceo, Vincent Peirani Théo Ceccaldi, violon Valentin Ceccaldi, violoncelle Guillaume Aknine, guitare Playlist Fats Waller, HoneySuckle Rose Django Reinhardt / Stéphane Grapelli, Minor Swing Théo Ceccaldi, Gris Bleu Django Reinhardt, Rythme Futur Théo Ceccaldi, Currywurst, Nin-Nin je t'aime James Price Johnson, Charleston Josef Myrow, Blue Drag Django Reinhardt, Manoir de mes rêves, Blues en Mi Recorded on June 15, 2019 at the Philharmonie de Paris TV Director, Josselin Carré

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie