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Street Scene, American opera in two acts by Kurt Weill (1900 - 1950) Libretto by Elmer Rice after his own play, lyrics by Langston Hugues and Elmer Rice First performance in Philadelphia, Shubert Theatre, 16 December 1946 Coro y Orquesta Titulares del Teatro Real, Tim Murray (Conductor) Andrés Máspero (Chorus Master) John Fulljames (Stage Direction) Geoffrey Dolton (Abraham Kaplan) Jeni Bern (Greta Florentino) Scott Wilde (Carl Olsen) Lucy Schaufer (Emma Jones) Harriet Williams (Olga Olsen) Eric Greene(Henry Davis) Patricia Racette (Anna Mourrant) Joel Prieto (Sam Kaplan) Tyler Clarke (Daniel Buchanan) Paulo Szot (Frank Mourrant) Gerardo Bullón (George Jones) José Manuel Zapata (Lippo Fiorentino) Marta Fontanals-Simmons (Jennie Hildebrand) Mary Bevan (Rose Mourrant) Richard Burkhard (Harry Easter) Recorded on February 16, 2018 at the Teatro Real, Madrid TV Director, Jérémie Cuvillier

The Ninth Symhony Maurice Béjart, choreography After Schiller's 'Ode to joy' Ludwig van Beethoven, music Maurice Béjart, staging Friedrich Nietzsche, Prologue Gil Roman, artistic director Israel Philharmonic orchestra Zubin Mehta, conductor Ritsuyukai choir Kufiami Kuriyama, chorus master Gil Roman, narratorr Kristin Lewis, soprano Mihoko Fujimura, mezzo-soprano Kei Fukui, tenor Alexander Vinogradov, bass JB Meier and Thierry Hochstätter, percussion Joëlle Roustan abd Roger Bernard, original costumes and sets Henri Davila, costumes adaptation Dominique Roman, Lighting realisation Piotr Nardelli, Ballet Master revival With The Béjart Ballet Lausanne The Tokyo Ballet and Solooists Dan Tsukamoto, Mizuka Ueno, Iori Nittono, Aya Takagi, Kathleen Thielheilm, Masayoshi Onuki, Elisabet Ros, Juien Favreau, Lisa Cano, Fabrice Gallarrague, Pauline Voisard, Felipe Rocha, Oscar Chacon, Keisuke Nasuno, Marsha Rodriguez, Cosima Munoz, Mari Ohashi, Kwinten Guilliams, Aldriana Vargas Lopez, Hector Navarro, Alanna Archibald Recorded on November 9 th 2014 at the NHK Hall Tokyo TV Director, Mari Hnamasu

Le Tour du Monde en 80 minutes (Around the world in 80 minutes) Maurice Béjart, choreographer Béjart Ballet de Lausanne Gil Roman, Artistic director Original musical compositions by : Thierry Hochstätter & jB Meier (Citypercussion), Ilia Chkolnik, Stravinsky, Théodorakis, Vivaédi, Hadjidakis. Lebars, Mozart, Strauss, Wagner, Ellington, Warren Harry, Tchaikovsky, Musiques traditionnelle chinoise, Tahitienne, Corée Pérou Recorded on 2008 at the Palais des Sports de Paris TV Director, Gil Amado

Cleveland Orchestra, Franz Welser-Möst (Conductor) Yefim Bronfman (piano) Johannes Brahms (1833 - 1897) Variations on a theme by Haydn., op. 56a Concerto for piano no.1, op. 15 Recorded on February 2015 at the Severance Hall, Cleveland Directed by William Cosel

Cleveland Orchestra, Franz Welser-Möst (Conductor) Yefim Bronfman (piano) Johannes Brahms (1833 - 1897) Tragic overture op. 81 Concerto for piano no.2 op. 83 Recorded on February 2015 at the Severance Hall, Cleveland Directed by William Cosel

The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large

Rigoletto, melodramma in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after Victor Hugo's play 'Le roi s'amuse' First performance in Venice, Teatro La Fenice, 11 March 1851 Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Riccardo Frizza (Conductor) Conxita Garcia (Chorus Master) Monique Wagemakers (Stage Director) Michael Levine (Sets), Sandy Powel (Costumes), Reinier Tweebeeke (Lighting designer) Javier Camarena (Duca di Mantova) Carlos Álvarez (Rigoletto) Desirée Rancatore (Gilda) Ante Jerkunica (Sparafucile) Ketevan Kemoklidze (Maddalena) Gemma Coma-Alabert (Giovanna) Gianfranco Montresor (Conte di Monterone) Toni Marsol (Marullo) Josep Fadó (Matteo Borsa) Xavier Mendoza (Conte di Ceprano) Mercedes Gancedo (Contessa di Ceprano) Recorded at the Gran Teatre del Liceu, Barcelona, on April 6th, 2017 TV Director, Stéphane Lebard

Paco de Lucia , Light & Shade Documentary by Michael Meert Paco de Lucia appeared like a comet on the international scene. His guitar-playing was of a type never before heard-flamenco, yes, but with something quite new. Flamenco music, it roots shrouded in mystery, is certainly integral to his style. Listening to him, though, you can soon hear that he is trying to break several stylistic barriers. The film should not only introduce the star everyone reckons they are familiar with from concerts or recording-the self-assured, grandiose performer, but Paco's readiness to allow a highly personal film portrait of himself means that we can gain a background glimpse into the personality of this fascinating musician. Produced on 1995

The Sound of New York, Matthew Stevens 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stevens es un guitariste américain. Born in Toronto (Canada), he learnt piano and guitar at a young age. He studies at Berklee College of Music. Since 2004, Stevens has established himself in the contemporary jazz scene performing and recording with numerous artists including Christian Scott, Terri Lyne Carrington and Esperanza Spalding.Regarded to be one of 'most exciting up-and-coming jazz guitarists' in his generation, Stevens was placed in the Rising Star Guitar Category of the 63rd Annual DownBeat Critics Poll.. He got good reviews from NPR, Jazz Times, Billboard and the New York Times. His debut album as a leader, 'Woodwork', received stellar reviews from critics. His last album 'Preverbal' releases on March 2017, Ropeadope Records. Stevens has toured extensively in the U.S., Canada, Europe, Asia, South Africa, and South America. He is also a member of the adjunct faculty at the New School and has taught workshops at the Maryland Summer Jazz Workshop, USC, and Berklee College of Music. Recorded in 2017 TV director, Gloria Rebecchi

Anne Paceo, Bright Shadows Anne Paceo, drums, voix Tony Paeleman, keyboard Christophe Panzani, saxophone Pierre Perchaud, guitar Florent Matéo, voice Ann Shirley, voice With Bright Shadows, Anne Paceo seems resolutely determined to pursue her melodic and sound explorations based on voices and electronics, playing therefore in between the frontiers of musical genres. She is joined this time by two delicate and unclassifiable voices (Florent Mateo and Ann Shirley) and by three faithful and precious companions (Pierre Perchaud, Christophe Panzani et Tony Paeleman). Recorded on May 12, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

All stars band Jazz en Baie Antonio Farao, piano Eddie Gomez, double bass Bireli Lagrène, guitar Lenny White, drums Recoded at Festival Jazz en Baie on August 15th 2015 TV Director, Laurent Preyale

Grigory Sokolov (piano) Franz Schubert (1797 - 1828) Four Impromptus D 899 Franz Schubert Three Klavierstücke D 946 Ludwig van Beethoven (1770 - 1827) Piano sonata no. 29 in B flat major Op. 106 'Hammerklavier' Jean-Philippe Rameau (1683 - 1764) Les tendres plaintes Les tourbillons Les cyclopes La follette Les sauvages Johannes Brahms (1833 - 1897) Intermezzo Opus 117 no. 2 Recorded on June the 5th, 2013 at the Philharmonie, Berlin Directed by Bruno Monsaingeon

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Dick Kuijs

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Katerina Izmailova, by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitri Shostakovich and Alexander Preis after 'Lady Macbeth of the Mtsensk District' by Nikolai Leskov First performance in Moscow, Stanislavsky-Nemirovich-Danchenko Music Theatre, 8 January 1963 Bolshoi Orchestra, Tugan Sokhiev (conductor) Valery Borisov (chorus master) Rimas Tuminas (Stage Director) Adomas Jacovskis (Sets), Maria Danilova (Costume Design), Anzelica Cholina (Choreography), Damir Ismagilov (Lighting) Taras Shtonda (Boris Timofeyevich Izmailov, a merchant) Marat Gali (Zinoviy Borisovich Izmailov, his son) Nadja Michael (Katerina Lvovna Izmailova, wife of Zinovy Borisovich) John Daszak (Sergei, a labourer at the Izmailovs') Oxana Gorchakovskaya (Aksinya, a labourer at the Izmailovs') Roman Muravitsky (Shabby peasant) Alexander Korotky (Porter) Yuri Markelov (First labourer, Coachman, Drunken guest) Vadim Babichuka (Second labourer) Goderdzi Janelidze (Mill-hand) Nikolai Kazansky (Sergeant) Stanislav Mostovoy (Local nihilist) Alexander Naumenko (Old convict) Svetlana Shilova (Sonyetka, a woman convict) Irina Rubtsova (Woman convict) Goderdzi Janelidze (Officer) Alexander Korotky (Sentry) Recorded on November 10 and 12, 2016 at the Bolshoi Theatre, Moscow TV Director, Jean-Pierre Loisil

Michel Dalberto (piano) Gabriel Fauré (1845 - 1924) Ballade in F sharp major op. 19Nocturne no. 7 in C sharp minor op. 74 Theme and Variations in C sharp minor op. 73 Nocturne no. 6 in D flat major op. 63 Impromptu no. 3 in A flat major op. 34 Nocturne no. 9 in B minor op. 97 Nocturne no. 11 in F flat minor op. 104 no. 1 Nocturne no. 13 in B minor op. 119 Recorded on January 7, 2017 at the Conservatoire d'Art Dramatique 9, Paris Directed by Guillaume l'Hôte

Estonian National Symphony Orchestra, Kristjan Järvi (Conductor) Arvo Pärt (b. 1935) Swansong (2013) La Sindone (2005/2015) Symphony no. 1 'Polyphonic' (1963) Gustav Mahler (1860-1911) Symphony no. 1 in D major (1888) Recorded at the Estonia Concert Hall, Tallinn, on November the 6th, 2015

Harold Lopez-Nussa El Viaje Harold Lopez-Nussa, piano Alioune Wade, bass Ruy Adrian Lopez-Nussa, drums, bongos, cajón This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival TV director, Guillaume Dero

The Sound of New York, Stefon Harris 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stefon Harrisis an American jazz vibraphonist. In 1999, the Los Angeles Times called him 'one of the most important young artists in jazz' who is 'at the forefront of new New York music' and 'much in demand as a star sideman'. Harris has played with several jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, and Charlie Hunter, in addition to releasing several of his own critically well-regarded albums. Multiple Grammy nominee, in 2016 he's named Director of the Manhattan school of music prestigious jazz arts program. Il a 6 albums à son actif. Recorded on 2017 TV Director, Gloria Rebecchi

Documentary about French jazz vocalist, cornettist and saxhorn player Médéric Collignon with Claude Barthélemy, Jacque Bonnafé, Boris Charmatz, Fréderic Chiffoleau, Maxime Delpierre, Dgiz, Andy Emler, Philippe Gleizes, Mathieu Jerôme, David Lescot, Bernard Lubat, Thomas de Pourquery, André Minvielle, Jean-Francois Morel, Yvan Robilliard, Louis Sclavis, Frank Woeste...

The Sound of New York, Matthew Stevens 'The Sound of New York' is the exploration of the musical world of a new generation of artists based in New York City. These musicians hail from different countries, with their own stories and diverse experiences, are giving birth to a new musical wave that takes shape influencing worldwide the artistic scene. It's right in New York today that this impulse is stronger than ever: the sounds come from a deep integration of music of the past and today, interacting with other artistic forms. It's a modern concentration of African-American music influences, including classical and contemporary, as well as more mainstream styles such as Jazz, Hip-Hop, R'B, Rock, etc 10 musicians internationally known will lead us into this world walking along the streets of New York. We will see the places where they live and listen to the music they compose to know their artistic essence. Stevens es un guitariste américain. Born in Toronto (Canada), he learnt piano and guitar at a young age. He studies at Berklee College of Music. Since 2004, Stevens has established himself in the contemporary jazz scene performing and recording with numerous artists including Christian Scott, Terri Lyne Carrington and Esperanza Spalding.Regarded to be one of 'most exciting up-and-coming jazz guitarists' in his generation, Stevens was placed in the Rising Star Guitar Category of the 63rd Annual DownBeat Critics Poll.. He got good reviews from NPR, Jazz Times, Billboard and the New York Times. His debut album as a leader, 'Woodwork', received stellar reviews from critics. His last album 'Preverbal' releases on March 2017, Ropeadope Records. Stevens has toured extensively in the U.S., Canada, Europe, Asia, South Africa, and South America. He is also a member of the adjunct faculty at the New School and has taught workshops at the Maryland Summer Jazz Workshop, USC, and Berklee College of Music. Recorded in 2017 TV director, Gloria Rebecchi

Hindi Zahra et Fatoumata Diawara Olympic Café Tour Banlieues Bleues Festival Hindi Zahra, voice Fatoumata Diawara, voice, guitar Yacouba Kone, guitar, keyboards, Sekou Bah, bass Zé Luis Nascimento, drums This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine , as part of the 'Banlieues Bleues' Festival TV Director, Laurent Hasse

Yaroslavana Vladimir Varnava, choreographer Boris Tishchenko, Music Vladimir Varnava and Konstantin Fyodorov, Libretto Konstantin Fyodorov , script Galya Solodovnikova , Set and Costume Designer Igor Fomin, Lighting Designer Ilya Starilov, Video Graphics Designer Mariinsky Theater orchestra Valery Gergiev, conductor Mariinsky Theater ballet Recorded on June 30th and July 1st, 2017 at the Mariinsky Theatre, Saint Petersburg TV Director, Louise Narboni

The Fountain of Bakhtchisarai Mariinsky Theater Ballet Rostislav Zakharov, Choreography Boris Asafiev, composer Valentina Khodasevich, Set and costume design Nikolai Volkov, Libretto based on the poem by Alexander Pushkin With Nikolai Naumov, Prince Adam Olesya Novikova, Maria Maxim Zyuzin, Vaslav Yuri Smekalov, Ghirei Alexandra Losifidi, Zarema Pavel Ostapenko, Nurali Recorded on May 27th and 28, 2017 at the Mariinsky Theatre, Saint Petersburg TV Director, Olivier Simonnet

Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Orchestre de la Suisse Romande, Marko Letonja (Conductor) Chorus of the Grand Théâtre de Genève, Alan Woodbridge (Chorus Master) Tobias Richter (Stage Director) Ildebrando D'Arcangelo (Il Conte di Almaviva) Nicole Cabell (La contessa di Almaviva) Regula Mühlemann (Susanna) Guido Loconsolo (Figaro) Avery Amereau (Cherubino) Monica Bacelli (Marcellina) Bruce Rankin (Don Basilio) Fabrice Farina (Don Curzio) Balint Szabo (Bartolo) Mélody Louledjian (Barbarina) Romaric Braun (Antonio) Recorded on September 21, 2017 at the Grand Théâtre de Genève Directed by Andy Sommer

François-Frédéric Guy (piano) Johannes Brahms (1833 - 1897) Piano sonata no 1 in C major, opus 1 Piano sonata no 2 in F sharp minor, opus 2 Piano sonata no 3 in F minor, opus 5 Recorded on March, 30th 2016 at the Salle Gaveau, Paris Guillaume L'Hôte, TV director

Royal Concertgebouw Orchestra, Bernard Haitink (conductor) Mitsuko Uchida (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano concerto no 23 in A major, KV 488 Anton Bruckner (1824 - 1896) Symphony no 6 in A major Recorded on December 14, 2018 at the Concertgebouw, Amsterdam Directed by Dick Kuijs

Orchestre National du Capitole de Toulouse, Tugan Sokhiev (conductor) Khatia Buniatishvili (piano) Edvard Grieg (1843 - 1907) Peer Gynt - Suite no 1, op. 46 (excerpts) Piano Concerto Anton Bruckner (1824 - 1896) Symphony no. 7 Recorded at the Halle aux Grains, Toulouse, on January 11th, 2014 Directed by Jean-Pierre Loisil

The Afternoon of a Faun choreography by Thierry Malandain A ballet for one dancer Music by Claude Debussy Arnaud Mahouy, The Faun Premiered by the Ballets Russes on 29 May 1912 and choreographed by Vaslav Nijinsky on music by Claude Debussy, with sets and costumes by Léon Bakst, the ballet is adapted from a poem by Stéphane Mallarmé. A faun is lying on a rocky mound as a group of nymphs appears. He watches them and comes closer. Frightened, they all flee, except for one. As he tries to catch her, she escapes and drops a veil on the ground. The faun seizes the veil, takes it back to his mound and lies down on it, as in an act of love. 'In this argument, I am mostly interested in the faun's desire and in the expression of sensuality through dream and fantasy. There are no references to Ancient Greece or to wooded landscapes, and Léon Bakst's mound on which the faun is perched is now a box of Kleenex. The novelty of the original choreography and the 'beastly' erotic gestures by Nijinsky caused a furore when the piece was premiered. In this performance, carnal pleasure is as central as in the original, and my faun is steeped in a world of fantasy and sensuality. The main difference is that he is not a mythical creature, half-man, half-beast, but a lonely young man, overwhelmed with desire and the memory of love.' T. Malandain. TV Director, Sonia Paramo - (2013 - 11 mns) Recorded at the Eugenia Theater of San Sebastien (Spain)

Pura Fé's music is a happy mix of Blues, traditional Indian music and Folk Song. Her moving voice conveys an ancestral message from the Native American world and tells how history unites southern Native and African-Americans. Mathis Haugs's contemporary folk-blues brings to mind Ben Harper and Moriarty. But comparisons are irrelevant, as Mathis has developed his own musical world. This project draws its inspiration from the comic album 'Rouge Camargue' by Jean Vilaine and Michel Faure. Pura Fé Cresioni (vocals) Eric Longsworth (cello) Mathis Haug (guitar) Stephane Notari (percussions)

Damn'co Damien Schmitt, voice, drums Michael Lecoq, keyboard, voice Mika Joseph, keyboard, talkbox Yann Negrit, guitar, voice Swaéli Mbappé, bass, voice Mixing up pop and hip-hop Dam'nco, the group of the drummer Damien Schmidt, takes its inspiration from the different neighbourhoods of Paris to compose a dancing a colourful music which is not without reminding us of that of Snarky Puppy.An unfailing rhythm section, soloists with explosive improvisations: all the ingrediants are brought together for a wild end to the evening! Recorded on May 10, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve

Anouar Brahem Blue Maqams Anouar Brahem, oud Dave Holland, double bass Jack DeJohnette, drums Django Bates, piano For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist : Opening Day La Nuit Blue Maqams Bahia Persepolis' Mirage Unexpected outcome The recovered road to Al-Sham Bom Dia Rio Halfaouine All compositions by Anouar Brahem Live from the Philharmonie de Paris TV Director, Didier Oustrie

Rigoletto, melodramma in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Francesco Maria Piave after Victor Hugo's play 'Le roi s'amuse' First performance in Venice, Teatro La Fenice, 11 March 1851 Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Riccardo Frizza (Conductor) Conxita Garcia (Chorus Master) Monique Wagemakers (Stage Director) Michael Levine (Sets), Sandy Powel (Costumes), Reinier Tweebeeke (Lighting designer) Javier Camarena (Duca di Mantova) Carlos Álvarez (Rigoletto) Desirée Rancatore (Gilda) Ante Jerkunica (Sparafucile) Ketevan Kemoklidze (Maddalena) Gemma Coma-Alabert (Giovanna) Gianfranco Montresor (Conte di Monterone) Toni Marsol (Marullo) Josep Fadó (Matteo Borsa) Xavier Mendoza (Conte di Ceprano) Mercedes Gancedo (Contessa di Ceprano) Recorded at the Gran Teatre del Liceu, Barcelona, on April 6th, 2017 TV Director, Stéphane Lebard

Strada Quartet, Adrien Boisseau (viola) Johannes Brahms (1833 - 1897) String Quartet No. 1 in C minor, op. 51 String Quintet No. 2 in G major, op. 111 Recorded June 10, 2018 at the Bouffes du Nord Theater, Paris Directed by Marc Wieviorka and Guillaume L'Hôte

Ensemble Pygmalion, Raphaël Pichon (Conductor) Céline Scheen (Soprano), Lucile Richardot (Mezzo-soprano), Samuel Boden (Tenor), Marc Mauillon (Baritone), Christian Immler (Baritone) Jean Colin Miserere, faux-bourdon André Danican Philidor Tambour & Marche funèbre pour le Convoi du Roy Michel-Richard de Lalande De Profundis, Grand Motet Plain Chant et Faux Bourdon Jean Colin Pie Jesu, faux-bourdon Fanfare 'Le Roy est mort ! Vive le Roy !' Recorded on November 3rd and 4th, 2015, at the Chapelle Royale, Château de Versailles Directed by Stéphane Vérité

François Salque (cello), Eric Le Sage (piano) Johannes Brahms (1833 - 1897) Cello sonata No 1, op. 38 Pierre Fouchenneret (violin), Romain Descharmes (piano) Johannes Brahms (1833 - 1897) Violin sonata No 1, op. 78 Recorded on June 9, 2018 at the Bouffes du Nord Theater, Paris TV directors, Marc Wieviorka and Guillaume L'Hôte

Alcione, tragédie lyrique in a prologue and five acts by Marin Marais (1656 - 1728) Libretto by Antoine Houdar de Lamotte after Ovid Creation in Paris, Opéra, February 18, 1706 Le Concert des Nations, Jordi Savall (Conducteur) Louise Moaty (Stage Direction) Raphaëlle Boitel (Circus Choreography) Tristan Baudoin, Louise Moaty (Sets) Alain Blanchot (Costumes), Maël Iger (Lighting) Lea Desandre (Alcione) Cyril Auvity (Ceix) Marc Mauillon (Pelée) Lisandro Abadie (Pan, Phorbas) Antonio Abete (Tmole, Grand-Prêtre /Neptune) Hasnaa Bennani (Ismène, 1ère Matelote) Hanna Bayodi-Hirt (Bergère, 2ème Matelote, Prêtresse) Pauline Journe, Tarek Aitmeddour, Alba Faivre, Cyril Combes, Emily Zuckerman, Valentin Bellot, Mikael Fau, Maud Payen (Danseurs et Circus artists) Recorded on May 6th, 2017, at the Opéra-Comique, Paris TV Director, François Roussillon

Noé Choreography byThierry Malandain Music, Messa di Gloria de Gioachino Rossini Set and costume, Jorge Gallardo Lights, Francis Mannaert Costumes productin, Véronique Murat With Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Jacob Hernandez Martin, Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González Recorded on May 24th 2017 at the Théâtre national de Chaillot TV Director, Patrick Lauze

Beauty and the Beast Choreography by Thierry Malandain Music by Piotr Ilitch Tchaikovski (Symphony N° 6 ' Pathetic ', Op. 74) Additional music, The polonaise and the Waltz of the opera, Eugène Onéguine by P.I. Tchaïkovski Light creation, Jean-Claude Asquié Set and costume, Jorge Gallardo Ballet masters, Richard Coudray, Françoise Dubuc Conductor, Ainars Rubikis Orchestre Symphonique d'Euskadi With The Malandain Ballet Biarritz Beauty, Claire Lonchampt The Beast, Mickaël Conte The Artist, Arnaud Mahouy The Soul, Miyuki Kanei The Body, Daniel Vizcayo The father, Frederik Deberdt The sisters, Ellyce Daniele, Ione Miren Aguirre The brothers, Raphaël Canet, Baptiste Fisson Les allégories - Allegories The love, Patricia Velázquez The rose, Miyuki Kanei The mirror, Hugo Layer The glove, Irma Hoffren The horse, Baptiste Fisson The Key, Michaël Garcia Sets Ione Miren Aguirre, Raphaël Canet, Ellyce Daniele, Romain di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Lucia You González, Irma Hoffren, Mathilde Labé, Hugo Layer, Guillaume Lillo, Nuria López Cortés, Ismael Turel Yagüe, Patricia Velázquez, Laurine Viel, Daniel Vizcayo Recorded on February 2,3 & 4 2016 at the Donostia Kursaal in San Sébastien, Spain TV Director, Patrick Lauze

The William Parker Organ Quartet William Parker, doublebass Cooper-Moore, keyboard James Brandon Lewis, tenor saxophone Hamid Drake, drums The New York-based bass player is back with a groundbreaking organ quartet, and his music is more soul-based than ever - thrills are guaranteed! A former member of David S. Ware's and Cecil Taylor's bands, William Parker is, more than a sought-after sideman, a major jazz composer in his own right, constantly reinventing musical codes. The double bass player has made his mark as a leader capable of bringing together a number of loose electrons. Such is the case with this brilliant quartet: amazing drummer Hamid Drake, esoteric keyboard player Cooper-Moore and eclectic saxophonist James Brandon Lewis. Three fantastic partners, exploring a form of spiritual jazz that should touch us deep in our souls. Recorded on Marche 28th 2017 at the Dynamo of Banlieues Bleues, Pantin, as part of the 'Banlieues Bleues' Festival TV Director, Guillaume Dero

Documentary about French jazz vocalist, cornettist and saxhorn player Médéric Collignon with Claude Barthélemy, Jacque Bonnafé, Boris Charmatz, Fréderic Chiffoleau, Maxime Delpierre, Dgiz, Andy Emler, Philippe Gleizes, Mathieu Jerôme, David Lescot, Bernard Lubat, Thomas de Pourquery, André Minvielle, Jean-Francois Morel, Yvan Robilliard, Louis Sclavis, Frank Woeste...

Sylvain Luc 5tet Sylvain Luc, guitar Keyvan Chemirani, percussion Bijan Chemirani, percussion Stéphane Belmondo, trumpet Lionel Suarez, accordion Sylvain Luc is without a doubt one of the most brilliant guitarists of the current generation. His insatiable curiosity for the most diverse musical worlds makes his encounter with the Chemirani brothers two astonishing Franco-Iranian percussionists a rare and powerful moment. When he adds Stéphane Belmondo and Lionel Suárez to the trio both of whom are on the look out for dreams and encounters, this atypical grouping of variable geometry becomes a real invitation to travel! Recorded on May 11, 2018 at Jazz sous les Pommiers Festival Réalisation, Laurent Hasse et Thierry Villeneuve