MEZZO

Romeo and Juliet Ballet in three acts by Sergei Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky after William Shakespeare's eponymous play The Ural Opera House ballet Vyacheslav Samodurov (Choreography) Anthony Mcilwaine (Sets), Irena Belousova (Costumes), Simon Bennison (Lights) Orchestra of the Ural Opera House Pavel Klinichev (Musical Direction) With Ekaterina Sapogova (Juliet) Alexandr Merkushev (Romeo) Igor Bulytsyn (Mercutio) Gleb Sageev (Benvolio) Vadim Eremin (Tybalt) Victor Mekhanoshin (Lord Capulet) Elena Safonova (Lady Capulet) Nadezhda Shamshurina (Nurse) Rafaela Ernandes Morel (Rosaline) Andrei Veshkurgev (Rosaline's Suitor) Maxim Klekovkin (Paris) Ivan Sobrovin (Friar Laurence ) Anton Guzeev (The Duke) Sofiya Tyupa (The Duke's companion ) Live from the Ural Opera House, Yekaterinburg TV director, Denis Caïozzi

Mariinsky Orchestra, Valery Gergiev (Conductor) Matvey Demin (flûte) Piotr I. Tchaikovsky (1844 - 1890) Symphony No.3 in D major, 'Polish Symphony', op. 29 Symphony No. 6 in B minor, 'Pathétique', op. 74 Lensky's aria ('Eugene Onegin') (arranged for flute) Recorded at the Zaryadye Hall, Moscow, 8 September 2019

The Tsar's Bride, by Nikolai Rimsky-Korsakov (1844 - 1908) Libretto by Ilia Tyumenev based on the drama of the same name by Lev Mey. First performance 3 November 1899, Solodovnikov Theatre, Moscow Orchestra & Chorus of the Bolshoi Theatre, Tugan Sokhiev (musical direction) Valery Borisov (Chorus Master) Julia Pevzner (Stage Direction) Alyona Pikalova (Sets), Elena Zaitseva (Costumes), Damir Ismagilov (Lighting), Ekaterina Mironova (Choreography) Stanislav Trofimov (Vasily Stepanovich Sobakin) Olga Seliverstova (Marfa) Elchin Azizov (Grigory Grigorevich Gryaznoy) Vyacheslav Pochapsky (Grigory Lukiyanovich Malyuta Skuratov) Ilya Selivanov (Ivan Sergeyevich Lykov) Agunda Kulaeva (Lyubasha) Roman Muravitsky (Yelisey Bomelius) Irina Rubtsova (Domna Ivanovna Saburova) Anna Bondarevskaya (Dunyasha) Anna Matsey (Petrovna) Recorded 15 November 2018, Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

L'Incoronazione di Poppea Dramma musicale in a prologue and three acts by Claudio Monteverdi (1567-1643) Libretto by Giovanni Francesco Busenello Fist performance in Venice, Teatro SS Giovanni et Paolo, 1643 Les Arts Florissants, William Christie (Conductor) Jan Lauwers (Stage Director, Sets, Choreography) Lemm&Barkey (Costumes), Ken Hioco (Lighting) Sonya Yoncheva (Poppea) Kate Lindsey (Nerone) Stéphanie d'Oustrac (Ottavia) Carlo Vistoli (Ottone) Renato Dolcini (Seneca) Ana Quintans (Virtù/Drusilla) Marcel Beekman (Nutrice/Famigliare I) Dominique Visse (Arnalta) Léa Desandre (Amore/Valletto) Directed by Tiziano Mancini Recorded at the Haus für Mozart, Salzburg, 2018

Les Siècles, François-Xavier Roth (Conductor) Sabine Devieilhe (soprano) Ambroise Thomas Mignon, Overture Je suis Titania la blonde (Mignon) Léo Delibes Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail) Hector Berlioz La Mort d'Ophélie (Tristia) Ambroise Thomas Raymond, ou Le Secret de la reine, Overture À vos jeux, mes amis (Hamlet) Maurice Delage Quatre Poèmes hindous Igor Stravinski Chanson du rossignol (Le Rossignol) Camille Saint-Saëns La Princesse jaune, Overture André Messager Le jour sous le soleil béni (Madame Chrysanthème) Léo Delibes Les fleurs me paraissent plus belles (Lakmé) Ballet (Lakmé) Légende de la fille du Paria (Air des clochettes) (Lakmé) Recorded at the Philharmonie de Paris on Novembre 14, 2017 TV Director, Olivier Simonnet Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde' Léo Delibes - Coppélia (extraits), Prélude et Valse Hector Berlioz - La Mort d'Ophélie Ambroise Thomas - Raymond, Ouverture ; Hamlet , 'A vos jeux, mes amis' (Air d'Ophélie) Maurice Delage - 4 poèmes hindous Igor Stravinski - Chanson du Rossignol Camille Saint-Saëns - La Princesse Jaune, Ouverture André Messager - Madame Chrysantème, 'Le jour sous le soleil béni' Léo Delibes - Lakmé , 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes) Enregistré le 14 novembre 2017 à la Philharmonie de Paris Réalisation, Olivier Simonnet

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica EDDIE BARBASH saxophone IBANDA RUHUMBIKA tuba JOE SAYLOR percussions

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Ivan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, Sîla

Henry Spencer & Juncture The Reasons Don't Change Henry Spencer, trumpet Nick Costley-White, guitar Matt Robinson, piano, Fender rhodes, Wurlitzer Andrew Robb, double bass David Ingamells, drums Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival TV Director, Mathieu Mastin

Quintette Jaspar & René Thomas With Bobby Jaspar (tenor sax and flute) Benoît Quersin (bass), Amedeo Tommasi (piano) René Thomas (guitar) Daniel Humair (drums) Playlist - 'Oleo' - 'Ballata in forma di blues' - 'It could happen to you' - 'I remember Sonny' Recorded on 1962 at the Palais des Beaux-Arts, Bruxelles TV Director, Raymond Rossius

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019 TV Director, François-René Martin

Budapest Festival Orchestra, Iván Fisher (Conductor) Johann Sebastian Bach Brandenburg Concerto no. 3 in G major BWV 1048 Béla Bartók Music for strings, percussion and celesta, Sz. 106, BB 114 Johannes Brahms Symphony no. 3 en F major, op. 90 Recorded on December 7, 2017 at the Béla Bartók National Concert Hall, Budapest Réalisé par Sebastien Glas

Budapest Festival Orchestra, Iván Fischer (Conductor) Richard Goode (piano) Ludwig van Beethoven Symphony No 1 in C major, op 21 Concerto for piano No 4 in G major, op. 58 Symphony no. 5 in C minor, op. 67 Recorded on January 27th and 29th 2017 at the Béla Bartók National Concert Hall, Budapest Directd by Christian Leblé

Les Siècles, Coro de la Orquesta Ciudad de Granada, François-Xavier Roth (Conductor) Héctor Eliel Márquez (Chorus Master) Jean-Efflam Bavouzet (piano) Claude Debussy (1862 - 1918) Marche écossaise, sur un thème populaire Jeux Nocturnes César Franck (1822 - 1890) Variations symphoniques Camille Saint-Saëns (1835 - 1921) Samson et Dalila, Bacchanale Recorde on June 24, 2018 at the Festival de Grenade Directed by Stéphane Vérité

Les Siècles, François-Xavier Roth (Conductor) Sabine Devieilhe (soprano) Ambroise Thomas Mignon, Overture Je suis Titania la blonde (Mignon) Léo Delibes Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail) Hector Berlioz La Mort d'Ophélie (Tristia) Ambroise Thomas Raymond, ou Le Secret de la reine, Overture À vos jeux, mes amis (Hamlet) Maurice Delage Quatre Poèmes hindous Igor Stravinski Chanson du rossignol (Le Rossignol) Camille Saint-Saëns La Princesse jaune, Overture André Messager Le jour sous le soleil béni (Madame Chrysanthème) Léo Delibes Les fleurs me paraissent plus belles (Lakmé) Ballet (Lakmé) Légende de la fille du Paria (Air des clochettes) (Lakmé) Recorded at the Philharmonie de Paris on Novembre 14, 2017 TV Director, Olivier Simonnet Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde' Léo Delibes - Coppélia (extraits), Prélude et Valse Hector Berlioz - La Mort d'Ophélie Ambroise Thomas - Raymond, Ouverture ; Hamlet , 'A vos jeux, mes amis' (Air d'Ophélie) Maurice Delage - 4 poèmes hindous Igor Stravinski - Chanson du Rossignol Camille Saint-Saëns - La Princesse Jaune, Ouverture André Messager - Madame Chrysantème, 'Le jour sous le soleil béni' Léo Delibes - Lakmé , 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes) Enregistré le 14 novembre 2017 à la Philharmonie de Paris Réalisation, Olivier Simonnet

Swan Lake Ballet in three acts Libretto by Vladimir Begichev and Vasily Geltser Music, Piotr Ilyich Tchaikovsky Choreography, Marius Petipa, Lev Ivanov, Alexandre Gorski, Fedor Lopukhov, Vladimir Burmeister Choreographic version, Valery Kovtun (premiered in 1986) Stage Designer, Maria Levitskaya Costumes, Oxana Zinchenko Ballet Company of The National opera of Ukraine Orchestra of The National opera of Ukraine Musical direction, Mykola Dyadura (Odette/ Odile) Natalia Matsak (Prince Siegfried) Denys Nedak (Rothbart), Yaroslav Tkachuk (Pas de trois) Ganna Muromtseva, Olga Skripchenko, Oleksandre Skulkine (The Brides) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Big Swans) Margarita Alyanakh, Irina Borisova, Ganna Muromtseva, Svetlana Onipko (Little Swans) Elisaveta Goguidze, Katerina Didenko, Inna Chorna, Katerina Chupina (Venetian Dance) Oleksandre Skulkine (The Tutor) Sergey Litvinenko (The Knight) Vladislav Ivashchenko (The Queen) Ludmila Melnik

Bojan Z & Julien Lourau Duo Jazz sous les pommiers festival 35th edition Sharing over twenty years of complicity, Bojan Z and Julien Lourau are bond by a generational proximity : one as the other can claim to have borrowed many cross paths. The result is an energetic piano embracing a furibard sax . Physical but never brutal. Only hard and pure friendship. Recorded on May 7th 2016 at the Macel Helie Hall, Coutances TV direction by Laurent Hasse

Michael Janisch Band Michael Janisch, double/electric bass John O'Gallagher, alto saxophone Jason Palmer, trumpet Rez Abbasi, guitar Clarence Penn, drums Whirlwind head honcho, bassist, composer and producer Michael Janisch (nominated in 2016 for a MOBO Award in the Jazz category after releasing his latest solo album 'Paradigm Shift' (see below), premieres a terrific Stateside band on their first European tour-date with guitarist Rez Abbasi - rapidly emerging as one of today's major new voices on his instrument - alongside Grammy-winning alto saxophonist John O'Gallagher (Joe Henderson, Maria Schneider), trumpeter Jason Palmer (Herbie Hancock, Kurt Rosenwinkel) and the brilliant drummer Clarence Penn (Michael Brecker, Maria Schneider). Recorded on November 10th 2017 au Rich Mix, London Jazz Festival TV Director, Mathieu Mastin

Henry Spencer & Juncture The Reasons Don't Change Henry Spencer, trumpet Nick Costley-White, guitar Matt Robinson, piano, Fender rhodes, Wurlitzer Andrew Robb, double bass David Ingamells, drums Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival TV Director, Mathieu Mastin

Zhenya Strigalev's Never Group Zhenya Strigalev, alto sax & alto box Michael Janisch, electric bass / effects Marc Ayza, drums Saxophonist Strigalev's zany Never Group takes that same tradition by the scruff of the neck, combining 'hip jazz virtuosity and surrealism' in equal measures. His last release, Never Group, out on Whirlwind is a one of a kind in New Jazz Horizon. Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival TV Director, Mathieu Mastin

The comet is coming Shabaka Hutchings, saxophone ténor Dan Leavers, synthétiseur Max Hallet, batterie Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin

Mariinsky Orchestra, Valery Gergiev (Conductor) Mark Bushkov (violin) Piotr I. Tchaikovsky (1844 - 1890) Symphony No. 2 in C minor, 'Little Russia', op. Symphony No. 5 in E minor, op. 64 Valse-Scherzo for violin and orchestra Recorded at the Zaryadye Hall, Moscow, 7 September 2019

Mariinsky Orchestra, Valery Gergiev (Conductor) Matvey Demin (flûte) Piotr I. Tchaikovsky (1844 - 1890) Symphony No.3 in D major, 'Polish Symphony', op. 29 Symphony No. 6 in B minor, 'Pathétique', op. 74 Lensky's aria ('Eugene Onegin') (arranged for flute) Recorded at the Zaryadye Hall, Moscow, 8 September 2019

Mariinsky Orchestra, Valery Gergiev (Conductor) Alexey Lobikov (trombone) Piotr I. Tchaikovsky (1844 - 1890) Symphony No. 1 in G minor, 'Winter Daydreams', op. Symphony No. 4 in F minor, op. Mazepa's Arioso (arranged for trombone) from the Opera Mazepa Recorded at the Zaryadye Hall, Moscow, 7 September 2019

Budapest Festival Orchestra, Iván Fischer (conductor) Krisztián Gergye Company, Krisztián Gergye (Choreographer) Béla Bartók (1881 - 1945) The Miraculous Mandarin The Wooden Prince Recorded on 12 May 2017 at the Béla Bartók National Concert Hall, Budapest TV Director, Sébastien Glas

Budapest Festival Orchestra, Czech Philharmonic Choir (Brno), Iván Fischer (Conductor) Christiane Karg (soprano), Elisabeth Kulman (alto) Gustav Mahler Symphony No. 2 in C minor 'Resurrection' Recorded at the Müpa, Budapest, on May 12, 2018 TV Director, Sébastien Glas

Le Comte Ory, by Gioachino Rossini (1792 - 1868) Libretto by Eugène Scribe and Charles-Gaspard Delestre-Poirson First performance in Paris, Opéra, 20 August 1828 Orchestre des Champs-Elysées, Louis Langrée (Conductor) les éléments, Joël Suhubiette (Chorus Master) Denis Podalydès (Stage Direction) Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting) Philippe Talbot (Le Comte Ory) Julie Fuchs (La Comtesse) Gaëlle Arquez (Isolier) Éve-Maud Hubeaux (Dame Ragonde) Patrick Bolleire (Le Gouverneur) Jean-Sébastien Bou (Raimbaud) Jodie Devos (Alice) Laurent Podalydès, Léo Reynaud (Comédiens) Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris Directed by Vincent Massip

Bojan Z Bojan Z, piano, fender rhodes Thomas Bramerie, bass Martijn Vink, drums Pantelis Stoikos, trumpet Claudio Puntin, clarinet Paolo Fresu, trumpet Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Bojan Z Bojan Z, piano, fender rhodes Thomas Bramerie, bass Martijn Vink, drums Pantelis Stoikos, trumpet Claudio Puntin, clarinet Paolo Fresu, trumpet Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz machine Festival, Dudelange, Luxembourg TV Director, Samuel Thiebaut

Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux

Enrico Rava Special edition 80th Brithday Enrico Rava - trumpet & bugle Gianluca Petrella - trombone Francesco Diodati - guitar Giovanni Guidi - piano Gabriele Evangelista - bass guitar Enrico Morello - drums Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Mariinsky Theater Orchestra, Valery Gergiev (Conductor) Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass) Modest Mussorgsky Prelude to Khovantchina Pictures of an exhibition Nikolai Rimsky-Korsakov The Tsar's Bride, Air of Marfa Piotr Tchaikovsky Iolanta, duo and final Sergei Rachmaninov Variations on a theme of Paganini Modest Mussorgsky Boris Godounov, air of Boris Sergei Prokofiev Concerto for piano and orchestra n ° 2 Rodion Shchedrin Solemn Overture Recorded at the Zaryadye Hall, Moscow, 8 September 2018 TV Director, François-René Martin

Les Siècles, François-Xavier Roth (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 5 in C minor, op. 67 Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

Les Siècles, François-Xavier Roth (Conductor) Hector Berlioz (1803 - 1869) Symphonie fantastique Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

Mariinsky Theatre Orchestra, Valery Gergiev and Renat Salavatov (conductors) Chorus of the Tartar State Academic Opera and Ballet Theatre named after M. Dzhapilia Liubov Draznina (Chorus Master) Anatoly Nezhny (Stage Designer) Sergei Shevchenko (Lighting Designer) Nikolai Rimsky Korsakov Overture to the opera 'Maid of Pskov' Modest Mussorgsky Monologue of Boris from the opera 'Boris Godunov' Mikhail Kazakov Piotr Illich Tchaikovsky Aria of Robert from the opera 'Iolanta' Alexei Markov Léo Delibes Bolero Aida Garifulina Giuseppe Verdi Aria from the opera 'Rigoletto' Gevorg Akopian Gaetano Donizetti Aria of Lucia from the opera 'Lucia di Lammermoor' Albina Shagimuratova Jules Massenet Elegia Ildar Abdrazakov Mikhail Glinka Overture to the opera 'Ruslan and Liudmila' Charles Gounod Valse of Juliette from the opera 'Roméo et Juliette' Aida Garifulina Georges Bizet Couplet of Escamillo from the opera 'Carmen' Alexei Markov Giacomo Puccini Aria from the opera 'Turandot' (with chorus) Akhmet Agadi Charles Gounod Couplet of Méphisto from the opera 'Faust' (with male chorus) Mikhail Kazakov Arrigo Boito Aria from the opera 'Mefistofele' Ildar Abdrazakov Piotr Illich Tchaikovsky Aria of Tomsky from the opera 'The Queen of Spades' Gevorg Akopian Sergei Rachmaninov Vocalise, opus 34, No 14 Albina Shagimuratova Gioachino Rossini Aria of Basilio from the opera 'The Barber of Seville' Mikhail Kazakov Russian Folk Song : Vdol po Piterskoy Alexei Markov Alexander Alyabyev Rossignol after poem by Delvig Albina Shagimuratova Florian Hermann Ochi cherny (black eyes) after poem by Grebinki (with chorus) Ildar Abdrazakov Nazib Gayazovich Zhiganov Aria Dzhapilia 'Farewell, Kazan' (with chorus) Akhmet Agadi Recorded at the Tartar State Academic Opera and Ballet Theatre named after M. Dzhapilia, Kazan, Russia, in 2013

Lea Desandre (mezzo-soprano), Thomas Dunford (lute) Michel Lambert (1610 - 1696) Ma bergère est tendre et fidèle Robert de Visée (1650 - 1725) Gavotte en ré mineur Marc-Antoine Charpentier (1643 - 1704) Celle qui fait tout mon tourment Sébastien Le Camus (1610 - 1677) On n'entend rien dans ce bocage Marin Marais (1656 - 1728) Les Voix Humaines Sébastien Le Camus Laissez durer la nuit Robert de Visée Chaconne en ré mineur Honoré d'Ambruys Le doux silence de nos bois Robert de Visée Prélude et Sarabande en ré mineur Sébastien Le Camus Forêts solitaires Marc-Antoine Charpentier Auprès du feu on fait l'amour Robert de Visée Allemande La Royale Marc-Antoine Charpentier Tristes déserts, sombre retraite Marc-Antoine Charpentier Sans frayeur dans ce bois Robert de Visée Rondeau La mascarade Michel Lambert Ombre de mon amant Michel Lambert Vos mépris chaque jour Marie-Joseph Déodat de Séverac (1872 - 1921) Paysages tristes Claude Debussy (1862 - 1918) Mes longs cheveux (Pelléas et Mélisande) Georg Friedrich Haendel (1685 - 1759) Ombra mai fù (Serse) Barbara (1930 - 1997) Dis quand reviendras-tu ? Recorded at the Festival de Maguelone, 11 June 2019 Directed by Olivier Simonnet

Cappella Mediterranea, Leonardo García Alarcón (Conductor) Lucas Ruiz de Ribayaz (1626-after 1677) Xácara por primo tono (instrumental) Joan Manuel Serrat (b. 1943) De vez en cuando la vida (arr. Quito Gato) Francisco Valls (1671-1747) Esta vez Cupidillo Joan Manuel Serrat Pare (arr. Quito Gato) Guillaume Dufay (1397-1474) De Sant Francisco Joan Manuel Serrat Romance de Curro el Palmo (arr. Quito Gato) Federico Mompou (1893-1987) Música callada (transcription for piano, Spanish baroque harp, arr. Quito Gato) Juan José Cabanilles (1644-1712) Mortales que amáis Joan Manuel Serrat La cançó dell ladre (arr. Quito Gato) José Marín (1618-1699) Ojos pues me desdeñáis Mateo Flecha, el Viejo (1481-1553) La Bomba Joan Manuel Serrat La presó de Lleida (arr. Quito Gato) Mateo Romero (c. 1575-1647) Romerico ¬orido Diego José de Salazar (1659-1709) Afuera pompas humanas Joan Manuel Serrat Aquellas pequeñas cosas (arr. Quito Gato) Joan Manuel Serrat Mediterráneo (arr. Quito Gato) Recorded at the Festival de Maguelone, 13 June 2019 TV Director, Olivier Simonnet

Bojan Z & Julien Lourau Duo Jazz sous les pommiers festival 35th edition Sharing over twenty years of complicity, Bojan Z and Julien Lourau are bond by a generational proximity : one as the other can claim to have borrowed many cross paths. The result is an energetic piano embracing a furibard sax . Physical but never brutal. Only hard and pure friendship. Recorded on May 7th 2016 at the Macel Helie Hall, Coutances TV direction by Laurent Hasse

Julien Lourau 'Groove Retrievers' Jazz sous les pommiers festival 35th édition Julien Lourau is a multifaceted saxophonist of the French jazz scene. After being the sideman of Henri Texier and Abbey Lincoln , he regaled us with the funky jazz of his famous ' Groove Gang'. He returned to Coutances with its new tentet , ' Groove Retrievers ' marked by groove and mixed colors. Recorded on May 6th 2016 at the Magic Miror (Place de la Cathédrale), Coutances TV direction by Laurent Hasse

Quintette Jaspar & René Thomas With Bobby Jaspar (tenor sax and flute) Benoît Quersin (bass), Amedeo Tommasi (piano) René Thomas (guitar) Daniel Humair (drums) Playlist - 'Oleo' - 'Ballata in forma di blues' - 'It could happen to you' - 'I remember Sonny' Recorded on 1962 at the Palais des Beaux-Arts, Bruxelles TV Director, Raymond Rossius

Sophie Alour 'Exil(s)' Sophie Alour (saxophone, flute, compositions) Mohamed Abozékry (oud) Donald Kontamanou (drums) Philippe Aerts (double bass) Damien Argentieri (piano) Wassim Halal (derbouka, bendir) Recorded on May 30, 2019 at Jazz sous les pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin