MEZZO

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

The Queen of Spades Opera in three acts, op. 68, by Piotr Ilych Tchaikovsky (1840 - 1893) Libretto by Modest Ilych Tchaikovsky after Alexander Pushkin's novella First performance in Saint-Petersburg, Mariinsky Theatre, 19 December 1890 Royal Concertgebouw Orchestra, Mariss Jansons (Conductor) Chorus of Dutch National Opera, Nieuw Amsterdams Kinderkoor Stefan Herheim (Stage Direction) Philipp Fürhofer (Sets), Philipp Fürhofer (Costumes) Misha Didyk (Herman) Alexey Markov (Tomski) Vladimir Stoyanov (Yeletsky) Andrei Popov (Chekalinsky) Andrii Goniukov (Surin) Mikhail Makarov (Chaplitsky) Anatoli Sivko (Narumov) Larissa Diadkova (The Countess) Svetlana Aksenova (Lisa) Anna Goryachova (Polina) Pelageya Kurennaya (Prilepa) Directed by Misjel Vermeiren Recorded at De Nationale Opera, Amsterdam, 2016

Hedda Gabler Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, choreography and staging Kaloyan Boyadjive, Group choreography Nils Petter Molvær, music Even Børsum, sets design Ingrid Nylander, costume design Kristin Bredal , lighting design With dancers from The Norwegian national ballet The Norwegian national ballet school And Grete Sofie Borud Nybakken (Hedda Gabler) Silas Henriksen (Eilert Løvborg) Philip Currell (Jørgen Tesman) Eugenie Skilnand (Thea Elvsted) Shane Urton (Assessorr Brack) Samantha Lynch (Aunt Julie) Klara Mårtensson (Diana) Kristian Alm (Général Gablerl, Hedda's father) Erle Østraat (Hedda Gabler child) Helle Flood (Thea Elvsted , child) Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Ghosts Upon Henrik Ibsen's work Norwegian National Ballet Marit Moum Aune, creation and staging Cina Espejord, choreography Nils Petter Molvær , Music Even Børsum , set design Ingrid Nylander , costumes Kristin Bredal , lighting design Jan Bang, trumpet With the dancers of The Norwegian National Ballet The Norwegian Bational Ballet school and Andreas Heise (Osvald / M. Alving) Camilla Spidsøe (Ms Alving) Grete Sofie Borud Nybakken (Regine) Yoshifumi Inao (Engstrand) Ole Willy Falkhaugen (Pastor Manders) Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet TV Director, Tommy Pascal

Ensemble intercontemporain, Matthias Pintscher (Conductor) Sébastien Vichard (piano), Jens McManama (horn), Pierre Strauch (cello), Hae-Sun Kang (violin) György Ligeti (1923-2006) Piano Concerto Hamburgisches Konzert for horn and chamber orchestra Cello Concerto Violin Concerto Recorded at the Philharmonie de Paris, 10 May 2019 Directed by Olivier Simmonet

Ensemble Pygmalion, Raphaël Pichon (Conductor) Maïlys de Villoutreys (soprano), William Shelton (alto), Reinoud Van Mechelen (tenor), Tomáš Král (bass) Nicolaus Bruhns (1665 - 1697) De Profundis clamavi Johann Sebastian Bach (1685 - 1750) Cantata BWV 131 Aus der Tiefe rufe ich, Herr, zu dir Franz Tunder (1614 - 1667) Ach Herr, laß deine Lieben Engelein Johann Sebastian Bach Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit Dietrich Buxtehude (1637 - 1707) Klag-Lied, BuxWV 76 Johann Sebastian Bach Cantata BWV 4 Christ lag in Todesbanden Recorded on February 6, 2018 at la Cité de la Musique, Paris Directed by Isabelle Soulard

The Indian Queen Semi-opea in a prologue and five acts by Henry Purcell (1659-1695) Libretto after John Dryden and Robert Howard First performance in London, Theatre Royal, Drury Lane, 1695 Le Concert d'Astrée, Chorus and orchestra, Emmanuelle Haïm (Conductor) Guy Cassiers (Stage Direction) Tim Van Steenbergen (Sets, costumes), Frederik Jassogne (Video), Fabiana Piccioli (Lighting) Anna Dennis (soprano) Tristan Hambleton (tenor) Hugo Hymas (tenor) Gareth John (baritone) Rowan Pierce (soprano) Nick Pritchard (tenor) Actors Christopher Ettridge, Elisabeth Hopper, James McGregor, Julie Legrand, Ben Porter, Matthew Romain Recorded 12 October 2019, Opéra de Lille TV Director, Isabelle Soulard

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Stéphane Kerecki - French Touch Stéphane Kerecki, double bass Julien Lourau, saxophone Fabrice Moreau, drums Jozef Dumoulin, piano, Fender Rhodes Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Ralph's Nero blues' - 'Fugato from original sin' - 'Horo high the moon' - 'Pierrot' - 'Django' Recorded on1962 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Lonely woman' d'Ornette Coleman - 'Animal dance final' de John Lewis - 'Columbine' de John Lewis - 'Concorde' de John Levis - 'Bags groove' de Milt Jackson Recorded on1963 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Snarky Puppy Their motto is to play music for your brain and body. Be prepared to furiously dance to the music of the most groovy Stochkolm festival band. Formed in 2004, Snarky Puppy was once a happy student dand of North Texas University. They are today one of the most exciting band in the world funk scene. Snarky Puppy members had played with big names and not just Jazz's : Snoop Dodd, Erykah Badu, Chaka Khan, Beyonce, Justin Timberlake, Jason Marsalis and many more. Recorded on 2013 at the Stockholm Jazz Festival TV Director, Mathieu Mastin

Golden Striker Trio Ronald L. Carter (bass guitar ) Russel L. Malone (guitar) Donald Vega (piano) A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz à Vienne TV Director, Fabien Raymond

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Anne Paceo 'Alegria' Anne Paceo (drumes, compositions) Daniel Santiago (guitar) Frederico Heliodoro (bass) Leonardo Montana (piano) ' Alegria ' or ' joy ' in Portuguese...This what comes out of the encounter between Anne Paceo and two musicians having frequented the greatest names in Brazilian music (Hamilton de Holanda, João Bosco, Milton Nascimento, Hermeto Pascoal...). The pianist and Anne's faithful accomplice, Léo Montana, completes this dream casting. For the occasion our sparkling artist in residence will propose some new compositions she says : ' I know that from our alchemy, magic will be born and that it really is joy that will spring out of it. ' Recorded on June 1st, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor) Daniel Barenboim (Piano) Ludwig van Beethoven Piano Concerto No 5 in E-flat major, op. 73 'Emperor' Sergei Prokofiev Symphony No 5 in B-flat major, op. 100 Recorded at the Philharmonie im Gasteig, Munich, 9 November 2017 TV Director, Birgit Malzer

Concerto Köln Markus Hoffmann (violin) Antonio Vivaldi (1678 - 1741) Concerto for Strings and Basso Continuo in C minor RV 120 Pietro Antonio Locatelli (1695 - 1764) Concerto grosso in G minor Op. 1 No. 12 Evaristo Felice Dall'Abaco (1675 - 1742) Concerto a più Istrumenti in D major Op. 5 No. 6 Johann Sebastian Bach (1685 - 1750) Concerto for Harpsichord, No. 4 in A major BWV 1055 Giovanni Battista Sammartini (1700 - 1775) Sinfonia in A major Antonio Vivaldi Violin Concerto in E minor RV 277 'Il favorito' Johann Sebastian Bach Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196 Johann Sebastian Bach Brandenburg Concerto No. 4 in G major BWV 1049 Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 14, 2018 Directed by Julien Condemine

Ambrose Akinmusire Quartet Ambrose Akinmusire (trumpet) Sam Harris (piano), Harish Raghavan (bass guitar), Justin Brown (drums) This young trumpet player (aged 36), an American of Nigerian heritage, has an impeccable background (from Berkeley High School to the first prize in the Thelonious Monk competition in 2007), but is much more than an impressive academic CV. He aims to create a personal world 'dedicated to beauty'. Akinmusire was born and raised in Oakland, California and first attracted the attention of the saxophonist Steve Coleman, who asked him to join Five Elements. Ambrose Akinmusire was then 19. He released his first album, 'Prelude (To Cora)', and moved to New York, where he played with Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. In 2010, he worked with Terri Lyne Carrington, Ron Carter, Wallace Roney, Herbie Hancock and Wayne Shorter. Everyone could see that this creative and surprising trumpet player would be a name to watch in contemporary jazz. This view was shared by the Blue Note label, who signed him up. The albums 'When the Heart Emerges Glistening' and 'The Imagined Savior is Far Easier to Paint' were released in 2011 and 2014. The artist draws his landscapes, visions, ideas and states of mind - pure grace! Akinmusire explores the two sides of his temperament: introspection and lyrical ebullience. In summer 2017, he released 'A Rift in Decorum - Live at the Village Vanguard', a double CD recorded at the legendary club in New York, featuring 16 new compositions in two wide-ranging sets, in defiance of gravity. Recorded on July 9, at the Festival Jazz à Vienne TV Director, Fabien Raymon

Ornette | Apparitions Antonin Tri Hoangn, Alto saxophone , clarinet, Geoiffroy Gesser, Tenor saxophone , Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums Recorde on April 19 avril 2016 at Banlieues Bleues, MC93 TV Director, Stéphane Jourdain

Magic Malik Rythms and dancses from Cameroon Magic Malik, flute, voice, co-composer, co-artistic direction, Hilaire Penda co-composer, co-artistic direction, Zaf Zapha, bass, Maciek Lassere, saxophone, William Ombe, percussions, voice, Merclin Nyakam, choreography, dance, voice Created in 2017 on the occasion of the residence of Magic Malik in Royaumont, this programme focusing on Cameroon was an invitation to see much further by looking much closer. To start with, it was a question of an encounter between the flautist with large antennas and a Fulani flute played by the Burkino Faso citizen Dramane Dembelé. However, along the way, the imagined project with the late Hilaire Penda and of which the Cameroonian dancer Merlin Nyakam has become the principle mediator, feeds off traces from the past in order to question the very nature of what we call jazz and to fertilise it by projecting it into the contemporary field of a 'creolised' world'. Recorded on March 28, 2019 at the Banlieues Bleues festival TV Director, Guillaume Dero

La Favorite Opéra in four acts by Gaetano Donizetti (1797 - 1848) Libretto by Alphonse Royer, Gustave Vaëz and Eugène Scribe First performance in Paris, Opéra, 2 December 1840 Bayerisches Staatsorchester, Karel Mark Chichon (Conductor) Chorus of the Bayerische Staatsoper Amélie Niermeyer (Stage Direction) Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes) Elīna Garanča (Léonor de Guzman) Matthew Polenzani (Fernand) Mariusz Kwiecien (Alphonse XI) Mika Kares (Balthazar) Joshua Owen Mills (Don Gaspard) Elsa Benoit (Inès) Directed by Tiziano Mancini Recorded at the Bayerische Staatsoper, Munich, 2016

Gewandhausorchester, Riccardo Chailly (Conductor) GewandhausChor, Chor der Oper Leipzig Alexandrina Pendatchanska (soprano), Manuela Custer (alto), Stefano Secco (tenor), Mirco Palazzi (bass) Gioachino Rossini (1792 - 1868) Petite Messe Solennelle Gioacchino Rossini's Petite Messe Solennelle was written in 1863, 'the last', the composer called it, of my 'péchés de vieillesse' (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. Directed by Michael Beyer Recorded on 2008 at the Leipzig Gewandhaus

Boris Giltburg (piano) Sergei Rachmaninov (1873 - 1943) Variations on a theme by Corelli, Op.42 Dimitri Shostakovich (1906 - 1976) String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg) Nikolay Medtner (1879 - 1951) Sonata-Reminiscenza, Op.38 No.1 Alexander Scriabin (1871 - 1915) Piano Sonata no 5 in F sharp major, Op.53 Igor Stravinsky Three movements from Petrouchka Recorded at the Auditorium de la Maison de la Radio, Paris Directed by Nathan Benisly

Ahmad Jamal, piano Manolo Badrena, percussions Erlyn Riley, drums James Cammack, bass Mina Agossi, vocals Abd Al Malik, vocals Filmed on 14 November 2017 at the Palais des Congrès, Paris TV Director, Patrick Savey

Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz à Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz à Vienne TV Director, Fabien Raymond

Modern Jazz Quartet II Avec John Lewis (piano) Kilt Jackson (vibraphone) Percy Heath (basse) Connie Kay (batterie) Playlist - 'Lonely woman' d'Ornette Coleman - 'Animal dance final' de John Lewis - 'Columbine' de John Lewis - 'Concorde' de John Levis - 'Bags groove' de Milt Jackson Recorded on1963 at the Palais des Beaux-Arts, Brussels TV Director, Serge Leroy

Yamandu Costa and Vincent Peirani Yamandu Costa (Guitar) Vincent Peirani (Accordion) A world premiere for an unprecedented first performance and the encounter between two artists whom we adore, Vincent Peirani and Yamandu Costa; one of the greatest Brazilian guitarists just like Baden Powell, which says everything about a musician who creates enthusiasm at every one of his concerts and who is an idolised star in his own country. Vincent Peirani is the musician that all the jazz and world music venues in the world invite! Accordion Prodigy, he never ceases to explore the richness of an instrument of which only angels know the secrets. An explosive encounter between two sublime artists who create on stage a space which goes beyond music in order to share with us something which is in the order of joy! A true encounter from which we will certainly come out of changed, full of melodies and of rhythms, making us feel even stronger the beauty of Porquerolles and the chance we have of being able to experience these moments. Recorded on July 9, 2018 at the Jazz à Porquerolles Festival TV Director, Frank Cassenti

Anne Paceo ' rewind' Anne Paceo (drumes, compositions) Sylvain Daniel (bass) Matthis Pascaud (guitar) Racecar (MC) Mike Ladd (MC) Osloob (MCM) ' Rewind' is a return to her roots for Anne Paceo. Firstly a return to her initial musical loves, with a world at the frontiers of hip hop, jazz, groove and rock. But also a return to the compositions of her six albums. For this new project, she has written a few new titles, but also revisits certain titlles from her repertoire... mixed with a groovy sauce !Accompanied by the bass player Sylvain Daniel and the guitarist Matthis Pascaud, Anne has surrounded herself with 3 Master of CeremoniesC's : Racecar and his cutting flow, Mike Ladd the poet of the spoken word, and Osloob and his posessed singing. A group that really wants to make you get up and dance ! Recorded on May 29, 2019 at Jazz sous les Pommiers TV Directors, Laurent Hasse & Thierry Villeneuve

Snarky Puppy Their motto is to play music for your brain and body. Be prepared to furiously dance to the music of the most groovy Stochkolm festival band. Formed in 2004, Snarky Puppy was once a happy student dand of North Texas University. They are today one of the most exciting band in the world funk scene. Snarky Puppy members had played with big names and not just Jazz's : Snoop Dodd, Erykah Badu, Chaka Khan, Beyonce, Justin Timberlake, Jason Marsalis and many more. Recorded on 2013 at the Stockholm Jazz Festival TV Director, Mathieu Mastin

The Escapit Alexander Ekman (choreography/Stage design/Light) Mikael Karlsson (music) Henrik Vibskov (costume) Carina Nildalen (dramaturgy) Royal Swedish Opera Ballet With Oscar Salomonsson (Eskapisten) Daria Ivanova, Sarah Jane Medley (Konhuvuden) Anton Valdbauer, Emily Slawski (Du Och Jag) Haruka Sassa, AdiLiJiang Abudureheman (Klassiskt pas de deux ) Eskapister Coralie Aulas, Frida Hambraeus, Alina Lagoas, Luiza Lopes, Kisa Nakashima, Moe Nieda, Natalie Ogonek, Alessa Rogers, Jonna Savioja, Desislava Stoeva, Lisa van Cauwenbergh, Madeline Woo, Mayumi Yamaguchi, Kaho Yanagisawa, Joakim Adeberg, Gabriel Barrenengoa, William Dugan, Mackenzie Farquhar, Hampus Gauffin, Hiroaki Ishida, Pascal Jansson, Julien Keulen, Calum Lowden, Jérôme Marchand, Preston McBain, Kentaro Mitsumori, Jérémie Neveu, Samuele Ninci, Javier Rojas, Erik Rudqvist Solocello Kati Raitinen, Erik Wahlgren Recorded on April 13 & 15, 2019 at the Royal Swedish Opera l TV Director, Tommy Pascal

A Swan Lake Choreography by Alexander Ekman Alexander Ekman, sets designer Henrik Vibskov, costume Tom Visser, lighting designer With Camilla Spidsøe et Melissa Hough, the black and white swans and the dancers from the Norwegian National Ballet and the school of the Norwegian National Ballet The Norwegian National Opera Orchestra Per Kristian Skalstad, condctor Elisabeth Teige , soprano Fridtjov Såheim , actor Jan Gunnar Røise, actor Recorded on 2014 at the Den Norske Opera RV Director, Jeff Tudor

Salome, musikdramma in one act by Richard Strauss (1864 - 1949) Libretto by Hedwig Lachmann, translation of Oscar Wilde's 'Salome' First performance in Dresde, Hofoper, 9 December 1945. Royal Concertgebouw Orchestra, Daniele Gatti (Conductor) Ivo van Hove (Stage Direction) Jan Versweyveld (Sets), An D'Huys (Costumes), Jan Versweyveld (Lighting) Lance Ryan (Herodes) Doris Soffel (Herodias) Malin Byström (Salome) Evgeny Nikitin (Jochanaan) Peter Sonn (Narraboth) Hanna Hipp (Ein Page der Herodias) Dietmar Kerschbaum (1. Jude) Marcel Reijans (2. Jude) Mark Omvlee (3. Jude) Marcel Beekman (4. Jude) Alexander Vassiliev (5. Jude) James Creswell (1. Nazarener) Roger Smeets (2. Nazarener) Recorded on June 27, 2017 at Dutch National Opera & Ballet, Amsterdam TV Director, François Roussillon

Saint Petersburg Philharmonic Orchestra Rauf Abdullayev (Conductor) Maxime Vengerov (violin) Gara Garayev (1918 - 1982) Leyli and Majnun, symphonic poem Violin Concerto Don Quixote, symphonic sketches Path of Thunder, Suite de ballet n° 2 Recorded on March 28, 2018 at the Saint Petersburg Philharmonie Directed by Jean-Pierre Loisil

Un Ballo in maschera Melodramma in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Antonio Somma First performance in Rome, Teatro Apollo, 17 February 1859 Bayerisches Staatsorchester, Zubin Mehta (Conductor) Chorus of the Bayerische Staatsoper Johannes Erath (Stage Direction) Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting) Piotr Beczala (Riccardo) George Petean (Renato) Anja Harteros (Amelia) Okka von der Damerau (Ulrica) Sofia Fomina (Oscar) Andrea Borghini (Silvano) Anatoli Sivko (Samuel) Scott Conner (Tom) Directed by Tiziano Mancini Recorded at the Bayerische Staatsoper, Munich, 2016

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Vadim Gluzman (violin) David Azagra Prélude (World Premiere) Ludwig van Beethoven (1770 - 1827) Concerto for violin and orchestra in D major, op. 61 Béla Bartók (1881 - 1945) The Wooden Prince, op. 13, Sz. 60 Recorded on March 4th, 2016, in Toulouse Directed by Jean-Pierre Loisil

Martha Argerich, Nicholas Angelich, Iddo Bar-Shaï, Akane Sakai, Vahan Mardirossian, Itamar Golan, Natsuko Inoue (piano), Sergei Nakariakov (bugle) Renaud Capuçon, Mayu Kishima, Jean-Marc Phillips-Varjabédian, Thomas Lefort (violin) Quatuor Ébène Quatuor David Oïstrakh Sirba Octet One yiddish song (arranged by Marc-Olivier Dupin for two pianos) Mein Shtetele Belz Witold Lutosławski (1913-1994) Variations on a theme by Paganini Claude Debussy (1862-1918) En blanc et noir Béla Bartók (1881-1945) Romanian Folk Dances - excerpts Ernest Chausson (1855-1899) Concert for Violin, Piano and String Quartet op. 21 (II. Sicilienne) Robert Schumann (1810-1856) Fantasiestücke Op. 73 Traditionnal Tire l'aiguille Bessarabye Ukrainian Memory Tum Balalaika / Roumania Roumania Recorded at the Philharmonie de Paris, 7 January 2019 Tv Director, Sébastien Glas

An Evening with Avishai COHEN Avishai Cohen, double bass, vocal Omri Mor, piano Itamar Doari, drums Orchestre National d'ÃŽle-de-France Bastien Stil, conductor Recorded on February 26th 2016 at the Philharmonie 1 de Paris TV Director

Bokanté Malika Tirolien, voice Michael League, guitar & voice Chris McQueen, guitar & voice Bob Lanzetti, guitar Roosevelt Collier, steel guitar Jamey Haddad, percussion Keita Ogawa, percussion André Ferrari, percussion An experiment conceived by Snarky Puppy founder and GroundUP Music creator Michael League (who has traded his bass in for a baritone guitar in this group), the process of formation was all but conventional. The music and some of the melodies were written by League, demoed while on tour with other bands, and then sent to Tirolien with lyrical concepts attached. Tirolien then wrote lyrics and melodies, demoing and ping-ponging the new content back to Michael. Many of the musicians had never even met until the first day of recording. By the end of the week-long session in upstate New York's legendary Dreamland Studios, the band felt abnormally cohesive. 'Unity was paramount in the formation of this group,' observed League. 'Though the ensemble is multi-lingual, multi-cultural, and multi-generational, we all feel connected as musicians and people. And in combining our different accents I feel that there is a strangely common and poignant sound, one that can reach and relate to listeners around the world.' Recorded on July 20, 2018 at the Malta Jazz Festival TV Director, Amos Rozenberg

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Michel Meis 4tet Michel Meis, drums+ compositions Cédric Hanriot, piano Stephan Goldbach, double bass Alisa Klein, trombone Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fête de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019 , on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebaut

Snarky Puppy, Culcha Vulcha at L'Olympia Michael League, Bass Justin Stanton, Trumpet, Keyboards Bob Lanzetti, Guitar Bobby Sparks, Hammond Organ, Clavinet, Moog Zack Brock, Violin Mike ' Maz 'Maher, Trumpet, Flugel Chris Bullock, Tenor Saxophone, Flute Nate Werth, Percussion Larnell Lewis, Drums Recorded on 2017, 18th May at L'Olympia, Paris. TV Director, Colin Laurent

Wozzeck, opera in three acts by Alban Berg (1885 - 1935) Libretto by Alban Berg after the unfinished play by Georg Büchner 'Woyzeck' First performance in Berlin, Staatsoper, December 14, 1925 Netherlands Philharmonic Orchestra, Marc Albrecht (Conductor) Dutch National Opera Chorus, Nieuw Amsterdams Kinderkoor Krzysztof Warlikowski (Stage Director) Małgorzata Szczęśniak (Sets & Costumes), Felice Ross (Lighting), Denis Guéguin (Video), Claude Bardouil (Choreography), Christian Longchamp (Dramaturgy) Christopher Maltman (Wozzeck) Eva-Maria Westbroek (Marie) Frank van Aken (Tambourmajor) Jason Bridges (Andres) Marcel Beekman (Hauptmann/ Der Narr) Sir Willard White (Doktor) Ursula Hesse von den Steinen (Margret) Recorded on March 23 & April 6 at De Nationale Opera, Amsterdam Directed by François Roussillon

Collegium Vocale Gent, Philippe Herreweghe (Conductor) Dorothee Mields (soprano), Alex Potter (countertenor), Thomas Hobbs (tenor), Peter Kooij (bass) Johann Sebastian Bach (1685 - 1750) Orchestral Suite No.4 in D major BWV 1069 Gott der Herr ist Sonn und Schild, BWV79 Missa brevis in G major BWV236 Recorded on 20 January 2017 at the au Concertgebouw Brugge

Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor) Balthasar-Neumann-Chor Franz Schubert Stabat Mater Symphony no. 8 'Unfinished' Wolfgang Amadeus Mozart Requiem KV 626 Recorded at the Concertgebouw, Amsterdam on March 24th 2017 TV Director, Dick Kuijs

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Joost Honselaar

RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs (Conductor) Sunhae Im (Soprano), Benno Schachtner (Countertenor), Martin Lattke (Tenor), Sebastian Kohlhepp (Tenor), Johannes Weisser (Bass) Johann Sebastian Bach St John Passion Recorded on April 4th 2015 at the Philharmonie de Paris TV Director, Olivier Simonnet

Ensemble Pygmalion, Raphaël Pichon (Conductor) Sabine Devieilhe (soprano), Benno Schachtner (alto), Reinoud Van Mechelen (tenor), Manuel Walser (bass) Marina Abramovic (video) Johann Sebastian Bach (1685 - 1750) Cantata BWV 103 'Ihr werdet weinen und heulen' Cantata BWV 105 'Herr, gehe nicht ins Gericht' Cantata BWV 199 ' Mein Herze schwimmt im Blut' Johann Michael Bach (1648 - 1694) Unser Leben währet siebenzig Jahr Johann Sebastian Bach Cantata BWV 25 'Es ist nichts Gesundes an meinem Leibe' Recorded on January 30, 2018 at la Cité de la Musique, Paris Directed by Isabelle Soulard

Biophony and Sand Choreographer, Alonzo King With Lines Ballet Babatunji, Robb Beresford, Adji Cissoko, Madeline DeVries, Shuaib Elhassan, James Gowan, Maya HarrCourtney Henry, Yujin Kim, Michael Montgomery BIOPHONY Music and sound environment, Bernie Krause et Richard Blackford Lights, Axel Morgenthaler Costumes, Robert Rosenwasser SAND Music, Charles Lloyd et Jason Moran Lights, Axel Morgenthaler Decors, Christopher Haas Costumes, Robert Rosenwasser Recorded on 2017, March 26th at the Faïencerie Théâtre, à Creil TV Director, Denis Caiozzi

MEYER and WRITING GROUND Two choreographies by Alonzo King Lines Ballet MEYER Original music by Edgar Meyer Lights by Axel Morgenthaler Costumes by Robert Rosenwasser WRITING GROUND Sacred music from the Jewish, Christian, Muslim and Tibetan traditions Lights by Axel Morgenthaler Costumes and sets by Robert Rosenwasser Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013 Directed by Denis Caïozzi

Ibrahim Maalouf Kalthoum Ibrahim Maalouf, trumpet Franck Woeste, piano Mark Turner, saxophone Scott Colley, double bass Clarence Penn, drums The arrangements by Ibrahim Maalouf and Frank Woeste of one of Oum Kalthoum's greatest successes, Alf Leila wa Leila (The One Thousand and One Nights), colour this beautiful, oriental intoxication with jazz tones. Recorded on december 13rd at the Paris Philharmonie 1 TV Director, Samuel Thiebaut

Snarky Puppy, Culcha Vulcha at L'Olympia Michael League, Bass Justin Stanton, Trumpet, Keyboards Bob Lanzetti, Guitar Bobby Sparks, Hammond Organ, Clavinet, Moog Zack Brock, Violin Mike ' Maz 'Maher, Trumpet, Flugel Chris Bullock, Tenor Saxophone, Flute Nate Werth, Percussion Larnell Lewis, Drums Recorded on 2017, 18th May at L'Olympia, Paris. TV Director, Colin Laurent

Gregory Privat An piano epi an ka G. Privat piano Manu Codja guitar Faustine Gressot vocal Rafael Paseiro bass Sonny Troupe drums TV Director, Guillaume Dero Recoded on October 20th 2011 at Jazz en Tête festival, Clermont Ferrand, France

Snarky Puppy, Culcha Vulcha at L'Olympia Michael League, Bass Justin Stanton, Trumpet, Keyboards Bob Lanzetti, Guitar Bobby Sparks, Hammond Organ, Clavinet, Moog Zack Brock, Violin Mike ' Maz 'Maher, Trumpet, Flugel Chris Bullock, Tenor Saxophone, Flute Nate Werth, Percussion Larnell Lewis, Drums Recorded on 2017, 18th May at L'Olympia, Paris. TV Director, Colin Laurent