MEZZO

Gewandhausorchester, Andris Nelsons (Conductor) Baiba Skride (Violin) Steffen Schleiermacher Relief (World Premiere) Alban Berg Violin Concerto ''To the Memory of an Angel'' Felix Mendelssohn Symphony no 3 in A minor Op. 56 ''Scottish'' Live from the Gewandhaus, Leipzig TV Director, Ute Feudel

Gewandhausorchester, Riccardo Chailly (Conductor) GewandhausChor, Chor der Oper Leipzig Alexandrina Pendatchanska (soprano), Manuela Custer (alto), Stefano Secco (tenor), Mirco Palazzi (bass) Gioachino Rossini (1792 - 1868) Petite Messe Solennelle Gioacchino Rossini's Petite Messe Solennelle was written in 1863, 'the last', the composer called it, of my 'péchés de vieillesse' (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. Directed by Michael Beyer Recorded on 2008 at the Leipzig Gewandhaus

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Nikolai Rimsky-Korsakov Scheherazade Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires Directed by Jean-Pierre Loisil

Royal Concertgebouw Orchestra, Iván Fischer (Conductor) Isabelle Faust (Violin), Tabea Zimmermann (Viola) Gioachino Rossini (1792 - 1868) Overture to 'L'italiana In Algeri' Wolfgang Amadeus Mozart (1756 - 1791) Sinfonia Concertante, K364 Gioachino Rossini Ouverture to 'La Gazza Ladra' Joseph Haydn (1732 - 1809) Symphony no. 102 in B-flat major Recorded 12 December 2019 at the Concergebouw, Amsterdam

Mariinsky Theater Orchestra, Valery Gergiev (Conductor) Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass) Modest Mussorgsky Prelude to Khovantchina Pictures of an exhibition Nikolai Rimsky-Korsakov The Tsar's Bride, Air of Marfa Piotr Tchaikovsky Iolanta, duo and final Sergei Rachmaninov Variations on a theme of Paganini Modest Mussorgsky Boris Godounov, air of Boris Sergei Prokofiev Concerto for piano and orchestra n ° 2 Rodion Shchedrin Solemn Overture Recorded at the Zaryadye Hall, Moscow, 8 September 2018 TV Director, François-René Martin

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Sophie Alour 'Exil(s)' Sophie Alour (saxophone, flute, compositions) Mohamed Abozékry (oud) Donald Kontamanou (drums) Philippe Aerts (double bass) Damien Argentieri (piano) Wassim Halal (derbouka, bendir) Recorded on May 30, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Charles Lloyd & Jason Moran duo - Jazz sous les pommiers festival 35th edition With Charles Lloyd, saxophone Jason Moran, piano A lesson of serenity by Charles Lloyd ... who fits today as a giant in the exclusive world of jazz. This duet between a saxophonist among the most lyrical and most daring of his generation and one of today best pianists, shines with its eclecticism , finesse and intelligence. The poetic stroll revisits in a very intimate way a repertoire that mixes Ellington, Gershswin , Strayhorn , the Beach Boys and Dylan, with personal compositions , including a suite in memory of his great-grandmother , sold to a slave trader at the age of ten years. About this repertoire, Lloyd says : 'Music has always been for me both inspiration and consolation. The sentiments I would like to share with those who listen to me . ' Recorded on May 6th 2016, at the Municipal Theatre of Coutances TV direction by Thierry Villeneuve

The musical rendezvous of Malian vocalist Fatoumata Diawara and the Cuban pianist Roberto Fonseca is a unique genre-bending collaboration. Diawara, 32, combines his native country's musical tradition and pop influences with remarkable ease. Fonseca, a Buena Vista Social club collaborator, treks the various paths suggested by the rich musical tradition of Africa and Cuba, always adding something contemporary to the mix.

Michael Wollny Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions stian 'Schlapbe' Flach, double basse Pit Huberty, batterie Playlist Atavus (Eric Schaefer) Phlesma Phighter (Eric Schaefer) Big Louise (Scott Walker) Farbenlehre (Michael Wollny) Gravité (Eric Schaefer) Sleeper (Michael Wollny) Hiroshima mon amour (Eric Schaefer) Little Person (Jon Brion) Gorilla Bsicuits (Eric Schaefer) Lassel (Machant) Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

Yom & The Wonder Rabbis Yom (clarinet, composition) Léo Jassef (keaboard) Guillaume Magne (guitar) Sylvain Daniel (bass) Mathieu Penot (drums) Recorded on July 11, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Julien Lourau 'Groove Retrievers' Jazz sous les pommiers festival 35th édition Julien Lourau is a multifaceted saxophonist of the French jazz scene. After being the sideman of Henri Texier and Abbey Lincoln , he regaled us with the funky jazz of his famous ' Groove Gang'. He returned to Coutances with its new tentet , ' Groove Retrievers ' marked by groove and mixed colors. Recorded on May 6th 2016 at the Magic Miror (Place de la Cathédrale), Coutances TV direction by Laurent Hasse

Das Kapital 'Eissler explosion' Edward Perraud - drums Daniel Herdmann - saxophone Hasse Poulsen - guitar and The Orchestre d'Harmonie du Conservatoire et de l'Académie supérieur de musique de Strasbourg 'Eisler's hand' (Tim Garland) Recorded on November 9 & 10, 2018 at the Auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Hugh Coltman (voice) Frédéric Couderc (baritone clarinet) Jérôme Etcheberry (trumpet) Jerry Edwards (trombone) Didier Havet (soubassophone) Freddy Koella (guitar) Gael Rakotondrabe (piano) Raphael Chassin (drums) Heard in the company of the pianist Eric Legnini on an album where he was simply a guest, Hugh Coltman rapidly broke the barrier of confidentiality to gain access to the the antechamber of notoriety. His latest hour of glory (for the time being), was his allegorical project based on the repertoire of Nat King Cole, the historic crooner and pianist. The voice of this Brit possesses that full masculinity which characterises his dedicatee, but it carries with it a bit of spleen, a sort of Baudelairian charm which the language of Shakespeare makes even more palpable...A confirmation eagerly awaited in Marciac this summer with his new album 'Who's happy?'. With drums which dance just like in one of those legendary burials in New Orleans, brass saturated with soul, guitars mixing up all the blues and all the folk... Hugh Coltman treated himself to a sublime backdrop for eleven songs in which his warm 'been through it all' voice can be heard. He is a conoisseur in human emotions, always charitable towards the evening's lover, the lost soul at dawn or the forlorn in the blazing sunshine. Recorded at Jazz in Marciac Festival (Circus top), on July 31, 2018 TV Director, Jean-Marc Birraux

Boris Godunov Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881) Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin First performance in St Petersburg, Mariinsky Theatre, 8 February 1874 Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor) Valery Borisov (Chorus master) Igor Ushakov (Stage Director) Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography) Mikhail Kazakov (Boris Godunov) Albina Latipova (Xenia) Ekaterina Vorontsova (Fyodor) Anastasia Bibicheva (Xenia's Nurse) Maxim Paster (Prince Vasily Ivanovich Shuisky) Andrei Potaturin (Andrei Shchelkalov) Denis Makarov (Pimen) Agunda Kulaeva (Marina Mnishek) Andrii Goniukov (Varlaam) Ivan Maximeyko (Missail) Elena Manistina (Innkeeper) Behzod Davronov (Simpleton) Nikolai Kazansky (Nikitich) Alexander Borodin (Mityukha) Irina Rubtsova / Evgenia Segenyuk (Two Women) Recorded at the Bolshoi Theatre, Moscow, 19 December 2019

Romeo and Juliet Ballet in three acts by Sergei Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky after William Shakespeare's eponymous play The Ural Opera House ballet Vyacheslav Samodurov (Choreography) Anthony Mcilwaine (Sets), Irena Belousova (Costumes), Simon Bennison (Lights) Orchestra of the Ural Opera House Pavel Klinichev (Musical Direction) With Ekaterina Sapogova (Juliet) Alexandr Merkushev (Romeo) Igor Bulytsyn (Mercutio) Gleb Sageev (Benvolio) Vadim Eremin (Tybalt) Victor Mekhanoshin (Lord Capulet) Elena Safonova (Lady Capulet) Nadezhda Shamshurina (Nurse) Rafaela Ernandes Morel (Rosaline) Andrei Veshkurgev (Rosaline's Suitor) Maxim Klekovkin (Paris) Ivan Sobrovin (Friar Laurence ) Anton Guzeev (The Duke) Sofiya Tyupa (The Duke's companion ) Live from the Ural Opera House, Yekaterinburg TV director, Denis Caïozzi

Royal Concertgebouw Orchestra, Andris Nelsons (Conductor) Håkan Hardenberger (trumpet), Pierre-Laurent Aimard (piano) Ludwig van Beethoven (1770 - 1827) The Creatures of Prometheus, Op. 43 Brett Dean (né en 1961) Dramatis personae Alexander Skryabin (1871 - 1915) Prométhée, le poème du feu Live from the Concertgebouw, Amsterdam

Julien Lourau 'Groove Retrievers' Jazz sous les pommiers festival 35th édition Julien Lourau is a multifaceted saxophonist of the French jazz scene. After being the sideman of Henri Texier and Abbey Lincoln , he regaled us with the funky jazz of his famous ' Groove Gang'. He returned to Coutances with its new tentet , ' Groove Retrievers ' marked by groove and mixed colors. Recorded on May 6th 2016 at the Magic Miror (Place de la Cathédrale), Coutances TV direction by Laurent Hasse

John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica EDDIE BARBASH saxophone IBANDA RUHUMBIKA tuba JOE SAYLOR percussions

Ghost-Note Robert Sput Searight (Snarky Puppy, Herbie Hancock, Kendrick Lamar) - drums Nate Werth (Snarky Puppy) - percussion Dwayne 'MonoNeon' Thomas (Prince) - bass, Peter Knudsen - guitar Vaughn Henry - keyboards Jonathan Mones (Funky Knuckles, RC & The Gritz) - alto sax, flute Mike Jelani Brooks (Kirk Franklin, RC & The Gritz) - tenor saxophone, flute Recorded on July 6 at A to Jazz Festival, main stage, Sofia, Bulgaria TV Director, Amos Rozenberg

Quintette Jaspar & René Thomas With Bobby Jaspar (tenor sax and flute) Benoît Quersin (bass), Amedeo Tommasi (piano) René Thomas (guitar) Daniel Humair (drums) Playlist - 'Oleo' - 'Ballata in forma di blues' - 'It could happen to you' - 'I remember Sonny' Recorded on 1962 at the Palais des Beaux-Arts, Bruxelles TV Director, Raymond Rossius

Bojan Z & Julien Lourau Duo Jazz sous les pommiers festival 35th edition Sharing over twenty years of complicity, Bojan Z and Julien Lourau are bond by a generational proximity : one as the other can claim to have borrowed many cross paths. The result is an energetic piano embracing a furibard sax . Physical but never brutal. Only hard and pure friendship. Recorded on May 7th 2016 at the Macel Helie Hall, Coutances TV direction by Laurent Hasse

Count Basie Palais des Beaux-Arts, Charleroi 'Who, Me?' (Snooky Young),'The Midgets' (Frank Wess, Joe Newman, Eddie Jones, Count Basie, Freddie Green, Sonny Payne) ,'Gee Baby Ain't I Good To You' (Joe Williams),'Hallelujah I Love Her So' (Joe Williams) ,'Lil' Darlin'' (Count Basie). With big band featuring Snooky Young (trumpet), Frank Wess (flute), Joe Williams (voice), Joe Newman (trumpet), Eddie Jones (bass), Freddie Green (guitar), Sonny Payne (drums) 1961 Recorded on 1961 TV Director, Serge Leroy

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

From the House of the Dead, by Leoš Janáček (1854 - 1928) Libretto by the composter after 'Memoirs from the House of the Dead' by Fyodor Dostoyevsky First performance in Brno, Natinla Theatre, 12 April 1930 Simone Young (Conductor) Sören Eckhoff (Chorus Master) Frank Castorf (Stage Director) Aleksandar Denic (Sets), Adriana Braga-Peretzki (Costumes), Rainer Casper (Lighting) Peter Rose (Alexandr Petrovič Gorjančikov) Evgeniya Sotnikova (Aljeja) Aleš Briscein (Filka Morozov) Manuel Günther (Big Prisoner) Tim Kuypers (Small Prisoner) Christian Rieger (Prison Governor) Ulrich Reß (Elderly Prisoner) Charles Workman (Skuratov) Johannes Kammler (Čekunov) Boris Prýgl (Cook) Alexander Milev (Blacksmith ) Peter Lobert (Priest) Heike Grötzinger (Prostitute) Callum Thorpe (Prisoner/Don Juan/The Brahmin) Matthew Grills (Kedril) Kevin Conners (Schapkin) Bo Skovhus (Šiškov) Dean Power (Čerevin) Recorded on May 18 and 26, 2018 at the Nationaltheater, Bayerische Staatsoper, Munich TV Director, Andy Sommer

Il Corsaro, opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after 'The Corsair' by Lord Byron First performance in Trieste, Teatro Grande, October 25, 1848 Orquestra de la Comunitat Valenciana, Fabio Biondi (Conductor) Cor de la Generalitat Valenciana, Francesc Perales (Chorus Master) Nicola Raab (Stage Direction) George Souglides (Sets & Costumes), Ran Arthur Braun (Choreography), David Debriny (Lighting Design), Miguel Bosch (Video) Michael Fabiano (Corrado) Oksana Dyka (Gulnara) Kristina Mkhitaryan (Medora) Vito Priante (Seid) Evgeny Stavinsky (Giovanni) Ignacio Giner (Selimo) Antonion Gómez (eunuch) Jesús Rita (Slave) Recorded on April 5 & 8, 2018 at the Palau de les Arts Reina Sofia, Valencia Directed by Olivier Simonnet

Casse-Noisette (The Nutcracker) Choreography by Kader Belarbi Ballet in two acts Ivan Vsevolojski et Marius Petipa, libretto After Histoire d'un Casse-Noisette, adapted by Alexandre Dumas from Nutcracker and The Mouse King by E. T. A. Hoffmann Piotr Ilitch Tchaïkovski, music Ballet du Capitole Kader Belarbi, direction Orchestre national du Capitole Koen Kessels, conductor Maîtrise du Capitole Alfonso Caiani, chorus master Anthony Rouchier, composition and arrangements Kader Belarbi, choreographye and staging Antoine Fontaine, sets Lola Sergent, sets assistant Philippe Guillotel, costume Hervé Gary, lighting With (Nutcracker) Ramiro Gómez Samón (Drosselmeyer) Rouslan Savdenov (The Ultimate Supervision) Alexandra Surodeeva (Marie) Natalia de Froberville Recorded on December 27 and 29, 2017 at the Théâtre du Capitole TV Director, Luc Riolon

The Dead Queen (La Reine Morte) Choreography and stage by Kader Belarbi Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652) Orchestre national du Capitole Koen Kessels, Conductor Music, Piotr Ilitch Tchaïkovski Set, Bruno de Lavenère Costume, Olivier Bériot Lights, Sylvain Chevallot Withe The Capitole Ballet Recorde on February 8th at the Capitole of Toulouse Theater TV Director, Luc Riolon

Les Arts Florissants, William Christie, Paul Agnew (Conductors) Sandrine Piau (soprano), Lea Desandre (mezzo-soprano), Christophe Dumaux (countertenor), Marcel Beekman (haute-contre), Marc Mauillon (baritone), Lisandro Abadie (bass) Works by Marc-Antoine Charpentier (1643 - 1704), Georg Friedrich Haendel (1685 - 1759), Jean-Baptiste Lully (1632 - 1687), Henry Purcell (1659 - 1695) and Jean-Philippe Rameau (1683 - 1764) Recorded at the Philharmonie de Paris, 21 December 2019

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Nikolai Rimsky-Korsakov Scheherazade Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires Directed by Jean-Pierre Loisil

Le Comte Ory, by Gioachino Rossini (1792 - 1868) Libretto by Eugène Scribe and Charles-Gaspard Delestre-Poirson First performance in Paris, Opéra, 20 August 1828 Orchestre des Champs-Elysées, Louis Langrée (Conductor) les éléments, Joël Suhubiette (Chorus Master) Denis Podalydès (Stage Direction) Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting) Philippe Talbot (Le Comte Ory) Julie Fuchs (La Comtesse) Gaëlle Arquez (Isolier) Éve-Maud Hubeaux (Dame Ragonde) Patrick Bolleire (Le Gouverneur) Jean-Sébastien Bou (Raimbaud) Jodie Devos (Alice) Laurent Podalydès, Léo Reynaud (Comédiens) Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris Directed by Vincent Massip

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Extended Hanoi Duo Nguyên Lê, electric and accoustic guitar Ngo Hong Quang, traditional instruments, voice Mieko Miyazaki, koto Paolo Fresu, trumpet Edouard Prabhu, tabals Alex Tran, percussions Hao Nhiem Pham, flute The celebrated French-Vietnamese guitarist Nguyên Lê is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyên's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Charles Lloyd & Jason Moran duo - Jazz sous les pommiers festival 35th edition With Charles Lloyd, saxophone Jason Moran, piano A lesson of serenity by Charles Lloyd ... who fits today as a giant in the exclusive world of jazz. This duet between a saxophonist among the most lyrical and most daring of his generation and one of today best pianists, shines with its eclecticism , finesse and intelligence. The poetic stroll revisits in a very intimate way a repertoire that mixes Ellington, Gershswin , Strayhorn , the Beach Boys and Dylan, with personal compositions , including a suite in memory of his great-grandmother , sold to a slave trader at the age of ten years. About this repertoire, Lloyd says : 'Music has always been for me both inspiration and consolation. The sentiments I would like to share with those who listen to me . ' Recorded on May 6th 2016, at the Municipal Theatre of Coutances TV direction by Thierry Villeneuve

Roberto Fonseca ABUC & Special Guests Roberto Fonseca, piano, keyboard, vocal Eliades Ochoa, vocal, guitar Daymé Arocena, vocal Ucha, vocal Javier Zalba, saxophone, flute, clarinet Jimmy Jenks, saxophone Matthew Simon, trumpet Ramses 'Dinamite' Rodriguez, drums Adel Gonzalez, percussion Yandy Martinez, Electric & acoustic bass Ariel Gustavo Vigo Muniz, saxophone The 40-something star of Cuban jazz (born in Havana in 1975) with nine albums under his belt (the last is Ubuc) and former pianist for the Buena Vista Social Club is a hero of new musica habanera. The piano and percussion maestro (he started out as a drummer) studied music for a long time in Havana. Meeting the saxophonist Javier Zalba from the band Irakere inspired Fonseca to explore alternative music such as Keith Jarrett or Herbie Hancock and traditional beats. He began blending vibrant Cuban rhythms with Santeria's African roots, classical music and jazz ('Yo', 2012). Roberto Fonseca is now seen as an icon of Latin jazz and a potential heir to Chucho Valdes. After a poignant duet with the Mali singer Fatoumata Diawara (2014), the pianist is back with Eliades Ochoa, one of the latest figures in the Buena Vista Social Club and the best-known Cuban vocalist on the scene. He's also joined by 25 year old Daymé Arocena, a singer who blends traditional rumba, jazz, soul and Yoruba culture. Recorded on 2017, July, 7th at the Jazz Festival in Vienne TV Director, Nicolas Micha

Zakir Hussain (tabla) Chris Potter (saxophone) Dave Holland (double bass) The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018 TV Director, Jean-Marc Birraux

Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor) Michael Spyres (tenor) (Benvenuto Cellini) Sophia Burgos (soprano) (Teresa) Maurizio Muraro (bass) (Giacomo Balducci) Lionel Lhote (baritone) (Fieramosca) Tareq Nazmi (bass) (Pape Clément) Adèle Charvet (mezzo-soprano) (Ascanio) Vincent Delhoume (tenor) (Francesco) Ashley Riches (baritone) (Bernardino) Hector Berlioz (1803-1869) Benvenuto Cellini 'Opéra-comique' in two acts and four tableaux Libretto by Léon de Wailly and Auguste Barbier First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles TV Director, Sébastien Glas

Ghost-Note Robert Sput Searight (Snarky Puppy, Herbie Hancock, Kendrick Lamar) - drums Nate Werth (Snarky Puppy) - percussion Dwayne 'MonoNeon' Thomas (Prince) - bass, Peter Knudsen - guitar Vaughn Henry - keyboards Jonathan Mones (Funky Knuckles, RC & The Gritz) - alto sax, flute Mike Jelani Brooks (Kirk Franklin, RC & The Gritz) - tenor saxophone, flute Recorded on July 6 at A to Jazz Festival, main stage, Sofia, Bulgaria TV Director, Amos Rozenberg

Yom & The Wonder Rabbis Yom (clarinet, composition) Léo Jassef (keaboard) Guillaume Magne (guitar) Sylvain Daniel (bass) Mathieu Penot (drums) Recorded on July 11, 2019 at Jazz à Vienne TV Director, Mikaël Favard

José James José James (voice, guitar) Marcus Machado (guitar) Aneesa Strings (bass, voice) Aaron Steele (drums) Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Boris Godunov Opera in a prologue and four acts by Modest Mussorgsky (1839 - 1881) Libretto by Modest Mussorgsky based upon 'Boris Godunov' by Alexander Pushkin First performance in St Petersburg, Mariinsky Theatre, 8 February 1874 Bolshoi Thatre Chorus & Orchestra, Tugan Sokhiev (conductor) Valery Borisov (Chorus master) Igor Ushakov (Stage Director) Alyona Pikalova (Sets), Elena Zaytseva (Costumes), Sergei Shevchenko (Lighting), Ekaterina Mironova (Choreography) Mikhail Kazakov (Boris Godunov) Albina Latipova (Xenia) Ekaterina Vorontsova (Fyodor) Anastasia Bibicheva (Xenia's Nurse) Maxim Paster (Prince Vasily Ivanovich Shuisky) Andrei Potaturin (Andrei Shchelkalov) Denis Makarov (Pimen) Agunda Kulaeva (Marina Mnishek) Andrii Goniukov (Varlaam) Ivan Maximeyko (Missail) Elena Manistina (Innkeeper) Behzod Davronov (Simpleton) Nikolai Kazansky (Nikitich) Alexander Borodin (Mityukha) Irina Rubtsova / Evgenia Segenyuk (Two Women) Recorded at the Bolshoi Theatre, Moscow, 19 December 2019

Orchestre Prométhée, Pierre-Michel Durand (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Le Nozze di Figaro - Deh vieni non tardar (Susanna) Yaritza Veliz (soprano, Chile) Gaetano Donizetti (1797 - 1848) Lucia di Lammermoor - Verranno a te sull'aure (Edgardo/Lucia) David Astorga/Julia Sitkovetsky Nikolai Rimsky-Korsakov (1844 - 1908) The Tsar's Bride - Suma neydot krasavitsa (Griaznoi) Benjamin Lewis (baritone, UK) Vincenzo Bellini (1801 - 1835) La Somnambula - Ah non credea mirarti (Amina) Mélissa Petit (soprano, France) Francesco Cilea (1866 - 1950) Adriana Lecouvreur - Acerba volluta (Pincipessa di Bouillon) Zlata Khershberg (mezzo-soprano, Israel) Gaetano Donizetti L'Elisir d'amore - Voglio dire (Nemorino/Dulcamara) Shan Huang/Jérôme Boutillier Piotr Ilitch Tchaikovsky (1840 - 1893) The Queen of Spades - Ya vas Lyublyu (Yetleski) Ilya Kutyukhin (baritone, Russia) Gioachino Rossini (1792 - 1868) La Cenerentola - Nacqui all'affanno (Angelina) Lilly Jørstad (mezzo-soprano, Norway) Gaetano Donizetti Don Pasquale - Cerchero lontana terra (Ernesto) Shan Huang (tenor, China) Wolfgang Amadeus Don Giovanni - Ah taci ingiusto cor (Elvira, Don Giovanni, Leporello) Julia Sitkovetsky/Bejamin Lewis/Jérôme Boutillier Giuseppe Verdi (1813 - 1901) C'est moi, Carlos... C'est mon jour suprême ... Ah ! Je meurs (Rodrigue) Jérôme Boutillier (baritone, France) Wolfgang Amadeus Mozart Die Zauberflöte - Der hölle Rache (Queen of the Night) Julia Sitkovetsky (soprano, UK) Ambroise Thomas (1811 - 1896) Hamlet -Allez dans un cloître (Reine, Ophélie, Hamlet) Zlata Khershberg/Mélissa Petit/Benjamin Lewis Giuseppe Verdi La Traviata - Lunge da lei (Alfredo) David Astorga (tenor, Costa Rica) Gaetano Donizetti La Favorite - Pour la fête (Alphonse XI, Leonor de Guzmann) Ilya Kutyukhin/Zlata Khershberg Gaetano Donizetti Lucia di Lammermoor - Chi frena in tal momento Tutti Recorded 18 January 2019 at the Théâtre des Champs-Elysées, Paris TV Director, Patrick Savey

Les Chants des possibles: rencontre lyrique internationale à Paris The documentary tells of the coming together of ten young international opera singers. They are between twenty and thirty years old and are unknown to each other. Scrupulously chosen by a team of professional musicians they are invited to the capital in order to take up a challenge: that of breathing life, in five days, into an original opera production conceived for them. 5 days during which these artists are going to get to know each other, come face to face to share their love of their art, and work relentlessly with a singing coach, a conductor and a stage director with the shared and ultimate aim of creating a unique and unprecedented performance. TV Director, Patrick Savey

Airelle Besson, trumpet Sebastien Sternal, piano, Fender Rhodes Jonas Burgwinkel, drums Clémence Colin, chansigneuse For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers TV Director, Laurent Hasse

Dhafer Youssef, oud, vocals Eivind Aarset, electric-guitars Kristjan Randalu, piano Phil Donkin, double bass Ferenc Nemeth, drums On his last album Birds Requiem, Tunisian singer and oud maestro Dhafer Youssef explores all possible combinations between traditional Arabic music and contemporary jazz and rock. From the sacred to the profane, from the divine to the earthly, discover an incantatory voice beyond compare.

Erik Truffaz 4tet - Jazz sous les pommiers Festival 35th edition With Erik Truffaz, trumpet Marcello Giuliani, bass BenoÏt Corboz, keyboards Arthur Hnatek, drums Greatly appreciated for their memorable performances in Coutances, the quartet of Erik Truffaz is back with a new album called Doni Doni . Always composed of the bassist Marcello Giuliani, Benoït Corboz on the keyboards, the group draws new energy since the arrival of Arthur Hnatek , a young drummer from New York who officiates with Tigran Hamasyan . Their music , enriched with world influences , oscillates slightly between jazz and instrumental pop . Their stage performance style is marked by their great musical complicity and a widely shared with their audience pleasure. Recorded on May 5th 2016 at the Macel Helie Hall, Coutances TV direction by Thierry Villeneuve

Mike Stern (guitar) Niels Lan Doky (piano) Richard Bona (bass) Manu Katché (drums) The Cameroonian international artist Richard Bona at first became known as a bass player in the company of jazz musicians before beginning a career as a singer and composer in 1999. He interprets his own songs and now has more than half a dozen albums under his belt. Jazz Grand Prix winner of the SACEM, Richard Bona never cheats, but then, he doesn't need to. For those who may be unaware, Mike Stern is one of the greatest jazz-rock guitarists, and has been for more than twenty years now. Pupil of Pat Metheny, he was at first spotted by Billy Cobham and then by Miles Davis at the beginning of the 1980's, he was then taken on by Jaco Pastorius and an active member of 'Steps Ahead' with Danny Sanborn before starting out on a promising solo career . The drummer and percussionist Manu Katché has been for some thirty years one of the most sought after musicians at an international level on the jazz, rock and pop scenes. He became known in 1986 thanks to his participation in the album 'So' by Peter Gabriel and since then has been performing non-stop in groups or for recordings, as leader or as sideman. Whatever the context he demonstrates his magnificent technique. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux