MEZZO

Henry Spencer & Juncture The Reasons Don't Change Henry Spencer, trumpet Nick Costley-White, guitar Matt Robinson, piano, Fender rhodes, Wurlitzer Andrew Robb, double bass David Ingamells, drums Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival TV Director, Mathieu Mastin

Sophie Alour 'Exil(s)' Sophie Alour (saxophone, flute, compositions) Mohamed Abozékry (oud) Donald Kontamanou (drums) Philippe Aerts (double bass) Damien Argentieri (piano) Wassim Halal (derbouka, bendir) Recorded on May 30, 2019 at Jazz sous les pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Quintette Jaspar & René Thomas With Bobby Jaspar (tenor sax and flute) Benoît Quersin (bass), Amedeo Tommasi (piano) René Thomas (guitar) Daniel Humair (drums) Playlist - 'Oleo' - 'Ballata in forma di blues' - 'It could happen to you' - 'I remember Sonny' Recorded on 1962 at the Palais des Beaux-Arts, Bruxelles TV Director, Raymond Rossius

Charles Lloyd & Jason Moran duo - Jazz sous les pommiers festival 35th edition With Charles Lloyd, saxophone Jason Moran, piano A lesson of serenity by Charles Lloyd ... who fits today as a giant in the exclusive world of jazz. This duet between a saxophonist among the most lyrical and most daring of his generation and one of today best pianists, shines with its eclecticism , finesse and intelligence. The poetic stroll revisits in a very intimate way a repertoire that mixes Ellington, Gershswin , Strayhorn , the Beach Boys and Dylan, with personal compositions , including a suite in memory of his great-grandmother , sold to a slave trader at the age of ten years. About this repertoire, Lloyd says : 'Music has always been for me both inspiration and consolation. The sentiments I would like to share with those who listen to me . ' Recorded on May 6th 2016, at the Municipal Theatre of Coutances TV direction by Thierry Villeneuve

Jalil Opera in two acts by Nazib Zhiganov (1911 - 1988) Booklet of Akhmed Faisi Orchestra of the Tatar State Academic Opera and Ballet Theater, Renat Salavatov (Conductor) Nouria Djouraeva (Chorus director) Mikhail Pandjavidze (Stage direction) Igor Grinevich (Sets), Sergey Shevchenko (Lighting), Pavel Suvorov (Computer Graphics) Akhmed Agadi (Jalil) Marina Nerabeeva (The wife of the poet) Aïdar Nurgayanov (Juraviev, Colonel) Evgueni Ulanov (Kanzafarov, traitor) Yury Ivshine (André Timmermans) Dina Khamsina (Khayat, The prisoner) Dina Khamsina (The crazy woman) Vladimir Vassiliev (Kovalev) Yuri Petrov (Stpaev) Rustem Kutlubaev (Ishnazarov) Marcel Miftakhov (Sabirov) Ravil Idrisov (Matveev) Oleg Machin (the German officer) Stanislas Sherbinin (Usenko) With the participation of the choirs, the group of mimes and the orchestra of the theater and the choir of children 'Delizia' created with the N4 Conservatory of the district 'Sovetsky' of the city of Kazan (director, Albina Mallikova) Recorded on April 28th, 29th & 30th, 2015 at Kazan Tatar State Academic Opera and Ballet Theater, Russia Directed by Vincent Massip

Saint Petersburg Philharmonic Orchestra Rauf Abdullayev (Conductor) Maxime Vengerov (violin) Gara Garayev (1918 - 1982) Leyli and Majnun, symphonic poem Violin Concerto Don Quixote, symphonic sketches Path of Thunder, Suite de ballet n° 2 Recorded on March 28, 2018 at the Saint Petersburg Philharmonie Directed by Jean-Pierre Loisil

Biophony and Sand Choreographer, Alonzo King With Lines Ballet Babatunji, Robb Beresford, Adji Cissoko, Madeline DeVries, Shuaib Elhassan, James Gowan, Maya HarrCourtney Henry, Yujin Kim, Michael Montgomery BIOPHONY Music and sound environment, Bernie Krause et Richard Blackford Lights, Axel Morgenthaler Costumes, Robert Rosenwasser SAND Music, Charles Lloyd et Jason Moran Lights, Axel Morgenthaler Decors, Christopher Haas Costumes, Robert Rosenwasser Recorded on 2017, March 26th at the Faïencerie Théâtre, à Creil TV Director, Denis Caiozzi

A Swan Lake Choreography by Alexander Ekman Alexander Ekman, sets designer Henrik Vibskov, costume Tom Visser, lighting designer With Camilla Spidsøe et Melissa Hough, the black and white swans and the dancers from the Norwegian National Ballet and the school of the Norwegian National Ballet The Norwegian National Opera Orchestra Per Kristian Skalstad, condctor Elisabeth Teige , soprano Fridtjov Såheim , actor Jan Gunnar Røise, actor Recorded on 2014 at the Den Norske Opera RV Director, Jeff Tudor

Michael Wollny Pierre Cocq-Amann, saxophones Arthur Possing, piano, compositions stian 'Schlapbe' Flach, double basse Pit Huberty, batterie Playlist Atavus (Eric Schaefer) Phlesma Phighter (Eric Schaefer) Big Louise (Scott Walker) Farbenlehre (Michael Wollny) Gravité (Eric Schaefer) Sleeper (Michael Wollny) Hiroshima mon amour (Eric Schaefer) Little Person (Jon Brion) Gorilla Bsicuits (Eric Schaefer) Lassel (Machant) Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg TV Director, Josselin Carré

Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin

Emile Parisien celebrates the 40 years of Europajazz Emile Parisien, saxophone Vincent Peirani, accordion Michel Portal, clarinet Fabrice Martinez, trompet Manu Codjia, guitar Roberto Negro, piano Julien Touery, piano Simon Tailleu, double-bass Ivan Gelugne, double-bass Mario Costa, drums Julien Loutelier, drums Recorded on May 11 & 12, 2019 à the Epa Abbey TV Director, Jean-Marc Birraux

An Evening with Avishai COHEN Avishai Cohen, double bass, vocal Omri Mor, piano Itamar Doari, drums Orchestre National d'ÃŽle-de-France Bastien Stil, conductor Recorded on February 26th 2016 at the Philharmonie 1 de Paris TV Director

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Ibrahim Maalouf Kalthoum Ibrahim Maalouf, trumpet Franck Woeste, piano Mark Turner, saxophone Scott Colley, double bass Clarence Penn, drums The arrangements by Ibrahim Maalouf and Frank Woeste of one of Oum Kalthoum's greatest successes, Alf Leila wa Leila (The One Thousand and One Nights), colour this beautiful, oriental intoxication with jazz tones. Recorded on december 13rd at the Paris Philharmonie 1 TV Director, Samuel Thiebaut

Quintette Jaspar & René Thomas With Bobby Jaspar (tenor sax and flute) Benoît Quersin (bass), Amedeo Tommasi (piano) René Thomas (guitar) Daniel Humair (drums) Playlist - 'Oleo' - 'Ballata in forma di blues' - 'It could happen to you' - 'I remember Sonny' Recorded on 1962 at the Palais des Beaux-Arts, Bruxelles TV Director, Raymond Rossius

John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica EDDIE BARBASH saxophone IBANDA RUHUMBIKA tuba JOE SAYLOR percussions

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Vadim Gluzman (violin) David Azagra Prélude (World Premiere) Ludwig van Beethoven (1770 - 1827) Concerto for violin and orchestra in D major, op. 61 Béla Bartók (1881 - 1945) The Wooden Prince, op. 13, Sz. 60 Recorded on March 4th, 2016, in Toulouse Directed by Jean-Pierre Loisil

L'Incoronazione di Poppea Dramma musicale in a prologue and three acts by Claudio Monteverdi (1567-1643) Libretto by Giovanni Francesco Busenello Fist performance in Venice, Teatro SS Giovanni et Paolo, 1643 Les Arts Florissants, William Christie (Conductor) Jan Lauwers (Stage Director, Sets, Choreography) Lemm&Barkey (Costumes), Ken Hioco (Lighting) Sonya Yoncheva (Poppea) Kate Lindsey (Nerone) Stéphanie d'Oustrac (Ottavia) Carlo Vistoli (Ottone) Renato Dolcini (Seneca) Ana Quintans (Virtù/Drusilla) Marcel Beekman (Nutrice/Famigliare I) Dominique Visse (Arnalta) Léa Desandre (Amore/Valletto) Directed by Tiziano Mancini Recorded at the Haus für Mozart, Salzburg, 2018

Swan Lake Choreography Graeme Murphy Music Pyotr Il'yich Tchaikovsky Australian Opera orchestra Conductor Nicolette Fraillon Concert Master Aubrey Murphy Concept Graeme Murphy, Janet Vernon and Kristian Fredrikson Set and Costume Design Kristian Fredrikson Lighting Design Damien Cooper With Madeleine Eastoe, Odette Robert Curran, Prince Siegfried Danielle Rowe, Baroness von Rothbart And the Australian Ballet Recorded on April 9th 2008 at the Sydney Opera House Directed for TV by Simon Francis

Mahler Chamber Orchestra, Pablo Heras-Casado (Conductor) Isabelle Faust (violin), Carmen Romeu (soprano) Igor Stravinsky (1882 - 1971) Pulcinella (Suite) Péter Eötvös (1944) Alhambra Concerto for violin and orchestra Manuel de Falla (1876 - 1946) The three-cornered Hat Recorded at the Festival de Granada, Palacio de Carlos V, 11 & 12 July 2019 TV Director, Arnaud Lalanne

Boris Giltburg (piano) Sergei Rachmaninov (1873 - 1943) Variations on a theme by Corelli, Op.42 Dimitri Shostakovich (1906 - 1976) String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg) Nikolay Medtner (1879 - 1951) Sonata-Reminiscenza, Op.38 No.1 Alexander Scriabin (1871 - 1915) Piano Sonata no 5 in F sharp major, Op.53 Igor Stravinsky Three movements from Petrouchka Recorded at the Auditorium de la Maison de la Radio, Paris Directed by Nathan Benisly

Les Siècles, François-Xavier Roth (Conductor) Sabine Devieilhe (soprano) Ambroise Thomas Mignon, Overture Je suis Titania la blonde (Mignon) Léo Delibes Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail) Hector Berlioz La Mort d'Ophélie (Tristia) Ambroise Thomas Raymond, ou Le Secret de la reine, Overture À vos jeux, mes amis (Hamlet) Maurice Delage Quatre Poèmes hindous Igor Stravinski Chanson du rossignol (Le Rossignol) Camille Saint-Saëns La Princesse jaune, Overture André Messager Le jour sous le soleil béni (Madame Chrysanthème) Léo Delibes Les fleurs me paraissent plus belles (Lakmé) Ballet (Lakmé) Légende de la fille du Paria (Air des clochettes) (Lakmé) Recorded at the Philharmonie de Paris on Novembre 14, 2017 TV Director, Olivier Simonnet Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde' Léo Delibes - Coppélia (extraits), Prélude et Valse Hector Berlioz - La Mort d'Ophélie Ambroise Thomas - Raymond, Ouverture ; Hamlet , 'A vos jeux, mes amis' (Air d'Ophélie) Maurice Delage - 4 poèmes hindous Igor Stravinski - Chanson du Rossignol Camille Saint-Saëns - La Princesse Jaune, Ouverture André Messager - Madame Chrysantème, 'Le jour sous le soleil béni' Léo Delibes - Lakmé , 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes) Enregistré le 14 novembre 2017 à la Philharmonie de Paris Réalisation, Olivier Simonnet

The Tsar's Bride, by Nikolai Rimsky-Korsakov (1844 - 1908) Libretto by Ilia Tyumenev based on the drama of the same name by Lev Mey. First performance 3 November 1899, Solodovnikov Theatre, Moscow Orchestra & Chorus of the Bolshoi Theatre, Tugan Sokhiev (musical direction) Valery Borisov (Chorus Master) Julia Pevzner (Stage Direction) Alyona Pikalova (Sets), Elena Zaitseva (Costumes), Damir Ismagilov (Lighting), Ekaterina Mironova (Choreography) Stanislav Trofimov (Vasily Stepanovich Sobakin) Olga Seliverstova (Marfa) Elchin Azizov (Grigory Grigorevich Gryaznoy) Vyacheslav Pochapsky (Grigory Lukiyanovich Malyuta Skuratov) Ilya Selivanov (Ivan Sergeyevich Lykov) Agunda Kulaeva (Lyubasha) Roman Muravitsky (Yelisey Bomelius) Irina Rubtsova (Domna Ivanovna Saburova) Anna Bondarevskaya (Dunyasha) Anna Matsey (Petrovna) Recorded 15 November 2018, Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica EDDIE BARBASH saxophone IBANDA RUHUMBIKA tuba JOE SAYLOR percussions

Ornette | Apparitions Antonin Tri Hoangn, Alto saxophone , clarinet, Geoiffroy Gesser, Tenor saxophone , Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais ' ce n'est pas un autre jazz, c'est une musique autre, créative '. Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette : même lyrisme tarabiscoté, même goût du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des rêves, des ponts évocateurs, ' pas un revival, mais un survival '. Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent à la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93 TV Director, Stéphane Jourdain

Vic Dickenson (trombone), Sidney Bechet (clarinet), Joe Turner (piano), Coleman Hawkins (tenor saxophone), Roy Eldridge (drums), Dizzy Gillespie (trumpet), Teddy Buckner (trumpet), Don Byas (tenor saxophone), Claude Gousset (trombone), Michel de Villers (baritone saxophone), Michel Hausser (vibes), Henri Renaud (piano), Dante Agostini (drums), Albert Nicholas (clarinet), Arvell Shaw (bass), Sammy Price(piano), Bobby Jaspar(flute), Donald Byrd (trumpet), Walter Davis (piano), Stan Getz (tenor saxophone), Guy Lafitte (tenor saxophone), Barney Wilen (tenor saxophone) and Kenny Clarke (drums). Works: - 'Perdido'(Don Byas, Teddy Buckner, Claude Gousset, Michel De Villers, Sammy Price, Arvell Shaw and J. C. Heard ) - 'Blues pour the chat' (Michel Hausser, Ricardo Galeazzi, Dante Agostini and Henri Renaud) - 'Rose rouge' (Albert Nicholas, Joe Turner, Arvell Shaw and J.C. Heard) - 'Sweet Georgia Brown' (Sidney Bechet, Teddy Buckner, Sammy Price, Vic Dickenson and Roy Eldridge) - Thème non identifié (Bobby Jaspar, Donald Byrd, Walter Davis, Doug Watkins and Art Taylor) - 'On the Alamo' (Dizzy Gillespie and Kenny Clarke) - The 'Indiana' theme with the improvisations of 5 saxophone players: Stan Getz, Guy Lafitte, Barney Wilen, Don Byas and Coleman Hawkins. Recorded at the Festival de Jazz de Cannes - Broadcast ORTF on 22/11/1958 - TV Director : Jean Christophe Averty

Mc Coy Tyner trio 'Echoes with a Friend' McCoy Tyner, piano Geri Allen, piano Craig Taborn, piano Gerald Cannon, doublebass Francisco Mela, drums Compositions by McCoy Tyner: Hope Celestial Chant Peresina You thaught my heart to sing Fly with the mind Blues on the corner One of the great stylists in the history of jazz, McCoy Tyner developed his own musical language alongside John Coltrane. His exuberant, percussive and powerful style has influenced many generations of pianists: at the age of seventy-seven, McCoy Tyner still tours America but rarely crosses the Atlantic. For this unmissable concert in Paris, he is joined by two exceptional pianists, his nineteen-year-old daughter Geri Allen, already known as a leader (with Paul Motian and Charlie Haden) and as a sideman in Steve Coleman's Five Elements, and Craig Taborn who, at forty-seven, has become one of the most thought-provoking and progressive members of the New York avant-garde. Recorded on September 19th 2016 at the Philharmonie de Paris TV Director, Samuel Thibaut

John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica EDDIE BARBASH saxophone IBANDA RUHUMBIKA tuba JOE SAYLOR percussions

Lady Macbeth of Mtsensk Opera in four acts op. 29 by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitry Shostakovich and Alexander Preis from Nikolai Leskov's story Creation in Leningrad, Maliÿ Opernïy Teatr, 22 January 1934 Chorus and Orchestra of the Paris National Opera, Ingo Metzmacher (Conductor) José Luis Basso (Chorus Master) Krzysztof Warlikowski (Stage Direction) Małgorzata Szczęśniak (sets, costumes), Felice Ross (lighting), Claude Bardouil (choreography), Christian Longchamp (dramaturgy) Dmitry Ulyanov (Boris Timofeevich Ismailov) John Daszak (Zinovy Borisovich Ismailov) Aušrinė Stundytė (Katerina Lvovna Ismailova) Pavel Černoch (Sergey) Sofija Petrovic (Aksinya) Wolfgang Ablinger-Sperrhacke (Shabby Peasant) Oksana Volkova (Sonetka) Andrei Popov (Teacher) Krzysztof Baczyk (A Pope, un gardien) Marianne Croux (Woman Convict) Alexander Tsymbalyuk (Chief of Police, Old Convict) Sava Vemić (Officer) Florent Mbia (Le Régisseur) Julien Joguet (Porter) Hyun-Jong Roh, Antonel Boldan, Paolo Bondi (Workers) Jian-Hong Zhao (Millhand) John Bernard (Coachman) Pierpaolo Palloni (Policemant) Fernando Velasquez (Drunken Guest) Recorded at the Opéra National de Paris, Opéra-Bastille, on 13 & 16 April 2019 TV Director, Stétphane Metge

Mariinsky Theatre Orchestra, Valery Gergiev and Renat Salavatov (conductors) Chorus of the Tartar State Academic Opera and Ballet Theatre named after M. Dzhapilia Liubov Draznina (Chorus Master) Anatoly Nezhny (Stage Designer) Sergei Shevchenko (Lighting Designer) Nikolai Rimsky Korsakov Overture to the opera 'Maid of Pskov' Modest Mussorgsky Monologue of Boris from the opera 'Boris Godunov' Mikhail Kazakov Piotr Illich Tchaikovsky Aria of Robert from the opera 'Iolanta' Alexei Markov Léo Delibes Bolero Aida Garifulina Giuseppe Verdi Aria from the opera 'Rigoletto' Gevorg Akopian Gaetano Donizetti Aria of Lucia from the opera 'Lucia di Lammermoor' Albina Shagimuratova Jules Massenet Elegia Ildar Abdrazakov Mikhail Glinka Overture to the opera 'Ruslan and Liudmila' Charles Gounod Valse of Juliette from the opera 'Roméo et Juliette' Aida Garifulina Georges Bizet Couplet of Escamillo from the opera 'Carmen' Alexei Markov Giacomo Puccini Aria from the opera 'Turandot' (with chorus) Akhmet Agadi Charles Gounod Couplet of Méphisto from the opera 'Faust' (with male chorus) Mikhail Kazakov Arrigo Boito Aria from the opera 'Mefistofele' Ildar Abdrazakov Piotr Illich Tchaikovsky Aria of Tomsky from the opera 'The Queen of Spades' Gevorg Akopian Sergei Rachmaninov Vocalise, opus 34, No 14 Albina Shagimuratova Gioachino Rossini Aria of Basilio from the opera 'The Barber of Seville' Mikhail Kazakov Russian Folk Song : Vdol po Piterskoy Alexei Markov Alexander Alyabyev Rossignol after poem by Delvig Albina Shagimuratova Florian Hermann Ochi cherny (black eyes) after poem by Grebinki (with chorus) Ildar Abdrazakov Nazib Gayazovich Zhiganov Aria Dzhapilia 'Farewell, Kazan' (with chorus) Akhmet Agadi Recorded at the Tartar State Academic Opera and Ballet Theatre named after M. Dzhapilia, Kazan, Russia, in 2013

Vadim Repin (violin), Murad Huseynov (piano) Gara Garayev (1918 - 1982) Sonata for violin and piano 24 Preludes for piano First recording of works by Gara Garayev (1918-1982) for the composer's centenary Recorded at la Grange au Lac, Evian, France, October 2014. Directed by Juliette Swierczewski

Ivan Paduart Trio Ivan Paduart (piano, compositions), Philippe Aerts (double bass), Romain Sarron (drums) Guests : Raphaëlle Brochet (vocal), Richard Bona (bass, vocal) Recorded on December 7, 2018 at the Nubia Club TV Director, Sîla

Così fan tutte Dramma giocoso in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte First performance in Vienna, Burgtheater, 26 January 1790 Orchestre de Chambre de Lausanne, Joshua Weilerstein (Conductor) Jean Liermier (Stage Direction) Rudy Sabounghi (Sets and Costumes), Jean-Philippe Roy (Lighting) Valentina Nafornita (Fiordiligi) Stéphanie Guérin (Dorabella) Robert Gleadow (Guglielmo) Joel Prieto (Ferrando) Susana Cordón (Despina) Bruno de Simone (Don Alfonso) Recorded at the Opéra de Lausanne, 7 November 2018

Les Siècles, François-Xavier Roth (Conductor) Hector Berlioz (1803 - 1869) Symphonie fantastique Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité

Les Siècles, Coro de la Orquesta Ciudad de Granada, François-Xavier Roth (Conductor) Héctor Eliel Márquez (Chorus Master) Jean-Efflam Bavouzet (piano) Claude Debussy (1862 - 1918) Marche écossaise, sur un thème populaire Jeux Nocturnes César Franck (1822 - 1890) Variations symphoniques Camille Saint-Saëns (1835 - 1921) Samson et Dalila, Bacchanale Recorde on June 24, 2018 at the Festival de Grenade Directed by Stéphane Vérité

Adam Baldych with Helge Lien Trio Adam Bałdych, violin Helge Lien, piano Frode Berg, bass Hakon Mjaset Johansen, percussion The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising. Working with Norway Helge Lien talented pianist and his trio, he creates a mix of jaz and folklore polish music and Norwegian which the album Brothers released in 2017 had give us a marvellous glimpse. Enregistré le 11 novembre 2017 au Cadogan Hall, London Jazz Festival Réalisation, Mathieu Mastin

João Bosco, lead, guitar/vocals Ricardo Silveira, guitar Guto Wirtti, bass Kiko Freitas, drums João Bosco has been loved in his home country of Brazil for decades, since the 60s when he first began composing and performing. In the early 90s, Bosco mounted a major tour of the US, and since then he has become increasingly popular internationally, regularly performing at the prestigious Montreux Jazz Festival. Despite his growing popularity outside of his homeland, Bosco remains thoroughly attached to Brazil to the point of never leaving it for extended periods; his music, though rooted in Brazil's classic samba and bossa nova traditions, combines rock and roll, jazz and other ethnic styles in an eclectic brew that is as inventive and challenging as he is. In 2017 Bosco received a Lifetime Achievement Award from The Latin Recording Academy at the 18th Annual Latin Grammy Awards. His new album, Mano Que Zuera, was released at the end of the year. Recorded on July 21, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Vic Dickenson (trombone), Sidney Bechet (clarinet), Joe Turner (piano), Coleman Hawkins (tenor saxophone), Roy Eldridge (drums), Dizzy Gillespie (trumpet), Teddy Buckner (trumpet), Don Byas (tenor saxophone), Claude Gousset (trombone), Michel de Villers (baritone saxophone), Michel Hausser (vibes), Henri Renaud (piano), Dante Agostini (drums), Albert Nicholas (clarinet), Arvell Shaw (bass), Sammy Price(piano), Bobby Jaspar(flute), Donald Byrd (trumpet), Walter Davis (piano), Stan Getz (tenor saxophone), Guy Lafitte (tenor saxophone), Barney Wilen (tenor saxophone) and Kenny Clarke (drums). Works: - 'Perdido'(Don Byas, Teddy Buckner, Claude Gousset, Michel De Villers, Sammy Price, Arvell Shaw and J. C. Heard ) - 'Blues pour the chat' (Michel Hausser, Ricardo Galeazzi, Dante Agostini and Henri Renaud) - 'Rose rouge' (Albert Nicholas, Joe Turner, Arvell Shaw and J.C. Heard) - 'Sweet Georgia Brown' (Sidney Bechet, Teddy Buckner, Sammy Price, Vic Dickenson and Roy Eldridge) - Thème non identifié (Bobby Jaspar, Donald Byrd, Walter Davis, Doug Watkins and Art Taylor) - 'On the Alamo' (Dizzy Gillespie and Kenny Clarke) - The 'Indiana' theme with the improvisations of 5 saxophone players: Stan Getz, Guy Lafitte, Barney Wilen, Don Byas and Coleman Hawkins. Recorded at the Festival de Jazz de Cannes - Broadcast ORTF on 22/11/1958 - TV Director : Jean Christophe Averty

Jazz at the Philharmonie / Charlie Parker Philharmonie de Paris With Olivier Bogé (saxophone), Géraldine Laurent (saxophone), Pierrick Pedron (saxophone), Thomas de Pourquery (saxophone), Jaleel Shaw (saxophone), Thomas Bramerie (double bass), Ali Jackson (drums) Winds and strings orchestra Arrangement, Christophe Dal Sasso Conductor, Bastien Stil Setlist . Overture for 5 saxophones & orchestra . Autumn in New York (solist, Pierrick Pedron) . Lover (Solist, Pierrick Pedron) . Just Friends (solist, Olivier Bogé) . Everything Happens to me (Solist, Olivier Bogé) . If I should lose you (Solists, Jaleel Shaw & Géraldine Laurent) . Stella by Starlight (Solist, Géraldine Laurent) . Summertime (Solist, Thomas de Pourquery) . Laura (Solist, Thomas de Pourquery) . Easy to love (Solist, Jaleel Shaw) . What is this thing called love ( 5 saxo) 'Bird with Strings' (1949) by Charlie Parker is a unique encounter between the world of jazz and classical music. Some of today's best saxophonists return to this repertoire, with new arrangements by Christophe Del Sasso. For the young producer Norman Granz, the signing of Charlie Parker on the Mercury label was a real success story. For several years the saxophonist had been toying with the idea of seizing the opportunity to record music outside his usual quintet. The project 'Charlie Parker with strings' was therefore for him an old dream that he was to bring to reality in 1949. With an oboe, a few violins, a viola, a cello, a harp, a piano, a double bass and drums, he was to give a new sound to the 1930's classics such as 'Just Friends' or 'April in Paris'. Jazz at the Philharmonie celebrates this superb encounter by bringing together Géraldine Laurent (Grand Prix de l'Académie Charles Cros 2015), Pierrick Pédron (Prix du disque français awarded by the Académie du jazz 2013) and Thomas de Pourquery (Artist of the Year at the Victoires du jazz 2017) on new arrangements by Christophe Dal Sasso. Recorded on January 27, 2019 at Pierre Boulez Hall, Philharmonie de Paris TV Director, Guiseppe De Vecchi

Julien Lourau 'Groove Retrievers' Jazz sous les pommiers festival 35th édition Julien Lourau is a multifaceted saxophonist of the French jazz scene. After being the sideman of Henri Texier and Abbey Lincoln , he regaled us with the funky jazz of his famous ' Groove Gang'. He returned to Coutances with its new tentet , ' Groove Retrievers ' marked by groove and mixed colors. Recorded on May 6th 2016 at the Magic Miror (Place de la Cathédrale), Coutances TV direction by Laurent Hasse

The Sleeping Beauty David McAllister, choreographer after Marius Petipa's choreography Piotr Ilyich Tchaikovsky, music Lucas Jervies, Dramaturgy Melbourn Victoria orchestra Nicolette Fraillon, conductor Gabriela Tylesova, set and costume Kat Chan, associated designer Jon Buswell, lighting designer With The Australian Ballet Princess Aurora, Lana Jones Prince Desire, Kevin Jackson Carabosse, Lynette Wills The Lilac Fairy, Amber Scott her cavalier, Rudy Hawkes The Fairy of Joy, Amy Harris her cavalier, Brett Simon The Fairy of Grace, Natasha Kusen her cavalier, Andrew Wright The Fairy of Generosity, Robyn Hendricks her cavalier, Ben Davis The Fairy of Musicality, Benedicte Bemet her cavalier, Jacob Sofer The Fairy of Temperament, Miwako Kubota her cavalier, Brett Chynoweth The King, Matthew Donnelly The Queen, Lisa Bolte Catalabutte, Frank Leo The Nurse, Kismet Bourne, The English prince , Brett Simon The Spanish prince , Ben Davis The Hungarian prince , Rudy Hawkes The Swedish prince , Andrew Wright Recorded on 2015 at the Melbourne Arts Center, State Theater TV Director, Brian Walsh

Gewandhausorchester, Riccardo Chailly (Conductor) GewandhausChor, Chor der Oper Leipzig Alexandrina Pendatchanska (soprano), Manuela Custer (alto), Stefano Secco (tenor), Mirco Palazzi (bass) Gioachino Rossini (1792 - 1868) Petite Messe Solennelle Gioacchino Rossini's Petite Messe Solennelle was written in 1863, 'the last', the composer called it, of my 'péchés de vieillesse' (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. Directed by Michael Beyer Recorded on 2008 at the Leipzig Gewandhaus

Betrothal in a Monastery Lyrico-comic opera by Sergey Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan First performance in Prague, National Opera Theatre, 5 May 1946 Staatskapelle Berlin, Daniel Barenboim (Conductor) Staatsopernchor Martin Wright (Chorus master) Dmitri Tcherniakov (Stage Direction, Sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting) Stephan Rügamer (Don Jeronimo) Aida Garifullina (Luisa) Andrei Zhilikhovsky (Don Ferdinand) Violeta Urmana (La Duenna) Goran Jurić (Mendoza) Anna Goryachova (Clara D'Almanza) Lauri Vasar (Don Carlo) Arttu Kataja (Padre Augustin) Recorded at the Staatsoper Berlin, on April 24, 2019 TV Director, Andy Sommer

Jalil Opera in two acts by Nazib Zhiganov (1911 - 1988) Booklet of Akhmed Faisi Orchestra of the Tatar State Academic Opera and Ballet Theater, Renat Salavatov (Conductor) Nouria Djouraeva (Chorus director) Mikhail Pandjavidze (Stage direction) Igor Grinevich (Sets), Sergey Shevchenko (Lighting), Pavel Suvorov (Computer Graphics) Akhmed Agadi (Jalil) Marina Nerabeeva (The wife of the poet) Aïdar Nurgayanov (Juraviev, Colonel) Evgueni Ulanov (Kanzafarov, traitor) Yury Ivshine (André Timmermans) Dina Khamsina (Khayat, The prisoner) Dina Khamsina (The crazy woman) Vladimir Vassiliev (Kovalev) Yuri Petrov (Stpaev) Rustem Kutlubaev (Ishnazarov) Marcel Miftakhov (Sabirov) Ravil Idrisov (Matveev) Oleg Machin (the German officer) Stanislas Sherbinin (Usenko) With the participation of the choirs, the group of mimes and the orchestra of the theater and the choir of children 'Delizia' created with the N4 Conservatory of the district 'Sovetsky' of the city of Kazan (director, Albina Mallikova) Recorded on April 28th, 29th & 30th, 2015 at Kazan Tatar State Academic Opera and Ballet Theater, Russia Directed by Vincent Massip

Martha Argerich, Nicholas Angelich, Iddo Bar-Shaï, Akane Sakai, Vahan Mardirossian, Itamar Golan, Natsuko Inoue (piano), Sergei Nakariakov (bugle) Renaud Capuçon, Mayu Kishima, Jean-Marc Phillips-Varjabédian, Thomas Lefort (violin) Quatuor Ébène Quatuor David Oïstrakh Sirba Octet One yiddish song (arranged by Marc-Olivier Dupin for two pianos) Mein Shtetele Belz Witold Lutosławski (1913-1994) Variations on a theme by Paganini Claude Debussy (1862-1918) En blanc et noir Béla Bartók (1881-1945) Romanian Folk Dances - excerpts Ernest Chausson (1855-1899) Concert for Violin, Piano and String Quartet op. 21 (II. Sicilienne) Robert Schumann (1810-1856) Fantasiestücke Op. 73 Traditionnal Tire l'aiguille Bessarabye Ukrainian Memory Tum Balalaika / Roumania Roumania Recorded at the Philharmonie de Paris, 7 January 2019 Tv Director, Sébastien Glas

Cappella Mediterranea, Leonardo García Alarcón (Conductor) Lucas Ruiz de Ribayaz (1626-after 1677) Xácara por primo tono (instrumental) Joan Manuel Serrat (b. 1943) De vez en cuando la vida (arr. Quito Gato) Francisco Valls (1671-1747) Esta vez Cupidillo Joan Manuel Serrat Pare (arr. Quito Gato) Guillaume Dufay (1397-1474) De Sant Francisco Joan Manuel Serrat Romance de Curro el Palmo (arr. Quito Gato) Federico Mompou (1893-1987) Música callada (transcription for piano, Spanish baroque harp, arr. Quito Gato) Juan José Cabanilles (1644-1712) Mortales que amáis Joan Manuel Serrat La cançó dell ladre (arr. Quito Gato) José Marín (1618-1699) Ojos pues me desdeñáis Mateo Flecha, el Viejo (1481-1553) La Bomba Joan Manuel Serrat La presó de Lleida (arr. Quito Gato) Mateo Romero (c. 1575-1647) Romerico ¬orido Diego José de Salazar (1659-1709) Afuera pompas humanas Joan Manuel Serrat Aquellas pequeñas cosas (arr. Quito Gato) Joan Manuel Serrat Mediterráneo (arr. Quito Gato) Recorded at the Festival de Maguelone, 13 June 2019 TV Director, Olivier Simonnet

Lea Desandre (mezzo-soprano), Thomas Dunford (lute) Michel Lambert (1610 - 1696) Ma bergère est tendre et fidèle Robert de Visée (1650 - 1725) Gavotte en ré mineur Marc-Antoine Charpentier (1643 - 1704) Celle qui fait tout mon tourment Sébastien Le Camus (1610 - 1677) On n'entend rien dans ce bocage Marin Marais (1656 - 1728) Les Voix Humaines Sébastien Le Camus Laissez durer la nuit Robert de Visée Chaconne en ré mineur Honoré d'Ambruys Le doux silence de nos bois Robert de Visée Prélude et Sarabande en ré mineur Sébastien Le Camus Forêts solitaires Marc-Antoine Charpentier Auprès du feu on fait l'amour Robert de Visée Allemande La Royale Marc-Antoine Charpentier Tristes déserts, sombre retraite Marc-Antoine Charpentier Sans frayeur dans ce bois Robert de Visée Rondeau La mascarade Michel Lambert Ombre de mon amant Michel Lambert Vos mépris chaque jour Marie-Joseph Déodat de Séverac (1872 - 1921) Paysages tristes Claude Debussy (1862 - 1918) Mes longs cheveux (Pelléas et Mélisande) Georg Friedrich Haendel (1685 - 1759) Ombra mai fù (Serse) Barbara (1930 - 1997) Dis quand reviendras-tu ? Recorded at the Festival de Maguelone, 11 June 2019 Directed by Olivier Simonnet

Zhenya Strigalev's Never Group Zhenya Strigalev, alto sax & alto box Michael Janisch, electric bass / effects Marc Ayza, drums Saxophonist Strigalev's zany Never Group takes that same tradition by the scruff of the neck, combining 'hip jazz virtuosity and surrealism' in equal measures. His last release, Never Group, out on Whirlwind is a one of a kind in New Jazz Horizon. Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival TV Director, Mathieu Mastin

Rifflet, Irabagon, Boisseau, Black Rebellion(s) Sylvain Rifflet, saxophone, composition, Jon Irabagon, saxophone, composition, Sébastien Boisseau, contrebasse, Jim Black,batterie Playlist 'Jean Moulin', Sylvain Rifflet 'Greta T. ' , Sylvain Rifflet ' Olympe ' , Sylvain Rifflet ' Factory Girl ' - Trad. Irlandais 'The Adults in the room ' , Jon Irabagon ' Paul Robeson ', Sylvain Rifflet & Jon Irabagon Pour le 30ème festival Banlieues Bleues, Sylvain Rifflet et Jon Irabagon avaient créé une passionnante célébration de la musique de Moondog. Les voici à nouveau réunis, au sein d'un quartet exceptionnel (avec Jim Black et Sébastien Boisseau) avec une nouvelle idée fixe: explorer un thème plutôt qu'un compositeur, quitte à se laisser surprendre. C'est dans l'histoire et l'actualité qu'ils se sont inspirés, d'Olympe de Gouges à Emma Gonzales, des droits civiques à la justice climatique, à la recherche de grands discours de rébellion(s) à mettre en sons, pour souffler dans leurs saxophones comme sur des braises... Recorded on April 3, 2019 at the Banlieues Bleues festival TV Director, Arthur Riflet

Sophie Alour 'Exil(s)' Sophie Alour (saxophone, flute, compositions) Mohamed Abozékry (oud) Donald Kontamanou (drums) Philippe Aerts (double bass) Damien Argentieri (piano) Wassim Halal (derbouka, bendir) The first, Alfredo Rodriguez, after classical training, discovered the world of jazz and improvisation by listening to Keith Jarrett.Today he is Quincy Jones's preferred pianist. The second, Pedrito Martinez, congaceros (percussionnist) comes from the streets of Havana making the whole of New York dance at Ginny's, the epicentre of Cuban Santeria. These two great jazz hopes meet each other at last and hold high the torch of the new uninhibited Latin-jazz scene where their virtuoso and audacious playing and their volcanic energy is put to the service of adventurous writing for a unique and fascinating voyage. Recorded on May 31, 2019 at Jazz sous les pommiers TV Directors, Thierry Villeneuve

Christian McBride's New Jawn Christian McBride,leader/bass Nasheet Waits, drums Marcus Strickland, sax tenor Josh Evans, trumpet Powered by a relentless energy and a boundless love of swing, Christian McBride's path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. His latest grouping, Christian McBride's New Jawn, is a killer unit, tight, soulful, in the pocket and in the groove. By the way, Jawn is Philly slang to describe just about everything and anything, but most importantly to understand why McBride named his new band so, it is probably this: 'Jawn' is one Philly thing New York can't lay claim to'. Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg