MEZZO

The Bad Plus Ethan Iverson - piano Reid Anderson - bass Dave King - drums invites - Tim Berne - alto saxophone Sam Newsome - soprano saxophone Ron Miles - trumpet Recorded on September 12nd 2015 at La Villette jazz festival, Cité de la Musique, Philharmonie 2 TV Director, Samuel Thiebaut

Becca Stevens (vocal, guitar, charango, ukulele) Liam Robinson (piano, accordion, vocal) Chris Tordini (bass, vocal) Jordan Perlson (drums, percussions) An enchanting singer-songwriter-jewel from New York! Becca Stevens sings, acts, dances, plays guitar, ukulele and Charango - knows how to write good songs and how one brings them to the stage in a gripping manner! Full of warmth and urgency, she sings herself into the hearts of the audience. From North Carolina, Stevens comes from a musical family and is part of the New York scene. Joshua Redman and Brad Mehldau are also two of her biggest fans. Her last album 'Weightless' was in the Top Ten of the international songwriter charts. Her music is a mixture of folk, jazz and pop, her voice is captivating.

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Django Bates (piano) Petter Eldh (double bass) Peter Bruun (drums) Django Bates' Beloved is a new project by the eccentric British pianist, which was formed after the release of 'Django Bates - Beloved Bird'. Here, Django collaborated with Petter Eldh (bass) and Peter Bruun (drums), where they reinterpreted old Charlie Parker classics in combination with some of Bates' own compositions. This collaboration was proving very inspiring and Bates decided to continue pursuing the project. Now, the project consists of mix of Django's own compositions alongside Parker classic songs. TV Director, Alfred Hartz

ICARUS ... TRIBUTE TO LIFAR National orchestra of Bordeaux Aquitaine Direction musicale, Nathan FIFIELD Opéra national de Bordeaux Ballet Charles JUDE, Direction Productions restaged by Attilio LABIS and Chistiane VLASSI Icarus Choreography and Rhythms, Serge LIFAR Orchestration, Joseph-Emile SZYFER Set and Costumes, Paul LARTHE, Pablo PICASSO With Icarus, Oleg ROGACHEV Daedalus, Kase CRAIG Icarus' friends, Guillaume DEBUT, Austin LUI, Take OKUDA, Marc Emmanuel ZANOLI Emilie CERRUTI, Pascaline DI FAZIO, Alice LELOUP, Dara TOMBROFF Prélude à l'après-midi d'un faune Choreography, Serge LIFAR Based on the work of Vaslav NIJINSKI Music, Claude DEBUSSY With Le Faune, Roman MIKHALEV The Faun, Roman MIKHALEV Suite en blanc Choreography, Serge LIFAR Music, Edouard LALO Excerpts from Namouna Conductor, Nathan FIFIELD With - The Nap, Emilie CERRUTI, Laure LAVISSE, Claire TEISSEYRE - Varied theme, Vanessa FEUILLATTE, Samuele NINCI, Neven RITMANIC - Sérénade, Mika YONEYAMA - Presto (Pas de cinq), Sara RENDA, Alexandre GONTCHAROUK, Austin LUI, Ashley WHITTLE, Mike DERRUA - The Cigaret, Oxana KUCHERUK - Mazurka, Igor YEBRA - Adage, Stéphanie ROUBLOT, Oleg ROGACHEV - The Flute, Oxana KUCHERUK - Twelve dancers, Aline BELLARDI, Natalia BUTRAGUENO, Pascaline DI FAZIO, Alice LELOUP, Marina GUIZIEN, Marina KUDRYASHOVA, Diane LE FLOC'H, Nicole MURATOV, Marie-Lys NAVARRO, Dara TOMBROFF, Lucie PEIXOTO, Reika UCHINO - Eight dancers, Kase CRAIG, Guillaume DEBUT, Pierre DEVAUX, Take OKUDA, Loan FRANTZ Philippe TRAN, Marc Emmanuel ZANOLI, Oliviero BIFULCO Recorded on October 27 & 28 2014 at the Opéra national de Bordeaux TV Director, Yan Proefrock

Coppelia by the Bordeaux Opera Ballet Choreography: Charles Jude Ballet of the Opéra national de Bordeaux (dir. Charles Jude) Recorded at the Fenice Music: Léo Delibes Orchestra del Teatro La Fenice directed by Geoffrey Styles Sets and costumes: Giulio Achilli Costumes: Philippe Binot Lights: François Saint-Cyr Adapted by Charles Jude from Arthur Saint-Léon and Charles Nuitter's argument, after Ernst Theodor Amadeus Hoffmann's 'The Sandman' Directed for video by Fabrice Levillain (1h35) - 2010

Jalil Opera in two acts by Nazib Zhiganov (1911 - 1988) Booklet of Akhmed Faisi Orchestra of the Tatar State Academic Opera and Ballet Theater, Renat Salavatov (Conductor) Nouria Djouraeva (Chorus director) Mikhail Pandjavidze (Stage direction) Igor Grinevich (Sets), Sergey Shevchenko (Lighting), Pavel Suvorov (Computer Graphics) Akhmed Agadi (Jalil) Marina Nerabeeva (The wife of the poet) Aïdar Nurgayanov (Juraviev, Colonel) Evgueni Ulanov (Kanzafarov, traitor) Yury Ivshine (André Timmermans) Dina Khamsina (Khayat, The prisoner) Dina Khamsina (The crazy woman) Vladimir Vassiliev (Kovalev) Yuri Petrov (Stpaev) Rustem Kutlubaev (Ishnazarov) Marcel Miftakhov (Sabirov) Ravil Idrisov (Matveev) Oleg Machin (the German officer) Stanislas Sherbinin (Usenko) With the participation of the choirs, the group of mimes and the orchestra of the theater and the choir of children 'Delizia' created with the N4 Conservatory of the district 'Sovetsky' of the city of Kazan (director, Albina Mallikova) Recorded on April 28th, 29th & 30th, 2015 at Kazan Tatar State Academic Opera and Ballet Theater, Russia Directed by Vincent Massip

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Christian Tetzlaff (violin) Béla Bartók Violin Concerto No. 2, Sz.112 Violin Concerto No. 1, Sz. 36 Witold Lutoslawski Symphony No. 4 Recorded on October 18, 2017, at the Helsinki Music Centre, Concert Hall TV directors, Anu Holttinen and Teemu Holttinen

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Jean Sibelius Symphony no. 4 in A minor, op. 63 Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo) Directed by Laura Joutsi and Hannu Kamppila

Orchestre National d'Ile de France, Marco Zambelli (Conductor) Ermonela Jaho (soprano), Charles Castronovo (tenor) Jules Massenet (1842 - 1912) Phèdre Overture ''Qu'il est loin mon pays'' (Charles Castronovo) ''Pendant un an je fus ta femme'' (Ermonela Jaho) Werther ''Traduire... Pourquoi me réveiller'' (Charles Castronovo) Thaïs ''Ah ! Je suis seule enfin... Dis moi que je suis belle'' (Ermonela Jaho) Méditation Pietro Mascagni (1863 - 1945) Guglielmo Ratcliff Intermezzo Francesco Cilea (1866 - 1950) Adriana Lecouvreur '' Io son l'umile ancella'' (Ermonela Jaho) Pietro Mascagni L'Amico Fritz ''Ed anche Beppe amo'' (Charles Castronovo) Giacomo Puccini (1858 - 1924) Manon Lescaut ''Sola, perduta, abbandonata'' (Ermonela Jaho) Francesco Cilea L'Arlesiana ''E la solita storia del pastore'' (Charles Castronovo) Giacomo Puccini Manon Lescaut Intermezzo La Rondine Last scene Recorded on June 7th, 2016 at the Théâtre des Champs-Elysées, Paris TV director, Don Kent

Oslo Philharmonic Orchestra, Vasily Petrenko (conductor) Truls Mørk (cello) Michael Grolid (b. 1997) New commission Antonin Dvořák (1841 - 1904) Cello concerto in B minor, op. 104 Sergei Prokofiev (1991 - 1953) Symphony no. 5 in B flat major, op. 100 Recorded at the Oslo Konserthus on October 6, 2016 TV Director Corentin Leconte

Gautier Capuçon (Cello), Frank Braley (piano) Ludwig van Beethoven Sonata for cello and piano no. 4 in C major, op. 102 no. 1 Sonata for cello and piano no. 2 in G minor op. 5 no. 2 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46 Sonata for cello and piano no. 5 in D major, op. 102 no. 2 Recorded on October 17th 2016 at the Philharmonie de Paris Directed by Don Kent

Becca Stevens ' Queen Mab', comp : William Shakespeare, Becca Stevens ' Tillery', comp : Becca Stevens ' Lean On', comp : Becca Stevens ' Venus', comp : Becca Stevens ' I Asked', comp : Becca Stevens ' Well Loved', comp : Becca Stevens ' Regina', comp : Don Miggs, Becca Stevens ' Le Sud', comp : Stevie Wonder 'The Muse', comp : David Crosby, Becca Stevens Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Samy Thiébault Renee Rosnes, piano Setlist Raqsat Fès, comp : Samy Thiébault / Editions Thelonious Productions Laideronette, impératrice des pagodes, comp : Maurice Ravel Amor Bonito, comp : Enrique Hidalgo Nesfé Jahân, comp : Samy Thiébault / Editions Thelonious Productions Abidjan, comp : Samy Thiébault / Editions Thelonious Productions Le Chant du très loin, comp : Samy Thiébault / Editions Thelonious Productions Enregistré le 18 juillet 2017 au Nice Jazz festival Réalisation, Eric Michaud

Didier Lockwood Quartet featuring André Ceccarelli, Sylvain Luc & Diego Imbert Didier Lockwood (violin), Sylvain Luc (guitare), André Ceccarelli (drums), Diego Imbert (bass) Recorded on August 8th 2017 at Jazz in Marciac TV Director, Jean-Marc Birraux

Becca Stevens (vocal, guitar, charango, ukulele) Liam Robinson (piano, accordion, vocal) Chris Tordini (bass, vocal) Jordan Perlson (drums, percussions) An enchanting singer-songwriter-jewel from New York! Becca Stevens sings, acts, dances, plays guitar, ukulele and Charango - knows how to write good songs and how one brings them to the stage in a gripping manner! Full of warmth and urgency, she sings herself into the hearts of the audience. From North Carolina, Stevens comes from a musical family and is part of the New York scene. Joshua Redman and Brad Mehldau are also two of her biggest fans. Her last album 'Weightless' was in the Top Ten of the international songwriter charts. Her music is a mixture of folk, jazz and pop, her voice is captivating.

Mazepa Opera in three acts by Pyotr Ilych Tchaikovsky (1840 - 1893) Libretto by Victor Burenin after Pushkin's poem 'Poltava' First performance in Moscow, Bolshoi Theatre, 15 February 1884 Mariinsky Orchestra and Chorus, Valery Gergiev (conductor) Ilya Shlepyanov (Stage Direction), Yuri Laptev (Reprise) Vladislav Sulimsky (Mazepa) Stanislav Trofimov (Kochubei) Ekaterina Semenchuk (Lyubov) Maria Bayankina (Maria) Recorded at the Mariinsky Theatre, Saint Petersburg, 9 June 2019

Oslo Philharmonic Orchestra, Vasily Petrenko (conductor) Tine Thing Helseth (trumpet) Joseph Haydn (1732 - 1809) Trumpet concerto Sergei Rachmaninov (1873 - 1943) Symphony no 2 Recorded on 31 October 2014 at the Oslo Concert Hall TV Director, François-René Martin

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Jean Sibelius Symphony no. 1 in E minor, op. 39 Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo) Directed by Laura Joutsi and Hannu Kamppila

Katerina Izmailova, by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitri Shostakovich and Alexander Preis after 'Lady Macbeth of the Mtsensk District' by Nikolai Leskov First performance in Moscow, Stanislavsky-Nemirovich-Danchenko Music Theatre, 8 January 1963 Bolshoi Orchestra, Tugan Sokhiev (conductor) Valery Borisov (chorus master) Rimas Tuminas (Stage Director) Adomas Jacovskis (Sets), Maria Danilova (Costume Design), Anzelica Cholina (Choreography), Damir Ismagilov (Lighting) Taras Shtonda (Boris Timofeyevich Izmailov, a merchant) Marat Gali (Zinoviy Borisovich Izmailov, his son) Nadja Michael (Katerina Lvovna Izmailova, wife of Zinovy Borisovich) John Daszak (Sergei, a labourer at the Izmailovs') Oxana Gorchakovskaya (Aksinya, a labourer at the Izmailovs') Roman Muravitsky (Shabby peasant) Alexander Korotky (Porter) Yuri Markelov (First labourer, Coachman, Drunken guest) Vadim Babichuka (Second labourer) Goderdzi Janelidze (Mill-hand) Nikolai Kazansky (Sergeant) Stanislav Mostovoy (Local nihilist) Alexander Naumenko (Old convict) Svetlana Shilova (Sonyetka, a woman convict) Irina Rubtsova (Woman convict) Goderdzi Janelidze (Officer) Alexander Korotky (Sentry) Recorded on November 10 and 12, 2016 at the Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

Orchestre National de France, François-Xavier Roth (Conductor) Maîtrise et Chœur de Radio France, Martina Batič, Marie-Noëlle Maerten (Chorus Master) Aida Garifullina (soprano), Patricia Petibon (soprano) Joyce DiDonato (mezzo-soprano), Philippe Jaroussky (countertenor), Jean-François Borras (tenor), Matthias Goerne (baritone), Sarah Nemtanu, Deborah Nemtanu, Renaud Capuçon (violin), Khatia Buniatishvili (piano) Hector Berlioz La Damnation de Faust: Marche hongroise Giacomo Puccini Turandot: Nessun dorma (Jean-François Borras) Vincenzo Bellini Norma: Casta Diva (Aida Garifullina) Georg Friedrich Haendel Rinaldo: Lascia ch'io pianga (Joyce DiDonato) Wolfgang Amadeus Mozart Idomeneo: D'Oreste, d'Ajace (Patricia Petibon) Alexander Borodin Prince Igor: Polovtsian Dance no 17 John Williams Schindler's List Wolfgang Amadeus Mozart Don Giovanni: Là ci darem la mano (Joyce DiDonato & Matthias Goerne) Jules Massenet Le Cid: Navarraise Richard Wagner Tannhäuser: Lied an den Abendstern (Matthias Goerne) Charles Gounod Faust: Gloire immortelle de nos aïeux Dimitri Shostakovich (orch. Lucas Henri) Waltz & Polka for 2 violins and piano (Sarah & Deborah Nemtanu) Claude Debussy Salut printemps Sergei Rachmaninov Piano Concerto no 2 : 3rd movement (Khatia Buniatishvili) Jacques Offenbach Les contes d'Hoffmann : Barcarolle (Aida Garifullina & Joyce DiDonato) Leonard Bernstein West side story: Mambo Nicola Porpora Polifemo: Alto Giove (Philippe Jaroussky) Camille Saint-Saëns Samson et Dalila: Bacchanale Giuseppe Verdi La Traviata: Brindisi (Aïda Garifullina & Jean-François Borras) Rouget de Lisle / Hector Berlioz La Marseillaise Recorded 14 July 2018 at the Champs-de-Mars, Paris Directed by François Goetghebeur

Tosca Melodramma in three acts by Giacomo Puccini (1858 - 1924) Libretto by Luigi Illica and Giuseppe Giacosa after Victorien Sardou's play 'La Tosca' First performance in Rome, Teatro Costanzi, 14 January 1900 Chœur, maîtrise et orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor) Christophe Honoré (Stage direction and video) Alban Ho Van (Sets), Olivier Bériot (Costumes), Dominique Bruguière (Lighting) Angel Blue (Floria Tosca) Catherine Malfitano (Prima Donna) Joseph Calleja (Mario Cavaradossi) Alexey Markov (Il barone Scarpia) Simon Shibambu (Cesare Angelotti) Leonardo Galeazzi (Il sagrestano) Jean-Gabriel Saint Martin (Sciarrone) Michael Smallwood (Spoletta) Virgile Ancely (Un Carceriere) Live from the Festival d'Aix-en-Provence, Théâtre de l'Archevêché

Woman to Woman Renee Rosnes, artistic direction, piano Cécile McLorin Salvant , vocals Anat Cohen, clarinet Melissa Aldana, saxophone Ingrid Jensen, trumpet Noriko Ueda, doublebass Allison Millern drums Setlist 'Never Will I Marry', comp : Frank Loesser 'Yesterdays', comp : Jerome Kern ' Summer Night', comp : Harry Warren ' Jitterbug Waltz', comp : Fats Waller ' The Peacocks (A Timeless Place)', comp : Jimmy Rowles, Norma Winstone ' United', comp : Wayne Shorter ' Flamenco Sketches', comp : Miles Davis ; Bill Evans ' I'm All Smiles', comp : Michael Leonard ; Herbert Martin ' Gracias A La Vida', comp : Violeta Parra ' Come Back To Me', comp : Sigmund Romberg Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Jason Moran (piano), Tarus Mateen (bass), Nasheet Waits (drums) According to 'Rolling Stone' magazine he is the 'the most provocative thinker of the current jazz scene'. Appropriate words to describe the pianist that samples Thelonious Monk, Jimi Hendrix and Turkish telephone calls and works closely with the Performance-Art-Icon Joan Jonas and with Ghostface Killah from Wu-Tang Clan. And so it goes further: 'Jazz Artist of the Year', 'Jazz Album of the Year', 'Pianist of the Year'. In 2011 the New York-based Jason Moran was simultaneously voted to the top of three year's best lists by the renowned 'Downbeat Magazine'. Recognition thus far for the career for the man from Houston, Texas, that - before reaching his thirtieth birthday - has gone straight to the heights of jazz culture. Moran knows the history of jazz piano; his music builds intensively upon it, however it is neither nostalgia nor copy, more a permeation of the tradition in order to create something of one's own. With him, original compositions sound just like classics that one knows, whilst he puts his own spin on standards such that one doubts whether in fact they actually come from him. The concerts of this trio are amongst the best that jazz can offer these days: the tradition at heart, the concept for tomorrow in the head and the fingers define the present.

Liniker e os Caramelows Liniker Barros (lyric) Renata Essis (chorus) Eder Araujo (saxophone) Fernando Trz (keyboard) William Zaharanski (guitar) Rafael Barone (Bass) Péricles Zuanon (drums) Marja Lenski (percussion) Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years , the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival Réalisation, Stéphan Jourdain

Monty Alexander, piano Born in Jamaca on D-Day- a sign of destiny ? - Monty Alexander rapidly left his native country for the United States. In New York, he regularly accompanied Frank Sinatra and performed in the jazz clubs of Manhattan (including the famous Minton's which was the birthplace of bebop) where Duke Ellington, Count Basie and Miles Davies did not miss a chance of hearing him play. After more than fifty years of a career crowned with collaborations with Tony Bennett, Nathalie Cole, Clint Eastwood, Dizzy Gillespie, Sonny Rollins, Quincy Jones, Ernest Ranglin and Barbara Hendricks the pianist travelled around the globe thrilling audiences with his vibrant personality, which communicated an original musical message, in which the heady beat of reggae is mixed with the contagious rocking of swing. Recorded on November 23, 2018 at the Seine Musicale TV director, Julien Faustino

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (conductor) Jean-Yves Thibaudet (piano) Hector Berlioz (1803 - 1869) Carnaval romain, overture Franz Liszt (1811 - 1886) Piano Concerto No.2 Nikolai Rimsky-Korsakov (1844 - 1908) Scheherazade Filmed in Moscow on 25 October 2013 by Jean-Pierre Loisil

Mariinsky Theatre Orchestra, Valery Gergiev (conductor) Claude Debussy La Mer Prélude à l'après-midi d'un faune Modest Mussorgsky Pictures at an exposition Recorded on December 8, 2014 at the Tchaikovsky Concert Hall, Moscow Directed by Don Kent

Les Chants des possibles: rencontre lyrique internationale à Paris The documentary tells of the coming together of ten young international opera singers. They are between twenty and thirty years old and are unknown to each other. Scrupulously chosen by a team of professional musicians they are invited to the capital in order to take up a challenge: that of breathing life, in five days, into an original opera production conceived for them. 5 days during which these artists are going to get to know each other, come face to face to share their love of their art, and work relentlessly with a singing coach, a conductor and a stage director with the shared and ultimate aim of creating a unique and unprecedented performance. TV Director, Patrick Savey

Orchestre Prométhée, Pierre-Michel Durand (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Le Nozze di Figaro - Deh vieni non tardar (Susanna) Yaritza Veliz (soprano, Chile) Gaetano Donizetti (1797 - 1848) Lucia di Lammermoor - Verranno a te sull'aure (Edgardo/Lucia) David Astorga/Julia Sitkovetsky Nikolai Rimsky-Korsakov (1844 - 1908) The Tsar's Bride - Suma neydot krasavitsa (Griaznoi) Benjamin Lewis (baritone, UK) Vincenzo Bellini (1801 - 1835) La Somnambula - Ah non credea mirarti (Amina) Mélissa Petit (soprano, France) Francesco Cilea (1866 - 1950) Adriana Lecouvreur - Acerba volluta (Pincipessa di Bouillon) Zlata Khershberg (mezzo-soprano, Israel) Gaetano Donizetti L'Elisir d'amore - Voglio dire (Nemorino/Dulcamara) Shan Huang/Jérôme Boutillier Piotr Ilitch Tchaikovsky (1840 - 1893) The Queen of Spades - Ya vas Lyublyu (Yetleski) Ilya Kutyukhin (baritone, Russia) Gioachino Rossini (1792 - 1868) La Cenerentola - Nacqui all'affanno (Angelina) Lilly Jørstad (mezzo-soprano, Norway) Gaetano Donizetti Don Pasquale - Cerchero lontana terra (Ernesto) Shan Huang (tenor, China) Wolfgang Amadeus Don Giovanni - Ah taci ingiusto cor (Elvira, Don Giovanni, Leporello) Julia Sitkovetsky/Bejamin Lewis/Jérôme Boutillier Giuseppe Verdi (1813 - 1901) C'est moi, Carlos... C'est mon jour suprême ... Ah ! Je meurs (Rodrigue) Jérôme Boutillier (baritone, France) Wolfgang Amadeus Mozart Die Zauberflöte - Der hölle Rache (Queen of the Night) Julia Sitkovetsky (soprano, UK) Ambroise Thomas (1811 - 1896) Hamlet -Allez dans un cloître (Reine, Ophélie, Hamlet) Zlata Khershberg/Mélissa Petit/Benjamin Lewis Giuseppe Verdi La Traviata - Lunge da lei (Alfredo) David Astorga (tenor, Costa Rica) Gaetano Donizetti La Favorite - Pour la fête (Alphonse XI, Leonor de Guzmann) Ilya Kutyukhin/Zlata Khershberg Gaetano Donizetti Lucia di Lammermoor - Chi frena in tal momento Tutti Recorded 18 January 2019 at the Théâtre des Champs-Elysées, Paris TV Director, Patrick Savey

Hugh Masekela celebrates Mama Afrika Hugh MASEKELA flugelhorn, vocals / Cameron WARD guitar / Fana ZULU bass / Randal SKIPPERS keyboards / Lee-Roy SAULS drums / Francis Manneh FUSTER percussions With Abdullah Ibrahim, Masekela is one of the pioneering figures of South African jazz. With his music, the trumpeter, flugelhornist, singer and composer has strongly influenced the political emergence of the anti-apartheid movement which he helped bring to international attention, through noted performances such as the one he gave in Monterey alongside Otis Redding and Jimi Hendrix back in 1967, or his appearance on Paul Simon's multi-million selling Graceland album. Fresh from his presence at Barack Obama's second inauguration ball, Masekela will present his latest project at Parc Floral, a celebration of his late wife, South African diva Miriam Makeba.

Erik Truffaz (trumpet) Marcello Giuliani (bass) Benoît Corboz piano (Fender Rhodes) Marc Erbetta (drums) With special guests Nya (voice) Guillaume Perret (saxophone) The trumpet player of Swiss origin, Erik Truffaz,is one of the first European jazzmen to have successfully approached drum'n'bass. In 1991 he founded a quartet which today is composed of Benoît Corboz (keyboards), Marcello Giuliani (bass) and Marc Erbetta (drums and percussion),he explores electronic jazz-fusion much in the same way as Miles Davis and recorded several albums starting from 1994. After an incursion into into rock at the head of his Ladybird Quartet created in 2001, he returned to the formula which had made him successful. In his world, always deeply influenced by Miles Davis, the stridencies of rock alternate with the poetic respites, the rousing grooves with more calm ballads. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018 TV Director, Jean-Marc Birraux

Le Tour du Monde en 80 minutes (Around the world in 80 minutes) Maurice Béjart, choreographer Béjart Ballet de Lausanne Gil Roman, Artistic director Original musical compositions by : Thierry Hochstätter & jB Meier (Citypercussion), Ilia Chkolnik, Stravinsky, Théodorakis, Vivaédi, Hadjidakis. Lebars, Mozart, Strauss, Wagner, Ellington, Warren Harry, Tchaikovsky, Musiques traditionnelle chinoise, Tahitienne, Corée Pérou Recorded on 2008 at the Palais des Sports de Paris TV Director, Gil Amado

ARIA Concept, choreography & stage direction by Gil Roman Béjart Ballet Lausanne Music: excerpts from JS Bach, Nine Inch Nails, Melponem, Inuit chants Original compositions: Thierry Hochstatter & Jean-Bruno Meier (Citypercussion) A choreography on human relationships, the delicate ties that guide Man in the midst of life's complexities and the struggle to free himself from his own demons. Power, brutality, sacrifice. At the heart of Man, the labyrinth of his own spirit, his tormented free will. A tale on the destiny of the Human being, in turns the manipulator and the object of manipulation, which leaves a lasting impression... long after the curtain has fallen. Recorded on 2009 at the Théâtre de Beaulieu, Switzerland TV Director, Sonia Paramo

Ceci est une Rose (This is a Rose) Choreography, Julio Arozarena With the dancers from the Béjart Ballet Lausanne Original Music live, Cytipercussions, JB. Meier Recorded music form pieces by W.A. Mozart, F. Chopin, C. Saint Saens, F. Schubert & Danzon cubain With Clélia Mercier, Chiara Posca, Clara Boitet, Mattia Galiotto, Denovane Victorie, Jaym O'Esso Vito Pansini (Dancers from the Béjart Ballet Lausanne, Artistic Direction by Gil Roman) Recorded on January 27th 2018 at the Théâtre de Cusset TV Direction, Sonia Paramo

Jason Moran (piano), Tarus Mateen (bass), Nasheet Waits (drums) According to 'Rolling Stone' magazine he is the 'the most provocative thinker of the current jazz scene'. Appropriate words to describe the pianist that samples Thelonious Monk, Jimi Hendrix and Turkish telephone calls and works closely with the Performance-Art-Icon Joan Jonas and with Ghostface Killah from Wu-Tang Clan. And so it goes further: 'Jazz Artist of the Year', 'Jazz Album of the Year', 'Pianist of the Year'. In 2011 the New York-based Jason Moran was simultaneously voted to the top of three year's best lists by the renowned 'Downbeat Magazine'. Recognition thus far for the career for the man from Houston, Texas, that - before reaching his thirtieth birthday - has gone straight to the heights of jazz culture. Moran knows the history of jazz piano; his music builds intensively upon it, however it is neither nostalgia nor copy, more a permeation of the tradition in order to create something of one's own. With him, original compositions sound just like classics that one knows, whilst he puts his own spin on standards such that one doubts whether in fact they actually come from him. The concerts of this trio are amongst the best that jazz can offer these days: the tradition at heart, the concept for tomorrow in the head and the fingers define the present.

Taj Mahal, a formidable musician, an icon of the blues and of world music, can play over twenty instruments, including guitars and dobros, dulcimer, banjo and harmonica. A figurehead of the 'blues revival' in the mid-60's, Taj Mahal is a prolific composer, a musicologist, an indefatigable explorer of African-American, African, Caribbean, Indian and Hawaiian music. At a recording session in a studio in Georgia, Taj Mahal met griot Toumani Diabaté. Their research into the links between the blues and Mandingue music gave birth to the album 'Kulanjan' (1999). The Mandingue tradition can be heard today in the electrified and modernized ngoni of Bassekou Kouyaté. The musician from Mali is an activist for peace and tolerance in his home country. Bassekou Kouyaté invites the itinerant King of blues, Taj Mahal, for a duet: a magical moment.

Becca Stevens ' Queen Mab', comp : William Shakespeare, Becca Stevens ' Tillery', comp : Becca Stevens ' Lean On', comp : Becca Stevens ' Venus', comp : Becca Stevens ' I Asked', comp : Becca Stevens ' Well Loved', comp : Becca Stevens ' Regina', comp : Don Miggs, Becca Stevens ' Le Sud', comp : Stevie Wonder 'The Muse', comp : David Crosby, Becca Stevens Recorded on July 17, 2017 at Nice Jazz festival TV Director, Eric Michaud

Orchestre National du Capitole de Toulouse, Orfeón Donostiarra, Tugan Sokhiev (Conductor) Bryan Hymel (tenor) Hector Berlioz (1803 - 1869) Grande messe des morts op. 5 Recorded on 5 February 2015 at the Halle aux Grains, Toulouse Directed by Jean-Pierre Loisil

Oslo Philharmonic Orchestra, Vasily Petrenko (Conductor) Truls Mørk (Cello) Edvard Grieg (1843 - 1907) Peer Gynt, Suite no. 1, op. 46 Dmitri Shostakovich (1906 - 1975) Cello Concerto no. 1 in E flat major, op. 107 Sergei Rachmaninov (1873 - 1943) Symphony no. 2 in E minor, op. 27 Recorded on March 18, 2017, at the Taiwan International Festival or Arts (National Concert Hall) Directed by Julien Jaunet

Aquagranda, by Filippo Perocco (b. 1972) Libretto by Roberto Bianchin et Luigi Cerantola from Acqua Granda, il romanzo dell'alluvione by Roberto Bianchin Orchestra e Coro del Teatro La Fenice, Mario Angius (Conductor) Damiano Michieletto (Stage Direction) Carla Teti (Costumes), Alessandro Carletti (Lighting), Paolo Fantin (Sets) Andrea Mastroni (Fortunato) Mirko Guadagnini (Ernesto) Giulia Bolcato (Lilli) Silvia Regazzo (Leda) Vincenzo Nizzardo (Nane) William Corrò (Luciano) Marcello Nardis (Cester). Recorded on November 8, 2016 at the Teatro La Fenice, Venice Directed by Stéphane Vérité

Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor) Jean Sibelius Symphony no. 2 in D major, op. 39 Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo) Directed by Laura Joutsi and Hannu Kamppila

Alma Chamber Orchestra, Lionel Bringuier (Conductor) Gautier Capuçon (Cello) Ludwig van Beethoven Egmont, Overture Camille Saint-Saëns Cello Concerto no. 1 in A minor Felix Mendelssohn Symphony no. 4 in major, op. 90 ''Italian'' Recorded on February 19, 2015 at the Théâtre National Mohammed V, Rabat Directed by Franck Chaudemanche

Orchestre National de France, François-Xavier Roth (Conductor) Maîtrise et Chœur de Radio France, Martina Batič, Marie-Noëlle Maerten (Chorus Master) Aida Garifullina (soprano), Patricia Petibon (soprano) Joyce DiDonato (mezzo-soprano), Philippe Jaroussky (countertenor), Jean-François Borras (tenor), Matthias Goerne (baritone), Sarah Nemtanu, Deborah Nemtanu, Renaud Capuçon (violin), Khatia Buniatishvili (piano) Hector Berlioz La Damnation de Faust: Marche hongroise Giacomo Puccini Turandot: Nessun dorma (Jean-François Borras) Vincenzo Bellini Norma: Casta Diva (Aida Garifullina) Georg Friedrich Haendel Rinaldo: Lascia ch'io pianga (Joyce DiDonato) Wolfgang Amadeus Mozart Idomeneo: D'Oreste, d'Ajace (Patricia Petibon) Alexander Borodin Prince Igor: Polovtsian Dance no 17 John Williams Schindler's List Wolfgang Amadeus Mozart Don Giovanni: Là ci darem la mano (Joyce DiDonato & Matthias Goerne) Jules Massenet Le Cid: Navarraise Richard Wagner Tannhäuser: Lied an den Abendstern (Matthias Goerne) Charles Gounod Faust: Gloire immortelle de nos aïeux Dimitri Shostakovich (orch. Lucas Henri) Waltz & Polka for 2 violins and piano (Sarah & Deborah Nemtanu) Claude Debussy Salut printemps Sergei Rachmaninov Piano Concerto no 2 : 3rd movement (Khatia Buniatishvili) Jacques Offenbach Les contes d'Hoffmann : Barcarolle (Aida Garifullina & Joyce DiDonato) Leonard Bernstein West side story: Mambo Nicola Porpora Polifemo: Alto Giove (Philippe Jaroussky) Camille Saint-Saëns Samson et Dalila: Bacchanale Giuseppe Verdi La Traviata: Brindisi (Aïda Garifullina & Jean-François Borras) Rouget de Lisle / Hector Berlioz La Marseillaise Recorded 14 July 2018 at the Champs-de-Mars, Paris Directed by François Goetghebeur

Philippe Jaroussky Musical Academy Gala Philippe Jaroussky, Countertenor Karine Deshayes, Mezzo-soprano Geneviève Laurenceau, Violin Elise Thibaut, Violin Adrien La Marca, Viola Christian-Pierre La Marca, Cello Yoko Nakamura, harpsichord Jérôme Ducros, piano Maîtrise des Hauts-de-Seine choir Claudio Monteverdi , Sinfonia from the Orfeo and final duet from L'incoronazione di Poppea ' Pur ti miro' Henry Purcell , Dido and Aeneas overture and Lamento de Dido ' When I am laid in earth' Georg Friedrich Haendel, two melodies from Rinaldo, 'Venti turbini ' and 'Lascia ch'io pianga' Giacinto Rossini, La Gazza Ladra overture, Afria from Tancredi ' Di tant palpiti', Aria from The Barber of Seville ' Una voce poco fà' Jules Massenet, Elegy Léo Delibes, Duo des fleurs from Lakmé Georges Bizet, Habanera from Carmen Jacques Offenbach (Final), La Belle Hélène 'Pars pour la Crête' (With the Maitrise des Hauts de Seine) Recorded on 2017, May 23rd at the Seine Musicale, Ile Seguin, Boulogne Billancourt TV Director, Benjamin Bleton

Pierre-Laurent Aimard (piano) Claude Debussy (1862 - 1918) Cloches à travers les feuilles La Puerta del Vino Pour les arpèges composés Record on June 25, 2018, Puerta del Vino, Alhambra de Granada, Festival Internacional de Música y Danza de Granada TV Director, Stéphane Vérité

Boubacar Traoré live at the Paris Jazz Festival Boubacar Traoré guitar, vocal Vincent Bucher, harmonica Babah Koné, calabash TV director, Stéphane Jourdain Recorded on July 11th 2015 at the Parc Floral de Vincennes

Taj Mahal, a formidable musician, an icon of the blues and of world music, can play over twenty instruments, including guitars and dobros, dulcimer, banjo and harmonica. A figurehead of the 'blues revival' in the mid-60's, Taj Mahal is a prolific composer, a musicologist, an indefatigable explorer of African-American, African, Caribbean, Indian and Hawaiian music. At a recording session in a studio in Georgia, Taj Mahal met griot Toumani Diabaté. Their research into the links between the blues and Mandingue music gave birth to the album 'Kulanjan' (1999). The Mandingue tradition can be heard today in the electrified and modernized ngoni of Bassekou Kouyaté. The musician from Mali is an activist for peace and tolerance in his home country. Bassekou Kouyaté invites the itinerant King of blues, Taj Mahal, for a duet: a magical moment.

Becca Stevens (vocal, guitar, charango, ukulele) Liam Robinson (piano, accordion, vocal) Chris Tordini (bass, vocal) Jordan Perlson (drums, percussions) An enchanting singer-songwriter-jewel from New York! Becca Stevens sings, acts, dances, plays guitar, ukulele and Charango - knows how to write good songs and how one brings them to the stage in a gripping manner! Full of warmth and urgency, she sings herself into the hearts of the audience. From North Carolina, Stevens comes from a musical family and is part of the New York scene. Joshua Redman and Brad Mehldau are also two of her biggest fans. Her last album 'Weightless' was in the Top Ten of the international songwriter charts. Her music is a mixture of folk, jazz and pop, her voice is captivating.

Jean-Jacques Milteau What's That Sound at the Paris Jazz Festival JJ Milteau, harmonicas Manu Galvin, guitar Ronald Smyth vocal Michael Robinson vocal Eric Lafont drums Gilles Michel bass Guest Mathis Haug TV Director, Stéphane Jourdain Recorded on June 16th 2013 at the Parc Floral de Vincennes

Sergio Mendes (piano), Gracinha Leporace, Katie Hampton, Ayana Williams (vocals), Kleber Jorge Pimenta (vocal, guitar), Hussain Jiffry (vocal, bass), Michael Shapiro (vocal, drums), Scott Mayo Keyboards (saxophone, flute), Marco B. Dos Santos 'Gibi' (drums), Harrell Harris 'H2O' (rapper)

Hugh Masekela celebrates Mama Afrika Hugh MASEKELA flugelhorn, vocals / Cameron WARD guitar / Fana ZULU bass / Randal SKIPPERS keyboards / Lee-Roy SAULS drums / Francis Manneh FUSTER percussions With Abdullah Ibrahim, Masekela is one of the pioneering figures of South African jazz. With his music, the trumpeter, flugelhornist, singer and composer has strongly influenced the political emergence of the anti-apartheid movement which he helped bring to international attention, through noted performances such as the one he gave in Monterey alongside Otis Redding and Jimi Hendrix back in 1967, or his appearance on Paul Simon's multi-million selling Graceland album. Fresh from his presence at Barack Obama's second inauguration ball, Masekela will present his latest project at Parc Floral, a celebration of his late wife, South African diva Miriam Makeba.